Category: Goddess

What I Believe (Post-2016) by John Erickson

Ever since the election of You-Know-Who, I have been doing a lot of creative writing.

Ever since the election of You-Know-Who, I have been doing a lot of creative writing. Unlike academic publications, policy reports, or my dissertation, creative writing, much like my mentor Dr. Marie Cartier has written about, provided me with a needed escape from a world that seems to grow darker with each passing day.  In college, I served as Poetry Editor for the Wisconsin Review, the oldest literary journal in Wisconsin. Continue reading “What I Believe (Post-2016) by John Erickson”

Call for Contributions: She Rises Volume 3 Goddess Feminism, Activism, and Spirituality

She Rises Goddess Feminist Activism Collective Writing Project: Call for Contributions

She Rises: What … Goddess Feminism, Activism, and Spirituality? Volume 3 Two books: The main book and a sectional booklet including poetry, prose, art, the like.

Coeditors include Deanne Quarrie, D.Min., Helen Hye-Sook Hwang, Ph.D.

I am the source, I dream the dreams, I am the spark, Creation lives in me. Jana Runnalls, The Source, Speaking in Tongues

Using She Rises Volume 1 and Volume 2 as a springboard, the collective writing project of She Rises Volume 3 aspires to interweave new patterns in the tapestry of Goddess feminist activism. She Rises Volume 3 invites possible contributors by asking the questions: What do you envision for Goddess Feminism, Activism, and Spirituality? What is Goddess Feminism, Activism, and Spirituality for you? What do you seek from Goddess Feminism, Activism, and Spirituality? What are our practices that will bring more Goddess Feminism, Activism, and Spirituality into the world?

You may like to engineer the question on your behalf or answer it for us all. Here are some examples of the question: “What keeps me continuing in Goddess Feminism, Activism, and Spirituality?” or “What does Goddess Feminism, Activism, and Spirituality mean to me?”

The first volume evolved around stating/proclaiming the rational or cause of our Goddessian/Magoist commitment by answering the question, “Why Goddess Feminism, Activism, and Spirituality?” and the second volume took a step further to ask the “How?” question, “How… Goddess Feminism, Activism, and Spirituality?”

It is our hope that the question “What?” potentially produces a record number of ways we engage in Goddess Feminism, Activism and Spirituality. We foresee the possibility that She Rises Volume 3 may become a guidebook of the common cause for Goddess feminists and activists.

She Rises, Volume One, asked WHY? and 93 contributors answered the question with depth, honesty, insight, creativity, imagination, and inspiration. She Rises, Volume Two, asked How? and 96 contributors answered the question with depth, honesty, insight, creativity, imagination, and inspiration.

Now we are asking What?  Your answers will offer:

  • a guidebook for those beginning their journey with Goddess feminism, activism, and spirituality,
  • a confirmation for those already engaged with Goddess feminism, activism, and spirituality,
  • another thread in the tapestry of Goddess feminism, activism, and spirituality that is being woven by women and men all over the World.

Let’s weave a tapestry of answers! Are you interested?

To be part of this weaving, please send your contribution to both emails (please indicate “She Rises Volume 3” in the subject line) See submission form and guidelines below:

Deanne Quarrie – deanne.quarrie@outlook.com

Helen Hwang – magoism@gmail.com

Primary Deadline: January 31, 2018

Submission details: 

Short writing – up to 200 words

Longer essays – up to 4,000 words

Research papers – 4,000-12,000 words,

Poetry – any length (please indicate formatting)

Art, photography, illustrations – any form, which may be accompanied by a descriptive paragraph attached as a separate Word file

Please include a brief bio of no more than 100 words at the end of your Word document.

Text: As attachment of Word files (.doc or.docx)

Font: Garamond or Times New Roman (12 font size, 1 spaced)

Style: Chicago Style, footnotes

Art, photography, and illustrations: As attachment of jpg files (must be 300 dpi)

For sample short writings, see below:
http://magoism.net/…/special-post-1-why-goddess…/

For ongoing submissions, see below:
https://www.facebook.com/groups/magoism/

Multiple proposals are allowed. The submission form is included below.

Submission Form

Please fill out the following form and pasted it in the body of your email submission.

