herstory – Page 16 – Feminism and Religion

Women, Blame, and Patriarchy by Mary Gelfand

Last May I had a vision in the shower. It wasn’t the kind of vision I like to have—where the Goddess and I dance across a meadow with flowers springing up as we pass and cool breezes bringing sweet fragrances. This was the kind of vision I’d rather not have, but probably needed to. This is from my journal.

Something happened during my shower recently that feels relevant. As I stepped into the shower, a phrase thrust itself into my mind: “I was forced to watch them die and it was all my fault.” As I ‘stood’ there with water pouring over my body and that statement vibrating in my brain, it attached itself to a scene where I was the spiritual leader of a community that came under attack. I was forced to watch the women and men who believed in what I taught as they were executed. Many of them were friends and relatives. I was restrained and couldn’t intervene to save them, or join them in execution. Having to witness this was part of my punishment. Instead I was carried to a bigger town, publicly humiliated and beaten, and then executed in some painfully unpleasant way I can’t recall–probably because I don’t want to.

Woman’s Sacred Hand – and Handkerchief by Laura Shannon

In my recent post ‘Forty Days After Childbirth, Mary Returns to the World,’ I wrote that ‘the woman’s power to bless and protect, as well as to create, is shown in the symbol of her hand.’ We see expressions of this power in the Orthodox Christian icon of the Three-Handed Madonna, whose third hand is over her womb, and the Hamsa, the hand-shaped talisman common to Jewish, Christian, and Islamic traditions. Also known as the Hand of Fatima, Miriam, or Mary, the Hamsa often incorporates eye or vulva motifs, which also offer protection.

Hand, womb, and eye all signify female creative power, personified in the image of Goddess and revered in Neolithic Old Europe. This life-giving principle is expressed in many ways apart from childbearing: as Carol Christ affirms, early technologies of spinning, weaving, pottery, and agriculture, along with Neolithic religion, were most likely invented by women.

Finding that Feeling and Standing to Heal the Earth by Caryn MacGrandle

Something happened to me while listening to a song yesterday Mycelia by Yaima Music about the Mycelium Network: the largest living organism in the world underneath our feet, connected by synapses, communicating and assisting life. I found that feeling.

The one where you know you are on Path.

Laney Goodman who just passed, I remembered her singing and drumming. I remembered being at ALisa Starkweather’s Daughter of the Earth events, meeting the hundreds of Priestesses that ALisa has brought together and trained over the years. Being in awe. Wishing I was a person who could do that.

I remembered that I Am.

“Starting to Hear the Earth
Standing to Heal the Earth”

Is Sin An Antiquated Concept? by Rev. Dr. Karen Tate

I believe many could and would characterize abuse and exploitation as varying degrees of sin, from gossip and verbal intimidation on one end of the spectrum to murder, rape or thievery on the other. Yet, while we’ve normalized some acts that we recognize fall into the categories of abuse and exploitation, if you asked someone if society has normalized sin, I suspect most people would say “of course not.” I believe that cognitive disconnect is proof we’ve become numb and acculturated to many forms of abuse. The concept of sin, and what constitutes sin along with redemption, purification and penance are not on the minds of people today as they once were, despite the rampant abuse and exploitation, aka sin. We accept it like we’ve come to believe greed is good when it once was one of the Seven Deadly Sins. I think prosperity gospels too need to be evaluated for the anti-Jesus message these teachings perpetuate that does little to advance an evolved and compassionate humanity.

My Daughter’s Religions by Sara Frykenberg

I find it interesting how certain or settled we often expect our little ones to be instead of getting curious about them or acknowledging that they are curious.

My daughter, Hazel, is six years old and will be starting first grade next week. She loves cats, swimming, her cousin, and food. Purportedly, Chinese style barbecue pork buns come first in her heart, even before mommy and daddy (though we are a close second). She also prefers to run instead of walk; and has recently declared that she is Taoist and Shinto. This determination came after some discussion which went something like this:

Sitting at the kitchen table one morning, Hazel declares “My best friend asked me if I was a Christian and I told her I was. I am a Christian.”

Mommy the agnostic is a little surprised. Daddy, the atheist, is biting back a retort—he is somewhat hostile towards Christianity. I am only hostile to abusive, hetero-Patriarchal Christianity. I say to Hazel, “Oh. That’s interesting. Do you know what that means?”

“No. What do Christians believe,” she asks.

