Aine and the Giant Leap by Deanne Quarrie

Deanne Quarrie, D.Min.For our full moon rites coming up on the first of July we will be honoring Aine, Goddess of Love, Light, and Fertility who is also Queen of the Faeries. Aine’s name means “Bright” and She is typically honored at the Summer Solstice when the sun is at its peak of power.  The next full moon falls just after the Summer Solstice. The Solstice is associated with abundance, beauty and bounty.  It is not necessarily about the harvest season, as that is yet to come.  However, everywhere we look we can see the abundance of the Mother and so it is when we first acknowledge, with joy, what is before us.

In my Tradition, the Summer Solstice falls within the Oak Moon, the Moon in which we “court the lightning bolt.”  What that means to us is that with our roots planted firmly in the ground, as does the Oak tree, now is the time to take all of our plans and put them into action.  “Go for it” is what we are saying to ourselves and to the world. Continue reading “Aine and the Giant Leap by Deanne Quarrie”

Caitlyn Jenner is a Friend of Mine

To speak ones truth is oftentimes a difficult and nearly impossible act. However, to live one’s truth, on a day-to-day basis, is an aspect of life that has become so foreign to individuals who have become so comfortable in their own skin that I fear the activist and social justice roots that we all claim to hail from have fallen at the wayside and been replaced by complacency and reductionism.

caitlyn-jenner-transformation-high-cost-surgery-clothes-house-5I’m deeply troubled by some of the anti-trans and anti-queer commentary that has been taking place on some of the comments on this blog in recent months. I’ll never forget when this project first began—talking with the founders about its original purpose: to bring the “F” word back into the mainstream religious discourse and more importantly, to be a place where scholars, young and old, senior or junior, could write, collaborate and eventually converse with across cyberspace.

However, in recent months, I’ve found myself being more of a watchdog rather than a frequent commentator on issues pertaining to feminist religious discourse. I’ve found myself reading comments about issues I may not frankly identify or agree with just to make sure that the cisgendering or anti-trans narratives do not become symbolic of what this blog is now rather than what was supposed to be at the beginning.

When I sat down to write my very first post I was scared. I was terrified that feminists from all communities would see me only as I appeared and not for whom I actually was. I was afraid that all I had worked for throughout my life would be moot with the first bad comment on one of my posts. While all of those fears were real and valid they quickly faded away as I was embraced by this community and many others for my passion rather than my gender; my life’s work rather than my privilege; and more importantly, the personal mission to make the world a safer and better place for women and girls everywhere.

To speak ones truth is oftentimes a difficult and nearly impossible act. However, to live one’s truth, on a day-to-day basis, is an aspect of life that has become so foreign to individuals who have become so comfortable in their own skin that I fear the activist and social justice roots that we all claim to hail from have fallen at the wayside and been replaced by complacency and reductionism.

Caitlyn Jenner’s story is one that many individuals, often not highlighted on this blog, know all too well. Caitlyn Jenner’s story and personal experiences are valid and for members of the feminist community to refer to her as not “feminist” or merely as a man “masquerading” as a woman while still utilizing his privilege from being biologically born as a man is troubling and the root of the problem facing many trans individuals today when they’re negotiating coming out as their true selves.

Trans individuals face a cadre of other horrible social, physical and mental statistics that oftentimes lead them to be more likely to self-harm.   However, as feminists, isn’t it our job to make sure that all groups have access to the same freedoms rather than working towards denying it for certain groups while trolling the comments sections of posts?

Shakespeare said: “To thine own self be true” and for those of us who identify with the Golden Rule, if we no longer treat others as we would like to treat ourselves, then we really have failed as feminists; and if the comments on recent blogs are any indication, we still have a long way to go before all voices can feel welcomed not only on FAR but also in the world at-large.

