Cooper was born a slave in Raleigh, NC in 1858. Her mother was a slave and her biological father was her mother’s white master. After living and working as a slave until the age of five, Cooper began her formal education at a school for slaves. She would grow up to become one of the most educated and intellectual black women of her century. In fact, she was the fourth African American woman to earn a Ph.D. in the United States, writing her dissertation on “Attitudes toward Slavery in Revolutionary France.” Continue reading “Painting Anna Julia Cooper by Angela Yarber”
It is so easy to blame feminism for the ills of the world – mainly because of continued misconceptions and misunderstandings about the definition or meaning of feminism. Feminism is responsible for poverty, bad leadership, wars, the polar vortex, the list goes on. Feminism is still considered a derogatory term that serves to incite prejudice against those who label themselves as one. In fact, negative connotations surrounding feminism are exacerbated in today’s culture, especially in the media. Fox News seems to be the poster child of “femiphobia” – a term coined by Stephen Ducat and defined as “wanting to repress every man’s feminine side and demonize the feminine and gay wherever we see them.” Elisabeth Hasselbeck and Nick Adams, in a recent interview, illustrate this femiphobic viewpoint by blaming feminism for raising a culture of “wimps” and “wussies” and thus compromising the U. S.’s national security and weakening its global presence. In other words, feminism is to blame for the problems of the world.
According to Adams, men around the world are no longer allowed to be “manly” and that this phenomenon is a “dangerous” problem:
American men are of course very susceptible to it. It’s really important particularly in America given the leadership role that America has in the world that American men be allowed to be men.
What does in mean to be a man and how is Adams defining that stereotype? While I am aware of the discussion of gender identity and roles even gendered stereotypes, this post is not about what those roles mean. Rather, for this point of discussion, I want to address the issue of masculinity, feminism, and what it means to be a “wimp” as portrayed by popular media.
With that caveat in mind, I ask the following questions:
Is the author suggesting a move to a “hypermasculinity”?
Is Adams identifying masculinity with aggression and violence in a world where feminists and perhaps all women are demonized?
In a society dominated by the “alpha male” character trait,male honor and pride are paramount. Is Fox News telling men to replace so-called passive behavior with pride, abrasiveness, authoritarianism, and arrogance–in such a world if where women are demonized, then assaultand rape will follow. The call for “real men” or “hyper-masculinity” therefore provides a real potential to move us further towards a misogynistic rape culture of violence–in the direction of barbarianism.
In some cultures, late autumn and winter are the seasons associated with the Goddess as an old woman. As the ice, snow, and long nights curl Her chilling fingers around us, it is fitting that we honor the older women in our midst. Yet, the older I become, the more aware I am of how obsessively American culture has belittled and marginalized older women. Bringing a powerful, vital, and wise image of the older woman back into our consciousness — whether by calling older women “Crones” or using other words — is, to me, a tremendous achievement of feminism and feminist spirituality So, too, is the recognition of the vigor and achievements of middle-aged women inherent in names for this time of life like “Queen” and others. Continue reading “Tending the Fire of Our Circle of Older Women by Carolyn Lee Boyd”
A former evangelical Christian friend of mine sent me information on the intriguing documentary God Loves Uganda. The newly released documentary addresses how the American evangelical movement has prompted a political and social shockwave in the country of Uganda. While missionaries are typically associated with delivering aid and improving the conditions of third world countries, the spreading of Christian values and ideals has inflicted suffering upon ethnic communities through evangelical indoctrination.
The intent of the film is to raise awareness of the political and social brutality that the evangelical missionaries are instigating; specifically through their teaching that homosexuality is a sin and should be dealt with accordingly. In Uganda this means death. Given the rise of globalization, transnational religious actors have been more enabled to engender other nations with their respective religious beliefs, often with minimal regard for the cultural and political landscape of the nation they wish to transform. Continue reading “Evangelical Missionaries Preach Death in Uganda by Andreea Nica”
And Jephthah made a vow to the Lord, and said, “If you will give the Ammonites into my hand, then whoever comes out of the doors of my house to meet me, when I return victorious, shall be the Lord’s, to be offered up by me as a burnt offering…Then Jephthah came to his home at Mizpah; and there was his daughter coming out to meet him with hand drums and with dancing…he did to her according to the vow he had made…” (Judges 11:30, 34, 39)
When I was a little girl I used to make up routines to perform for my family. From Tina Turner’s “What’s Love Got to Do With It” to Michael Jackson’s “Beat It” I can remember making up creative choreography and performing in front of the affirming audience that was my family. Often times, my routines were accompanied by props, such as a hula hoop, roller skates, or an unwilling younger brother. Whether I had props or not, there was always a big smile on my face as I twirled and leapt to the tunes on my family’s 8-track, record, or cassette player. Half the fun was making up the routine and practicing until it was performance perfect. The other half of the fun was the response on my family’s faces as I forced them to “watch me, watch me!” once again. Despite the cheesiness of my routines and my silly props, they watched with delight, clapped, and encouraged me to dance all the more. Such is the experience for many fortunate children: choreographing routines, drawing pictures, making up skits and plays, and practicing to make their parents proud. Continue reading “Painting Jephthah’s Daughter by Angela Yarber”
Feminism and Religion was founded in the late spring of 2011. Throughout the summer Gina Messina-Dysert hounded me about submitting a blog while I ignored her emails because I didn’t think I wanted to take on a new project. Gina was persistent nonetheless. Finally I decided that it would be easier to take an excerpt from a book review I had recently written than to explain why I didn’t want to write something for the blog, and so “Exciting New Research on Matriarchal Societies” became my first contribution.
