My Tribute to Joy and Vera by Esther Nelson

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My daughter Joy, in so many ways, is like my mother Vera–competent, feisty, determined, smart, no-nonsense, generous, gracious, and loving.  Many of her mannerisms mimic Vera’s as well, yet Joy barely knew my mother.  She died soon after Joy’s fifth birthday.  Unlike both my mother and me, though, Joy came into the world wired with a feminist vision.  Comfortable in her own skin from the “get-go,” she did not shrink from asserting her right (quietly–she’s an introvert) to participate in whatever caught her fancy “out there.”  She always had a strong sense of autonomy and resists, along with other feminists, when men (or to be more accurate–the patriarchal social system that informs us) attempt to shape public policy based on (primarily) men’s experiences and political agendas.

It took some time for me to understand the structured (and toxic) nature of gender inequality within our society, and even more time to learn to “speak that truth to power.”  During Joy’s formative years, I tried my best to instill into her what I had been taught–women were created primarily to be “help-meets” for their husbands and by extension, men.  Joy never bought into that “truth.”  I could tell by the way she lived.  For example, Joy liked to cook.  When she prepared a dish, she balked if (when) family members just helped themselves to the fruits of her labor.  She insisted they first ask to partake of the food she prepared.  She would not be taken for granted. Continue reading “My Tribute to Joy and Vera by Esther Nelson”

Oh, Yes! On a Sexual Revolution in Islam by Vanessa Rivera de la Fuente

Vanessa Rivera de la Fuente. Sexuality and IslamFor centuries, religions have controlled sexuality. They have defined the legitimate options with regard to gender, sexual orientation, how to make love and its purpose. The religious discourse on sex imposes patriarchy, binarism, marriage, monogamy, motherhood and heterosexuality as sine qua non conditions for a “proper” sexual life. Also, it has caused the invisibility and subordination of female pleasure and has repressed the power of women’s sexuality that allows us multiple orgasms and tireless self sexual satisfaction for a life time.

The modern mainstream Islamic discourse is the continuation of what I already knew in Catholicism about sex: its purpose is to have children, it is lawful only after marriage, the man controls the couple’s sex life and may have more than one partner while women are the exclusive property of their men.

However, it seems that it was not always this way. The biblical book, “The Song of Songs,” for example, describes a sexual encounter with beautiful metaphors and passionate declarations of sexual desire. I insist in this: declarations of sexual desire. Nowhere in this text do the lovers speak of marriage, fidelity, children they will have or who will pay the bills. The “Song of Songs” is a celebration of sexual desire and the desire to have sex just because it is good and pleasant. Pleasure for the sake of pleasure, without normative assumptions, because sexual pleasure is a divine gift and if is shared, is even more divine. Continue reading “Oh, Yes! On a Sexual Revolution in Islam by Vanessa Rivera de la Fuente”

This Be My Altar by Lori Tiron-Pandit

LTP Feb2015My grandmother took me to church often when I was a child. It was not my favorite activity. The village church, surrounded by the graveyard, was cold and gloomy, and the priest demanded too much undue reverence, I thought. As a consequence, I used to spend whole days devising plans of sudden sickness and disappearance acts before church time.

One summer, I must have been around seven or eight, my grandmother told me that we would be going to a monastery in a neighboring village, and there was nothing I could do or say to get out of it. I felt betrayed by fate and bereft of hope.

When we reached the Vladimiresti Monastery, I found myself in front of a tall fence of thick, whitewashed walls, over which trailed heavy clematis and morning glory vines. It was a beautiful day, with a perfectly clear sky and balmy weather, and that first image of the monastery was so perfect that it seemed almost fake, like a movie set. Continue reading “This Be My Altar by Lori Tiron-Pandit”

Time for Change: What Do the Goddesses Say? by Carolyn Lee Boyd

cb2015From our very beginnings, women have danced with time. Our bodies’ moon cycles have always been a human calendar. As the first agriculturists, we partnered with the seasons to feed our families and communities. When we served as midwives and carers for the dead, we ushered our species into and out of their Earthly lives.

