Poetry – Page 14 – Feminism and Religion

Gaia Delights: Sawbonna Resilience and the Pandemic by Margot Van Sluytman/Raven Speaks

In a recent interview about my current published paper and my life’s-work, Sawbonna, which is a model of both social and restorative justice, I was struck by how being locked down due to this global pandemic not only rips us to the core of our fears and forebodings; but, as well, invites us, if challenges us, to witness with and for each other, as we come to see the depth of resilience that has been a kindred companion throughout the ages. From time immemorial, Gaia delights by firing our hearts of justice with creativity. With love.

My interview took place over Zoom, a virtual bridge of connection and connecting. In this instance, that bridge stretched between Toronto, Canada and Cork, Ireland, where activist and researcher Jane Mulcahy and I spoke about Sawbonna, which is contextualized in the crucible of shared-humanity and human-rights. We discussed therapeutic writing, voice, trauma, poetry. Our conversation [which will be on Jane’s SoundCloud platform later this year] was infused with a crystal clear knowing that trauma and grief are in symbiotic sisterhood with resilience and voice. Continue reading “Gaia Delights: Sawbonna Resilience and the Pandemic by Margot Van Sluytman/Raven Speaks”

Self-calming with Syllable Counting and Rhyme Finding by Elizabeth Cunningham

In times of stress, I like to count syllables. It soothes me the way the click of knitting needles might soothe others. Finding rhymes is also calming. Below are poems in forms that require syllable count and/or rhyme, the last three written recently. I hope you are all sheltering well.

Villanelle: 10 syllables to a line. A, B rhyme scheme, with repetition of the 1^st and 3^rd lines.

noon

I have come to love the silence of noon
the cars have all gone wherever they go
I can hear the bees hum their tuneless tune

the noon of the day is the sun’s full moon
listen, the air is still, the wind lies low
I have come to love the silence of noon

the chainsaws silent, no wood to be hewn
no scratching the dirt, it’s too hot to hoe
I can hear the bees hum their tuneless tune

each shadow cast, now drawn close, is a rune
thickets conceal spotted fawns and a doe
I have come to love the silence of noon

this refuge from noise, a sweet daily boon
a full body blessing, crown to tiptoe
I can hear the bees hum their tuneless tune

each noon is a moment, passing so soon
the wild meadow flowers before we mow
I have come to love the silence of noon
I can hear the bees hum their tuneless tune Continue reading “Self-calming with Syllable Counting and Rhyme Finding by Elizabeth Cunningham”

Persistent Beauty by Molly Remer

I knelt beside a sprinkling
of deer fur
dotted with delicate snowflakes.
Don’t take a picture of that,
my husband said,
people will think it is gross.
I don’t find it gross.
I find it curious.
I find it surprising.
I find a story.
Sometimes I feel like
I have to battle a horde
of demonic trolls
before I can take care of myself,
I tell him,
and yet somehow,
I say,
always,
always,
I find my life is still a poem,
in the quietude,
in the battling,
on my knees in brown gravel
to better see this spray of fur
and how the frost
glows like white stars.

I sit on a stone in the pines and let the winds come, sweeping my hair back and lifting my lamentations from my forehead, where they have settled like a black cloud.

I let the air soften my shoulders and my sorrows, sunshine bright on thick brown pine needles, slickly strewn across the steep hill. Continue reading “Persistent Beauty by Molly Remer”

Walking in Moonlight Before the Pandemic by Marie Cartier and Kimberly Esslinger

For this month’s blog my wife, the poet Kimberly Esslinger, and I have written a joint poem—

Walking in Moonlight Before the Pandemic

and what is done to the least of these….

Where is the god of woman. Of cats. Of dead cats?

Of wives. Of midnight walks with dogs and the normalcy of silence.

And day becoming more like night in this stillness. All the crowded spaces. Open.

Empty. A bag floats down at night. A grocery bag. Onto the hood of a

speeding hatchback. Not a bag. But now a cat. Someone’s cat. Dead.

Just like that. A hatchback. And yes, here I was, with my dogs, wanting to believe

it was alive. I start to call her, she. Did she just move? Did you see her move?

My wife has gloves. A box. A plan. But I push her away.

I believe in god. And she could heal this cat.

