Guest Contributor

HONEY SELLERS by Kapka Kassabova with Intro by Laura Shannon

Introduction to Kapka Kassabova’s ‘Honey Sellers‘, by Laura Shannon

Kapka Kassabova. Author photo by Tony Davidson. Used by permission.

After my recent review of Kapka Kassabova’s latest book, Elixir: The Valley at the End of Time, I am delighted to share an excerpt from Elixir with FAR readers here, by kind permission of the author and the publisher.

Elixir is an astounding book, revealing a little-known world of foragers, healers, and mystics in a remote corner of Bulgaria. Here people live in profound connection to nature, with respect for herbs and the earth and older women, echoing the peaceful Neolithic civilisations which once flourished in the same valley Kassabova describes.

Welcome to the Psychopomp Dreamhouse! by Stacey Simmon, PhD

When I first heard a Barbie movie was going to be released this summer I groaned. Like the awful complements of GI Joe, American Girl, and Trolls, I assumed that the content of this film would be designed to fleece parents out of the cost of tickets and popcorn. I am delighted to report that I was completely mistaken. Not only does Barbie enchant, she also delivers a complex message about idealism and womanhood.

But Barbie’s most important revelation is in her role as a psychopomp between the world of the ideal and the world of the real. Barbie Land is like a patriarchal heaven. Women are ideal, they don’t have flaws. They get shit done without breaking a sweat or wearing comfortable shoes, and the men are the accessories. It is what I imagine all the men who struggle with patriarchy idealize about what it would mean to be a beautiful, flawless woman- all of the power, where men can relax and be accessories for a change.

OMÓS DO SINÉAD O’Connor by Rev. Nóirín Ní Riain

Sinéad contacted me for the first time in 1995 asking me if I would teach her some Gregorian Chant. I was living in Glenstal Abbey at the time and she came to my home to spend a few days with me.

I was working on a doctorate then on the Sound of God and we had great conversations in between moments of teaching and at meal times. She was an extraordinary student. Sing her a phrase and she had it immediately; sing to her an entire chant, no notes taken, but she could sing it straight back to you. She loved Gregorian chant and in the afternoons, we would steal into the church and try out the morning’s learnings. One evening in particular I shall never forget. We went up to Compline – Night Prayer at 8.35pm. Afterwards, one of the community, Br. Ciarán, came down to us and Sinéad asked him if she could sing the hymn which the community had just sung once the monks had left. She did and indeed it became her favourite encore at many concerts she gave at that time.

Image and Likeness by Dale Allen

I attended a beautiful women’s circle to celebrate my dear friend Gloria’s birthday recently. Each woman was invited to bring a sharing for Gloria – a poem, reflection, oracle card, song or dance – whatever felt right. Each sharing that day was not only a gift to Gloria, but to each of us.

I had met Gloria during the period of my life when I had written a play titled, “Dancers of the Dawn,” with a cast of seven women of different ages, shapes, sizes and colors. The play featured original music, drummers, myth, history, dance, even comedy for a sumptuous experience of the sacred feminine emerging in modern women. Gloria was a part of the women’s sacred circles that we co-created during that time – circles that continued for a decade and still retain heart-connections today.

Ancient Her-Story by Annelinde Metzner

Lately I’ve been rereading and refreshing myself with important books of the Great Goddess. Three books at a time! I would switch off, chapter by chapter, among When God Was a Woman by Merlin Stone, When the Drummers Were Women by Layne Redmond, and one that had remained overlooked on my shelf, Sanctuaries of the Goddess, The Sacred Landscapes and Objects, by Peg Streep (1994.) I’ve been immersed in the knowledge of 30,000 years of honoring and worship of women’s bodies and the Great Goddess. When I got to Chapter 7 of Peg Streep’s well-researched book, “The Goddess at the Peak: Crete,” I was blown away with the evidence we still have, in art, architecture, religion and culture, of a highly advanced society, full of life and joy, where women were central to all life. With my mind, my heart, my intuition and my sense of past lives, I’ve attempted to place myself there, before any influence of patriarchy.

Celebrating Lammas in Troubled Times by Nan Lundeen

*Tallgrass Prairie at Fernwood Botanical Garden, Niles, MI*
*credit: Ron DeKett*

Lammas, that Celtic Earth-based spiritual tradition, has long been dear to me. Having grown up on an Iowa farm in the 1950s, I am accustomed to living close to the rhythms of the land. Gratitude for Earth’s first fruits comes naturally. The tradition calls for ritually baking a loaf from the first-harvested grain of the season, usually corn, and blessing it. It is a harvest festival and a time of gratitude and joy.

