The end of winter is near in the northern hemisphere. Though the cold persists the days slowly grow longer. If you’re lucky you might soon see a skein of geese flying overheard on their way to their northern nesting grounds – a beautiful reminder of our world’s ongoing cycles of change.
Category: Earth-based spirituality
Uncovering What’s Hidden by Sara Wright
Shame
is the shadow
of being unloved,
unwanted,
rejected,
strung out on need.
Shame paralyzes;
slamming into reverse
actions that would
create new intentions
including hope
of love.
Shame blots out
Personhood,
snapping the thread
of interdependency.
Plant Consciousness
restores it to life.
What If We Begin from the Hypothesis that Ancient Crete Was Matriarchal, Matrifocal, and Matrilineal? by Carol P. Christ
If we begin from the hypothesis ancient Crete was matriarchal, matrifocal, and matrilineal, what would we expect to be the central focus of the its religion?* Harriet Boyd Hawes and her colleague Blanche E. Williams presented an incipiently feminist, woman-centered, analysis of the religion of ancient Crete in Gournia, the book describing their excavation of a Minoan village at the beginning of the twentieth century. Boyd Hawes argued that the archaeological evidence showed not only the pre-eminence of the Goddess, a conclusion with which Williams agreed, but also the strength and independence of women in a culture she defined as matriarchal and matrilineal, centered around the Mother family. If ancient Crete was matrilineal, matrifocal, and matriarchal, we should expect to find evidence that women were not only strong and independent, but also that they had leadership roles in religion and culture. Williams noted the presence of priestesses. The miniature frescoes from Knossos show a group of older women sitting in the place of honor and a group of women performing a ritual dance. Where evidence concerning leadership roles is lacking, it should not be assumed that leadership must have been in the hands of men.
We should not be surprised to find the Goddess or mother earth to be at the center of rituals and ceremonies in ancient Crete. However, to say that the Goddess is central begs the question of what we mean when we say Goddess. In the west, deity is understood to be transcendent of the world, imaged as a dominant male other, and as the judge of the living and the dead. Citing the Oxford English Dictionary, archaeologist Colin Renfrew bases his discussion of Minoan religion on the idea of divine transcendence. But if we accept Marija Gimbutas’ insight that the Goddess represents the powers of birth, death, and regeneration in all forms of life, a different picture emerges. The Goddess is immanent in, rather than transcendent of the world. She is the enlivening force in human beings and all of nature. She is not the judge of the living and the dead, for the dead are returned to her body. Unlike later Greek deities, the Goddesses of Old Europe and ancient Crete are not generally portrayed as idealized human beings. Though they often have eyes, breasts, and sacred triangles, they also have beaks and wings, are shaped like mountains, and decorated with flowing lines symbolizing rivers or streams. These hybrid forms suggest that all of life is in the image of divinity and that humans are not higher, better, or separate from other life forms. Hybrid images celebrate the connection of all beings in the web of life and call human beings to participate in and enjoy this world, not to seek to escape or rise above it. A religion centered around gratitude for life in this world is very different from one that centers around fear and judgment and a longing for life after death. Jacquetta Hawkes’ insight that the religion of ancient Crete celebrated “the grace of life” is exactly right.
Is the Old European or Minoan Goddess one or many? Monotheists have insisted that there can be only one God, yet polytheists revere a plurality of images, while animists celebrate the spirits of (perceived) living beings such as rivers and trees, mountains and caves. The terms monotheism and polytheism are not neutral. Both were developed by monotheists: monotheism describes the correct beliefs of the self; polytheism, the false beliefs of the other. I find theologian and liturgist Marcia Falk’s distinction between exclusive and inclusive monotheism helpful in resolving the question of the one and the many. According to Falk, inclusive monotheism is an intuition of the unity of being within the diversity of the world: celebrating the unity of being, it welcomes a plurality of images to represent diversity and difference in the world. From this point of view, the boundaries between monotheism and polytheism are porous. When Gimbutas spoke of the powers of birth, death, and regeneration in all of life, she was referring to the unity of being underlying the diversity of life forms, including plants, animals, and human beings. Similarly, when indigenous peoples speak of mother earth as the giver of all and all beings as relatives, they recognize that all life is sustained by a single source. The fact that ancient Cretans imaged divinity in different ways and with different characteristics does not require the conclusion that they worshipped many discrete deities as some archaeologists argue: I suggest that they intuited a unity of being while celebrating the diversity of life. This appears to have been the conclusion of Williams who wrote of “the prominence of a goddess under various aspects.”
