Over the past few weeks of lockdown in Greece, I have asked myself numerous times: if we can shut down the world economy because of a virus, why don’t we shut everything down until we end war or find real solutions to global climate change? In my mind the horrors of war are much worse than the horrors of disease and dying and the threat and reality of global extinctions pose a much greater threat to humanity (not to mention nature) than the Coronavirus.
Why is it that we are willing to take extreme measures to defeat the Coronavirus but we are not willing to take extreme measures to end war or to stop global climate change? A thought keeps creeping into the back of my mind: the fight against disease and death is (understood to be) a fight against Mother Nature and (sadly) we are well used to fighting against Her. If we recognized that human beings have brought the Coronavirus upon ourselves, we would have to face up to our responsibility for it. Continue reading “Coronavirus: The Villain Is Not Mother Nature: It Is Ourselves by Carol P. Christ”
In 2016, Zlinszky (Zlinszky/Molnar/Barfod) and his team released another study demonstrating that birch trees go to sleep at night (now we know that all trees – at least all the trees that have been studied so far – do sleep at night).
Trees follow circadian cycles responding primarily to light and darkness on a daily cycle. The researchers believe the dropping of birch branches before dawn is caused by a decrease in the tree’s internal water pressure while the trees rest. With no photosynthesis at night to drive the conversion of sunlight into simple sugars, trees are conserving energy by relaxing branches that would otherwise be angled towards the sun. Trees increase their transpiration during the morning, decreasing it during the afternoon and into the night. There is a change in the diameter of the trunk or stem that produces a slow pulse. During the evening and the night tree water use is declining, while at the same time, the stem begins to expand again as it refills with water.
When trees drop their branches and leaves its because they’re sleeping. They enter their own type of circadian rhythm known as circadian leaf movement, following their own internal tree clock. Continue reading “Trees Sleep? by Sara Wright”
The first time I saw Frozen 2, I was impressed by the ecofeminism and the efforts to respect the Sami culture. The second time, I thoroughly enjoyed the superb music and the character development. The third time… was a religious experience.
Other contrubutors have written wonderful reviews of Frozen 2, and I agree wholeheartedly that its animation reinforces the sexist idea that females should be tiny compared to males, except for our eyes, which should be larger than our wrists. These disempowering representations saturate today’s media, and I regularly spend a whole lot of time deconstructing them with my daughters.
However, there is a lot to love about Frozen 2, and as a Christian, I found myself resonating with several of the symbolic truths the film offers. I spent some time looking into the Sami religion, to see how much of it was incorporated into portrayals of the Northumbra. I knew that Disney had consulted with Sami representatives to portray their culture with respectful accuracy. The Sami history is an all too familiar tale of violent imperial conquest allied with Fundamentalist Christian Dominionism. The wounds of Sami history certainly give me terrible grief as a white American and a Christian, and I hope that the anti-colonialist messages of the film spread awareness of such violence in my country. Continue reading “Frozen 2: Can the Christian Church Hear its Gospel Song? by Trelawney Grenfell-Muir”
Every morning I walk to the river in the velveteen hour between the vanishing blue night and the coming of the first scarlet, pink, lavender, purple or golden ribbons that stretch across the horizon. Sometimes clouds with heavy gray eyelids mute first light. Either way all my senses except that of sight are on high alert; a deep peace embraces me in the dark. My body knows the way. I murmur to the willows as I pass through the veil and under their bowed bridge. Their response is muted, a song beneath words.
At first my footsteps are barely audible on the narrow serpentine dirt path but as I pass by the river I note that she too is singing; and my senses quicken. If the Crane spirits are with me I hear the first brrring of Sandhill cranes as they take flight. “Freezing” I am crane struck; the involuntary need to stand still is overpowering. Body -mind viscerally absorbs Oneness as I breathe in a multitude of crane songs or perhaps only that of a few. Now my eyes are suddenly open, straining to see the familiar brrring materialize into startling graceful heads, necks, and stream lined bodies…. I note the shimmering waters beginning to mirror blushing pastels or the gray smoke that stains the horizon. Sometimes these hues deepen into rose, blood orange, or scarlet. Continue reading “The Portal: How Do We Know What We Know? by Sara Wright”
Tomorrow is Tu B’Shevat, the New Year of the Trees, or their birthday. It is the day of the year when all trees, regardless of when they have been planted, turn another year older. The rabbis standardized this day in an effort to minimize complexities, since in the land of Israel, fruit can only be eaten from trees that are four or older (Leviticus 23-25). Tu B’Shevat, then, on a practical level, marks how old fruit bearing trees are.