Time is also embedded in the stories of goddesses worldwide. Like human gatekeepers of birth and death, goddesses are often the stewards of fate. The Greek Moirai spun the thread of life and cut it at death’s proper time. The Balkan Laima , the ancient Arabian Menat, and the Etruscan Nortia are other among many fate goddesses. Some goddesses oversee change, the physical manifestation of time, including Anna Perenna, goddess of the circle of the year as well as all the seasonal goddesses. Kali, Rhea Kronia, and other Creator/Destroyer goddesses rule over time itself.*

Now, however, time is often a weapon of oppression against women. Women overburdened with an unfair share of daily life’s tasks were never able to create millions of paintings, symphonies, and inventions, make scientific discoveries, or engage in other endeavors at great loss to themselves and the world. After just a few years of maturity, we are cast aside as being “old.” How many lives have been cut short by violence, human-made disease, poverty, and war? For how many centuries have we been told to wait for equality and freedom until another war or crisis is over or we die and go to heaven? Continue reading “Time for Change: What Do the Goddesses Say? by Carolyn Lee Boyd”

Kassiani: Placing a Woman at the Center of the Easter Drama by Carol P. Christ

Carol in Crete croppedFor many years I been told of the beautiful Hymn of Kassiani, sung only on Easter Tuesday night, but I had never heard it until this week. For many this song is the high point of Easter week.

Kassiani, also known as St. Kassia, was a Greek woman born into a wealthy family in Constantinople (now Istanbul) about 805 to 810 AD. According to three historians of the time, she was intelligent and beautiful and selected as a potential bride for the Emperor Theophilos. The chroniclers state that the Theophilos approached her and said: “Through woman, the worst,” referring to the sin of Eve. Clever Kassiani responded, “Through woman, the best,” referring to the birth of the Savior through Mary.

Apparently unable to accept being put in his place by a woman, Theophilos chose another bride. Kassiani founded a monastery in Constantinople becoming its first abbess. She was an outspoken theological advocate of icons during the iconoclastic crisis (for which she was flogged). One of only two women to publish under her own name during the Byzantine Middle Ages, Kassiani wrote both poetry and hymns. Up to 50 of her hymns are known today, with 23 of them being part of the Greek Orthodox liturgy. Continue reading “Kassiani: Placing a Woman at the Center of the Easter Drama by Carol P. Christ”

Liberation Lessons for Pesach by Ivy Helman

Each year we read the story of our exodus from Egypt during the Pesach seder. The story is one of human liberation from oppression. Yet, most of the imagery we encounter, the drama of the story so to speak, involves nature: a river that saves a baby, a burning bush, the plagues, the re(e)d sea, the wilderness, lack of food and water and the promised land itself. What does this mean?

In general, it means that human liberation is intimately connected to the liberation of all of creation.  In particular, the exodus story can teach us many lessons about environmental justice.  I’m going to explore five of them here: do not manipulate nature, use water wisely, form a connection to the land, imagine G-d differently and treat humans, animals and the land well.

Continue reading “Liberation Lessons for Pesach by Ivy Helman”

Painting Sophia by Angela Yarber

angelaSophia was the first Holy Women Icon with a folk feminist twist I ever painted. A church gallery was hosting a Lenten triptych exhibition with the theme of “The Many Faces of Jesus.” I knew immediately that the face of Jesus I wanted to portray was Sophia wisdom. Sophia is the Greek feminine word for wisdom in the New Testament. Her characteristics are similar to the Hebrew hokhma, but expand in early Christian theology as she is understood as a divine attribute, or part of the trinity. In these ways, sophia is portrayed as a hypostasis of God’s wisdom, or a part of God’s substance. Accordingly, early Trinitarian formulas reference God the father, Jesus the son, and Sophia the spirit. A female spirit was undeniably an early part of the trinity.