If matrilineal, matrifocal, and matriarchal cultures tend to view the earth as a great and giving mother, we can expect this insight to be expressed in rituals and ceremonies. Gratitude is the appropriate response to gifts freely given. I suggest that gratitude for the gift and gifts of life was not only a focus, but the central focus, of religion in ancient Crete. If this is so, we should expect to find rituals celebrating the gift of life in the birth of babies, the coming-of-age of girls, as well as in as well as in death rituals honoring the ancestors. We can also expect to find rituals honoring the mother line and expressing gratitude for the wisdom of ancestors. Many of these rituals would have taken place in the matrilineal House as archaeologist Jan Driessen suggests. Rituals for the ancestors might also have taken place in cemeteries. We should also expect to find rituals expressing gratitude for the food that sustains life, for example, in offerings of first fruits to mother earth and in the pouring of libations that are absorbed back into her body. If, women invented agriculture, and if as Gimbutas argued, Old European religion celebrated the processes of birth, death, and regeneration in all of life, we should find rituals focused on planting, harvesting, and storing seeds. Some of these rituals might have taken place in the matrilineal Houses, while others surely took place in nature and in the fields. If pottery-making and weaving were understood to be mysteries of transformation involving birth, death, and regeneration, we might find evidence of rituals associated with these activities in the Houses or in workshops. It is known that rites in ancient Crete involved trees, mountains, and caves, as well as water sources. We must ask if and how such ceremonies expressed gratitude to the mother earth, the source of life, and the cycles of birth, death, and regeneration.
*These musings are part of an early draft of the methodological prologue to an essay I have been asked to write on Religion in a Minoan Village to be published in the archaeological report on recent excavations at Gournia. In the preceding part of the prologue, I discuss the theories about matriarchal, matrifocal, and matrilineal cultures of Harriet Boyd Hawes, Blanche E. Williams, Marija Gimbutas, Heide Goettner-Abendroth, and others.
Carol P. Christ is an internationally known feminist and ecofeminist writer, activist, and educator who lives in Heraklion, Crete. Carol’s recent book is Goddess and God in the World: Conversations in Embodied Theology. Carol has been leading Goddess Pilgrimage to Crete for over twenty years: join her in Crete. Carol’s photo by Michael Honneger.
Listen to Carol’s a-mazing interview with Mary Hynes on CBC’s Tapestry recorded in conjunction with her keynote address to the Parliament of World’s Religions.
Musings on The Crown by Janet MaiKa’i Rudolph
Even though I was a late-comer to the Netflix series The Crown, when I did watch it, I was riveted. Lots of thoughts ran through my mind at this picture of royalty. The concept of royalty in human history is vast and multi-faceted, however in this blogpost I am only pulling on a few threads that tugged at me as I watched this show.
I laughed as people greeted the Queen and said, “your highness.” Does that make the rest of us lownesses? And where did all this pomp come from anyway? And why is the British monarch the head of the Church of England which is a bible-based Christian religion?
Monarchy, religion and war have always seemed so connected in our culture. Indeed, during the coronation of Queen Elizabeth, she was handed “the sword of state” as if she would actually be using it. (I looked it up, true to the ceremony). Continue reading “Musings on The Crown by Janet MaiKa’i Rudolph”
Running with Hares, a Personal Reflection by Sara Wright
An overturned bowl
of starflakes,
lays down a new
pearl white blanket.
Earthbound
I shovel –
Silvery showers obscure –
and some paths
are slippery
in the dark.
Grooming a circle
round and round
I attend to listening.
When day cares intervene –
naught but Silence
though I try
to feel – to sense
pure Voices
rising from
frozen ground.
Instead,
monotonous
gray seeps
through me
like a sieve.
Prickling skin
grows taut.
Some days
lonely for
thrumming
I neglect
to stay present
for Silence
as an end
in Herself.
Seeking change
I forget
to breathe
into Now. Continue reading “Running with Hares, a Personal Reflection by Sara Wright”
Natural Ceremony, by Molly Remer
This morning,
I walked around the field
and discovered
three soft white breast feathers
of an unknown bird,
two earthstar mushrooms,
sinking quietly back into the soil,
one tiny snail shell,
curled in spiral perfection,
and the fire of my own spirit
burning in my belly,
rekindled by elemental magic
of the everyday kind,
the small and precious gifts
of an ordinary day.