John Erickson is a Ph.D. Candidate in American Religious History at Claremont Graduate University. He holds a MA in Women’s Studies in Religion; an MA in Applied Women’s Studies; and a BA in Women’s Literature and Women’s Studies. He is a Permanent Contributor to the blog Feminism and Religion, a Non-Fiction Reviewer for Lambda Literary, the leader in LGBT reviews, author interviews, opinions and news since 1989 and the Co-Chair of the Queer Studies in Religion section of the American Academy of Religion’s Western Region, the only regional section of the American Academy of Religion that is dedicated to the exploration of queer studies in religion and other relevant fields in the nation and the President of the University of Wisconsin Oshkosh’s LGBTQA+ Alumni Association. When he is not working on his dissertation, he can be found at West Hollywood City Hall where he is the Community Events Technician and works on policies and special events relating to women, gender, sexuality, and human rights issues that are sponsored or co-sponsored by the City of West Hollywood. He is the author of the blog From Wisconsin, with Love and can be followed on Twitter @JErickson85

What’s Wrong with this Picture? by Elise M. Edwards

Elise EdwardsOn Monday, the picture was on my Facebook feed again: The picture of a girl lying face down in the grass under a police officer pressing his knee in her back. It was from the video of an African-American teenager being pinned to the ground by Eric Casebolt, the police officer in McKinney, Texas who was responding to calls about a pool party. When I saw the picture this time, it was in a screenshot with these words below it:

“Funny how a 14 year old bikini-clad black girl being publicly assaulted by an adult male does not accrue mainstream feminist outrage.” – Yohanna

The screenshot was taken of a post to Yohanna’s Twitter account (@maarnayeri). I don’t know her, but she troubled me.

If you haven’t seen the images we’re talking about, you can view the video here with a description of what is concurring or below from YouTube. I was reluctant to watch the video. It seems voyeuristic to view this young woman’s suffering and screaming. And, if I am honest with myself, it also seems useless. Viewing this from my computer screen, I’m in no position to help her. I hear her cries and it make me cry too. But I can’t push him off of her. When other teens tried to come to her defense, Casebolt pulled a gun on them and chased them. I don’t even have the power to get him fired from his position of authority immediately. No, we must have the investigations and inquiries and due process that seems so indiscriminately afforded to the privileged. Casebolt was put on administrative leave on Friday, and on Tuesday June 9, he resigned.

So how should I respond?

I had a conversation with one of my closest friends a couple days ago that provoked me to reflect on what to do when I’m conflicted about how to respond. Her background is in acting and theatre, and now she is a pastor and artistic director of a Christian church and arts initiative who believes in supporting arts, imagination and creativity. In our conversation about discerning the next steps in our lives, she was reminded of a book by Samuel Wells that proposes “theatrical improvisation as a model for Christian ethics.” That reminded me of books I’ve read that talk about musical improvisation or call-and-response as model for living, and some pieces I’ve written about that. Inspired by ethicists and theologians including Emilie M. Townes and H. Richard Niebuhr, I believe that to answer the question of how I should respond, I must first answer ‘What’s going on?” An improvised response or a fitting response is the response to what is already occurring. We must look at the situation critically to respond appropriately.

What’s going on in this video and the controversy surrounding it? I am certainly not an impartial or all-knowing observer, but here’s what I see:

  • A white man forcibly throws an unarmed, African-American teenager to the ground yelling “On your face!” We can see that she is unarmed because she is wearing a bikini.
  • The man is a police officer. He is upset that his authority is being challenged. Other officers are present and seem to be asking questions, but the violent one seems out of control and frantic, running around and yelling. He escalates the situation when he throws the girl to the sidewalk, which causes an outcry in the crowd.
  • As the video went viral, there were many protests and online statements against this violent event, but also statements of support for the officer. And sadly, I agree with Yohanna’s assessment. I may have missed it (and I hope I did), but I didn’t see a broad, mainstream feminist response against this violence.

I’m a feminist. I’m a black feminist. I’m a Christian feminist. I may not be a mainstream feminist (depending on your definition), but I’ll express my outrage anyway. It is sickening to watch his treatment of this teenage girl. This man’s mistreatment of a young black girl’s body is chilling. It is wrong and he should be held accountable for it.