Your name and email address:

“I agree that my proposals may be published in the main book AND the secondary sectional book (poetry, prose, and art).”
Number of proposals and their genres:
List the titles/contents of attachments including your short bio:

Learning Gratitude for the Gifts of Life on the Goddess Pilgrimage to Crete by Carol P. Christ

In Crete we are always being given gifts—fresh cherries, ice cold bottles of raki, yogurt swimming in honey, and so much more. Over the years it finally hit me that this spirit of great generosity is a living remnant of the ancient Cretan egalitarian matriarchal tradition of gift-giving.

In egalitarian matriarchal cultures gift-giving is not something reserved for birthdays and holidays. It is a way of life rooted in the primary understanding that life is a gift that is meant to be shared.

Our lives are a gift from our mothers. Our individual lives have are not something we create or created for ourselves. We all emerged from the body of a mother. We were all given the gift of care and feeding by a mother or others. Our mothers did not create themselves. They emerged from the bodies of mothers and were cared for and fed by mothers or others. And so on back to the original mother of the human race, known as the African Eve.

Continue reading “Learning Gratitude for the Gifts of Life on the Goddess Pilgrimage to Crete by Carol P. Christ”

SHEELA-NA-GIG by Carol P. Christ

On a trip to Ireland several years ago, I was fortunate to have been able to see the Sheela-na-gigs in the National Museum of Dublin.  Two of these Sheelas including the one removed from the Seir Kieran Church of County Offaly, pictured below, are currently on display.  They stand at the doorway of a room dedicated to items from the medieval period and easily missed.  As there was little interest in them and they are not in cases, I was able to silently commune without interruption.

Continue reading “SHEELA-NA-GIG by Carol P. Christ”

Notes from A Goddess Pilgrimage by Joyce Zonana

JZ HEADSHOT

The solar eclipse has had me sensing deep alignment with earth, sea, and sky, with my sisters and brothers and Self. This, then, from my 1995 journal of my first Goddess Pilgrimage to Crete with Carol Christ, a trip still engraved in my heart:

June 3  – Yesterday, anointing us with rose, lavender, or olive oil, Jana said, “Your journey has begun.” But for me it is this morning, with the purchase of this journal at the biblio on the square across from the hotel, where I sit now in the lobby, traffic noise outside, our group gathering, preparing for our journey . . . happy to be here . . .

Bleeding at the home of the Panagia, the all holy, the sacred mother, sacred myrtle, ancient tree of Aphrodite, Mary, black-bent nuns: we tie ribbons to the tree, sing, “all manner of things shall be well. Blessed be, walk in beauty.” And I am utterly in tears as I walk on the grounds of this ancient place, the birds singing everywhere, yet there is quiet, stillness, an ancient peace . . . A pilgrimage, a shrine, a very holy place.

Continue reading “Notes from A Goddess Pilgrimage by Joyce Zonana”

Honey: A Thousand Flowers by Mary Beth Moser

Today I am finishing the last bit of the honey I hand-carried home from my most recent trip to Trentino. Sun yellow in color, it is made from the nectar of mountain flowers. Its label tells its origin—di montagna, of the mountains, and its type — mille fiore, often translated as “wildflowers.” Literally, however, it means “a thousand flowers.”

The valley where my maternal grandmother was born, Val di Sole, is renowned for its honey. In Croviana, one of the villages in the valley, new honey is celebrated in July with a sagra, a communal food festival. There are more than a dozen different types of honey from Trentino, including apple, chestnut, and rhododendron. These are plants of place – nature’s gifts that appear in the folk stories and are present in everyday life. Continue reading “Honey: A Thousand Flowers by Mary Beth Moser”

Reclaiming Yourself From Domestic Abuse by Kitty Nolan

One in three women worldwide experience Domestic Abuse at some point in their lives; I am one of them.  There are many terms to describe what we experience:  Gender Based Violence (GBV); Domestic Violence (DV); Wife Battering; Violence Against Women and Girls (VAWG); I’ve opted to use the term Domestic Abuse because it covers many of the behaviours women, and men, experience.  Firstly, domestic describes the running of the home, or family relations, and is synonymous with private; private or intimate relationships are the grounds for this abuse.

