Winter’s bone-chilling, relentless cold makes it the most treacherous season in the north when you don’t have a warm place to sleep or enough to eat. Poverty may look different in the city and the country, in various countries and continents, but it can be devastating to body, mind, and soul anywhere.
When I lived in New York City, no day went by that I wasn’t aware that people near me were hungry and homeless. When I moved to a more rural community, I found that, while small groups of volunteers ran food pantries and emergency assistance programs, many in my generally well-off town did not know that they had neighbors who were in need. While contributing to organizations that assist people around the globe is essential, clearly we must also consider what we, as human beings and especially as feminists with a focus on religion and spirituality, must do to support those who live within a few miles of us. Continue reading “A Place for Everyone at the Table by Carolyn Lee Boyd”
Weaver, Prophetess, Shrinekeeper, Witch; Maiden, Mother, Queen, Midwife; Wise-Woman, Mourning-Woman, Seeker, Lover, Fool . . . .Thirteen possibilities for the female self, thirteen aspects of the Goddess, thirteen archetypes for the Hebrew (or any other) Priestess . . . thirteen fact- and dream-filled chapters in Jill Hammer and Taya Shere’sthrilling—and much-needed—new book, The Hebrew Priestess: Ancient and New Visions of Jewish Women’s Spiritual Leadership.
Nearly fifty years ago, anthropologist Raphael Patai introduced readers to the Hebrew Goddess, documenting the influence of Near Eastern Goddess religions on the practices and beliefs of the ancient Israelites. Since then, feminist scholars of religion, along with poets and novelists, have offered brilliant new interpretations of Torah and Talmud, creating feminist midrash and liturgy that open the ancient patriarchal faith to modern (and perhaps also ancient) notions of female authority and autonomy. At the same time, the increasing presence of women rabbis has transformed the congregational, communal Jewish experience for many women and men.
But what we have not had is a shamanic, visionary form of Jewish practice—“earth-based, embodied, ecstatic, energetic” (9)—that integrates ancient and contemporary Goddess spirituality with Judaism: while we have had female rabbis, we have not had formally trained and recognized Hebrew Priestesses.
JillTaya
Enter Jill Hammer, who in the compelling Introduction to her book recounts with passion and precision her own meandering but steady journey to the Goddess and her establishment, with co-author Taya Shere, of the Kohenet Hebrew Priestess Institute, a school dedicated to ordaining contemporary Hebrew Priestesses, kohanot. “Kohenet,” although it does not appear in the Bible, is the ancient Hebrew word for “priestess.” Continue reading “The Hebrew Priestess: A Book Review by Joyce Zonana”
Last week I watched Spotlight, the film about the Boston Globe‘s exposure of priests’ sexual abuse of children, and then I watched it again. There are many reasons for my fascination with this film. I almost always root for the underdog, and in this story the underdog wins. Moreover as a former Catholic (for a period of time) and as part-Irish, I relish an inside glimpse of the machinations of the all-male Church hierarchy and the all-male Irish power structure that supported it in Boston.
Like you, I am no longer a young woman. Like you, I am a lifelong feminist activist. But, unlike you, I am not supporting Hillary Clinton. I am supporting Bernie Sanders because of–not in spite of–my feminist principles. I came into the feminist movement through the antiwar, antipoverty, and civil rights movements. My feminism cannot be reduced to the single issue of women’s rights. I believe that feminism can and must be intersectional and inclusive of issues of class and race. For me it must also include an analysis of the relationship between patriarchy and war, which I have discussed in a series of blogs on Feminism and Religion that I hope you will read.
I believe the future of the United States (and the world) requires us to dismantle the system in which the 1% owns more of the world’s resources than the rest of us combined. As you and I both know, poor women of color are at the bottom of this system, both in the United States and worldwide. As you and I both know, there are reasons to seriously doubt if democracy can function in a political system in which the 1% can buy candidates and fund voter suppression. Continue reading “Dear Gloria: The Feminist Candidate I Can Believe In Must Be Unbossed and Unbought by Carol P. Christ”
This week, the Christian season of Lent began. Ugh. Lent can be so somber and serious and gloomy. Last year, I didn’t want to place myself in that frame of mind. I was experiencing grief and self-doubt and loneliness, and felt that an extended period of reflection about self-denial, Christ’s suffering, and the sinful condition of humanity might pull me into an unhealthy depression. Also, I questioned why I should seek silence and solitude when I was already experiencing too much of it. I felt isolated.