Future of Mifepristone by Winifred Nathan

Today is the one year anniversary of the Dobbs decision.

The alarm grows louder. How far will the antiabortion lobby restrict women’s reproductive health care before they are satisfied? If they successfully secure a complete abortion ban, will they stop? Or will they go on to control women’s dress, education, travel, etc.?

Reportedly, Dobbs v Jackson overturned Roe v Wade so the states could set the legal boundaries of abortion through the democratic process. But on November 18, 2022, the US District Court of Northern Texas delivered Alliance for Hippocratic Medicine et al. v US Fodd and Drug Administration et al., a decision that stops medical abortion in all fifty states by ending FDA approval of mifepristone. The Supreme Court has stayed (paused) the Texas order as the appeal works its way to their docket. Mifepristone continues to be available, but for how long? Will the Supreme Court eventually side with the plaintiffs?

The Legacy of the Goddess: Heroines, Warriors and Witches from World Mythology to Folktales and Fairy Tales by Rachel McCoppin

Part 2, Part 1 was posted yesterday

Chapter 4, “Monstrous Females and Ghost Women,” “traces the many female characters within folktales and fairy tales who appear as monstrous, materializing in the forms of giantesses, succubi, mermaids, rusalki, etc. Just as in many ancient myths, even though these monstrous women appear in folktales and fairy tales as hindrances to the quest of the hero, they ultimately serve to educate male heroes about the true meaning of their quest, which again often aligns with concepts associated with mythic goddesses. The many ghost women who appear in folktales and fairy tales around the world are also discussed in this chapter, as they often serve as agents to teach male heroes about how they, particularly as females, have been wronged by males or by patriarchal systems, and thus have been thwarted from completing their own heroic quests” (McCoppin, p. 9).

Though most myths around the world display male heroes partaking on heroic quests, and seldom focus on heroines who participate in their own heroic journeys, this is not at all the case with folktales and fairy tales, as hundreds of folktales and fairy tales portray strong, independent female heroines who indeed partake on their own heroic quests. Therefore, the second half of Legacy of the Goddess focuses on the formidable heroines found in many folktales and fairy tales from around the globe.

The Legacy of the Goddess: Heroines, Warriors and Witches from World Mythology to Folktales and Fairy Tales by Rachel McCoppin

This is part 1 of a two part posing. Part 2 will be posted tomorrow.

In this blog post, I would like to take the opportunity to discuss my new book, entitled: The Legacy of the Goddess: Heroines, Warriors and Witches from World Mythology to Folktales and Fairy Tales. This book argues that hundreds of folktales and fairy tales from around the world have preserved elements related to goddess worship from the sacred myths of many ancient civilizations.

Powerful goddesses were worshipped in most global cultures for centuries, until, in many regions, episodes of diffusion, conquest, colonialism, etc. caused the worship of these goddesses to be revised, lessened, or in some cases eliminated. To “preserve at least part of the reverence of goddesses, as well as the memory of the powerful religious and social roles women once held as representatives of goddesses”, hundreds of folktales and fairy tales were created, “told, and retold, most often by women storytellers” to impart goddess ideology (McCoppin, 2023, p. 5). Thus, many folktales and fairy tales portray myriad examples of powerful female characters who portray important messages connected to the goddesses and sacred women of ancient mythology.

Bathsheba: From Survivor of Sexual Abuse to Queen Mother by Linda Cooper Costelloe

Bathsheba by Artemisia Gentileschi, wikimedia commons, public domain

The image we have of Bathsheba is that of a scheming temptress. That’s the way she’s been portrayed in media, such as the 1951 movie, David and Bathsheba, and Leonard Cohen’s song, Hallelujah. She deliberately bathed on a rooftop in sight of King David. She caught his eye and he was helpless to withstand her charms. The Bible does not support that image of Bathsheba, however. It says that Bathsheba was used and abused by David, and God was displeased.

The Bible says that David was on his rooftop. It does not say where Bathsheba was, only that she was bathing to purify herself after her period (2 Samuel 11:2-4). She was probably in an inner courtyard. In their book, Flawed Families of the Bible. How God’s Grace Works Through Imperfect Relationships, David E. Garland and Diana R. Garland write: “The laws required ritual washing at the conclusion of her menstrual period. A woman would be highly unlikely to conduct such a cleansing from her menstrual period as a come-on. If she were in public view, she would have washed without disrobing. There is no reason even to assume that she was naked. Public nudity was not acceptable in this ancient Jewish culture but instead was considered shameful. There is no foundation for assuming she was some kind of exhibitionist.”ⁱ