I use ‘abuse’ instead of violence because it covers physical violence, sexual abuse, financial abuse, emotional and psychological abuse, power and controlling behaviour, isolation, and spiritual abuse.  Some victims experience some of these behaviours, many experience all of them. Women and men experience abuse differently. For one thing, men are more likely to murder their partners than women are, and women generally have full responsibility for the care of children.  With that in mind, my focus in this piece will be on women. Continue reading “Reclaiming Yourself From Domestic Abuse by Kitty Nolan”

Corra, Celtic Serpent Goddess by Judith Shaw

judith shaw photoEven though snakes never inhabited Ireland, as in the rest of the ancient world both the serpent and the dragon were ancient symbols of life, fertility, wisdom and immortality for the Celts. Ancient Celtic ornamental work is entwined with serpents and dragons. The Celtic Knot can be seen as a never-ending serpent. A large stone with a carved serpent is found at the sacred cairn sites of Knowth. The megalithic structure of Brug na Bóinne (Newgrange) has multiple serpent-like spirals on the entrance stone.

In Scotland there is the earthen serpent at Glen Feochan, Loch Nell. The Pictish Aberlemno Serpent Stone is engraved with a serpent and other symbols. The torque collar, a symbol of kingship and status was created in the form of a hybrid horned dragon/snake. The serpent was connected to healing pools and springs and the Druids believed the serpent had healing powers together with a certain type of egg shaped stone called a “serpent’s egg.”  Continue reading “Corra, Celtic Serpent Goddess by Judith Shaw”

Inanna, Queen of Heaven & Earth Brings Gifts, by Judith Shaw

judith shaw photoIn the early 1990’s I discovered the compelling story of Inanna, the ancient Sumerian Goddess, translated and retold in the book, Inanna, Queen of Heaven and Earth by Diane Wolkstein and Samuel Kramer.  I was inspired to create a series of paintings from Inanna’s story.  

Continue reading “Inanna, Queen of Heaven & Earth Brings Gifts, by Judith Shaw”

Medusa and Athena: Ancient Allies in Healing Women’s Trauma by Laura Shannon

‘Rather than being a bleeding image of female disempowerment, Medusa may be read as…one of the most ancient European symbols of women’s spiritual abilities… [and] an empowering image of feminine potential.’

–Patricia Monaghan, O Mother Sun! (1994:244)

The name Medusa means ‘sovereign female wisdom,’ ‘guardian / protrectress,’ ‘the one who knows’ or ‘the one who rules.’ It derives from the same Indo-European root as the Sanskrit Medha and the Greek Metis, meaning ‘wisdom’ and ‘intelligence.’ (1) Metis, ‘the clever one’, is Athena’s mother. Corretti identifies Athena, Metis, and Medusa as aspects of an ancient triple Goddess corresponding respectively to the new, full, and dark phases of the moon. (2) All three are Goddesses of wisdom, protection, and healing.

Athena with Gorgoneion in her heart. 5th C BCE.

Athena and Medusa are particularly linked: indeed, one may have been an aspect of the other, ‘two indissociable aspects of the same sacred power.’ (3) Their many common elements include snakes, wings, a formidable appearance, fierce eyes and powerful gaze. The serpent, like the Goddess, has been cast as an embodiment of evil in patriarchal retellings; yet as Merlin Stone points out, serpents were ‘generally linked to wisdom and prophetic counsel’, associated with ‘the female deity’ and ‘entwined about accounts of oracular revelation…throughout the Near and Middle East.’ (4) According to Ovid, the poisonous vipers of the Sahara ‘arose from spilt drops of Medusa’s blood.’ (5) Although this is presented as a further sign of Medusa’s horrifying character, the original Berber inhabitants of North Africa – where Herodotus reports that the Medusa myth began – viewed snakes as bringers of luck and portents of joy. (6)

Despite Medusa’s fearsome appearance, she herself does not personify evil or demonic forces. According to Miriam Robbins Dexter, Medusa is a manifestation of the Neolithic serpent/bird Goddess of life, death, and regeneration. (7) Jane Harrison explains that the ancient Goddess wore the Gorgon mask to warn the uninitiated away from her rites (8), most likely mysteries of the great cosmic cycles of heaven and earth. Patricia Monaghan sees the snakelike rays streaming out from Medusa’s countenance as a sign of a solar Goddess (9), while Joan Marler, citing her connection with Hecate, identifies Medusa more with the moon than the sun (10); either way, Medusa is a heavenly deity ruling over the powers of the cosmos and the rhythms of time. Continue reading “Medusa and Athena: Ancient Allies in Healing Women’s Trauma by Laura Shannon”