Feminist Theology – Page 4 – Feminism and Religion

Legacy of Carol P. Christ: ALTERNATIVE IMAGES OF GOD with Emma Trout

This was originally posted on August 3, 2105

Carol Christ at the Conference of Women Theologians

Today I am publishing an early work on female language for God that I wrote with Emma Trout at the first Conference of Women Theologians in 1971. Highly contested at the conference, this essay is a foreshadowing of my subsequent work on the need for female imagery for divinity.

Rereading this essay more than four decades later, I am gratified to see that though we began our essay with the image of God giving birth (which I still view as an important image), Emma and I were aware of the danger that female imagery for God could reinforce “a false sexual polarity.” We insisted then that female imagery for God must not repeat sex role stereotypes, but rather must shatter them.

I am surprised that we also mentioned the need for a new non-static or process metaphysic, a theme I did pursue until I wrote Rebirth of the Goddess and then She Who Changes several decades later.

While the references in the essay are dated, the issues it raises are not. Though many mainline Christian and Jewish communities have adopted inclusive language, active experimentation with female language for God is relegated to the fringes of these groups. And while Goddess feminists resist gender stereotypes, some New Age teachers and Neo-Pagan groups perpetuate the idea that the Divine Feminine is receptive, loving, and giving, while the Divine Masculine is active, assertive, and aggressive.

ALTERNATIVE IMAGES OF GOD: COMMUNAL THEOLOGY BY CAROL CHRIST AND EMMA TROUT

How much better for theology to conceive of God the Creator as pregnant with the world, giving birth to it and nourishing it, than of God the divine Watchmaker who set the machine ticking millions of years ago. — Penelope Washbourne Chen in “Rediscovering the Feminine in God” The Tower alumni magazine

Even though we know that God Himself is not really a male, we have made use of no other images in talking about Him. As Mary Daly has pointed out, images have a way of perpetuating themselves even though we conceptually know better. (“After the Death of God the Father”) The image of God as a male authority figure serves to legitimize the structures of subordination (oppression) of women to (by) men. The problem is to conceive God in such a way that God’s masculinity does not function as a legitimation system for the oppression of women.

The imaging of God as male has two aspects: 1) the poverty of our language, and 2) the impoverishing of our vision of God by exclusive use of characteristics which our culture has attributed to and limited to the male in conceptualizing and imaging God. In the first of these two aspects we find images of God as Father, King, Lord; our language has no pronoun which is able to embrace and/or transcend both sexes. Our language forces us to think of God as male; we need words like “she-he,” “father-mother,” “daughter-son,” “brother-sister.” Regarding the second aspect: in the Western tradition, particularly the Christian theological tradition our ideas and images have been impoverished by almost exclusive use of “male” characteristics in conceptualizing and imaging God.

For example, initiative, transcendence, authority, primacy, leadership, control and order have all been conceived in static, self-sufficient, abstractly rational terms, in correspondence with masculine stereotypes. An alternative image of God suggested by Penelope Washbourne Chen, imaging God as pregnant, giving birth to, and nurturing the world, presents us with a more dynamic way of conceiving God. Philosophically, this image of God would find expression in the neo-classical metaphysics or process view of reality of Whitehead and Hartshorne, rather than the static ontology of the Greek tradition.

. . .

Let us now turn to the alternatives. Underlying the problem of choosing among the alternative conceptions/images of God is the problem of the evaluation of sexual differences. If, for example, one believes sexual differences are a fundamental polarity in human experience, she will find it appropriate to see this polarity reflected in the deity. If, on the other hand, one does not see sexual differences as a fundamental polarity, she will be wary of correcting a false male image/concept of God by introducing a “female” element which may serve to further legitimize a false sexual polarity.

If one is open to the possibility that sexual differences may not be fundamental, the real question is how to shatter the idol of a male deity without either 1) substituting a reverse idol of a female deity, or 2) legitimizing a false sexual polarity.

