Warning friends, the first four paragraphs of this post includes quotes/references of some of Donald Trump’s misogynist rhetoric.
I never bothered to watch Donald Trump’s television show “The Apprentice.” The teasers advertising the TV program were enough to keep me clicking through the channels. Why would I watch his display of pomposity, crudeness, condescension, and entitlement? I don’t understand why anybody watched him and the participants of his “reality show” on TV week after week. Even more baffling to me is why anybody agreed to take part in that show, vying with other candidates to be Trump’s apprentice.
Just based on the coverage the media has given him during this presidential election process, there is no doubt in my mind that Trump is a misogynist. He’s also a bully, a xenophobe, a racist, politically inept, morally bankrupt, rude, and totally unkind. Today, though, I want to focus on misogyny. Continue reading “Women’s Bodies—Feeling the Hate by Esther Nelson”
When I was a little boy I was terrified that I would live to experience the end of the world. Whether it was by an asteroid, Y2K, or a zombie plague, I would make myself sick by picturing these horrible things that could befall me and my family. Although I was a precocious child, the crippling fear that would lurch its way up my stomach and into my head would sometimes make it impossible to sleep at night. While I like to think I grew out of that phase, I now sit here feeling that way again. I’m crippled with fear that the end of the world is at hand and there may be nothing we can do to stop it. How will the world end? No, it isn’t Lucifer himself coming from hell to bring in the end times, it is someone far worse, and his name is Donald Trump.
The conclusion of my 3-part post on how the Hamilton musical has changed the narratives and bringing diversity to Broadway. This last piece of the puzzle is how Hamilton has impacted me. I have always had a love of history, yet growing up I struggled with the narratives I was given. I couldn’t find myself within the pages; the people building, defending, and sustaining our nation were far from me. 
My 
Hamilton The Musical, the newest sensation to hit Broadway is sweeping the nation. It is being touted as a fresh new way to produce a Broadway play, introducing hip hop and rap into the lexicon of musicals. From the very beginnings, Hamilton has been turning heads, moving mountains, and making waves. Its unorthodox lyrics and beats help to give life to key American historical figures. The sick beats of the music are only part of why Hamilton is storming the nation. Of the 10 principle cast members, only one is a white male (in the role of mad King George). Hamilton is a racially diverse cast; one that is very rare amongst the streets of Broadway. Black and Latino actors play key American figures like Hamilton, Washington, Jefferson, Burr, and Madison.
The creation of cinema brought a new medium to which art and representation were transmitted. This new visual tool allowed people to bring to life favorite stories. Deemed in 1947 as ‘the greatest story ever told,’ the four Gospels found in the New Testament, have been ripe for cinema. Over fifty movies have been made which depict the life story of Jesus. Some have found lasting popularity and influence. Franco Zeffifrelli’s Jesus of Nazareth became the template for successful Jesus films. Mel Gibson’s The Passion of the Christ was another turning point for Jesus cinema. Each new Jesus film becomes a window to study how the story is reimagined. 
I’m going to do something I’d never thought I’d do: fill your newsfeed with yet another article pertaining to the 2016 United States Presidential election and yes, I’m going to talk about former Secretary of State Hillary Clinton (hint: I’m emphatically supporting her and I’m unapologetic about it.)
At the time of climate change and crises of capitalism we need to drop our sense of entitlement to comfortable life or even to life at all. Nature will not spare us just because we are humans. When the meltdown of economic and environmental systems occurs, we are all going down: humans and non-humans, women and men, spiritual or not. We have 
It starts with the main character, a Chinese Buddhist Were Fox who lives in present-day Moscow, consoling herself: “What else (or What the fuck) did you expect from life, A Huli?” A Huli is her name, supposedly meaning Fox A in Chinese. It is also a swear phrase in Russian, meaning “What the fuck?”
She appeared on a hill on December 9, 1531. She spoke to Juan Diego in his native tongue of Nahuatl; the language of the Aztecas. She asked for a church to be built at that very site in honor of her, the Virgin Mary. Juan Diego took the request to the local priest, but his story was not believed. On December 12, following further instructions from La Virgen, Juan Diego was able to find and pick roses not native to Mexico. He rolled them up in his tilma and returned to the priest. When he unrolled his tilma to present the roses, there on the tilma was the image of La Virgen de Guadalupe; she was as dark as the natives themselves.
La Virgen de Guadalupe
Feminism and Religion 