I don’t think outrage is enough. But outrage does express that our moral sensibilities have been awakened and that we recognize that something profoundly wrong has occurred. In the face of comments that say she deserved this treatment, we as feminists must insist on the officer’s wrongdoing. “She had it coming.” “She incited him.” As feminists, we know that these kinds of statements are used in cases of rape and intimate partner violence to explain away violent actions and to shift the guilt from perpetrator to victim. The backlash against feminists and others who oppose these explanations argues that we ignore the victim’s responsibility or agency.

Bloggers and social media users know all too well the horrific statements that often appear in the comments section of online posts, videos, and articles. One comment I saw about the McKinney video says that the girl was “sassing back” at the police and that “if she wants to talk like adult then she’s going to be treated like an adult.” This kind of justification makes my blood boil! Sassing back is speaking up and saying something to an authority figure when you are expected to be silent.  While the term sassing back doesn’t exclusively apply to women and girls, it is nonetheless a phrase with gendered connotations. How many boys are called “sassy”? Is it that no one had the right to say anything to this officer running around yelling at black teen boys to sit on the ground, or is it that this black female should have kept quiet? Regardless, throwing an unarmed person to the sidewalk for supposedly saying something disrespectful is not justifiable behavior to adults or children.

I wish I knew more about what’s going on and how to respond to the violence I see in the world. I know these perennial questions subvert easy answers. I only have a partial response. I am responding with outrage and questioning and take this to my feminist community and into my spiritual practice. “What’s going on?” and “How should I respond?” are questions I ask God. I pray for justice. I pray for God’s presence in the outrage and in the investigations, and in the lives of those children who were violated.

Elise M. Edwards, PhD is a Lecturer in Christian Ethics at Baylor University and a graduate of Claremont Graduate University. She is also a registered architect in the State of Florida. Her interdisciplinary work examines issues of civic engagement and how beliefs and commitments are expressed publicly. As a black feminist, she primarily focuses on cultural expressions by, for, and about women and marginalized communities. Follow her on twitter, google+ or academia.edu.

The Reason to Hope by Carol P. Christ

Carol in Crete croppedRecently, Valentina Khan touched many of us when she wrote a blog entitled The Powers of Evil are Well at Work and I’ve Lost My Spirit. Valentina spoke of the weariness and despair many of us feel when we think about the problems the world is facing today. She said that “right now it just seems like my voice of peace is lost to the voice of fanatics who get more media attention than I ever will.”

Last week I met a young man who has recently begun to try to save a large wetland pool on the island of Lesbos. He told me he feels frustrated that “no one else” is doing anything to save the important and fragile ecosystem of our island. I explained to him that there are many of us who have been working to save the wetlands of Lesbos for fifteen years, but with few or no results.

Refugees awaiting transport
Refugees awaiting transport in Molivos, Lesbos

In the past month—since the weather turned to spring—thousands of refugees have arrived on the shores of Lesbos. Most of them are fleeing war Continue reading “The Reason to Hope by Carol P. Christ”

Miley Cyrus and the Happy Hippie Foundation by Deanne Quarrie

Deanne Quarrie, D.Min.I almost got in a big fight with my son on Facebook yesterday. I posted a link to an article talking about the work that Miley Cyrus is doing for homeless teenagers. He immediately responded to my post by calling her a “skanky-ho.” Whoa!

I feel I need to do some qualifying here for a moment. I am not always a comfortable when I watch her performances. I am sure it is my age (73) and coming up in a far different time and mindset from what we have now. I feel a bit embarrassed watching some of her movements that have been labeled lewd by many and clearly so by my son on Facebook. I try very hard to not be judgmental or to place negative labels on anyone just because I may not always enjoy what they do. I do recognize that our perceptions are driven by our religious beliefs, our cultural backgrounds and our own inhibitions. I have to confess, I am even a bit jealous that she can be so open with her own sexuality in such a public way. I can tell you, however, I really like her voice and see her as an amazing performer! Continue reading “Miley Cyrus and the Happy Hippie Foundation by Deanne Quarrie”