The Legacy of Carol P. Christ: Weaving and Spinning Women: Witches and Pagans by Max Dashu A Review

Moderator’s Note: This was originally posted on September 19, 2016

Max Dashu’s Witches and Pagans: Women in European Folk Religion 700-1000 challenges the assumption that Europe was fully Christianized within a few short centuries as traditional historians tell us. Most of us were taught not only that Europe became Christian very rapidly, but also that Europeans were more than willing to adopt a new religion that was “superior” to “paganism” in every way. Careful readers of Dashu’s important new work will be challenged to revise their views. When the full 15 volumes of the projected series are in print, historians may be forced to hang their heads in shame. This of course assumes that scholars will read Dashu’s work. More likely they will ignore or dismiss it, but sooner or later–I dare to hope–the truth will out.

History has been written by the victors—in the case of Europe by elite Christian men. These men may have wanted to believe that their views were widely held, but Dashu suggests that they were not. Combing artistic and archaeological records, Dashu finds (to give one example) that images of Mother Earth nursing a snake are far from uncommon and can even be found as illustrations in Christian documents and on Christian monuments. Clerics rage against people—particularly women–who continue to visit holy wells and sacred trees and to practice divination and healing rituals invoking pagan powers. To paraphrase Shakespeare: “Methinks the cleric doth protest too much.” Were these things not happening and happening often, there would have been no need to condemn them. Using these clues, Dashu provides intriguing new readings of the Poetic Edda and Norse sagas.

Why It Matters That Simone Biles Won Times Athlete of the Year Award by Janet Maika’i Rudolph

I remember my first feeling’s of disappointment when Simone Biles pulled out of so many events at the 2021 Olympics. But then I quickly realized that here I was falling for the patriarchal lines that are so much a part of our reality that they become unconscious. Simone Biles taught me. Winning isn’t about slaying your foes (although someone who watches politics here in the US would think so). When Biles withdrew, there were many angry tweets and letters that she wasn’t living up to her promises. Let’s review that. She has been called the GOAT (Greatest Of All Time) of her sport. She is the most decorated gymnast in history. She is only 24. What promise has she broken? To whom? And who are we (meaning the public) to even determine what her promise is?

Writing Women Back into Jewish History: Interview with Michelle Cameron by Mary Sharratt

My friend Michelle Cameron’s powerful new novel, Beyond the Ghetto Gates, is a deep dive into women’s history that I thoroughly enjoyed.

This is a passionately compelling saga of an ancient way of life on the threshold of radical change. Young Mirelle longs to dedicate her life to running her aging father’s workshop, but her rabbi forbids her on account of her sex. Chafing against the constraints of both her gender and the suffocating strictures of the Ancona Ghetto, Mirelle sees no way forward but dutiful arranged marriage. Yet Napoleon’s armies, sweeping across Europe, threaten to change her way of life forever.

I learned so much from reading Michelle’s novel and from my conversation with her below. I hope my readers are likewise compelled! Reading is our great solace in this time of lockdown.

Mary Sharratt: Michelle, tell us about your new novel, Beyond the Ghetto Gates.

Michelle Cameron: Beyond the Ghetto Gates is a historical novel set during Napoleon Bonaparte’s Italian campaign (1796-97). When French troops occupy the port city of Ancona, freeing the city’s Jews from their repressive ghetto, two very different cultures collide. Mirelle, a young Jewish maiden, must choose between her duty – an arranged marriage to a wealthy Jewish merchant – and her love for a dashing French Catholic soldier. In the meantime, Francesca, a devout Catholic, must decide if she will honor her marriage vows to an abusive and murderous husband. Beyond the Ghetto Gates depicts how the Jews and Catholics of Ancona wrestle with ancient traditions, prejudices, and the challenges of a rapidly changing world.

MS.: How does your faith inspire your fiction?

MC: People often ask if I’m religious, because my historical novels focus on Jewish characters, issues of antisemitism, and the deep conflict between religious tradition and assimilation. I believe it’s precisely because I am a non-observant Jew with deep roots in my ancestral traditions and culture that I can wrestle with these issues in ways that a more religious writer could not. I’ve felt the attraction of being part of “the norm,” much as my characters do, that tug-of-war between religious identity versus being accepted in a secularized society, which is a constant theme in my fiction.

MS: What is the most surprising fact you’ve gleaned from your research into women in Jewish history?

MC: That Jewish women could divorce if their husbands fail in their marital duties. These are spelled out in the marriage contracts (ketubot) that Mirelle’s father creates:

Be my wife according to the law of Moses and Israel. I will work, honor, feed, and support you in the custom of Jewish men, who work, honor, feed, and support their wives faithfully. I will give you the settlement of ______ as well as your food, clothing, necessities of life, and conjugal needs, according to the universal custom.

