Refuge Bombing – 5 pieces by Sara Wright

In Maine the 4th of July…The bottom line is that women don’t create the chaos and unbearable noise that men do. It comes to a ‘head on the 4th – a time to create misery for all people who are peace loving – just more indication of the breakdown of our culture… I fear that patriarchy may live on until it destroys all we know.

Refuge (before bombing)

A symphony
of phoebe song
a river of stone
blessed by rain….
 Beech leaves beckon,

 crystal waters soothe

Hemlocks hum
I am part of

all there is…



Powers that harm

live just next door.
Leaning into Presence

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In Memoriam – Carol P. Christ by Joyce Zonana

“thea-logy begins in experience” –  Rebirth of the Goddess

It is hard to believe that Carol P. Christ – Karolina as she dubbed herself in her beloved Greece—has been gone for a year. She remains such a vivid presence in my life—in all of our lives. I think of her and draw strength from those thoughts daily, the way so many women say they think of and feel close to their deceased mothers. For Karolina was indeed a mother to me—a nurturing spiritual mother who initiated me into the ways of the Goddess she adored and, whom she so beautifully defined as “the power of intelligent love that is the ground of all being.”

I first met Karolina in June of 1995 on a bare hotel rooftop in Athens. I had just flown there from New Orleans to join the Ariadne Institute’s Goddess Pilgrimage Tour, a leap of faith inspired by my reading the previous year of Weaving the Visions: Patterns in Feminist Spirituality, a pioneering anthology edited by Carol and her long-time friend and collaborator, Judith Plaskow. That book, along with Carol’s Diving Deep and Surfacing and Judith’s Standing Again at Sinai had spoken to me more deeply than anything I had ever read before. I had grown up in a Middle Eastern Orthodox Jewish family. drawn to spirituality, I had never able to find a place for myself in the deeply patriarchal structures of synagogue or even family rituals … Carol and Judith offered me a way in, and I wanted immediately to embark on the paths they were clearing. I wanted to meet them, to know them,  to learn from them, to share with them. Boldly, I decided to join the Pilgrimage, signing up for my first trip overseas trip, the most costly vacation I had ever granted myself. How could I have known that it would transform my life and bless me with a miraculous, deep friendship?

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Women Who Dig by Trina Moyles – Book Review by Carolyn Lee Boyd

Here in the north, it is harvest time when the deep and ancient relationship between women and farming once again brings forth the food on which life depends. Women have been co-creating with the Earth to feed themselves and their families and communities for many  thousands of years. In fact, the world’s oldest agricultural tool may be a 300,000 year old stick possibly used by women to “harvest wild tubers for food and medicine” (p. xx) according to Women Who Dig: Farming, Feminism, and the Fight to Feed the World by Trina Moyles with photos by KJ Dakin. 

In her beautiful and enlightening book, Trina weaves together stories and stunning color photographs about the lives and work of women small farmers in Uganda, Guatemala, Nicaragua, the United States, Canada, India, the New Congo refugee settlement in Uganda, and Cuba. Together the profiles demonstrate that, despite sometimes overwhelming odds, women are feeding themselves, their families, and their communities through sustainable small farming practices that are good for both our nutrition and well being as well as the planet.

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From the Archives: Uppity Women Unite by Barbara Ardinger

This was originally posted on August 2, 2014

I have a poster on my wall: UPPITY WOMEN UNITE. In big, red, capital letters. I don’t remember where I got this poster, but I know I’ve had it since the late 70s or early 80s. I’m sure it comes from the raggedy late 60s, when second-wave feminism got up a head of steam and uppity women began getting our attention. That’s when Betty Friedan said being a proper 50s housewife was like having a mental illness. It’s when Gloria Steinem founded Ms. Magazine, which (oh, horrors!) did not give us recipes or home-making tips and did not tell us how to dress to lure our men into bed. It’s when Mary Daly started giving us a whole new, original take on the English language. Ahhh, yes, those were the good ol’ days. And the bad ol’ days, too, when the Equal Rights Amendment was not ratified.

“Uppity” can be a troublesome word. In the olden days, if someone called you uppity, it means you were inferior to them and weren’t staying in what they thought was your proper place. If you were a black person, for example, and if you didn’t step off the sidewalk when white men were coming, you were uppity. If you were a woman who wanted equal pay for doing the same work a man did, you were uppity. Those women in the 1980 movie, 9 to 5, were majorly uppity. And they won the battle.

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From the Archives: I Believe Anita! by Marie Cartier

This was originally posted on April 7, 2014

During the past week I attended a Los Angeles premiere of a new documentary Anita: Speaking Truth to Power (Dir: Freida Lee Mock USA, 2013). The screening was sold out and I had great seats saved for me– sitting with a friend who works at Samuel Goldwyn, the distributor of this fine film.