What if Divine Feminine and Divine Masculine Are Not Oppositional Categories? by Carol P. Christ

Carol in Crete croppedA friend who is a spiritual teacher speaks often “bringing back the values associated with the Divine Feminine.” For her this has to do with helping women to understand the beauty of our bodies and the importance of ways of being such as giving and caring for others that have been associated with the undervalued so-called “feminine” side of the masculine-feminine polarity. Though she also speaks about the Goddess, I think she prefers the term “the Divine Feminine” because of the implication that men too have their “Divine Masculine.”

This friend has a wonderful husband who is a teacher in his own right and who often ends up spending a lot of his time among powerful women who enjoy talking about the Goddess. In these conversations he sometimes speaks of the need for men to “recover the Divine Masculine” if they are to become whole.

I was reminded of these conversations when a two other friends, in different contexts, recently voiced their concern that Goddess imagery is problematic if it repeats sex role stereotypes. My response to them was that in the West, the feminist association of femaleness with power and value in Goddess symbolism automatically shatters the most important sex role stereotype: the notion that women are less powerful and less valuable than men. But, I said, after that, problems may arise.

I added that (for me) the categories of Divine Feminine and Divine Masculine are problematic because (it seems to me) that at their core these concepts are rooted in the notion that males and females are fundamentally different, and that the so-called “feminine” is relational, loving, giving, while the so-called “masculine” is independent, rational, aggressive, and sometimes violent and warlike. Those who speak of the Divine Feminine and Divine Masculine as oppositional categories usually try to avoid categorizing men and women by stating that “we all have our masculine and feminine sides.” Still it is hard to avoid the implication that men are more masculine and women are more feminine.

Though I agree that men need new images of what it means to be men as much as women need new images of what it means to be women, I hesitate to speak of these as new images of the Divine Feminine and Divine Masculine for two reasons. Although I recognize that others are inspired by images of the Sacred Marriage, for me it has been more important–and more possible–to find power within myself and in a wide variety of relationships, than to find it in a male-female heterosexual couple relationship in which the opposites are “joined.”

More importantly, I find that images of Divine Feminine and Divine Masculine often do justify patriarchal sex-role stereotypes. An internet search for “Divine Masculine” validated this fear. The first (and therefore most popular) website defined the Divine Masculine through six archetypes: God, King, Priest, Warrior, Lover, Sage.

The site’s author seems to want to help men learn new ways to interact with powerful women—as neither dominant over them nor submissive to them. The author writes: “The Divine Masculine represents an archetypal ideal, the best and most inspiring, elevating, and restorative aspects of masculine expression and manifestation in the universe. For those seeking an expanded understanding of the Self, the Divine Masculine is not a distant, detached, jealous and vengeful male deity. The Divine Masculine (along with the Divine Feminine) acts as a shining mirror of the Self, revealing aspects that need compassionate attention and support to become one’s highest potential.”

Following this insight, he redefines the God archetype as “unconditionally loving, inclusive, open, welcoming, heart-centered, spiritually focused, supportive and inspirational.” For him, the King archetype is “benevolent, evenhanded, calm, caring and thoughtfully present.” And the Warrior “finds his place in collaborative projects, being fulfilled and contented with the collaboration and not by ambition or competition.”

While I appreciate the ways in which this man redefines masculinity and male strength in terms that in the past have been associated with “the feminine,” I am concerned that he continues to view the six “archetypes” that include the King and Warrior as universal. He does not explicitly name patriarchy as a system of male dominance enforced through violence as the reason for redefining the meaning of the “archetypes.” I also worry that a good king is still a king, and that a warrior who fights for the good of others is still a warrior. From a feminist perspective, these archetypes are not universal, but rather are the product of patriarchy. Perhaps instead of redefining them, we should discard them.

peak shrine figurines 3
Male and female figures from ancient Crete are not strongly differentiated.

