Frozen 2: Can the Christian Church Hear its Gospel Song? by Trelawney Grenfell-Muir

The first time I saw Frozen 2, I was impressed by the ecofeminism and the efforts to respect the Sami culture. The second time, I thoroughly enjoyed the superb music and the character development. The third time… was a religious experience.

Other contrubutors have written wonderful reviews of Frozen 2, and I agree wholeheartedly that its animation reinforces the sexist idea that females should be tiny compared to males, except for our eyes, which should be larger than our wrists. These disempowering representations saturate today’s media, and I regularly spend a whole lot of time deconstructing them with my daughters.

However, there is a lot to love about Frozen 2, and as a Christian, I found myself resonating with several of the symbolic truths the film offers. I spent some time looking into the Sami religion, to see how much of it was incorporated into portrayals of the Northumbra. I knew that Disney had consulted with Sami representatives to portray their culture with respectful accuracy. The Sami history is an all too familiar tale of violent imperial conquest allied with Fundamentalist Christian Dominionism. The wounds of Sami history certainly give me terrible grief as a white American and a Christian, and I hope that the anti-colonialist messages of the film spread awareness of such violence in my country Continue reading “Frozen 2: Can the Christian Church Hear its Gospel Song? by Trelawney Grenfell-Muir”

The Portal: How Do We Know What We Know? by Sara Wright

Every morning I walk to the river in the velveteen hour between the vanishing blue night and the coming of the first scarlet, pink, lavender, purple or golden ribbons that stretch across the horizon. Sometimes clouds with heavy gray eyelids mute first light. Either way all my senses except that of sight are on high alert; a deep peace embraces me in the dark. My body knows the way. I murmur to the willows as I pass through the veil and under their bowed bridge. Their response is muted, a song beneath words.

At first my footsteps are barely audible on the narrow serpentine dirt path but as I pass by the river I note that she too is singing; and my senses quicken. If the Crane spirits are with me I hear the first brrring of Sandhill cranes as they take flight. “Freezing” I am crane struck; the involuntary need to stand still is overpowering. Body -mind viscerally absorbs Oneness as I breathe in a multitude of crane songs or perhaps only that of a few. Now my eyes are suddenly open, straining to see the familiar brrring materialize into startling graceful heads, necks, and stream lined bodies…. I note the shimmering waters beginning to mirror blushing pastels or the gray smoke that stains the horizon. Sometimes these hues deepen into rose, blood orange, or scarlet. Continue reading “The Portal: How Do We Know What We Know? by Sara Wright”

When Every Day Will Be Tu B’Shevat by Ivy Helman.

ivy tree huggingTomorrow is Tu B’Shevat, the New Year of the Trees, or their birthday.  It is the day of the year when all trees, regardless of when they have been planted, turn another year older.  The rabbis standardized this day in an effort to minimize complexities, since in the land of Israel, fruit can only be eaten from trees that are four or older (Leviticus 23-25).  Tu B’Shevat, then, on a practical level, marks how old fruit bearing trees are.   

The holiday has evolved since then.  In the 16th century, Kabbalistic mystics developed a seder to celebrate the holiday, which involved eating certain fruits, drinking both red and white wine, saying blessings, and reading certain mystical texts.  Each type of fruit one eats has a specific mystical meaning whether the fruit is completely edible (i.e. apple), has an inedible pit (i.e. olive), has an inedible shell (i.e. pistachio) or has a covering one generally wouldn’t eat, but could (i.e. orange). To this day, many congregations observe the holiday by hosting their own Tu B’Shevat seders often ripe with such kabbalistic overtones.  Continue reading “When Every Day Will Be Tu B’Shevat by Ivy Helman.”

Forgive Me My Ancestor(s) by Elizabeth Cunningham

Elizabeth Cunningham

When I was a child in the 1950s we often played cowboys and Indians. There is a photograph of my brother and me in no doubt inauthentic costume complete with feathered headdress. In kindergarten I named myself Morning Star. (I just googled and see that I must have gotten the name from the 50s television series Brave Eagle, the first with an indigenous main character. Morning Star is the female lead.)

When I was a teenager, my aunt came across a privately printed book The Gentleman on the Plains about second sons of English aristocracy hunting buffalo in western Iowa. My great grandfather accompanied them as their clergyman. I wish I could find that book now to see how this enterprise was presented. In my adolescent mind these “gentlemen” looked like the local foxhunters in full regalia. On opening morning of foxhunt season an Episcopal clergyman (like my father) was on hand in ecclesiastical dress to bless the hunt and then invited to a boozy breakfast. Continue reading “Forgive Me My Ancestor(s) by Elizabeth Cunningham”

Who Owns the Sacred? A Personal Search beyond (European) Indigenous Knowledge by Eline Kieft

For almost 35 years nature has been my sacred place. As an 8-year old, I started to pray to Mother Earth even though the protestant tradition in which I grew up only recognised ‘God the Father’. I went outside in my inflatable rowing boat to seek solitude (as an only child in a quiet family!) on a small island in the lake of our local park. I practised rowing and walking quietly to not break the sacred silence. I collected herbs to brew infusions in my little thermos flask with boiled water brought from home. I sung to the moon, and danced my love for all creation back through my moving body. Over the last 15 or so years, I spent many days and nights at Neolithic monuments, dreaming in ancestral burial mounds, time traveling in stone circles in Cornwall, Wales, Scotland, England, Ireland and Brittany. This nature-based practice evolved naturally, and later incorporated my training with the Scandinavian Centre for Shamanic Studies and the School of Movement Medicine. Nature is where I reconnect most easily with the Sacred, and listen to the whispers on the great web of life in which all of nature is a great teacher. Nature, for me, is a strong place of prayer, solace, awe, reverence, gratitude, joy, guidance, reconnection, healing and transformation. 

