Rhiannon, Goddess of Birds and Horses, is also know as the Queen of Fairies. She is a Sovereignty Goddess who the king must wed to legitimate his rule. A Goddess of Transformation, she uses her powers for love of others or self. She shines in our hearts as an example of true love and beauty. She appears in both the first and third branches of the Medieval Welsh stories, The Mabinogion, a narrative which grew out of the ancient myths of the Celtic Gods and Goddesses.
Rhiannon is associated with Epona, the Gaulish Horse Goddess. They are probably both derived from the ancient Celtic Goddess, Rigatona, whose name means “Great Queen”. Unfortunately, Rigatona’s stories and meaning are lost to us today.
Things sacred to Rhiannon are the moon, horses, horseshoes, songbirds, gates, the wind, and the number 7.
In the Mabinogion Rhiannon first appears to Pwyll, King of the new tribes of Dyved, as a beautiful dream vision, riding a glowing white horse. Her hair shining in the sun, her birds twittering in circles around her head, She seems to be clothed by golden light. Thus begins her journey to attain the man of her desires. She possesses deep magic and can manifest her dreams and desires both for herself and for the good of all.
Continue reading “Rhiannon, Goddess of Birds and Horses by Judith Shaw”











Hildegard, who lived from 1092 to 1179, was the tenth child of a family of minor nobility in the Holy Roman Empire. She’s a sturdy child who loves the outdoors and enjoys running through the forest with her brother. But early in the novel, she learns that she is to be her family’s tithe to the church. Her mother has already arranged for this bright and curious eight-year-old child to be the companion to Jutta von Sponheim, a “holy virgin” who yearns to be bricked up as an anchorite in the Abby of Disibodenberg. Being an anchorite means that, like Julian of Norwich (about 250 years later), this girl and her magistra are bricked in. There is a screened opening in the wall through which their meager meals are passed and through which they can witness mass and speak to Abbott Cuno, the other monks, and visiting pilgrims, but they can never go out. Never. In the Afterword, Sharratt writes that “Disibodenberg Abbey is now in ruins and it’s impossible to precisely pinpoint where the anchorage was, but the suggested location is two suffocatingly narrow rooms and a narrow courtyard built on to the back of the church” (p. 272). As Sharratt vividly shows us, Hildegard survived in that awful place for thirty years.