New research suggests that in matriarchies, there is no divine masculine per se, because though men have their own important roles, both males and females are encouraged to embody the values associated with mothers and mothering—in other words to be loving, giving, caring, and generous. In this context there is no opposition or sharp contrast between the divine masculine, the divine feminine, and any other divine gender or transgender.

I believe that that we need a multiplicity of images for divine power that express the diversity and differences of our bodies and all bodies in the web of life. We also need new images of how to be strong and powerful, yet loving and caring above all, in male, female, and other bodies.

However, if the “highest” values are the same for both—and all–genders, then perhaps it is time to retire the oppositional binary of Divine Feminine and Divine Masculine and to speak instead of images of divinity in male, female, and other bodies.

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter).  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions and forthcoming next year, Goddess and God in the World: Conversations in Embodied Theology. Explore Carol’s writing. Photo of Carol by Maureen Murdock.

Take Only What You Need and Give Away: Fundamental Principles of Sustainability Ethics

carol mitzi sarahWhy is it so important to take only what we really need? Because everything we take harms another life. I included this Native American teaching as one of the Nine Touchstones I offered as a counterpoint to the Ten Commandments in Rebirth of the Goddess.

Recently, I have begun to realize that the concept of taking only what you need is the heart* of sustainability ethics, an ethical system that can orient us to living in harmony with others and the natural world. The practice of great generosity is its counterpoint. When you have worked for, received, or accumulated more than you need, you should give it away.

The reason these principles are important is because “taking what you need” is “taking” from the web of life. We “take” other lives (whether plants or animals) in order to eat, to clothe ourselves, to build houses, and in agricultural societies to clear land to plant, to remove unwanted plants (weeds) from cultivated land. In our industrial age, we “take” so much more to fuel our cars and to provide electricity. To take more than we need is to do unnecessary violence to the web of life. When we give away what we don’t need we help others to survive, and we also help to ensure that no more lives than necessary are taken.

On the first Goddess Pilgrimage to Crete, we decided to incorporate the give-away as part of our closing ritual. It is nice to give and receive a gift at the end of an intense two weeks spent with other pilgrims. However, I am coming to realize that in comparison with the deeper meaning and intention of the ritual, our give-away, like the practice of giving presents in our wider culture, is superficial. When we give gifts to friends we try not to give too much or too little. When we give to children we often do so without regard to what they really need. When we receive gifts, we may feel burdened with one more thing we don’t want or need.

Being raised in acquisitive and throw-away cultures, it is not surprising that few of us have any real idea what the principles of taking only what you need and giving away mean. In traditional cultures, there are constraints on accumulation. If women in your family had to weave and sew and embroider all of your clothing, and if this process was time-consuming and involved time taken from other tasks, you would not be likely to have been given or to have learned to demand more clothes than you really need. Similarly, if all of the food for a clan is produced by its own labor, people would be unlikely to grow more than they needed to eat and store for the winter.

I suspect that all of this changed when wars of conquest became integrated into social structures. When other groups were conquered, their precious goods, including ritual items and ritual clothing and jewelry, were appropriated by the victors as “the spoils of war.” Land and people too were “the spoils of war,” and with the introduction of slave labor and the acquisition of lands that belonged to others, an excess of everything could be produced for the benefit of the ruling class, or to be more accurate, the war lords. This is another story, and I have discussed it elsewhere.

To return to the question at hand, I am suggesting that if we wish to live sustainably on planet earth, we must return to the values of our ancestors, distant and not so distant, who practiced taking what you need and sharing what you don’t need. These values are not the exclusive property of Native Americans, but are the values of the ancestors of all of us, if we go back far enough. As I have discussed, these values are still practiced in rural Crete. And they are the foundation of living matriarchal cultures. Many of us who have traveled have met people in rural cultures who have little, yet seem happier than anyone we know at home.