Rowing contemplation Image credits Henk Kieft

Yet I am confused. I am confused because although this way of connecting to the mystery feels the most natural and innocent thing in the world to me, my practice is criticised as “playing Indian” because I did not happen to be born into one of the indigenous traditions that kept nature-based (“shamanic”, for want of a better word) practices alive. Critique includes cultural appropriation in relation to colonialism and white privilege, as well as that any form of spirituality outside the five major religions is considered as empty, eclectic, post-modern consumerist product that lacks meaning and substance because of its diluted, selective ‘picking’ of traditions from other times and contemporary contexts.   Continue reading “Who Owns the Sacred? A Personal Search beyond (European) Indigenous Knowledge by Eline Kieft”

The Storyteller by Sara Wright

When I walked into the space a bolt of light shot across the room and struck me so forcibly that it felt like it shattered the cells beneath my skin. Did this occur before I glimpsed her bronzed moon shaped face? I will never know. I sat down almost in front of her, sizzling with the uncomfortable buzz that seizes my nervous system when what I call, the Powers of Nature, have taken over my body/mind. I gazed at her in a dazed sort of way. She wore silver and white, and the two sharply contrasting hues shone so brilliantly my eyes ached…

As she began to speak about the Navajo Blessingway, I drifted effortlessly into a light trance in spite of the static. Honeyed words poured out of her mouth as she slipped from her Native Dine’ language into English and back again; creating a profound musical intonation that made it difficult for me to concentrate on the stories. Initially. All that music. Layers upon layers. I had entered the Forest of Enchantment.  Continue reading “The Storyteller by Sara Wright”

A Sword Will Pierce Your Own Soul by Mary Jane Miller

On Holy Ground is a collection of icons for this age of climate change. The collection of iconography opens with an image of Mary of Swords inspired by the number seven. This sacred number is associated with intuition, mysticism, inner wisdom, and a deep inward knowing. The ancient church speaks of seven deadly sins and seven holy attributes, and seven sacraments. The composition places the planet Earth beside Mary as she bows her head having been told, “ a sword will pierce Your own Soul ”
Mary of Sorrows or in this case, Mary the softener of Evil Hearts tilts her head lovingly towards our planet Earth. Seven swords pierce her heart; indicating the fullness and boundless sorrow, pain and “sickness of heart” that would have been experienced by Mary the Mother of Jesus at His crucifixion.
Muslims pilgrims circle the Kaaba in Mecca sevens times, and Egyptians had seven gods.

Continue reading “A Sword Will Pierce Your Own Soul by Mary Jane Miller”

Becoming Scrub by Sara Wright

In the precious hour before dawn I walk down to a river that no longer empties into the sea – the circle of life has been broken – the earth’s veins and arteries are hopelessly clogged by human interference (stupidity) – the birds and animals that used to be able to rely on the river waters for food and resting places can no longer do so because dams control the water flow and westerners “own” the water. This morning black stone sculptures appeared overnight because the water level has been dropped another foot. And yet, acknowledging the flowing waters in their death throws seems like an important thing to do. For now, at least, the river turns crimson, reflecting the raging beauty of a pre dawn sky, and I am soothed by water rippling quietly over round stone.

I open the rusty gate to enter the Bosque, a place of refuge, for the cottonwoods and for me. Now I am surrounded by desert scrub and graceful matriarchs arc over my head. As I traverse the well  – trodden path I enter a meditative state without effort. Soon I am walking in circle after circle passing through the same trees and desert scrub hearing voices.

Continue reading “Becoming Scrub by Sara Wright”

 The Circle of Life and Death by Sara Wright

This morning the sky was on fire before dawn even as I approached the river whose ripples reflected a purple so deep it was almost inked in charcoal – In the Bosque I noticed that one mule deer had used a juniper to scrape his antlers. Otherwise the Earth emanated precious predawn stillness except for the sound of receding river waters slipping over cobbled stones. It was mild; I thought today might be the day…

The greens I had tipped in prayer and gratitude on ‘the mountain where bears live’ were waiting to be woven into wreaths, and by afternoon the temperature was warm enough for me to sit on the porch under a milky December sun with my clippers and bag of greens. 

The sweet scent of pinion wafted through the air as I began to weave my circle of life with pinion, fir, and spruce. I wove carefully cutting smaller fronds without thinking about what I was doing, but beneath my quiet mind an intention was being set to weave a new kind of wholeness back into the trees, back into our broken Earth; S/he who is crying out to be heard through each raging fire, crackling drought, mud ridden flood. My greatest fear is that no one is listening. 

My intention is that I will listen; I will be present for the trees. Continue reading ” The Circle of Life and Death by Sara Wright”

Firebird’s Song by Sara Wright

In response to Carol Christ’s latest post

She came on the wings of the Owl
flew out of the crack of our imagining,
swooped low over the underground forest
hooing, hooing, hooing
screeching and clacking –
Haunting the night with her song.

I almost didn’t recognize her
inside the feathery brown cape with bars.

On Starry nights while the white moon sleeps
the cloak falls away and behold!
She steps out
in all her Firebird splendor.
Burning, crimson, gold, she crackles — turns blue
white light torching
the fire turned star.
Beaming second sight
she rises out of Earthen ashes Continue reading “Firebird’s Song by Sara Wright”