In 1991, Anita Hill provided testimony she hoped would serve to dissemble the nomination of Clarence Thomas as a Supreme Court justice. Although the vote would end up being close (52-48) Hill’s testimony did not serve to dissuade the decision — Clarence Thomas’ nomination was confirmed and he was appointed to a life term on the Supreme Court four days after Hill’s testimony concluded. Here is an outline of the debate.

anita-580x857

I remember watching the hearings in 1991 at a friend’s house in Sacramento, CA where I was couch-surfing with another friend while we were in Sacramento from Los Angeles to protest for gay rights—to speak our truth to power. I remember being amazed that she was doing this—and that it was being televised. We were glued to the set before we went off to the protest we were attending.

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Post-Roe Dirge by Liz Cooledge Jenkins

I have seen a sad thing.

Faces twisted in strange (un)righteous anger outside a clinic

Or sitting around the dinner table laughing

Like the world was not just shaken gravely beneath the feet of half of them

(No, all of them)

(No, all of us)

Or shouts of celebration when a wail of grief is due.

We played the pipe for you and you did not dance.

We sang a dirge, and you did not mourn.[1]

(What is wrong with them?

What has gone so wrong with us?)

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Miami in Virgo, a Mystical Feminist Novel by Sally Abbott     

Fifty years ago, California and elsewhere in the US and around the globe were roiling, creative, hopeful, and passionately dynamic places where many of those currently active in feminism and  feminist religion and spirituality found their voices and lives’ work. To offer a taste of that historical moment through the eyes of one young woman, you are invited to enter the world of the novel Miami in Virgo.

Set in California’s Central Valley in the mid-seventies, Miami in Virgo is a coming-of-age novel narrated by seventeen year-old Miami Montague. Insecure and fatherless, Miami struggles to hammer out an identity through her photography and the practice of feminist Wiccan ritual with her friends. She is short-circuited and ambushed, however, by emotional rivalries, sexual insecurity, and family drama. Her early years spent with her fundamentalist grandmother in east Texas cast a long shadow.

Disappointments in love coupled with exposure to the nascent gay pride movement in San Francisco lead her to question her own sexuality. Her confidence in free fall, Miami enters into a reckless one night stand at a Halloween party that has disastrous consequences for her move into a household full of teenage stepbrothers when her mother unexpectedly remarries and they move across county. Her peccadilloes take on a spiritual dimension and she goes through a soul searing scrutiny which eventually leads to the resolution of her conflicts through the deepening of her character.

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Little Red Deer by Sara Wright

At the forest edge

  twigs rustle,

papery leaves

betray

a vision of grace

  emerging

from behind

my chair.

Staring intently

liquid coals

will me

to turn…

You nibble

a few grasses

at my feet

without fear.

We meet

on pine strewn paths

or when I trim

 cherry or rose

plucking old thorns.

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The Legacy of Carol P. Christ: Dance of the Bees: Reading the Language of the Goddess

This blog was originally posted on December 1, 2014

The image from an ancient Cretan bowl (c.1700 BCE) from the Sacred Center of Phaistos pictured here has often been interpreted as an early depiction of Persephone’s descent or rising. But are clues from later Greek mythology pointing in the right direction in this case?

Recently, my colleague Mika Scott posted the Phaistos bowl image on our Goddess Pilgrimage Facebook site in conjunction with the bee pendant from Mallia. This juxtaposition led me to think again about the importance of bees and pollination in agricultural societies and to offer an alternative reading of the symbolism on the bowl.

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Be the Donkey: On Parshah Balak by Ivy Helman.

The Torah portion for July 16, 2022 is Balak (Numbers 22:2 -25:9).  Some of what happens in Balak is familiar: idolatry, divinely-sanctioned death penalties, and a plague.  But, did you know that this parshah has a talking female donkey who stands up to abusive behavior?  Perhaps not.  That talking donkey and the larger story of Balak’s attempt to curse the Israelites raises questions about gender, how we treat animals, choices, free will, violence, courage, and having one’s eyes open to what is really happening around one’s self. All of which is what we will be looking at today.

Balak begins with this story about Balaam.  The Moabite king, Balak, wishes to curse the Israelites because he is worried about their size and their impact on the land and its current inhabitants (22:3-4).  He sends representatives to bring  Balaam, a powerful man whose curses and blessings have tangible effects on their recipients (22:6), to him.  Balaam meets with those representatives and tells them to wait; he has to talk to the deity in order to know what to do.  The deity commands Balaam to stay put and to not curse the Israelites, for they are blessed (22:12). Indeed, a first in quite a while. 

Continue reading “Be the Donkey: On Parshah Balak by Ivy Helman.”