Every January, we rent a house on Dauphin Island and spend the month at the beach with our kids. Usually, we pack our business along with us and work from the rental house, though this year my sister kept it running from our home studio in Missouri instead. My husband describes this month away as the “weekend of the year,” and this is, in fact, how it feels, except for unlike most normal weekends, we walk five miles by 8:30 a.m. each morning. We joke that this is one of the best ways to know we’re on “vacation.” During one month of walking, we will log more than 300,000 steps together, this time away from home allowing us to pare back the layers of to-dos that build up each year, to re-prioritize our goals, to re-sync ourselves with what we most value, and to breathe deeply back into ourselves again—our hearts, our hopes, our dreams—after the hectic holiday season. Since we are self-employed, we never wake to an alarm clock at home, but while on our sojourn away, always motivated by the prospect of finding good shells, we set the alarm for 5:00 a.m., rising to the voice of Kellianna singing “I Walk with the Goddess” as we set off in the darkness to the uninhabited beach down the road. This year, due to hurricane damage and the resultant road work and beach restoration work in progress, the only way to reach our favorite walking spot is to rise before the road crews do and get out and back before the access road is closed to traffic for the work day.
We walk before dawn, our faces glimmering palely beneath a full moon. Our shell finding has been slender on this trip, the beach often swept clean by waves, but on this day, lit only by full moonlight, I finally catch sight of a big brown moon snail shell, half-buried in the sand. My favorite type of shell and, discovered on a full moon, no less! My husband’s foot comes down upon it as I grab his arm to stop him, but then I seize it with glee, undamaged and smooth in my hand. Though I have previously written that I expect no reward for devotion, sometimes it is, in fact, delightful to receive a reward anyway, especially on a dark beach with only moonlight as my guide. We spot two glowing eyes a few feet away and a fox keeps pace with us, pausing to sit and watch as we make our steady way along the shore. The sky lightens to rainbow stripes as the first flares of dawn begin to glow with eastern fire. I stand with my arms extended, the fingertips of one hand reaching for the moon while the other hand reaches for the sun, the waves lapping at the shore, the wind at my back. I feel held, suspended in eternity, small and rapturous, balanced at a centerpoint of time, inhabiting the liminal, poised within a living strip of space between land and sea, earth and sky, wind and sand, dawn and dusk, motion and stillness. Behind me, the fox moves swiftly away across the sand under a rainbow sky.
I reflect as I continue to walk, murmuring the Charge of the Goddess below the moon, that these are my favorite kinds of rituals, the most powerful kinds of ceremonies, the truest expression of magic in my life and days.
On the winter solstice this past year, I carried a blanket out to the field in front of our house. I brought along my Womanrunes cards so I could do an annual oracle card layout for the year. I carried my journals and my planner and some of our small goddess figurines. Rather than sit on the blanket and dream about the year to come, busily scribbling notes and ideas in my planners as I had envisioned, instead I lie flat on my back on gazing at the sky. I became aware as I was lying there, breath slow in my belly, that I could see the moon on my right hand side and I could see the sun getting closer to setting on my left hand side. Then, I became aware that the birds were at my feet at our bird feeder by the studio building. Next, I became I aware of the cedar trees above my head, at the far side of the field. Lying there, feeling the earth beneath me, the sensation struck: I’m surrounded by the elements. I’m surrounded by all these aspects of magic, right now, no elaborate solstice ritual required. Though I made sun bread with my children and we held our traditional candle lit winter solstice ceremony and spiral walk, these moments lying on my back in the field were my ritual, my ceremony, the fullest expression of a living spirituality for me. Magic need not need to be fancier or more elaborate or more planned out than this, I think. It can mean lying on your back in a field and feeling the presence of the living elements around you, carrying you, holding you, supporting, nourishing, restoring, revitalizing, and, in a way, rebirthing you into awareness.
When I rose from my blanket to work on my plans, I noticed the way the rapidly setting sun was peeking through the trees and I decided to take a picture of one of my goddesses there with the last rays of the solstice sun shining behind her. As I squatted down to take the picture, I saw that one of the sunrays was extending through the trees in such a way that it was literally pointing exactly at my blanket, right at my little pile of books and my little plans, an affirmation of sorts: this is where you need to be, this is what you need to be doing. Since it was the Winter Solstice, of course this ray of light reminded me of light coming through Stonehenge and striking the exact right point, and it thrilled me to know that if I hadn’t decided to be outside exactly at this exact moment with the sun at this position, I never would have seen the ray of light illuminating my blanket. I’m not suggesting that the sun did that for me, it was rather that I allowed myself to witness what was already there, as if the ceremony was in place, it was unfolding, it was taking place, whether I was going to step into it or not, whether I was going to notice it or not, whether I was even aware of it or not. While this may not sound like a ceremony or a ritual in the way that many people describe ceremony and ritual, for me, it was one of the most powerful rituals I experienced that year.
