women’s journeys – Page 11 – Feminism and Religion

Ariadne and Me – The .5% by Arianne MacBean

When I travelled to Crete on a Goddess Pilgrimage last year, we were asked to introduce ourselves by our matrilineal lines. I am Arianne, daughter of Bernadette, granddaughter of Helen and a long line of women, known and unknown, stretching back to Africa. Many of the women in the group were able to intone long lists of names in their matrilineal lines. I was not able to go further than my Grandmother, Helen. No one in my mother’s large Polish family could remember my Great Grandmother’s name.

My journey toward Ariadne has been as circuitous as the labyrinth itself. In many ways, I have been searching for her since those first bedtime stories my father used to tell me as a child, when Theseus was the main character and Ariadne, merely a stop on his road. I longed for her, even then, to have her own heroine’s journey. I tried to imagine what that might look like but, without models, could not conjure anything beyond holding the red thread so others could triumph. Later, I began a more conscious search for Ariadne as I became curious about the connections between her choices, feelings, expressions and my own longings, betrayals, and outbursts. Since then, there have been moments when I let myself fantasize about being connected to her in some real way, beyond being named after her, or feeling and acting as she may have. In these fleeting moments when I imagine we are bonded, I am awash in an intense sense of belonging, something I never felt as an only child of divorced parents. But then in a flash, my mind takes a sharp turn, as in a labyrinth, and I negate those feelings with logic. You want to be connected to Her, so you are finding ways to make it true.

Mourning by Beth Bartlett

Grief is the experiencing . . . Mourning is the process,
when we take the grief we have on the inside and express it outside ourselves –
writing, planting, burying, burning, rising up
ceremony, ritual, community[i]

A glimpse of our cottage as I drove away.

“As long as I stayed there, I could keep you with me. . . .” Those words kept repeating in my mind throughout my long drive home from my sister, Jeannie’s, “Celebration of Life” service. I’d stopped midway on my thousand-mile journey at the cabin our family has shared for sixty years. There I could still feel her presence — on the hillside where we so often sat with our morning cups of tea, or watching the sunset, or chatting away the afternoon; on the dock where we’d lie in the sun or sit late at night and watch the stars come out, or cuddle up in blankets on windy, fall days; in the circle of couches and chairs where we played telephone Pictionary, charades, and CatchPhrase; in the kitchen where we’d cooked and eaten and played card games together; in the bedroom we often shared with a dog between our beds; the road where we’d go for family walks – eight, ten, twelve of us all together, and always two, three, or four dogs; even the driveway where we’d greet and hold each other with great gladness after months of separation, and where we’d hug and say goodbye, and then hug once more because in the back of our minds we’d be wondering if this was the last time. . . .

Censored Angel: Anthony Comstock’s Nemesis. A Novel by Joan Koster

“I would lay down my life for the cause of sex reform, but I don’t want to be swept away. A useless sacrifice.” Ida C. Craddock, Letter to Edward Bond Foote, June 6, 1898

In 1882, Ida C. Craddock applied to the all-male undergraduate school of University of Pennsylvania. With the highest results on the entrance tests, the faculty voted to admit her. But her admission was rejected by the Board of Trustees, who said the university was not suitably prepared for a female. (U of P only became co-ed in 1974)

With her aspirations blocked, Ida left home determined to leave her mark on women’s lives by studying and writing about Female Sex Worship in early cultures. At the time, little information was available to women about sexual relations. To do her research, Ida resorted to having male friends take books forbidden to females, such as the Karma Sutra, out of the library for her.

An unmarried woman, she turned to spirituality and the practice of yoga, a newly introduced practice to the American public at the time, as a way to learn about sex. In her journals, she describes her interaction with angels from the borderlands, and in particular, her sexual experiences with Soph, her angel husband through what was likely tantric sex.

On Being Apolitical or Neutral by Karen Tate

I believe we are all One and part of the cosmic web. Chaos theory, the butterfly wings moving in Oregon can affect a hurricane in the Gulf of Mexico. Or quantum entanglement, two or more objects can affect each other no matter how far apart they are. Yes, we are all inter-connected whether we believe or understand it. So the crazy neighbor or uncle we can’t stand and roll our eyes every time they spew sh*t out of their mouth, well they are part of us. As are rich and poor, black and white, male/female/trans, Left and Right, American and French, Christian and Pagan, educated and less educated, religious and atheist, etc. If we are more tolerant and inclusive, if we focus on love, joy and being in the grace of the Light we might evolve or ascend as so many are talking about these days. The “deplorables” like the uncle or neighbor would do better if they knew better.

Can you remember when you had the self awareness to know you just didn’t know what you didn’t know? They don’t yet. I think, we, as a part of them, we have to “hold space” and move forward in love until they educate themselves, self correct and rein in their hate or bad behavior or thoughts. As One, it’s as if one of our appendages is broken. We don’t cut it off. We tend it until it’s healed and healthy through all the pain and physical therapy. Eventually we’re whole.

Unless this “part of us” is threatening our way of life…

Poetry, Plays, Pens, Persistence, Underpin Voice: Both Jean & Eleanor Live by Margot Van Sluytman

Stepping into the autumn season offers time to think about summer. Time to think about what happened during those hazy, lazy, crazy days. Digesting. Re-wording. Steeping one’s self in recent memories and drawing forth, indeed permitting to re-surface, what touched us most deeply. For me, The Beatles song, Eleanor Rigby, was conjured. That imagined woman. That fictional woman. And her voice and her voicing. Buried she was, in a church, along with her name. Nobody came.