The holiday has evolved since then. In the 16th century, Kabbalistic mystics developed a seder to celebrate the holiday, which involved eating certain fruits, drinking both red and white wine, saying blessings, and reading certain mystical texts. Each type of fruit one eats has a specific mystical meaning whether the fruit is completely edible (i.e. apple), has an inedible pit (i.e. olive), has an inedible shell (i.e. pistachio) or has a covering one generally wouldn’t eat, but could (i.e. orange). To this day, many congregations observe the holiday by hosting their own Tu B’Shevat seders often ripe with such kabbalistic overtones. Continue reading “When Every Day Will Be Tu B’Shevat by Ivy Helman.”
When I was a child in the 1950s we often played cowboys and Indians. There is a photograph of my brother and me in no doubt inauthentic costume complete with feathered headdress. In kindergarten I named myself Morning Star. (I just googled and see that I must have gotten the name from the 50s television series Brave Eagle, the first with an indigenous main character. Morning Star is the female lead.)
When I was a teenager, my aunt came across a privately printed book The Gentleman on the Plains about second sons of English aristocracy hunting buffalo in western Iowa. My great grandfather accompanied them as their clergyman. I wish I could find that book now to see how this enterprise was presented. In my adolescent mind these “gentlemen” looked like the local foxhunters in full regalia. On opening morning of foxhunt season an Episcopal clergyman (like my father) was on hand in ecclesiastical dress to bless the hunt and then invited to a boozy breakfast. Continue reading “Forgive Me My Ancestor(s) by Elizabeth Cunningham”
For almost 35 years nature has been my sacred place. As an 8-year old, I started to pray to Mother Earth even though the protestant tradition in which I grew up only recognised ‘God the Father’. I went outside in my inflatable rowing boat to seek solitude (as an only child in a quiet family!) on a small island in the lake of our local park. I practised rowing and walking quietly to not break the sacred silence. I collected herbs to brew infusions in my little thermos flask with boiled water brought from home. I sung to the moon, and danced my love for all creation back through my moving body. Over the last 15 or so years, I spent many days and nights at Neolithic monuments, dreaming in ancestral burial mounds, time traveling in stone circles in Cornwall, Wales, Scotland, England, Ireland and Brittany. This nature-based practice evolved naturally, and later incorporated my training with the Scandinavian Centre for Shamanic Studies and the School of Movement Medicine. Nature is where I reconnect most easily with the Sacred, and listen to the whispers on the great web of life in which all of nature is a great teacher. Nature, for me, is a strong place of prayer, solace, awe, reverence, gratitude, joy, guidance, reconnection, healing and transformation.
Rowing contemplation Image credits Henk Kieft
Yet I am confused. I am confused because although this way of connecting to the mystery feels the most natural and innocent thing in the world to me, my practice is criticised as “playing Indian” because I did not happen to be born into one of the indigenous traditions that kept nature-based (“shamanic”, for want of a better word) practices alive. Critique includes cultural appropriation in relation to colonialism and white privilege, as well as that any form of spirituality outside the five major religions is considered as empty, eclectic, post-modern consumerist product that lacks meaning and substance because of its diluted, selective ‘picking’ of traditions from other times and contemporary contexts. Continue reading “Who Owns the Sacred? A Personal Search beyond (European) Indigenous Knowledge by Eline Kieft”
When I walked into the space a bolt of light shot across the room and struck me so forcibly that it felt like it shattered the cells beneath my skin. Did this occur before I glimpsed her bronzed moon shaped face? I will never know. I sat down almost in front of her, sizzling with the uncomfortable buzz that seizes my nervous system when what I call, the Powers of Nature, have taken over my body/mind. I gazed at her in a dazed sort of way. She wore silver and white, and the two sharply contrasting hues shone so brilliantly my eyes ached…
As she began to speak about the Navajo Blessingway, I drifted effortlessly into a light trance in spite of the static. Honeyed words poured out of her mouth as she slipped from her Native Dine’ language into English and back again; creating a profound musical intonation that made it difficult for me to concentrate on the stories. Initially. All that music. Layers upon layers. I had entered the Forest of Enchantment. Continue reading “The Storyteller by Sara Wright”
On Holy Ground is a collection of icons for this age of climate change. The collection of iconography opens with an image of Mary of Swords inspired by the number seven. This sacred number is associated with intuition, mysticism, inner wisdom, and a deep inward knowing. The ancient church speaks of seven deadly sins and seven holy attributes, and seven sacraments. The composition places the planet Earth beside Mary as she bows her head having been told, “ a sword will pierce Your own Soul ”
Mary of Sorrows or in this case, Mary the softener of Evil Hearts tilts her head lovingly towards our planet Earth. Seven swords pierce her heart; indicating the fullness and boundless sorrow, pain and “sickness of heart” that would have been experienced by Mary the Mother of Jesus at His crucifixion.
Muslimspilgrims circle the Kaaba in Mecca sevens times, and Egyptians had seven gods.