Ceremonies of earth and being are unfolding around us all the time and we can either be present for them or not.
I could not have planned or designed that solstice or the full moon, fox-accompanied beach walk. I could not have planned or designed these rituals of living. I stepped out into the world instead and saw what ceremony was already underway, and then took part in it. Perhaps this sounds too simple or too small. There are many books with plans and outlines, ceremonies and correspondences, the right colors of candle and the right invocations to choose. And, those things are all wonderful too. I love setting up a fulfilling ritual space and creating a ritual atmosphere for people. I love candles and singing and choosing just the right words. I write today to remind us that there are many rituals of the everyday, there are many ceremonies of everyday magic, natural magic, that are already unfolding around you. I invite you to consider stepping into them and receiving them as a gift rather than trying to harness the elements or shape the setting to your own will. I encourage you to savor and see the unplanned, small magics of living unfold as they will. These elements of the holy, these sacred sites, can be alive, within you, beneath your feet, and around you every day, waiting (or not waiting) for you to notice that they’re here, carrying you along.
May you celebrate, savor, and sink into the magic of your life right where you are.
Sometimes,
the world creates
ceremonies for us
and we just have
to show up
for them.
First Light: Brigid and the Bear by Sara Wright
Winter light pauses so briefly. Now Chickadees are chirping and wild doves are pairing up. Birds are starting to sing love songs to the earth as she turns towards the light. By early February light is streaming into the house with more warmth and for longer hours. It is no longer dark at 5 PM.
Each morning I stand at the window to glimpse a golden orb rising through the cracks of bare tree branches. Some days the sky is infused with deep rose, bittersweet orange or scarlet. When the sun star appears I watch what the light will do – will it reflect on the still open water of the brook, or turn night frozen branches into star-like crystals? Some days the sun has to climb out of the hooded clouds to rise into blue. Amazingly, this star at the center of our solar system literally transforms parts of its body into light every second, an astonishing thought that speaks more to sun as process than to an actual entity… First Light is upon us. Continue reading “First Light: Brigid and the Bear by Sara Wright”
Mother Goddess and Mothers Hold the Key
I am of my mother –
from the swirling stars of the cosmos
through the long passage,
contacting and expanding –
birthed of her body,
nourished by her love.
Guadalupe Rises Again by Sara Wright
I was in a Mexican store helping someone to choose tiles for the sink and bathroom of a new casita. I have always been drawn to Mexican art because the images tell stories, and many of those stories revolve around images in Nature – usually stylized. The tiles, for example portray flowers, birds, butterflies, and fish in brilliant colors. The child in me loves to see these stories. Artists who work with animal images in a respectful way honoring the spirit of the animal portrayed (either natural or stylized) allows me to bridge the world from animals to people.
Mexican art moves me. The expressive folk images, and the use of natural objects like gourds to create complex designs give me a sense of being at home in the world of people as well as Nature. The former has been my Muse since I was a child. As a life long naturalist I am deeply drawn to the world of animals, I think in part because aside from my brother, animals were my first real friends. Continue reading “Guadalupe Rises Again by Sara Wright”
Mary’s Return by Sara Wright
Yesterday I learned (NPR) that a third of the oak trees in this country will be dead within 50 years; I also read that our sugary harbingers of spring, the Maples, are dying confirming my own observations. I try to imagine what fall will be like without fire on the mountain.
When I heard that pink dolphins, those denizens of the fresh waters of the Amazon are going extinct, I remembered their gift to me, grateful that I had been present as a receiver. On the last day of a three – year research journey (early 90’s) I was with my guide returning to a place on the river that I loved. It was absolutely calm; my guide and I drifted along a serpentine tributary curtained and dripping with scarlet passionflowers, when a circle of pink dolphins surrounded the dugout.
“I love you,” I repeated the words over and over in a trance-like state glued to the rippling brown water.
Round and round they came surfacing inches away from the side of the boat. Flippers splashing shades of pink and gray.
The Circle of Life was being inscribed in the water.
Now, many years later I am saying goodbye to an enduring friendship with a species I adored…
Around the world, and especially here in the ‘United’ (?) States the virus continues to spike and another strain has been identified, more contagious than the first. Two million people are dead…
Feminism and Religion 