Read the entire essay Alternative Images of God-Carol P. Christ & Emma Trout (1971).

Photos of Carol speaking at the Conference of Women Theologians and of the Conference Participants from the Alverno College archives. Thanks to Sarah Shutkin for providing a copy of the essay from the Alverno College Library Archives.

Legacy of Carol P. Christ: The Beauty Way

This was originally posted on January 22, 2018

When I learned about the Navajo Beauty Way, I understood it to be a path in which human beings respect all beings in the web of life and live in harmony with them. But I didn’t understand why this path was called the “Beauty Way.” As a young woman, I knew that my worth was defined by many in terms of my ability to conform to ideals of female beauty promulgated in movies, tv, and advertising. I didn’t believe the Navajos were talking about beauty in that sense, but because of my conditioning, I was not yet able to fully grasp what they might mean by beauty. I would have called the way they were describing a “Way of Harmony” or a “Way of Respect for Life.”

Still, I wondered: why the Beauty Way?

A Story About Forgiveness by Sara Wright

Every morning I write a little meditation with attached images that in some way reflects what’s going on in my life. I do this for three reasons. To experience gratitude for something I have learned, to share my thoughts with others and to consciously align myself with LIFE while participating, albeit unwillingly, in a death destroying culture.

As a naturalist my focus is usually on some gift received resulting from my reciprocal relationship with nature. But I wrote this meditation to articulate one of the most important aspects of relating to other humans – perhaps the most important. Forgiveness. And I wrote it after experiencing the freedom and gratitude that followed a powerful act of forgiveness associated with a long-term friendship.

To Stand in the Presence of the Ancients! – Enheduanna, Part 2 by Janet Maika’i Rudolph

Yesterday I wrote about the priestess/scribe Enheduanna and her warrior/king father Sargon. I posited their connection to the codification of patriarchy. They did not invent it, as war and the diminution of women had been happening in some circles. I do wonder, however, if they furthered it along to a point of no return.

Another king of the time, Urukagina from circa 2350 bce[1] codified laws under the guise of reformation. Some of his reforms were progressive in that they sought to protect the poorer classes against aristocracy and the priesthood. But they also were clear to let women “know their place.” Here are the translated words from his laws:

“If a woman to a male has spoken . . .[bad] words(?) which exceed (her rank?), onto the teeth of that woman a baked brick shall be smashed, and that brick will be hung at the main gate.”

Legacy of Carol P. Christ: REMEMBERING MERLIN STONE, 1931-2011

This was originally posted on February 20, 2012

“In the beginning…God was a woman. Do you remember?” Feminst foremother and author of these words Merlin Stone died in Feburary last year.

I can still remember reading the hardback copy of When God Was a Woman while lying on the bed in my bedroom overlooking the river in New York City early in 1977. The fact that I remember this viscerally underscores the impact that When God Was a Woman had on my mind and my body. Stone’s words had the quality of revelation: “In the beginning…God was a woman. Do you remember?” As I type this phrase more than thirty-five years after first reading it, my body again reacts with chills of recognition of a knowledge that was stolen from me, a knowledge that I remembered in my body, a knowledge that re-membered my body. My copy of When God was a Woman is copiously underlined in red and blue ink, testimony to many readings.

From the Archives: The Hunger Games, Holy Week, and Re-imaging Ritual by Xochitl Alvizo

This was originally posted on April 3, 2012 and serves as a nice follow up to my recent posts, and to the Christian holy days being celebrated this week.

Being passive spectators of violence and injustice, even if mournfully so, is not just a thing of Panem, it is our everyday reality.