This year is different for me. Once again, I’m entering the season with a grieving heart. I’m mourning the death of my cousin. But I do not feel isolated. I am not self-doubting. This January, I spent four continuous days with mentors and peers in academia who poured love and wisdom and inspiration into me. The women in our group sought each other out and had honest and authentic conversations about the successes and struggles in our lives. We affirmed self-care. We affirmed milestone birthdays. We affirmed our bodies, despite the physical limitations we sometimes feel. We affirmed the tough decisions some had made, the transformations some were pursuing, and the exciting opportunities that had developed for others since we last met over the summer.
It was a powerful experience, but there was pain, too. We confronted fear, rejection, anxiety, exhaustion, and frustration. I felt blessed—divinely gifted—to have an opportunity to speak honestly with my sisters in the spirit about the people and issues on our hearts: challenges with students, systemic racism and sexism, menopause, children, research questions, financial decisions, romance, and health.
I spent 2015 teaching an Intentional Creativity program ‘Wisdom of the Goddess”to an intimate tribe of women creatives from our local community. In December we held an end of Year Art Gala displaying a portion of the work which saw over 100 paintings of Goddesses created over a 10-moon period.
The program was divided into the cycles of Creation, Transformation and Celebration, as inspired by Hallie Inglehard’s book “The Heart of the Goddess”. Each month, through ritual, visioning and painting, we explored a Goddess that represented these cycles; Eve, Anjea, Demeter, Cerridwen, Kali, Persephone, Aphrodite, Ochun and finally, our Inner Goddess.
It took great courage for the artists to display their paintings in public. It is often hard to explain this work because it requires such deep and thoughtful exploration of one’s inner world along with a commitment to a creative practice that favours personal growth and discovery over outcome. It can be difficult finding the language to elucidate on this process that is not just about the act of painting.
It is painting to grow and heal.
It is sacred.
It honours and empowers women.
It inspires authentic creative expression.
It unites one with self.
It connects one back to the earth.
It transforms.
It reveals.
The show was a great success. A gallery full of Goddesses was surely a sight to behold! It was a humbling experience to be out and proud about our creative work in our regional, agricultural, largely conservative community. I feel it is imperative for the restoration of female empowerment to be remembering and re-imagining the Goddess by way of image and it was through Her that these astounding women artists found the courage to put their heart and soul on the wall for all to see.
The influence that image has is far-reaching and cannot be under-estimated. Image is a universal language that evokes emotion and can go as far as mobilising the masses and even change the course of history. The famous photo of ‘Phan Thi Kim Phuc’ running naked down a road after a napalm attack during the Vietnam War is but one outstanding example.
As I reflected on the years work however, I was reminded that while these paintings carry with them incredible insights and powerful messages of change, growth, discovery and transformation, the Goddess is so much more than just an image; and certainly more than just an image to mass-produce and sell. While “the strength and independence of female power can be intuited by contemplating ancient and modern images of the Goddess” (Carol P. Christ in ‘Why Women Need the Goddess’), it cannot be forgotten that She is the sacred made immanent in the natural world, expressed in the diversity of all forms of life and death. We seek Her, sometimes even travelling to the ends of the earth to find Her, forgetting that She is everywhere. She is you and me and Her sacred sites are found in our own backyards.
With this in mind I recently returned to some creative investigations I had begun a few years ago exploring woman in nature and the Goddess as the body of the earth through paint. The earth speaks and I am listening to Her stories and bringing them to the canvas to re-affirm my sense of wonder and respect for nature. My aim is to awaken an ancient memory of the sacred relationship between human and nature, for now, more than ever, it is critical that this relationship be restored. In doing so, the earth may once again be seen and valued as a living, breathing body that sustains and nourishes all life rather than being merely a commodity to be devastated and destroyed in the name of capitalism and greed. Further, these images are reminders of the interconnectedness of all life; we are not separate from the earth, but part of its’ intricate web.
The following image was inspired in part by Terry Tempest Williams ‘When Women Were Birds’ but is also an image born from a revelation I had many, many years ago when I first starting seeing woman in nature, especially in the body of trees.
“We are the birds eggs. Birds eggs, flowers, butterflies, rabbits, cows, sheep; we are caterpillars; we are leaves of ivy and sprigs of wallflower. We are women. We rise from the wave. We are gazelle and doe, elephant and whale, lilies and roses and peach, we are air, we are flame, we are oyster and pearl, we are girls. We are woman and nature. And he says he cannot hear us speak.