She would. She would if I would wait long enough. Continue reading “Walking in Moonlight Before the Pandemic by Marie Cartier and Kimberly Esslinger”

Poem: In These United States is a Woman Electable? by Marie Cartier

In these United States we are wondering
if a woman is electable.
Is she likeable enough?

I donate to a woman candidate and I have put a sign
on my front lawn with a woman’s name on it.
I’m a woman. My wife is a woman.
Over half of my students are women. I teach over two hundred
students a semester. I see that women can.
We do and we can. But…

Can a woman lead? A headline asks.
Is she likeable enough to get elected? Another asks.
I was born from a woman.
All of us get here through the legs of a woman.
Women hold up half the sky. Continue reading “Poem: In These United States is a Woman Electable? by Marie Cartier”

Beth March and the Courage of the Gentle Giver by Cathleen F

As someone who spent my prepubescent years watching director Gillian Armstrong’s “Little Women”, I was eager to see Greta Gerwig’s newly released version. Previously unexplored contours of each character, and of my changed perceptions, were made visible through this iteration. The most difficult and touching part of the film that lingers with me is the story of Beth, pianist and caretaker. Beth’s untimely death brings grief into the center of the March family narrative, and Gerwig’s portrayal brought up grief in me about my experiences with invisibility as a paced introvert in a culture that celebrates speed and extroversion.

I grew up wanting to be like Jo March, the outspoken, reactive protagonist. Jo was the rebel, the obvious feminist, and, mostly importantly to me, the brave one. Beth seemed to me to be boring, relegated to a life at home, bound by illness and a preoccupation with the needs of neighbors. Her steadiness looked to me like obedience; she could not fight away the disease that eventually killed her, and I wished to be everything besides her, the introvert who observed and cared and loved music and then died. As I grew into my own introverted, observant, caregiving tendencies, I began to wonder if I had been tricked by my culture, by my upbringing, to think I was Beth when I was really Jo! While social pressures certainly influenced my personality, as they do for us all, I didn’t want to believe that perhaps I was growing into my natural temperament, endowed by the Universe, expressed in my mind and body. As a woman in the 21st century, as a feminist, I was supposed to be like Jo, not the way I was (am). To have a deliberate or tender nature was, in my subconscious perception, to betray the spontaneous, assertive natures of those more worthwhile feminists who got things done. Continue reading “Beth March and the Courage of the Gentle Giver by Cathleen F”

A Lonely Mystic by Molly Remer

I want to be a lonely mystic
dwelling in devotion, 82419444_2537557396456467_4177258129500667904_o
constantly dialoging with divinity,
drenched in wonder,
and doused with delight
in knowing my place
in the family of things.
I want to weave spells
from wind and wildness,
soak in solitude,
and excavate the depths
of my own soul.
I want great expanses of time
to be and to listen,
to feel and know,
each step a prayer,
ceaselessly walking with the goddess.
I crave the clarity of insight
dropping with a flash
into my open hands,
the clear space of listening
with no other voices in my head.
I want to pray with my eyes wide open 83673511_2550947128450827_73123862618832896_o
from sunrise until sunset,
never missing an opportunity
to commune with the sacred,
to feel myself enrobed,
ensconced,
ensorcelled,
enspelled
with divine wonder, curiosity,
awareness, and understanding.
I want to light candles
and speak spells,
weave magic from the ordinary
and listen,
always listen,
to the whispers of my heart.
I want a chamber of quietude
with only crows and owls
for companions,
the soft eyes of deer
in a wooded glade
my witnesses,
steam rising from my broths and brews,
weeds and roses twining together
into the medicine of my spirit.
I want to be quiet and contemplative,
waiting in the shadows to spot the magic,
to feel the power,
to see through to the threads of things.
I want to feel still and holy
grateful and graceful,
to be an enspirited beacon
embodying my prayers.