In The Hunger Games Suzanne Collins takes the reality of an unjust society and gives it an imaginative makeover. In Panem, most people are kept at such extreme levels of hunger that even when they do eat they cannot fill the hollowness that has settled in their stomachs, while others are deciding on the next cosmetic alteration they will undertake – whiskers, jewel implants, or green-tone skin color? The disparate conditions between the rich and the poor, the few and the many are absurdly and starkly portrayed but done so in a way that we can still recognize our world in theirs. And at the center of this world is the state imposed ritual of punishment and control, the yearly Hunger Games – a nationally televised competition that all the people of Panem are required to watch. The 12 districts watch mournfully as two kids from each of their districts compete to the death, and the wealthy watch gleefully, for the games are the height of their excesses and entertainment. The yearly Games conclude when one kid, the lone ‘victor’, is left standing. All while the nation watches.

Rethinking Church from the Ground Up by Xochitl Alvizo

In the last post about rethinking church communally, I ended with reference to the fact that those who do not identify with an organized religion – nearly 70% of the religiously unaffiliated – think that churches “focus too much on rules,” “are too concerned with money and power,” and “are too involved in politics.”

I found this to be the case also among participants of “Emerging Church” congregations, which I researched for my dissertation. Many participants of the congregations I visited had previous negative and damaging experiences of church – experiences that caused them to become unaffiliated from church and Christianity all together. But, when discovering or happening upon an “emerging” congregation, some were pleasantly surprised by the experience of an open, welcoming, and justice-oriented community of faith that was creative in form and ritual, and egalitarian in leadership.

Legacy of Carol P. Christ: Reading Plato’s Allegory of the Cave as Matricide and Theacide

This was originally posted on October 22, 2012

When I read Plato’s allegory of the cave as an undergraduate, I was told it had something to do with the idea that the “form” of a table is more “real” than the table itself. I must confess that I had no idea what this could possibly mean.

As a graduate student, I struggled with philosophical and theological ideas rooted in Platonism. Rosemary Radford Ruether named the flawed worldview created by a “classical dualism” that separates mind from body, spirit from the world, rationality from emotion, and male from female. Her ground-breaking essay “Mother Earth and the Megamachine” clarified the difficulties I was having.

Rethinking Church Communally and Creatively by Xochitl Alvizo

I spend a curious amount of time discussing, studying, and writing about polity – the structures and procedures of congregational/denominational governance (my previous post about communion reflects one kind of polity). Amid theological and sociological research about the decline, revival, or re-emergence of Christianity and the church, my research specifically focused on how emerging congregations organized and structured their decision-making processes. As a “body” – ecclesial, social, political – what are the new and creative ways that congregations structure and organize their collective living and relating?

The Motomami Theology: “Segundo chingarte, lo primero Dios.”* Part II

*“God comes first. Fu*king you, a close second.”

In Part 1 of this post, I described my first encounters with Rosalía’s music and visual arts, which are controversial for many, but I find them wonderful. I mentioned how she integrated God, mainly Catholic references and images, into a story of love and suffering in El Mal Querer. But I finished emphasizing my surprise when I listened to the album Motomami, since she managed to combine reggaeton (sexual-indecent music) and her views of God.

So, here is my attempt to describe Rosalía’s theology in Motomami. (Before I start, let me say: yes, I heard every song multiple times collecting references of God or the Christian tradition, so I hope you enjoy it.) Rosalía understands God as someone who controls our destinies amid grief and joy. In Como un G she says “It’s sad when you want something, but God has different plans for you” (“Qué pena cuando quieres algo pero Dios tiene otros planes pa’ ti”.) In Diablo, she says, “What God gives, God takes back” (Si Dios te lo da, te lo quitará), referring to her fans who first loved her but afterward became haters. God also protects us from an evil former partner when she says in Despecha‘ “May God forbid I go back to you” (“Que Dios me libre de Volver a tu la’o). God also is our help and supports our choices. Rosalía brings this concept talking about her identity as a woman, her freedom and autonomy in Saoko: “I know who I am, and I don’t forget where I’m going. I’m driving while God guides me. I am mine and I transform myself” (“Sé quién soy, y a dónde voy nunca se me olvida. Yo manejo, Dios me guía.)