Ivy Helman – Page 7 – Feminism and Religion

Star Trek: Discovery Season Two: On Characters, Action, and Faith by Ivy Helman.

Season two of Star Trek: Discovery incorporates religion differently than season one. While there are religious overarching themes running throughout, like how actions to shape the future and faith not as convictions but as empowerment, a more fitting and interesting way of addressing religion throughout this season is to look at the individual characters and what their stories have to stay about religion.

Captain Pike knows and understands religion. He also often believes. Michael is the persistent skeptic. The Red Angel plays many roles: an illogical mystery, a revelation, a savior or a intentional sign. Saru is the convert, physically transformed with a newfound confidence and power, while Hugh is the reincarnated, whose bodily existence begets loneliness and struggle. Spock is the logic wrestler, who as Pike says asks “amazing questions.” Finally, not a character per se, episode two, entitled “New Eden,” represents a typical Western understanding of organized religion, replete with sacred writings and a church.

Like season one, religion is present in the opening scene of the season, this time in the form of mythology, as Michael tells a tale of an African girl who threw embers from a fire into the air creating the Milky Way. Michael says that she left a message in the stars if one was willing and open to receiving it.

Continue reading “Star Trek: Discovery Season Two: On Characters, Action, and Faith by Ivy Helman.”

The Religious Aspects of Star Trek: Discovery Season 1, by Ivy Helman.

I have been watching more television than usual. Perhaps, the reader has too. Two weeks ago, while I was rewatching Star Trek: Discovery, I thought to myself, “wouldn’t it be nice if I could write something about this series?”

After all, I want to acknowledge how grateful I am for the ways the series celebrates diversity with: women of color in leading roles; the normalization of gay relationships; and, in the latest season, the inclusion of non-binary and transgender identities. Not only that, it has strong female characters that are empowered, supported and mentored by each other and other crew members. I am also glad that it expresses ecological sustainability, the interconnectedness of life through the mycelial network, and the ethical treatment of animals. Finally, I have appreciated the way this series questions violence and war. Notably, it contends with the question: how does a united planetary organization committed to peace find itself in the midst of war? The answer: war and violence are learned behaviors. That has a very feminist ring to it, doesn’t it?

However, the show is not perfect. It contradicts itself in one major area: Starfleet’s hierarchical ranks and the corresponding requirement to follow orders. Captain Lorca in season 1 episode 3 reminds the crew that they are not part of a democracy. Yet, the Federation preaches equality and freedom and often touts itself as utopian, where hunger, wants and needs no longer exist.

On Mikeitz: How Joseph Brings Meaning to My Hanukah Observance during This Pandemic by Ivy Helman

It is Hanukah. I have discussed the reasons I have found observing it difficult in a past blog. Namely, as an ecofeminist, I will not celebrate the violence of war or the slaughter of animals at the temple. This year presents a new challenge: how to celebrate the miracle of the oil in the midst of a global pandemic. For inspiration, I have looked at this week’s Torah portion: Mikeitz. Its Joseph tale has helped me find a meaningful practice for my Hanukah observance this year: the power of a human community’s action to preserve life.

The parshah begins with pharaoh having bad dreams. He has called on every interpreter he can think of and no one could interpret them for him. That is until he hears tale of Joseph and summons him. After hearing his dreams, Joseph satisfactorily explains the dreams’ meaning. Joseph says that there will be seven years of abundant crops followed by seven years of famine. The pharaoh believes Joseph and begins to make preparations. He appoints Joseph to oversee them.

Breathing Life into the Women of Chayei Sarah by Ivy Helman.

One of the basic tenants of feminist methodology in religion is the recovery of women’s history. There are many ways to approach such a task. In religions with sacred writings, one avenue for recovery may be reinterpreting them. This could come in the form of a critique. For example, traditional interpretations may overlook or undervalue women, who appear in the text, reaffirm sexist, patronizing, and/or misogynist viewpoints already found in the text, or develop new ones. In order to recover women’s history, feminists working with their sacred texts would then call out these interpretations for their sexism. They would correct phrasing, understanding, and even translations, when necessary.

In addition to critiquing, feminist interpretations of scripture could also be constructive. Religious feminists may highlight values, teachings, and images that affirm women’s lives. They may incorporate documented history into their interpretations as proof of expanded roles for women. That would then contextualize or negate later traditions that deny women such roles.

Continue reading “Breathing Life into the Women of Chayei Sarah by Ivy Helman.”

Embroidery in the Time of Covid by Esther Nelson

In her recent essay on this “Feminism and Religion” site, Ivy Helman wrote: “Over the past few months, I’ve been struggling to write posts. This month is no different. I am currently sitting with four different half-drafts on three semi-related topics, none of which I seem to be able to complete…I write. I erase. I rewrite. I copy bits of one into another to save for some other time. I’m left with one sentence….”

I think all writers have this experience—writing, erasing, and then rewriting over and over again. Writing during the current pandemic seems more difficult than ever. Perhaps it’s because our dealings with the outside world have been drastically curtailed. Writers need a variety of social interactions and experiences to sort out, reflect upon, and then create into a work of art that appeals and connects with an audience. At least I find this to be so. Continue reading “Embroidery in the Time of Covid by Esther Nelson”

Write on Lilith! (Write on Eve!) by Ivy Helman

Over the past few months, I’ve been struggling to write posts. This month is no different. I am currently sitting with four different half-drafts on three semi-related topics, none of which I seem to be able to complete. I’ve gone back to each of them numerous times. I write. I erase. I rewrite. I copy bits of one into another to save for some other time. I’m left with one sentence: this week’s Torah parshah is Bereshit (Genesis 1:1-6:8). Great. Glad to know that. Now what?

