My Pilgrimage to Crete – September 2023, Part 2 by Terry Folks

Part 1 was posted yesterday.

Stage Four – Mentor Appears

Joseph Campbell spoke of ‘mentors’ appearing to help the sojourner, and what Maureen Murdock called the gathering of allies. In my hybrid of these two archetypal journeys, there may be several mentors – human, power animals, divine guides or a combination. She could be a wise elder who helps the heroine prepare for the journey or gives her a gift for later use. In my case the wise elder was my 93 year old mom who became one of my mentors. When I expressed my excitement and fears, she said what she always says when I – one of her seven children – am facing a challenge: “Go get’em Tiger!” She also offered financial support so I could take time away from my psychotherapy practice.

Two other mentors showed up in what Carl Jung called my ‘active imagination’: Carol Christ and Marija Gimbutas. Both have transitioned so my active imagination conjured their support as divine intervention. I reread Carol’s reflections and teachings on the pilgrimage, and watched the videos she made as inspiration. I felt her invitation. I was ready to change.

Continue reading “My Pilgrimage to Crete – September 2023, Part 2 by Terry Folks”

My Pilgrimage to Crete – September 2023, Part 1 by Terry Folks

Carol Christ’s Legacy honored by Laura Shannon, and the Ariadne Institute

Adventure by Autumn Skye with permission of artist

When I teach the Heroine’s Journey in my Sophia Women’s Wisdom Group, I draw on Joseph Campbell’s idea of the mono-myth, an archetypal story that resonates with every human across time: The Hero’s Journey. I combine Campbell’s ideas with pieces of feminist Maureen Murdock’s heroine’s journey to recognize the unique pathway of the feminine. I call this my hybrid heroic journey. If you are not familiar with Maureen Murdock’s work, I invite you to see how she brought her feminist eye to Campbell’s iconic Hero’s Journey in her book The Heroine’s Journey: Woman’s Quest for Wholeness. After her conversation with Joseph Campbell six years prior to his transition, Murdock felt he missed “that the focus of female spiritual development was to heal the internal split between woman and her feminine nature” (p. 2). In my hybrid heroic journey, that split in the early stages is internalized negative masculinity. The rejection of our feminine nature may appear differently in each woman’s life but it is often characterized by treating ourselves how we imagine men perceive us.

My recent Pilgrimage to Crete was astonishing; my epiphany, gradual. As I share my adventure, imagine stages of your own heroine’s journey wherever you are in that cycle. I hope that by sharing this series, you will experience a real life example of Dion Fortune’s definition of magic: ‘The art of changing consciousness at will’. Starhawk, Truth or Dare, 1988.

Continue reading “My Pilgrimage to Crete – September 2023, Part 1 by Terry Folks”

A Thealogy of Land and Roots by Kelle ban Dea

I am my Mothers
My Mothers are me
I am the Goddess
the Goddess is within me
As blood
as bone
as the spirals 
of nuclei
as ova
as tears
as breath
I carry my Mothers
as my Daughters will carry me

And the Goddess carries us all

Continue reading “A Thealogy of Land and Roots by Kelle ban Dea”

The Queen of Heaven Cakes: Asherah and Ishtar by Michelle Cameron

When one nation conquered another in antiquity, vanquished peoples typically switched allegiances to that country’s gods, since those deities were clearly stronger than their own. In my novel, Babylon: A Novel of Jewish Captivity, the prophet Daniel warns against this tendency, so the Judean exiles would remain faithful despite their captivity:

“You may be tempted to slip away from your Hebrew roots. Many of us struggle to remain steadfast to our faith. We are seduced by the lure of the gods of Ishtar and Marduk, Sin, Damkina, and Ea. Their temples overflow with riches and their ways are strange and compelling.

Continue reading “The Queen of Heaven Cakes: Asherah and Ishtar by Michelle Cameron”

GRANDMOTHER MOON by Iona Jenkins

Blue Supermoon at 9.30p.m. on 30th August 2023

This year, the full moon on 30th August, which was a Super Moon, is also called Blue Moon – the name given to a second full moon occurring in the same month. I stayed up meditating and reflecting, because the rising of this moon flooded both my front room and my awareness with a light of great beauty. Beginning gold, she changed into a robe of silver, and eventually pearl white, with a crown of pastel shades, in her vault of luminous blue flecked with white feathered clouds. The full moon is always an inspiration, a Goddess who lights up the psyche, revealing hidden shadows to be faced, firing intuition, or illuminating the soul with her timeless wisdom. She has become my good friend over the years, and in my life as an elder human being, she offers me inspiration, visions of creative wisdom and possibility on those gold and silver paths stretching between the shores of Wales and The County of Somerset in England.