The shocker here is “and conjugal needs.” Once, when speaking about my previous novel, The Fruit of Her Hands, I was questioned on the pleasure that Shira’s rabbi husband gave her in bed. There’s a common misconception that intercourse is a duty whose sole purpose is procreation. Luckily for me, the group included the rabbi’s wife, who explained that men are actually taught in the Talmud how to satisfy their wives sexually.

But since observant women are discouraged from studying Talmud, men who aren’t adequate to the task aren’t always condemned for their failures. But the fact remains that men are supposed to make the act pleasurable for both parties – and that they can be divorced if they don’t do so.

MS: How do you hope your work might inspire your readers to gain new insights about history and faith?

MC: I hope that, by learning about the cultural underpinnings and the historical struggles of my Jewish characters, my novels might promote greater understanding between all faiths.

MS: What is the one question you never get asked in interviews, but wish you did?

MC: Did you always want to write Jewish historical fiction?

In fact, I did not. My first book, In the Shadow of the Globe, a verse novel about William Shakespeare’s life and loves, was actually the type of book I thought I’d be writing. But then I discovered that I could trace my roots back to my 13th Century rabbi ancestor – Meir of Rothenberg – and realized his life story was the stuff of a novel. Writing that book set me on this path. It helps that I had a much more thorough grounding in Jewish history than most, because I lived in Israel during my high school years.

MS: What are you working on now? Will you continue to explore themes of women and Jewish history?

MC: I’m working on the second book in the series – which takes Napoleon and his troops on a bizarre expedition to Egypt and Israel. Many of the same characters from Beyond the Ghetto Gates will be part of this novel. So yes, I’ll be continuing to explore these themes.

MS: How would you like readers to connect with you?

MC: Via my website. This includes my various social media links, as well as a contact page, allowing readers to write me directly.

Author, Michelle Cameron

Mary Sharratt is on a mission to write women back into history. Her most recent novel Ecstasy is about the composer Alma Schindler Mahler. If you enjoyed this article, sign up for Mary’s newsletter or visit her website.

Embracing Darkness: All Hallows Eve in Old Lancashire

Come Halloween, the popular imagination turns to witches. Especially in Pendle Witch Country, the rugged Pennine landscape surrounding Pendle Hill, once home to twelve individuals arrested for witchcraft in 1612. The most notorious was Elizabeth Southerns, alias Old Demdike, cunning woman of long-standing repute and the heroine of my novel Daughters of the Witching Hill.

How did these historical cunning folk celebrate All Hallows Eve?

All Hallows has its roots in the ancient feast of Samhain, which marked the end of the pastoral year and was considered particularly numinous, a time when the faery folk and the spirits of the dead roved abroad. Many of these beliefs were preserved in the Christian feast of All Hallows, which had developed into a spectacular affair by the late Middle Ages, with church bells ringing all night to comfort the souls thought to be in purgatory. Did this custom have its origin in much older rites of ancestor veneration? This threshold feast opening the season of cold and darkness allowed people to confront their deepest fears—that of death and what lay beyond. And their deepest longings—reunion with their cherished departed.

Continue reading “Embracing Darkness: All Hallows Eve in Old Lancashire”

Missing from History: Women Composers by Mary Sharratt

Clara Schumann

To a large extent, women have been written out of history. Any surviving record of female accomplishment is often trivialized or dismissed. This seems especially true in the male-dominated world of classical music. When asked to name a single female composer, many people draw a blank. This isn’t because they’re ignorant, but because women’s music has been buried and neglected for far too long. Even pioneering women composers themselves lived and worked in ignorance of their foremothers.

Clara Wieck Schumann, wife of Robert Schumann, composed her first piano concerto at the age of fourteen and wrote a significant body of work in her early life. Mother of eight children and family breadwinner, she became the foremost concert pianist of 19th century Europe. In her sixty-one-year performance career, she interpreted the work of contemporary composers such as Robert Schumann and Johannes Brahms. Yet when it came to establishing herself as a composer in her own right, she was crippled with self-doubt. “I once believed that I had creative talent, but I have given up this idea,” she wrote in her diary in 1839. “A woman must not wish to compose—there never was one able to do it.” She was only twenty when she wrote these words that condemned her music to obscurity. Continue reading “Missing from History: Women Composers by Mary Sharratt”