A warm summer sun smiles down upon the British coastline, the low tide reflecting jewels which are wash up and dispersed upon fine sand. A welcome breeze dances around a gathering of Goddess devotees encircling a small bonfire. Amongst them stands a banner and statue depicting and imitating Botticelli’s Venus and bouquets of roses. Just before the sun sets, those gathered lovingly collect these assembled artifacts, holding them aloft, and begin to process barefoot towards the sea.
Aphrodite-Venus’s banner and sculpted face shines in the low afternoon sunlight. As the procession slowly steps, weaves, and dances, towards the sea to the beat of a drum, the sun reaches further behind the hills, casting a long shadow upon the beach. The Goddess’s image dances with them, banner swaying and statue bobbing with the dance of its carrier. By the time the procession reaches the sea, the sun has dipped behind the now black silhouette of the hills bathing the beach ahead in dusky oranges and brilliant blues. At the shoreline, a priestess steps forward and turns the Goddess’s statue to face the procession, which has now fanning out into a semi-circle.
Spruce towers over weeping hemlock balsam and pine. Pale peach clouds paint the sky circling fringed spires. Trees our first cathedrals… Some still gather under these boughs. Her Voice is being Silenced. The Spirit of the Forest Departs…
Moderator’s Note: We here at FAR have been so fortunate to work along side Carol Christ for many years. She died from cancer in July, 2021. Her work continues through her non-profit foundation, the Ariadne Institute for the Study of Myth and Ritual and the Goddess Pilgrimage to Crete. To honor her legacy, as well as allow as many people as possible to read her thought-provoking and important blogs, we are pleased to offer this new column to highlight her work. We will be picking out special blogs for reposting. This blog was originally posted February 10, 2014. You can read it long with its original comments here.
Mary, Mary, quite contrary, how does your garden grow? With silver bells and cockle shells, and pretty little maids all in a row.
From the beginning of horticulture about 8000 BCE or earlier to the present day, weeding has been women’s work. Women, who were the gatherers and preparers of food in traditional nomadic societies, no doubt were the first to discover that seeds dropped at a campsite one year sometimes sprung up as plants the next year. When this discovery was systematized, agriculture was invented, and human beings began to settle down in the first villages and towns.
I was brought up in a household where attitudes to God and church were quite negative. My Nanna, however, was deeply religious, and I can still remember sitting in her dining room as a very young child staring up in awe at a painting of ‘The Last Supper.’ I was completely mesmerised, there was something haunting about that painting that left a lifelong impression. Art became a passion very early on in life, and whenever I came into contact with images of a religious nature emotions stirred. I was spellbound by divine mystery. The most profound feelings were engendered when I met with images of Mother Mary and the infant Jesus.
“The beauty of the planet from 100,000 miles should be a goal for all of us, to help in our struggle to make it as it appears to be.” Astronaut Michael Collins said these words reflecting on seeing the Earth from space. To me, he is expressing the truth that the Earth is our community that we share with all other beings on the planet, our home base. But what does this really mean in its most profound perspective?
Over the years, I have heard people express over and over how they desire “community,” whether that means a neighborhood café or an ongoing circle to share our deepest lives over decades, or any of many other expressions. The emotional and physical impact of isolation and divisiveness over the past months of the pandemic has shown how essential “community” is to our well being, and how we need to think of it as more than just a sense of being part of a group. True community provides us with a sense of belonging and relationship, of being part of a vibrant, interdependent web, of assuming everyone will act in the best interests of all.
Moderator’s Note: We here at FAR have been so fortunate to work along side Carol Christ for many years. She died from cancer in July, 2021. Her work continues through her non-profit foundation, the Ariadne Institute for the Study of Myth and Ritual and the Goddess Pilgrimage to Crete. To honor her legacy, as well as allow as many people as possible to read her thought-provoking and important blogs, we are pleased to offer this new column to highlight her work. We will be picking out special blogs for reposting. This blog was originally posted March 23, 2013. You can read it long with its original comments here. Carol provides links to the three posts of hers that we have reposted recently.
There are many reasons for women, slaves, and the poor to rebel against domination and unjust authorities in patriarchal societies. But we should not assume that there are any reasons to rebel against domination where no domination exists or to rebel against unjust authority in societies where there are no unjust authorities.
In response to my recent series of blogs on patriarchy as a system of male dominance created at the intersection of the control of female sexuality, private property, and war (Part 1, Part 2, Part 3), I was asked if there is an injustice inherent in matriarchal societies that caused men to rebel and create patriarchy.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We have created this column so that we can all revisit some of these gems. Today’s blogpost was originally posted July 1, 2018. You can visit the original post here to see the comments.
I bet almost no one knows this secret: the United States is being watched over by two goddesses! One of them stands on top of the Capitol dome in Washington, D.C. The other stands on an island in New York harbor.
The goddess standing above our congressional building is named Libertas, or Freedom. She’s a Roman civic goddess whose sisters are Concordia and Pax. Although the Romans hardly ever experienced freedom, civic harmony, or peace, they always kept their eyes on the possibilities. Libertas was sometimes merged with Jupiter, sometimes with Feronia, who was originally an Etruscan or Sabine goddess of agriculture or fire. In Rome, Feronia became the goddess of freed slaves. Libertas is shown on Roman coins as a matron in flowing dress and wearing either a wreath of laurel leaves or a tall pilleus, which is called a “liberty cap” and looks like a witch hat without the brim. And there’s also a bird—is it a raven?? She holds either a liberty pole (vindicta) or a spear, and in some paintings of her (she was a popular subject in the 19th century) there is a cat at her feet.