Continue reading “GRANDMOTHER MOON by Iona Jenkins”

The Old Woman and the Wave: Sage-ing, Age-ing, Wage-ing Wander & Wonder by Margot Van Sluytman

“Set out, pilgrim. Set out into the freedom and the wandering. Find your people. Godde is much bigger, wilder, more generous, and more wonderful than you imagined.”
― Sarah Bessey

Joy and justice reside in grace. Thrive in gratitude.  Find fulminating llanos of miracle, might, and magic contoured in story. Etched in song. Sculpted in the untempered and unmanacled invitation of HER resplendent and resounding voice and vision willing us to be the very creative fires we wish to live. To come to recognize, at the time of age-ing and sage-ing, the call to freedom.

The call to be wage-ing pilgrimage and poetry with and because of being Grandparents, is a gift SHE bestows upon us, often when we are not even aware of the liminal’s need of our life’s learnings.

Continue reading “The Old Woman and the Wave: Sage-ing, Age-ing, Wage-ing Wander & Wonder by Margot Van Sluytman”

On Repentance And Repair: Making Amends in an Unapologetic World by Rabbi Danya Ruttenberg

This is an excerpt of Rabbi Danya Ruttenberg’s On Repentance And Repair: Making Amends in an Unapologetic World, which comes out in paperback on September 12th. Called “A must-read for anyone navigating the work of justice and healing.” by Congresswoman Ayanna Pressley, it applies Maimonides’ Laws of Repentance to contemporary personal and systemic issues. This is an excerpt from Chapter Four, which addresses institutional repentance.

Most of us are part of many institutions—places of work, our own and/or our children’s schools and universities, houses of worship, co-working spaces, community organizations, sports leagues, social networking websites, the list goes on. And these institutions can and do perpetrate harm.  Sometimes, that harm impacts us as individuals—as stakeholders or beneficiaries of those institutions, or as those excluded or hurt by them—and sometimes it can impact our local or national culture.

Continue reading “On Repentance And Repair: Making Amends in an Unapologetic World by Rabbi Danya Ruttenberg”

HONEY SELLERS by Kapka Kassabova with Intro by Laura Shannon

Introduction to Kapka Kassabova’s ‘Honey Sellers‘, by Laura Shannon

Kapka Kassabova. Author photo by Tony Davidson. Used by permission.

After my recent review of Kapka Kassabova’s latest book, Elixir: The Valley at the End of Time, I am delighted to share an excerpt from Elixir with FAR readers here, by kind permission of the author and the publisher.

Elixir is an astounding book, revealing a little-known world of foragers, healers, and mystics in a remote corner of Bulgaria. Here people live in profound connection to nature, with respect for herbs and the earth and older women, echoing the peaceful Neolithic civilisations which once flourished in the same valley Kassabova describes.

Continue reading “HONEY SELLERS by Kapka Kassabova with Intro by Laura Shannon”

Welcome to the Psychopomp Dreamhouse! by Stacey Simmon, PhD

When I first heard a Barbie movie was going to be released this summer I groaned. Like the awful complements of GI Joe, American Girl, and Trolls, I assumed that the content of this film would be designed to fleece parents out of the cost of tickets and popcorn. I am delighted to report that I was completely mistaken. Not only does Barbie enchant, she also delivers a complex message about idealism and womanhood.

But Barbie’s most important revelation is in her role as a psychopomp between the world of the ideal and the world of the real. Barbie Land is like a patriarchal heaven. Women are ideal, they don’t have flaws. They get shit done without breaking a sweat or wearing comfortable shoes, and the men are the accessories. It is what I imagine all the men who struggle with patriarchy idealize about what it would mean to be a beautiful, flawless woman- all of the power, where men can relax and be accessories for a change.

Continue reading “Welcome to the Psychopomp Dreamhouse! by Stacey Simmon, PhD”

OMÓS DO SINÉAD O’Connor by Rev. Nóirín Ní Riain

Sinéad contacted me for the first time in 1995 asking me if I would teach her some Gregorian Chant. I was living in Glenstal Abbey at the time and she came to my home to spend a few days with me.

I was working on a doctorate then on the Sound of God and we had great conversations in between moments of teaching and at meal times. She was an extraordinary student. Sing her a phrase and she had it immediately; sing to her an entire chant, no notes taken, but she could sing it straight back to you. She loved Gregorian chant and in the afternoons, we would steal into the church and try out the morning’s learnings. One evening in particular I shall never forget. We went up to Compline – Night Prayer at 8.35pm. Afterwards, one of the community, Br. Ciarán, came down to us and Sinéad asked him if she could sing the hymn which the community had just sung once the monks had left. She did and indeed it became her favourite encore at many concerts she gave at that time.

Continue reading “OMÓS DO SINÉAD O’Connor by Rev. Nóirín Ní Riain”