At some level we know that accumulating things does not make us happy. At the same time, prodded by advertising, we continue to shop compulsively and to buy things we don’t need. It will not be an easy task to change our patterns of consumption. If we could do so, our economic system would collapse, because it is based on creating needs for more and more things. This is why chosen or forced “austerity” threatens the capitalist system. You and I may not need all of the things we are used to buying, but if large numbers of us stop spending, the makers and sellers of goods suffer. On the other hand, the world will not survive if we carry on as we are, because we are depleting the world’s resources.

walk in closet
Dream Closet

What would happen if each of us, like the subjects on the popular reality programs on hoarding, went through each of the rooms of our homes and designated the things we really need and gave the rest away? What if we then took a good look at our homes and asked if we really need the space we have. I presume this would be a long term process in which we would continually discover that we don’t need things we have always thought we could not live without.

Hoarding-Buried-Alive
Hoarder’s Home

What if we stopped buying what we do not need and gave a large portion of our income and savings to others? Would we discover what it means to live in harmony with others and the whole web of life? Could we learn how to flourish with others, not at the expense of others?

*I am not saying these are the only ethical touchstones we need to build an ethics of sustainability, but I do believe they are at its center.

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter).  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions and forthcoming next year, Goddess and God in the World: Conversations in Embodied Theology. Explore Carol’s writing.

Experiencing Divinity in the World by Carol P. Christ

carol mitzi sarahAs I work on revisions of the new book, Goddess and God in the Worldthat Judith Plaskow and I are writing, I am thinking again about John Cobb’s notion of the “two ultimates” as two different ways of thinking about divinity. Cobb suggested that religions have defined the nature of ultimate reality as personal and as impersonal, as God and as the ground of being. The ground of being is the impersonal ultimate: the metaphysical principles that structure all of life, principles that he described as creativity or the creative process.

Judith describes God as the impersonal creative process and views personal language for divinity as metaphoric or symbolic. I define Goddess as personal, yet also view the impersonal ultimate, the creative process, as sacred. For me, this raises the question of the relationship between Goddess and the creative process.

In Cobb’s view, the two ultimates are co-eternal: the personal God did not “create” the creative process, nor was the personal God “created” by the creative process. Rather, for Cobb, God as the personal ultimate, like all other individuals, participates in the creative process. What then is the creative process? Although the term “creativity” has multiple meanings, in process philosophy it has a specific one.

Whitehead’s description of the creative process is rooted in the insight of modern science that the most basic components of our universe are particles of atoms that defy being categorized as either matter or energy, but seem to move and change, depending on their relationships. It is from the relationships of these tiny individuals that the evolutionary process of our universe began. This insight led Whitehead to recognize that the nature of reality (or being) is not fixed and static (as Western philosophers before him had concluded) but is always moving, changing, or “in process.” Whitehead’s understanding of the creative process is summed up in his much-quoted phrase, “the many become one, and are increased by one.”

The creative moment in the creative process (which is in fact every moment in the life of an individual) is the moment when the individual (whether particle of an atom, cell, animal, human, or divinity) in an act of creative freedom unifies the world (the many) into a new synthesis (the one): this new synthesis adds a new fact to the world (the many is increased by one). This is an abstract description of the creative process in its most basic form. In fact, however, we do not experience the world in the abstract, but in the concrete.

In this moment I (Carol) remember my past (many different Carols situated in many different worlds and some of the books I have read) as I shape this sentence (with my hands on my computer acting in concert with the feelings of my body and the thoughts that are flowing in my mind) and unite myself and my world in a new synthesis (which is this sentence). As I do so, I add a new fact to the world (the many are increased by one), a sentence that may be read by others in the future, therefore influencing their lives.

The reader who reads my words (you) reflects on them in relation to her or his memory (your memories of your past selves in your past) and asks if what I am saying makes sense: in the moment that she or he (you) decides if it does or it doesn’t, a new fact is added to the world (the many are increased by one), an opinion that in turn may be expressed to someone else (the many is again increased by one) who in turn responds to it (the many is increased by one more).