When writing, I often find myself in one of two camps given the current state of the world. Either, I have so much to say that I have no clear idea where to start, so I write three pages of more or less nonsense. Or, I find myself just so inundated with information that I don’t know where my opinion begins and another’s ends. I write another 3 pages of completely different nonsense. I get fed up with both. I start praying better thoughts will just write themselves. They don’t.

What is Natural? The Wooden Chair Discussion by Ivy Helman

When I begin my class discussion about defining nature, I often start with a wooden chair or table. I point to it and ask the students, “Is this chair natural?” I pause.

They have already been introduced to the idea that humans are embodied and embedded beings, and therefore dependent on and interconnected to nature. I remind them of those ideas. Then, I ask again, “Is this chair natural?” I continue, “Humans are part of nature and humans made the chair, so would that mean the chair is natural? The chair is made from wood, a natural material. Does that make it natural? I could just as easily sit on a rock or a stump if those were here. They are natural, right?” The discussion begins.

At some point in the discussion, we pause to define what nature is according to the ecofeminists we read for class that day. Mary Mellor, in Feminism and Ecology: An Introduction, defines nature as “the non-human natural world,” (8). It is probably the simplest definition out there. I quite like its simplicity.

Continue reading “What is Natural? The Wooden Chair Discussion by Ivy Helman”

Post-Hysterectomy Reflections: Not All Women Bleed by Ivy Helman

Around the age of 8, or maybe 10, I learned my aunt had had a hysterectomy. I remember visiting her house either shortly before or after the operation. I can’t remember which, and it doesn’t really matter. At the time, I don’t think I even knew what a uterus was or that I too had one.

Just like me, she had suffered from uterine fibroids. This year, at the end of May, after nearly two years of various treatments including a failed myomectomy and ineffective prescription medication, I followed in her footsteps. It was really the only option for me, although it was not an easy decision. After surgery, there was the usual post-op pain and restrictions, but luckily my body has been healing well.

Since the surgery, and as I prepare to teach “Gender and Religion” again in the fall, I’ve been thinking about a conversation I had with a student the first time I offered the class at Charles University. We were about to begin discussing the article, “Why Women Need a Feminist Spirituality,” by Judith G. Martin, when a student pressed me on why we weren’t acknowledging that not all women bleed. What he really wanted was to make sure that in our category of women, we were including transwomen. Continue reading “Post-Hysterectomy Reflections: Not All Women Bleed by Ivy Helman”

Listening to the Noise: The Connections between Milada Horáková, Anti-Semitism, and the Black Lives Matter Movement by Ivy Helman.

This month more than most, I feel like I have so much to say that I don’t really know where to begin. It doesn’t help that next door they are remodelling an apartment and, outside my window, there is a crew drilling up the sidewalk and another roofing the house across the street. The noise and its echoing are overwhelming on Prague’s narrow streets.

Perhaps the best place to start is with a similarly loud occurrence. On June 27th, Prague commemorated the 70th anniversary of the execution of Milada Horáková using the city-wide intercom system. Minute-long excerpts from her trial and execution were broadcast throughout the day. Horáková, the only woman to be executed during the Communist regime in Czechoslovakia, was a long-time proponent of democracy and women’s rights. In the field of women’s rights, she focused on the status of women and children, spending considerable effort on women in the workplace and reconciling their work with family responsibilities. She was also an outspoken critic of the Nazi Regime, having spent time as a political prisoner in Terezin. When the war ended, she joined parliament, but resigned right after the communist take-over. After continuing to speak out against the Communists, she was arrested in September of 1949 and charged with attempting to overthrown the government. She along with 12 others were interrogated and tried. Four of them, including Horáková were sentenced to death. She was publicly hanged on the 27th of June 1950. Eighteen long years later, she was posthumously exonerated, and in 2000, the Czech Republic unveiled a commemorative tombstone for her in the National Cemetery at Vyšehrad Castle. In 2017, a film was made about her life and legacy. Continue reading “Listening to the Noise: The Connections between Milada Horáková, Anti-Semitism, and the Black Lives Matter Movement by Ivy Helman.”

Unorthodox: How Looking for “Truth” Misses the Point by Ivy Helman.

ivy tree hugging A few weeks ago a Slovak journalist reached out to me about the new Netflix four-part series entitled Unorthodox. In the email, the journalist wrote that they had read about my work as a Jewish feminist and wanted some insight into the new series. Their main question was: how accurate is the portrayal of the Satmar community?

I was slightly surprised. The journalist wasn’t looking for my opinion on Esty as a young Jewish woman who takes control over her life and works tirelessly to quite literally have her voice heard. Rather, the questions were: is the Satmar community really like that; do they not use the internet or have smart phones; is quality education so lacking; is marriage arranged; would a woman really be that clueless about her own body; is sex like that; and, do they really have no privacy?

Fast forward. I did the interview. I figured that if I could offer the article’s Slovak and Czech readers a better understanding of Jewish life, my efforts were worth it. I tried to focus the interview toward those goals and my feminist take on the story. The piece was published, and somewhat proud of my efforts, I posted a link to the article on my Facebook page. Continue reading “Unorthodox: How Looking for “Truth” Misses the Point by Ivy Helman.”