Jassy Watson, who lives on the sub-tropical coast of Queensland Australia, is a Mother of four, passionate organic gardener, Intuitive/Visionary Artist, Intentional Creativity Coach and a student of Ancient History and Religion at Macquarie University, Sydney. She is the Creatress of Goddesses Garden Studio & Gallery; a small school for the Sacred Creative Arts. Jassy teaches regular painting workshops in person, nationally, internationally, and online based around themes that explore myth, history, earth connection and the Goddess. Her latest SOULSCAPES (TM) exploring woman in nature will be on show at ‘Dreaming Into Being’, Percolator Gallery, Paddington, Brisbane April 5th-11th. You can see her work at http://www.goddessesgardenandstudio.co
The trappings of motherhood are all too powerful reminders that, as Catherine Keller reminds us in her book From a Broken Web, mother goddesses have to be continually slain for patriarchal heroes to be born. Indeed, she suggests that conceptions of Western selfhood are based upon this symbolic matricide—so it is no wonder that breast milk might be considered abject…
Once upon time formula companies and complicit medical experts launched a serious campaign to sell more formula, telling a generation of mothers that this product was both superior to breast milk and far better for baby and mother. Some were convinced, others found formula a good alternative to breast milk given their employment status, hormonal changes, their particular baby’s needs,personal choice, difficulty producing their own milk, or the like; and still others chose to breastfeed despite criticism, like my mother-in-law, who received scorn and derision from medical personnel as the only breastfeeding mother in the hospital in which she gave birth in 1970.
Despite this effort, science has finally “proven” that breast milk, when it is possible to give it, is better for your child than synthesized alternatives. Wow. Well, the politics of believability aside, women in the U.S. are now encouraged to trust their own bodies to feed their babies and give the breast a try. In fact, every new book, article, website and internet forum, birthing class teacher and hospital nurse will tell you that “breast is best,” repeatedly, for months, asking you about your breastfeeding plan, and urging you to keep trying until you and baby get it right. A counter-campaign, this vigorous encouragement is working to undo the attitudinal changes within popular culture that placed a stigma on the breastfeeding woman. Continue reading “Breastfeeding and the Abject? by Sara Frykenberg”
Someone I dearly love recently lent me a very sensible piece of advice: “You should forgive.” I know he resorted to these words out of love because he didn’t like seeing me in pain, a sentiment for which I was and remain grateful. I also know he wasn’t judging me when he brought it up, nor was he pressuring me into doing something I wasn’t ready for.
I truly understand how forgiving someone who has deeply hurt you can set you on the path to freedom. In the sense that forgiveness can loosen the chains that bind you to the past, the anger, the deep sense of betrayal, helping you learn to live again; that forgiveness is not so much about the other person but about the self. I have watched shows in which victims of horrific crimes or their family members have chosen to forgive, not always out of a sense of human bonding towards the aggressor, but because they could not live with the debilitating anger and hatred festering inside, and so chose to forgive to set themselves free. Continue reading “Forgiveness is a *choice* by Vibha Shetiya”
In recent years “the Sacred Feminine” has become interchangeable with (for some) and preferable to (for others) “Goddess” and “Goddess feminism.” The terms Goddess and feminism, it is sometimes argued, raise hackles: Is Goddess to replace God? And if so why? Does feminism imply an aggressive stance? And if so, against whom or what?
In contrast, the term “sacred feminine” (with or without caps) feels warm and fuzzy, implying love, care, and concern without invoking the G word or even the M(other) word–about which some people have mixed feelings. Advocates of the sacred feminine stand against no one, for men have their “sacred feminine” sides, while women have their “sacred masculine” sides as well.
Nothing lost, and much to be gained. Right? Wrong.
Perseus with the Head of Medusa: Sacred Masculine and Sacred Feminine?
When Goddess feminism emerged onto the scene early in the feminist movement, it had a political edge. It was about women affirming, as Meg Christian crooned in “Ode to a Gym Teacher,” that “being female means you still can be strong.” Goddess feminism arose in clear opposition to patriarchy and patriarchal religions. It was born of an explicit critique of societies organized around male domination, violence, and war; and of the male God or Gods of patriarchal religions as justifying domination, violence, and war. In this context, “the sacred masculine” was not understood to be a neutral or positive concept. To the contrary, the male Gods of patriarchy were understood to be at the center of symbol systems that justify domination.
