Art – Page 15 – Feminism and Religion

Goddesses of Mindfulness for a New Year Feminism and Religion by Angela Yarber

I’ll be honest. For me, 2017 royally sucked. Though “feminism” was dubbed the “word of the year” by Merriam-Webster’s—as evidenced by the Women’s March, the Handmaid’s Tale, Wonder Woman, and the Me Too Movement—the reason feminists thrust our fed-up fists into the air in protest so frequently was because of the way women are routinely unjustly treated.

In the midst of this global, political, national fury, I experienced personal struggles in 2017 with the death of my brother and my mother’s cancer diagnosis. There was beauty and goodness that filled the year, to be sure, but you can believe me when I say that I am welcoming 2018 with open arms. As I entered into conversation with myriad feminists across the gender spectrum around the world, it seems that many echo these sentiments. We could not wait to bid 2017 farewell. Yet, I knew that I did not want to enter the year filled only with bitterness and resentment. Rather, I wanted to mindfully move forward with radical gratitude, hope, and intentions set on creating a more beautiful 2018. Enter the goddess. Continue reading “Goddesses of Mindfulness for a New Year Feminism and Religion by Angela Yarber”

Considering Our Spaces in the Pursuit of Justice by Elise M. Edwards

This past summer, my friend and I were perusing the exhibits at the National Museum of African-American History and Culture when she urgently called for my attention. “Psst… Isn’t this where you are from?” she asked, pointing at a placard titled African American Life in Montgomery County. Yes! I grew up, I was educated, and I was churched in Montgomery County, Maryland. So I eagerly read the exhibit’s description:

By 1900 there were at least eight African American communities in Montgomery County, Maryland. Unlike many rural African Americans, the residents were not tenant farmers—they owned their property and homes. This gave them greater control over the land and the crops they produced. They also directly benefited from improvements to their homes, which was an incentive to make additions and to stay in place. Descendants of these early settlers still live in these communities today. Continue reading “Considering Our Spaces in the Pursuit of Justice by Elise M. Edwards”

Saving Joan of Arc by Natalie Weaver

I’m finished with my first semester as a studio arts major at Kent State University. I am not sure whether I’ll be registering for a second one. There were pros and cons about the experience, and I am not sure if one set outweighed the other. Regardless, I am on sabbatical this spring, have two books to complete, and figured I would do well not to be trekking back and forth in an hours worth of snow and ice over the next few months from my home to the school. So, I am taking a semester off, and I have become one of those retention risks. I am grateful for the opportunity to reflect on the experience with only minimal consequence to my bank account and my (laughing) future in the arts.

It wasn’t a bad experience; it wasn’t a good one either, really. I learned some things in drawing, but I am very much on the fence about my experience in sculpture. For starters, I imagined playing with clay and making pinch pots while some Swayzesque spirit from beyond rubbed my shoulders. Instead, I was more Jessica Beal with a welding mask, except, instead of wearing a swanky black leotard and off-the-shoulder-slouch-dance tunic, I was wearing ugly jeans and steal-toed shoes under the green welding suit that had half-dollar size holes in it. The protective gear only partially worked; I was scared of the tools after a classmate almost lost a finger; and the top of my hair went up in smoke when a spark shot under my ill-fitting Vader hat on week two. I put it out quickly, fortunately.

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Spirit of Bali by Jassy Watson

Over the past year I have travelled to Bali on a number of occasions for both pleasure and work, and with each visit a little more of my heart and soul stays behind on this green tropical island paradise waiting for my next return. I was never really that keen to travel to Bali in the past; my pre-conceived ideas had been largely influenced by the negative media attention this “hot destination” often receives in Australia. Whether it be a volcano erupting, scooter accident, terrorist attack. or young Australian party-goers getting up to mischief while on holiday, the shadow side of Bali tourism remains the focus for hype-hungry media – with consequences often detrimental to the tourism industry that the island has become so reliant on.