Though this description of the creative process focuses on mental actions, our mental processes are not divorced from our bodies and feelings, and the relations of mind, body and feeling are complex. In some creative moments, feelings are primary, while in others the body leads. This second richer description of the creative process is still an abstraction. We do not generally experience life as a series of moments but as a flow in which one moment is indistinguishable from the others; nonetheless, we can recognize that our lives are made up of a series of moments in which we along with others create the world anew.

Sometimes we take a longer and broader view of the creative process, recognizing patterns and cycles within the world that we share with other than human life. Traditional peoples, for example, often speak of or invoke the creative processes of birth, death, and regeneration that are the basis of life on this earth. This is also an important way of describing the ground of being because it situates human creativity within the creativity of the web of life. In our time we might also speak about the evolution of life. Taking a long view, we experience the sacrality of the web of life.

I experience—feel and sense—the personal ultimate, the presence of Goddess as intelligent love in my body, mind, and spirit and in all bodies, minds, and spirits, as I go about my everyday life. She is always there: feeling the love and joy I feel; supporting and understanding me when things are difficult; inspiring me to share the grace of life with everyone and everything. I also feel the power of the impersonal ultimate, the creative process that supports the creativity or freedom of all individuals who interact with each other in the web of life. For me the two ultimates—Goddess and the web of life—are both real.

Though the two ultimates are separate in the abstract, in the concrete experience of those of us who affirm a personal divinity, they are intertwined because the personal divinity is experienced through the creative process that is the basis of life. Thus, at one and the same time, I experience myself and divinity within me, other individuals and the divinity with in them, the creative process and the divinity within it.

I celebrate the creative process and its fruits, the powers of birth, death, and regeneration and the evolutionary process as a whole, as the ground of all being as well as the Goddess I experience as a personal, intelligent, loving, compassionate presence who cares about me, all other individuals in the world.

Carol leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter).  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions; and forthcoming in 2016, Goddess and God in the World: Conversations in Embodied Theology.

It is a Matter of Focus by Deanne Quarrie

deanne_2011_B_smMany of the young women I meet tell me that they think feminism is not what they are about, that they prefer to work for the good of all. I understand that and certainly we can all choose where we wish to place our focus. However, it does make me wonder how effective we can be with our focus placed on so broad a scope. Certainly, we want equal rights for all and some call that “feminism” these days but is it?

In my 73 years, I have lived through quite a few years of women working for equal rights. I have seen many successes as well as the failures. I am incredibly proud of those successes. When I was in the early stages of my career and had just entered management, I was able to implement leadership methods, which now have become models for employers such as team building and servant leadership. Then however, there were no names for them. I led my teams based simply on how I wished my employers to treat me. Continue reading “It is a Matter of Focus by Deanne Quarrie”

Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ

Carol in Crete croppedIn recent weeks Judith Plaskow and I have been revising the manuscript of our new book Goddess and God in the World in preparation for sending it to the publisher. Yes, we have a publisher. We signed a contract with Fortress Press a short time ago. The book should be out in 2016.

We have been hard—and I mean very hard—at work revising the four chapters in the book that are jointly written. The versions have been going back and forth and forth and back as we revision what we want to say and revise each other’s revisions of the drafts we have. We both want the final manuscript to say things just right and it is very hard not to make one more set of (alleged) improvements.

In the process we have realized that while we often disagree on words and wording, we have come to think alike on a wide variety of issues to the point that it becomes hard to say who had the ideas first. In addition we have both become so familiar with each other’s positions that we can each easily articulate both sides of our dialogue on the issues on which we disagree.

All of this has gotten me to thinking again about authorship and co-authorship and original and shared ideas. This train of thought led me back to the subject of Judith’s and my first essay together originally titled “Against My Wife” but published as “For the Advancement of My Career: A Form Critical Study in the Art of Acknowledgement.”  We discussed 5 formulaic tropes used in acknowledgements to wives in academic books, ending with “the wife as unacknowledged co-author.” Continue reading “Gender, Friendship, Collaboration, and Unacknowledged Authorship by Carol P. Christ”