What is it that invites this negation of voice? Voices? Voice-ing? Particularly those of womyn? No matter class, culture, creed. This question continues to journey with me, as I myself, note the accumulation of years. As I breathe the beauty of my Grand-Children’s energies. And with-ness their lives unfold. Unfold in a world that is slowly, ever so slowly, yet determinately, and with unceasing tenacity, resurrecting the lost voices of womyn. Too long buried and silenced.

Why Ritual in Turbulent Times? by Terry Folks

It is Autumnal Equinox. Five women gather equidistant apart beneath a giant avocado tree in the garden at Evi’s place near the village of Zaros. This little hamlet is under the watchful loving eye of Psiloritis (Mount Idi) on the Island of Crete in Greece. We leave the solitude of our individual cottages where we have been quarantined to co-create an Autumnal Equinox ritual I have initiated for this occasion. Since we are still testing positive for COVID, we maintain our distance. I have a nasty strain as I’m exhausted, foggy, my nose bleeds, and I’m coughing so much my head hurts. Still … this ritual is important as our morale seriously needs a boost. We are dubbed the five “Corona Sisters” or the “COVID Girls” whose Goddess Pilgrimage on Crete was cut short when we contracted the virus somewhere between our homes in Australia, Canada and the United States, and our arrival in Heraklion a few short days ago. We have renamed ourselves the “Avocado Sisterhood” to acknowledge the blessing of our togetherness, and we represent a quarter of the women participating in Carol Christ’s Goddess Pilgrimage to Crete in 2023.

Seeds of Life by Sara Wright

I have been involved with plants since I was a toddler. My first word was ‘fower’ for bright yellow buttercups, a nickname I was given by my grandfather that stuck.

I guess it’s no surprise that I started out with gardening as a three-year-old under my grandmother’s tutelage. Her large vegetable plot fed us for most of the year. I seeded my first yellow summer squash into rich moist earth and watched with wonder as the seed emerged with two emerald ears.

In college when students were decorating their rooms with drapes and bedspreads, I bought a pepper plant to brighten my cement surroundings and soon had a windowsill full of plants.

As a young adult I grew many house plants and often talked to them, noting that we seemed to have an uncanny personal relationship, a childhood reality that I had been educated out of. I also gardened with herbs outside my back door, because I loved to cook and needed tasty condiments. Soon I moved on to planting a full – fledged vegetable plot. I canned what I could like my grandmother still longing for the bountiful flower gardens of my dreams. I come from a lineage of female flower gardeners and farmers that stretched back three generations (that I know of) but as a young single mother who worked and one who was frozen from loss, I didn’t make the time.

The Awakened Woman: Remembering and Reigniting Our Sacred Dreams by Woman Writer Dr. Tererai Trent by Maria Dintino

Moderator’s Note: This piece is in co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on January 14, 2020. You can see more of their posts here.

Breaking the Bronze Ceiling – Statues of Real Women in Public Spaces

I cannot imagine a woman more deserving than Dr. Tererai Trent, her likeness one of ten life-size bronze statues unveiled in New York City on Women’s Equality Day on August 26, 2019.

Australian global public artists and activists, Gillie and Marc Schattner, revealed the statues of these inspirational women on 6th Avenue (Avenue of the Americas) that glorious summer day! Their organization, Statues for Equality, is on a mission to achieve gender balance in public statues worldwide. In NYC prior to their unveiling, only 3% of the statues depicted females; this climbed to 10% on August 26.

I Really Like My Dirty Feet by Caryn MacGrandle

Last night, I had a dream where a nicely dressed woman leaned towards me and said, ‘Come with me, I’ll show you how to do it.’

“I’ll show you how to get those feet clean,” and she looked down at my dirty feet in disgust.

And I knew what ‘it’ she was referring to. She had a nice car and a big beautiful home and a well coiffed outfit. She was one of my children’s friend’s parents, successful the way that mainstream society defines it.

And my small self said, ‘sure, okay’.

But then my Large self said ‘wait a minute. Stop. I like my dirty feet.’

They’re part of me, you see.

Sing Anyway by Dr. Jamie Marich

I often find myself sitting in conservative Catholic spaces. My brother is a Roman Catholic priest in the Dominican order and I remain in support of his vocation. Every time, before a Mass officially starts, I’m overcome with a sense of: “You belong here…and you don’t.”

The part of me that has always felt at home in a Catholic setting is that love of the ritual and ceremony, the smell of the incense, the familiarity of the chants and songs. It was a Catholic priest, the late Fr. Ciaran O’Donnell, who taught me how to play the guitar and got me started with the healing practice of songwriting. When I sink into these associations, I feel connected to my Croatian ancestors and our Catholic faith. And there’s the other part of me—the queer feminist and an advocate for other queer and transgender people to live the fullest, most open expressions of themselves in all spaces of life, especially faith-based spaces. As a survivor of several forms of sexual assault and as a trauma specialist who has guided countless other survivors in their healing process over the years, I can’t sit in a Catholic Church and not feel uneasy about the legacy of abuse and silencing survivors within the church. Between my queer identity and dedication to supporting survivors, I feel that I don’t belong.