In my first blog for Feminism and Religion, I discussed the cognitive and embodied dissonance that some Muslims experience as a result of historically (not eternally) gendered ritual forms. I ended with a promise to share with readers the ways in which el-Tawhid Juma Circle mosques try to create space to break free of those forms. Our mosques affirm all human beings as spiritually, socially, and ritually equal and try to break down the social hierarchy of ritual and theological leadership by opening up a space for all bodies, minds, and hearts to lead and follow as equals among each other.
Jesus loved sinners and Jesus would rather be dancing with me in West Hollywood on a Friday night than lugging through a swamp luring ducks into a trap with a duck caller made by a clan who think that my sexual actions are similar to that of an individual having sex with an animal.
To be able to walk down the street holding the hand of the one you love is a great feeling and an action that some of us aren’t able to perform without fear.
A line has been drawn in the sand between those who support gay rights and those who do not. While some call it being on the “right side of history,” I simply now refer to it as not sounding and looking like a bigot in the halls of history and in the various books, Facebook posts, and Tweets that our children will one day read. Continue reading “Yes, You’re a Homophobe by John Erickson”
I have a problem. Some women push my buttons. Some men anger me, but in the context of feminism it is different. I usually dismiss men’s offensive actions and words as expressions of patriarchy. I take action, when I can – for instance recently I complained about the BBC radio 2 broadcasting misogynist statement when discussing a proposed Paternity bill. Complaining about the BBC to the BBC is like trying to stop a tide single-handedly. However, if no one does anything, nothing changes, as we know. In addition, I hope that statements such as “women of child-bearing age should only be employed by striptease bars” broadcast completely unopposed on the national radio service (for which we the listeners pay annual subscription) will raise more than one objection.
But coming back to women. I have noticed recently that very often I end up in deadlocks with women over silly issues. Once I was engaged in a debate about capitalism with a woman to the point when I completely forgot that I was supposed to be doing something completely different for work. The mysterious aspect of these “quarrels” is that more often than not the women have more in common with me than not: they are intellectual, independent and strong-willed. I suppose it is slight differences that unnerve me.
Of all the graduate institutions in the world, I chose the California Institute of Integral Studies (CIIS) in San Francisco because of its unique program in Women’s Spirituality. Only here could I integrate my love of the Goddess Tara, my spiritual practice of Tibetan Buddhism, and my passion to chant into a scholarly study titled “Invoking the Blessings of the Tibetan Buddhist Goddess Tara Through Chanting Her Mantra to Overcome Fear.”
I conducted my research in the summer of 2008. Fortunately, I was able to draw from the many academic, contemplative, and spiritual groups of my acquaintance in the San Francisco Bay Area to solicit study co-participants. Over the course of three months, we convened on six occasions to meditate, pray, and chant to Tara with the intention of overcoming a particular fear. Between our meetings, we chanted on our own and kept a journal about what we were experiencing. Continue reading “Invoking the Blessings of the Tibetan Buddhist Goddess Tara through Chanting Her Mantra to Overcome Fear by Karen Nelson Villanueva”
As we celebrate Black History Month I’d like to honor a remarkable black woman who joins the Holy Woman Icons with a folk feminist twist that I feature each month. Anna Julia Cooper stands alongside Virginia Woolf , the Shulamite, Mary Daly, Baby Suggs, Pachamama and Gaia, Frida Kahlo, Salome, Guadalupe and Mary, Fatima, Sojourner Truth, Saraswati, Jarena Lee, Isadora Duncan, Miriam, Lilith, Georgia O’Keeffe, Guanyin, Dorothy Day, Sappho, and Jephthah’s daughter.
Feminism and Religion 