Spring has arrived and my garden begins to emerge once more. The world greens and blooms all around, reminding me that Mother Earth remains constant in Her desire to bless us with Her bountiful abundance. I am also reminded of Inanna and Her love for humanity.
Inanna, Goddess of Heaven and Earth, a Sumerian Goddess who encompasses all aspects of life, was greatly revered by the people of Uruk as she brought them the gifts of civilization.
This part of her story begins when she visits her father, Enki, God of Wisdom. As they share drinks and a meal, Inanna proceeds to drink Enki under the table. Once he’s well into His cups He gives Her the sacred me, the gifts of civilization. Inanna rejoices as she claims these gifts for Her people, gifts such as:
kingship, the divine queen priestess,
the art of the hero, the art of treachery,
the rejoicing of the heart, the art of lovemaking,
the craft of the builder, the perceptive ear,
the kindling of fire, the making of decisions.
Inanna gathered the me, which embrace all aspects of human civilization, the light and the dark, and set out for Uruk in Her Boat of Heaven.
Shortly after her departure, Enki begins to sober up and regrets having given the me to Inanna. He sends out his wild-haired creatures,the enkum, to retake the gifts from Inanna. Inanna with the help of her servant, Ninshubur, fights the enkum in five separate attacks. Inanna is victorious. She arrives in Uruk to the cheers of her people, giving them the me, the gifts of civilization. Enki was reconciled to the event, proclaiming the people of Uruk as allies to his people of Eridu.
And yet in these times, we the people seem to be thwarting the blessings of the Goddess. At first glance we appear to be abundant with things, energy, experiences. But in our mad desire for more and more and always more we neglect the balance of the very earth who provides us with all. We upset the balance which is inherent in maintaining and honoring the gifts of the Goddess.
We clamor for more oil from Canada with the new Keystone XL project. The raw product extracted from Alberta’s tar sands is different than the oil we’ve been extracting for years. It isn’t in liquid form. The tar sands are mined using strip-mining techniques which leave the land, our Mother devastated. Furthermore, to remove the oil from the tar sands, extensive extraction, separation and refining are required, making the cost in terms of both dollars and environmental impact at least 20% greater than traditional oil sources.
In 2010, a pipeline carrying this oil from Alberta’s tar sands burst near Michigan’s Kalamazoo River. This site is still being cleaned with a current cost of $800 million and rising.
With the new pipeline, Keystone XL proposes to transport the oil directly over the Ogallala Aquifer, an enormous underground lake of water that extends from South Dakota to Texas. The Ogallala Aquifer provides drinking water for millions of people and irrigates 20 percent of America’s agricultural harvest. An oil leak into this aquifer would have devastating effects on residents, businesses and farmlands in the Great Plains.
Even if this project created good, long-lasting jobs, which it doesn’t; even if it made us energy independent, which it doesn’t, since it would provide only 5 percent of U.S. oil needs; is it worth the price we have to pay in destruction to the Mother who gives us life?
And the new monster in our modern arsenal of technology is fracking. Fracking or “hydraulic fracturing” is a process used to extract natural gas from shale rock layers deeper within the earth than we have ever gone before. In this process millions of gallons of water, sand and hazardous chemicals are blasted at high-pressure into these sub-surface rock formations allowing the extraction of this once unattainable gas.
Many dangers are posed to our Earth with this process. The most common problem involves the disposal of the toxic sludge waste. In 2010, in Pennsylvania alone, there have been 31 fracking-related pollution violations at 20 wells. But even more troubling is the fact that between 20 to 40 percent of the chemicals remain trapped underground where they can contaminate drinking water. And perhaps the most troubling fact is that the water used in this process, once sent below the sub-surface mantle of the earth, remains trapped there forever, never again to be part of the ever constant cycle of water evaporation and precipitation which fuels life as we know it. Are we willing to use up all the water the Mother provides in order to continue this life style of consumption?
My heart cries. Our Mother cries. She, who we worshiped in ancient times, we now assault daily with our methods of extraction and our release of toxins. We have now reached 400 parts per million of carbon dioxide to oxygen which has never been experienced by human beings. Scientists tell us that this level will create an environment which does not support human life. We stand on a precipice, with the means at hand to move forward in harmony and balance or to continue on the same path of extraction, destruction and ultimate extinction.
May we gaze on the beauty of Inanna as She, in Her love for humanity, brings us the gifts of civilization. May we understand the need to honor and protect Her, our Mother Earth, on whose well-being our well-being is dependent. May our hearts and our minds be opened to a new way of being in which we leave behind the role of conquerors and once more claim our place as Her children and Her protectors.
Judith Shaw, a graduate of the San Francisco Art Institute, has been interested in myth, culture and mystical studies all her life. From a college paper on Beauty and the Beast to a much later series of paintings on Beauty and the Beast…From a student painting of circles to her current fascination with the interlocking circles of sacred geometry…From reading When God Was A Woman in the early 70′s to her ongoing visual exploration of the role of the Goddess in our modern world…From her very first oil painting of a tree to her ongoing series of trees— her early influences of Jackson Pollack’s abandon, and Van Gogh’s emotionality are evident. Originally from New Orleans, she has traveled in Mexico, Central America, China, Europe and Greece and lived in Mexico and Greece. The passion and bright colors of many of these places have affected her palette and style. Judith makes art, dances with abandon and experiences the world through travel and study. Her work, which expresses her belief in the interconnectedness of all life, can be seen on her website at http://judithshawart.com