The terms “the masculine” and “the feminine” were floating around and sometimes evoked in early feminist discussions, but when examined more closely, they were rejected by most feminists as mired in sex role stereotypes. The psychologist Carl Jung, for example, associated the masculine with the ego and rationality and the feminine with the unconscious. True, he argued that modern western society had developed too far in the direction of the masculine and needed a fresh infusion of the feminine in order to achieve “wholeness.” This sounded good, but when feminists looked further, they discovered that Jung and his followers harbored a fear of the uncontrolled feminine.
Jungians consider the unconscious to be the repository of undisciplined desires, fears, and aggressive feelings that require the rational control of the ego. Though strong and intelligent women were among Jung’s most important followers, Jung and his male companions retained a fear of independent women, speaking of women who developed their rational sides fully enough to argue with men and male authorities as “animus-ridden,” a term not meant as a compliment.
Hades Abducting Persephone: Marriage of Sacred Masculine and Sacred Feminine?
Jungians, following Erich Neumann, understand the progress of history through an evolutionary model in which humanity began in a matriarchal stage in which the unconscious reigned. This period of culture, which spawned the image of the Great and Terrible Mother, was primitive and irrational. Matriarchy was naturally superseded by patriarchy, in which the individual, the ego, and rationality emerged. In the patriarchal stage of culture, male Gods and heroes were the primary symbols, and rationality reigned supreme.
The patriarchal stage of culture had its limitations, which were revealed in the two World Wars of the twentieth century and the nuclear and environmental crises that followed. Rational man, Jungians argued, had come to the point where he needed to reconnect with his feminine side. The unconscious feminine was now understood to be a nurturing matrix that included the body, nature, and feeling, from which rational man should and could never fully separate himself.
The great archaeologist Marija Gimbutas also spoke of two cultures within Europe, an earlier matrifocal one she called Old Europe and a later patriarchal one. The Jungian Joseph Campbell endorsed Gimbutas’ work, leading some to assume that Gimbutas and Jungians hold similar theories of human history. In fact they do not: Gimbutas did not subscribe to an evolutionary theory of culture. She would never have said that the earlier matrifocal culture “had to be superseded” by the later patriarchal culture “in order for civilization to advance.” The clear conclusion to be drawn from Gimbutas’ work is that the patriarchal culture was in almost every way inferior to the one it replaced.
For Gimbutas, the agricultural societies of Neolithic Old Europe were peaceful, egalitarian, sedentary, highly artistic, matrifocal and probably matrilineal, worshiping the Goddess as the powers of birth, death, and regeneration. These societies did not evolve into a higher stage of culture, but were violently overthrown by Indo-European invaders. The culture the Indo-Europeans introduced into Europe was nomadic, patriarchal, patrilineal, warlike, horse-riding, not artistic, worshiping the shining Gods of the sun as reflected in their bronze weapons. Gimbutas did not look forward to a new “marriage” of matrifocal and patriarchal cultures. Rather she hoped for the re-emergence of the values of the earlier culture. Her theories had a critical edge: she did not approve of cultures organized around domination, violence, and war.
This critical edge is exactly what is lost when we begin to substitute the terms “sacred feminine” for “the Goddess” or “Goddess feminism” and “sacred masculine” for “patriarchy” and “patriarchal Gods.” When we allege that we all have our “masculine and feminine sides,” and that it is important “to reunite the masculine and the feminine,” it is easy to forget that in our history, the so-called sacred masculine has been associated with domination, violence, and war.
If we hope to create societies without domination, violence, and war, then we must transform the distorted images of masculinity and femininity that have been developed in patriarchy. We must insist that domination, violence, and war are no more part of masculinity or male nature than passivity and lack of consciousness are part of femininity or female nature. It may feel good to speak of reuniting the masculine and the feminine, but feeling good will not help us to transform cultures built on domination, violence, and war.
The case of Larycia Hawkins, an African-American Christian, Associate Professor of political science at Wheaton College in the United States, who published a photo on Christmas day on Facebook wearing a headscarf in solidarity with Muslim women victims of Islamophobia, has raised a significant controversy about whether non-muslim women wearing the hiyab is useful for Muslim women and our feminists struggle in Islam or not. Beyond the debate about veils, the heated discussion that followed reminds us that Islamophobic violence against Muslim women is a gender matter that must be addressed not only by Islamic feminists, but also by all decolonial feminists.
According to Itzea Goicolea Amiano, a Spanish researcher, in her work “Feminismo y Piedad” (“Feminism and Piety”):
Gender Islamophobia is a term that refers to the xenophobic and Islamophobic attitudes mixed with sexist and misogynist discourses that oppress, discriminate and targets with a negative preference for Muslim women more than muslim men …