Instead,
I am a mama mystic
I nestle children against my shoulder,
my nose resting in blonde hair and needs,
mediate disputes,
knead bread dough,
make dinner,
fold laundry,
read books,
find filaments of magic
wound around the smallest things,
claw solitude from scraps,
and weave small spells
and bits of enchantment
from moments of magic
that wander by my full hands and head.
I gently coax quiet poems
from full spaces,
let prayers wind up over days,
nosing patiently into the cracks
between my deeds.
And, with my hands in the dough,
or my nose in the hair,
or the hand in mine,
I am drenched in devotion,
dialoging with divinity,
each step a prayer,
and knowing my place
in the family of things.
This is where the goddess dwells
right through the middle of everything,
in the temple of the ordinary.
Here, she says,
this too,
is holy,
sacred,
true,
and it needs you,
not that bloodless,
imaginary,
perfect priestess,
of silent
secret praise.
This is the real work of living
and it shows you who
you
are.

*“Family of things” phrasing from Mary Oliver.

Molly Remer has been gathering the women to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri. She is a priestess who holds MSW, M.Div, and D.Min degrees and wrote her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, mini goddesses, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, the Goddess Devotional, She Lives Her Poems, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Patreon, Brigid’s Grove, and Sage Woman Magazine.

Fragments of Beauty by Natalie Weaver

Can I empathize with your feeling,
your interest in this?
Be sound, my heart that feels
the beat of yours as my own.
I would like to be human one day.

Let my prayer be not please,
for, I fear I have been
an ungrateful guest,
sojourning pilgrim, refugee.
All this life, all will be,
a lesson in how to say
thank you.

These sides are not sharp antagonisms
that bring to points their points of view
but a pond’s surface under moonlight,
swirling like mercury, beneath which minnows,
fluid, do their works of harmonious disruption.

a city made of music
a city made of dreams
a city made of gardens
a city on a stream

oh, frontier Romana
who passes through the east
this is where my heart was cast
and carried out to deep

Darling, do you know me
Darling, do you see?
this is where I want you
where I long to be

how I yearn to see you
ruddied by the cool
Why were not you by me
then? then before I knew

yet, I trusted have you
trusted I could seek
now and wish to strew my ash
across the Blackest Sea

here to be uncluttered
here un’cumbered flesh
here our single soul to spread
and all the rest dispersed

I have come to you across the distance of years
That you might be redeemed in me
And know covenant by the measure of my love
I will comb your hair and bathe your soul
I will anoint you with my blood
I will mold and fire and decorate
The world beneath your feet
And I will dance until it is done
And broken into sleep

Natalie Kertes Weaver, Ph.D., is Chair and Professor of Religious Studies at Ursuline College in Pepper Pike, Ohio. Natalie’s academic books include: Marriage and Family: A Christian Theological Foundation (Anselm, 2009); Christian Thought and Practice: A Primer (Anselm, 2012); and The Theology of Suffering and Death: An Introduction for Caregivers (Routledge, 2013). Natalie’s most recent book is Made in the Image of God: Intersex and the Revisioning of Theological Anthropology (Wipf & Stock, 2014). Natalie has also authored two art books: Interior Design: Rooms of a Half-Life and Baby’s First Latin. Natalie’s areas of interest and expertise include: feminist theology; theology of suffering; theology of the family; religion and violence; and (inter)sex and theology. Natalie is a married mother of two sons, Valentine and Nathan. For pleasure, Natalie studies classical Hebrew, poetry, piano, and voice.

Double, double… rhymes are trouble by Katie M. Deaver

I never considered myself one of those people who gets really “into” Halloween. But, as one might expect having an eight year old, especially an eight year old who celebrates her birthday shortly before the holiday, has made me much more in tune with the excitement and preparation which surrounds Halloween.

One of the traditions that I do very much enjoy is watching Halloween movies like Hocus Pocus and Double, Double, Toil and Trouble and, new to us last year, drinking warm mulled wine after coming home from a chilly (and this year possibly snowy!) night of Trick or Treating.

In my work as a church musician Halloween is book-ended by the celebration of Reformation and All Saints Day, so it tends to be a fairly busy time for my work schedule. As a result this is often the time of year that I reconsider my self-care and centering routines in the hopes of somehow preparing myself for the coming holiday season and the end of the year. This year, as I checked in on my current practices I realized that I haven’t been reading as much poetry as I used to when I was in grad school. As a result I have been trying to get back in the habit of reading some poetry a few times each week to help center myself. As luck would have it the last few weeks have found me stumbling upon poetry with connections to the Halloween season. I want to share with you a portion of two seasonal poems that I have encountered and are sticking with me.

Continue reading “Double, double… rhymes are trouble by Katie M. Deaver”