Yet for many years pilgrims from all over the world have been flocking to Bali to experience the spirit and culture. I was curious and decided it was finally time I went to see firsthand what all the hype was about. After seeking an inexpensive and close overseas getaway to recharge our parenting batteries, my husband and I decided to join the flock and fly to the island paradise. From the moment my feet hit the ground I was engulfed with the chaos & humidity that is Bali – and I was captivated. Continue reading “Spirit of Bali by Jassy Watson”

Grieving through the Holidays: Painting Holy Women Icons of Grief by Angela Yarber

The holiday season is a particularly difficult time for grief. Whether it is grieving someone who died earlier in the year as you celebrate your first holiday season without them, or the lasting memories of loved ones who are no longer present at family gatherings, this time of year makes grief bubble to the surface. Since this is my first holiday season without my little brother, who died in March, I’ve planned ahead with coping strategies that I’d like to share with other feminists struggling to grieve through the holidays.

Upon the death of a loved one, most people in the West are offered commodified grief, costly funerals, and stifled feelings pre-packaged as dignified tradition. When deathcare became a commercial enterprise at the turn of the twentieth century, there was what mortician and author Caitlin Doughty calls a seismic shift in who was responsible for the dead. “Caring for the corpse went from visceral, primeval work performed by women to a ‘profession,’ an ‘art,’ and even a ‘science,’ performed by well-paid men. The corpse, with all its physical and emotional messiness, was taken from women. It was made neat and clean, and placed in its casket on a pedestal, always just out of our grasp (Caitlin Doughty, From Here to Eternity: Traveling the World to Find the Good Death, 136).”

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Depicting Mary by Natalie Weaver

In October I had the opportunity to travel to the Louvre Museum on a free day I had from a conference I was attending in Leuven, Belgium. I went predisposed to consider images of the Madonna as I had been thinking about her representations in art for some time. In my own painting, I have been developing a version of the Annunciation that depicts Mary as a teenage girl reading a pregnancy test. Her fear and consternation, coupled by the shock of the event of learning of her pregnancy strikes me as a more accessible telling of the true vulnerability and risk of the unwed child Mary than classic depictions of Mary as a reclining queenly figure quietly receiving the angel’s message. I likewise had been working on a wood burnt figure of a Black Madonna as a study in both icon making and also understanding the tradition of Black Madonnas found throughout Eastern Europe.

I am deeply aware that representing this figure is a culturally laden task because the Madonna speaks both to some of the deepest spiritual needs and inclinations of many faithful Christians world over, just as she is almost shorthand for division among Christian communities. Her presentation is tremendously political as it is received by fans and critics simultaneously as at once championing women (and the divine within women) and also condemning real women whose maternity and bodies can never be as morally or physically pristine as Mary’s. Mary’s skin, clothing, age, gesturing, posture, gaze, and more speak volumes about the social location of her patrons and creators as well as the manner in which the viewer is being invited to receive her.

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Small Business Saturday: Feminist Gift Guide for the Holidays by Angela Yarber

Wondering what to give the revolutionaries in your life for the holidays? Want to support feminist small businesses as you shop? Need some creative ideas with powerful feminist history and theory embedded in each purchase? Would it help if the gifts fused together feminism and religion? The Holy Women Icons Project, Lagusta Luscious, and Bloodroot Feminist Vegetarian Restaurant has plenty of ways for you to celebrate the holidays with empowering gifts to please feminist in your life.

The feminist non-profit Holy Women Icons Project seeks to empower marginalized women by telling the stories of revolutionary holy women through art, writing, and special events. For over five years, a different holy woman has been featured each month on Feminism and Religion; we became an official non-profit earlier this year; and we have some beautiful, creative, and empowering offerings suitable for the holidays.