Because the late 18th century is sometimes referred to as the Augustan Age (for classicism in architecture, literature, and art and named after the first Roman emperor, Caesar Augustus), the Roman Libertas became Lady Liberty during the American Revolution. To celebrate the repeal of the Stamp Act in 1766, Paul Revere created an obelisk with an image of Lady Liberty on it, and a short time later, Tom Paine addressed her in his poem, “The Liberty Tree.” An enormous bronze statue of Lady Liberty was commissioned in 1855 for the top of the Capitol building, and she was hoisted up there in 1863, where she stands, hardly visible, to this day.
Here’s my idea. This FAR community has lots of power. We—and at least two thirds of the U.S. population—are very unhappy with the antics of the Lyin’ King and his court…excuse me, the executive and legislative branches of our national government. So let’s visualize Libertas coming to life. Watch her stomp her heavy bronze feet so hard she breaks a hole in the top of the dome. Watch her fly down into the main lobby of the Capitol. Now she turns in one direction and stalks into the Senate. “Gentlemen and Ladies,” she begins, “you were sent here to do a job. You’re not doing your jobs. Work together! Learn to compromise. Stop talking so much. Get to work!” And then she marches into the House. “Why are you here?” she asks. “And why are you here only three or four days a week, and why aren’t you working for the benefit of all the citizens of the United States?” I suspect that Libertas, who is 19 feet 6 inches tall and weighs approximately 15,000 pounds, could indeed put a scare into Congress, not to mention all the lobbyists. Remember, she also carries that spear. And she no doubt knows how to use it.
Our second national goddess? “Liberty Enlightening the World,” whom we call the Statue of Liberty, was a gift from France to the U.S. circa 1886 on the occasion of our centennial. Designed by Frederic-Auguste Bartoldi and Alexandre Eiffel (who also built a famous tower in Paris), Lady Liberty holds a tabula ansata (a tablet evoking the law) in one arm and with her other hand raises a torch, a common symbol of truth and purification through illumination. She wears a crown of solar rays similar to the crown worn by the Colossus of Rhodes, one of the seven wonders of the ancient world.
For almost a century and a half, Liberty has welcomed immigrants to our Atlantic shore. Those immigrants were the grandparents and great grandparents of nearly all of us. Now let’s visualize Liberty taking action. Goddesses can perform magic; let’s visualize Liberty multiplying herself into 10,000 Liberties, and then let them travel to Texas, New Mexico, Arizona, and California and—you guessed it—let them stand facing south. Let these 10,000 goddesses with torches of purification replace the Xenophobe-in-Chief’s wall/fence/border army. Let’s ask Liberty to welcome people into the U.S. Because she’s smart (and the flames of that torch can reveal a lot) and there are indeed drug smugglers traveling in addition to men, women, and children who are coming for sanctuary or safety or work, let her use her torch to reveal the small proportion of criminals trying to sneak in. And let her welcome and protect everyone else and keep families together. (Maybe she could send all the ICE agents off hunting coyotes, who are no doubt smarter and more humane than they are.)
Here is the full text of “The New Colossus” the poem by Emma Lazarus that Lady Liberty proclaims to the world. Maybe our senators and representatives should read it—for the first time, I bet. They should pay attention to what it says and obey the words and principles of this goddess.
Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. “Keep, ancient lands, your storied pomp!” cries she With silent lips. “Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!”
Let us visualize both of these American goddesses doing their work and protecting the hard-won rights of everyone who lives in the United States.
BIO:BIO:Barbara Ardinger, Ph.D. (barbaraardinger.com), is the author of Secret Lives, a novel about crones and other magical folks, Pagan Every Day, a unique daybook of daily meditations, and other books. She really enjoys writing her monthly blogs for FAR. Her work has also been published in devotionals to Isis, Athena, and Brigid. Barbara’s day job is freelance editing for people who have good ideas but don’t want to embarrass themselves in print. To date, she has edited more than 400 books, both fiction and nonfiction, on a wide range of topics. She lives in Long Beach, California, with her rescued calico cat, Schroedinger.
Moderator’s note: This marvelous FAR site has been running for 10 years and has had more than 3,600 posts in that time. There are so many treasures that have been posted in this decade that they tend to get lost in the archives. We are beginning this column so that we can all revisit some of these gems. Today’s blogpost was originally postedMay 20, 2019. You can click here to see the original comments.
Trigger Alert: The bible on its face is quite violent to women.
Amidst the ugliness that is American politics in general and abortion politics specifically, I began to look for guidance to understand what is happening. I ended up pulling out two books that I read long ago. The first is Woe to the Women-The Bible Tells Me So by Annie Laurie Gaylor. Gaylor, in turn, was inspired by the work of Elizabeth Cady Stanton in her The Women’s Bible which was originally published in two parts (1895 and 1898).
I had forgotten how inspired I have been by both books. Together, they motivated me to begin looking at how the bible is a foundational paradigm of our culture. I started researching how translations have been altered from original meanings. I have already written a few blogs about how the representations of Eve have been changed to strip Her of the roots of Her original power. Take a look here and here.
As a society, we are not good at grief. Three days max, then we are expected to be back to work, keep the economy humming – shop, go to the movies and the mall, “put on a happy face.” Required to wear a cheery countenance, we deny our suffering and the suffering of others. However, loss unacknowledged compounds its effects. Grief will unleash itself somewhere, whether manifesting in excessive consumption – of food, alcohol, Netflix, stuff; or in unquelled anger, violence, hatred, enemy-making, and scapegoating — all of which have been erupting onto our world in devastating ways; or in the unmetabolized pain we pass on to the next generations. It is essential to our individual and collective well-being that we welcome grief, and tend it.