It is worth noting that such an early understanding of the trinity, and of an unequivocally feminine spirit, was once normative. The Spirit was understood as and spoken of as a “she.” April DeConick highlights the difficulty of such an understanding today: “[W]hat must be realized is that Judaism and Christianity are the products of centuries of religious developments. So what might have been considered ‘orthodox’ at an early time, a few centuries later might be considered ‘heretical’ because the tradition and practices had drastically changed by then (April DeConick, Holy Misogyny, 7).” What was once orthodox—a female sophia spirit—has slowly, yet intentionally been overshadowed by patriarchal understandings of the trinity and the spirit. Continue reading “Painting Sophia by Angela Yarber”

The Importance of Rituals by Elise M. Edwards

elise-edwardsMy sister once said about me, “One thing you have to understand about Elise—she takes the ritual of whole thing very seriously.” My sister was right and her words helped me see this quality about myself. What ritual was she talking about me taking so seriously? Happy hour on Fridays.

It was a different season of my life when she said this. I don’t have Friday happy hours regularly anymore, although I did gather with my friends nearly every week for food and drinks for many years throughout my 20s and 30s. It was often on Fridays, but at one point it was Wednesdays and then, for about a year, it was Thursday nights after a late shift at work.

More recently, I would meet a friend for crepes at the farmers’ market on Saturday mornings. Although the day and the time and specifics of these gatherings would vary, the act of setting aside a weekly time to connect with people dear to me and relax as we indulged in good food or drink was a ritual to me.

Continue reading “The Importance of Rituals by Elise M. Edwards”

Forest Heritage by Molly

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Trees

To my lips
a prayer comes
thank you,
I see.

When we decided to buy some land on which to build our home, one of the deciding factors was the wonderful big rocks on the hillside behind where we imagined building our house. Over the years, we would go out and walk through the woods and stand on the rocks, and I often said that I wanted to create a sacred space down there to visit regularly. As I realized later, there was no need to “create” the sacred space, it was already there.

Following two miscarriages, I would often go to the woods to sit on a chair-shaped rock and connect with nature and my body. During my subsequent pregnancy with my daughter, I would return to this place to sit and connect with my baby and prepare for her birth. After she was born, I brought her to these rocks and these woods to “introduce” her to the planet. At some point at the end of 2010, I suddenly “heard” the words priestess rocks when I was standing out on these large flat stones that look out over the horizon. It felt like their name, I suddenly knew it. So, in July of 2012 when I became ordained as a priestess, the priestess rocks felt like the absolutely perfect place to bear witness to my ceremony of ordination. They called me. They named me priestess first. Continue reading “Forest Heritage by Molly”

Who “Gets” to be a Feminist? by Sara Frykenberg

Sara FrykenbergLast year a friend of mine who is also a professor, a professor of Philosophy, initiated an email conversation with me to casually dialogue and ask some questions about feminism, a topic about which he had only limited knowledge. During this conversation, he asked a particularly pointed question which I will paraphrase here:

“Sara, do you think that ‘popular feminism’ or the kind of feminism we see in social media, particular political organizations or popular culture ends up getting to define feminism for larger society (and isn’t this representation a bit limited or behind what feminism has actually become)?”

His question stayed with me for quite some time and was echoed by members of the Women’s Caucus at the 2014 meeting of the American Academy of Religion, Western Religion (AAR/WR). Who defines feminism for society today? Who is defining what feminism is becoming? Who wants to be a feminist? Who ‘gets’ to be a feminist now?

Reflecting on these questions personally last year, I found myself a little lost… My daily exposure to feminism via social media sometimes felt like I was watching a constant battle between those who identified as feminists and those who found feminism wanting, inadequate, harmful or even hateful. Yet, much of my professional experience working with feminism, at the same time, also involved the opposite: purposeful coalition building, training and discussions about allied relationships, and efforts to create inclusive, if agonistic community.

Teaming up to address this issue of representation, power, naming and justice-making, the Queer Caucus and the Women’s Caucus of the AAR/WR co-hosted a panel and groups discussion at the 2015 regional conference this year in March. We asked the panelists to consider the question: “Who ‘gets’ to be a feminist,” encouraging each panelist to directly engage her, his or their own social location, institution and activism when addressing the workshop theme.

Continue reading “Who “Gets” to be a Feminist? by Sara Frykenberg”