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Holy Women Icons Bearing the Light of Advent by Angela Yarber

There’s nothing like the holiday season to bring out everyone’s least feminist self. In one of the courses that I teach—Gender, Food, and the Body in Popular Culture—students are assigned to examine gender roles throughout the holiday season through the lens intersectional ecofeminism. Inevitably, almost every student returns from holiday break with the same assessment: mom, grandma, and a kitchen full of women prepare, cook, and clean every family meal; women do the holiday shopping; men in the family watch sports. Of course, this isn’t true of everyone. There are plenty of families who subvert and dismantle stereotypical gender roles, but the holidays seem to heighten these roles, undergirding them with some kind of nostalgic and theological weight that claims that if mama doesn’t arduously prepare her famed casserole, the season will be ruined. Otherwise committed feminists find themselves singing carols filled with sexist language and participating in holiday rituals that they would critique any other time of the year. Subversion be damned because we want our traditional family holiday!

I’ve long struggled with creative ways to subversively approach the holidays as a queer clergywoman, parent, artist, and author. People like their nostalgic and heart-warming traditions, even when they sometimes smack of patriarchy, racism, and heteronormativity. I’ve confronted this as a preacher and worship planner, often to raised eyebrows or angry phone calls from congregants who just want to sing the carols without the preacher changing the words, or dismissing the notion of a virgin birth, or hanging enormous paintings of pregnant women all over the sanctuary.

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“Queen Sugar:” Must-See Ecowomanist TV by Elise M. Edwards

Have you been watching “Queen Sugar”? It is a thoughtful, compelling, and gorgeous TV show that evokes ecowomanist sensibilities.

“Queen Sugar” is a television drama in its second season on OWN, Oprah Winfrey’s network. It was created by celebrated filmmaker Ava DuVernay, who is also the show’s executive producer. The show has an all-female directing team and an inclusive crew. Like many of the original series on OWN, “Queen Sugar” features a predominately African-American cast, and like many other programs on the network, it delivers content intended to stir the viewer’s soul. But notably, “Queen Sugar”’s soulful messages are not mediated by the cadre of life coaches and inspirational leaders often seen on Oprah’s network. Instead, it is the fictional Bordelon family who invites us to reflect on their world and ours. The series’ three main characters, Nova, Charley, and Ralph Angel, are siblings who take over their father’s sugar cane farm in Louisiana after his death. Their narrative and the lush cinematography that captures it offers viewers the opportunity to consider the complexity, joy, and hardship of African-American characters who are rarely depicted on screen. The show’s themes and aesthetics are expressive of ecowomanist spirituality.

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Painting Breast Cancer Goddess by Rev. Dr. Angela Yarber

October is Breast Cancer Awareness Month, though I imagine most of us are already relatively aware. One in eight women will have breast cancer. Pink is everywhere. It’s difficult to find a person who hasn’t been impacted by breast cancer on a personal level. In 2003, my mom was diagnosed. Radiation, a lumpectomy, and ten years later she was dubbed cancer free. When I finished my Ph.D. in 2009, I did a stint as a Research Assistant for a fabulous liturgical studies scholar working on a book that examined and created rituals for women with breast cancer. My task was researching everything written on breast cancer that intersected with feminism, womanism, religion, spirituality, and ritual.

Audre Lorde’s Cancer Journals struck me profoundly. The critiques weighed heavy as a movement that began with destigmatizing breast cancer and offering solidarity to patients has transformed into a pinkified commodity. Whether it’s the lack of transparency in major breast cancer foundations, pinkification, the essentializing conversations that equate breasts with womanhood, lack of access to comprehensive health coverage, the role of the meat and dairy industry in increased risks of breast cancer, the talk of “surviving” and “fighting” as though those who don’t survive aren’t fighters, or the complete lack of representation of women of color in any pink marketing (seriously, do a google image search of “breast cancer headwraps” and feast your eyes upon an endless array of young, white women), breast cancer awareness has been commodified so that helping cancer patients is second to profit. Amidst these pink teddy bears delicately embroidered with the word “fighter,” one can only wonder what we can actually do and offer and create to be supportive of those with breast cancer. What rituals might we offer? What sacred spaces might we create? What is a feminist response? A spiritual response?

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