The legend of La Llorona has been a part of Hispanic culture in the Southwest since the days of the conquistadores. Though the tales vary from source to source, the one common thread is that La Llorona is a woman named Maria who is always dressed in a white gown, the spirit of a young Mexican mother who drowned her children in the river in a moment of rage or abandonment by her lover and then took her own life in her deep shame and sorrow. La Llorona’s disembodied spirit is said to haunt the rivers at night – especially the Rio Grande – where she can be heard weeping in remorse for her dead children. Children are cautioned not to go out after dark because La Llorona might murder or drown them too. Because the tale of the Weeping Woman originated with the Patriarchal Spanish conquest I have always been suspicious of the various versions of this story believing that its meaning has been distorted.
Immediately what comes to mind is the Mater Dolorosa, Our Lady of Sorrows, or Mother of Sorrows. All refer to the Virgin Mary, the only goddess left in Christianity. Our Lady of the Seven Sorrows is another name used to refer to this goddess. The Mater Dolorosa is also a key subject for Marian art in the Catholic Church.
Shortly after writing “
last night’s raindrops continuing to drip from the overfull gutters on the roof. The insistent stab of a single-note bird song in the air. His head nestles in the crook of my arm the way it has done every morning for three years. Blond hair against my nose, breathing in the slightly baby smell of him. “This is the last time,” I whisper softly. “We are all done after this. This is the last time we will have nonnies.”
It is quite common, I think, for Jewish feminists to gravitate to the first creation story of Genesis/Bereshit as an example of human equality but struggle to claim this same passage as an example of the goodness of embodiment. Genesis/Bereshit 1:27 reads, “So G-d created humankind in the divine image, in the image of G-d, the Holy One created them; male and female G-d created them.” In this passage, we have not only equality between men and women, in direct contrast to the second creation story, but also a description of human nature.
A topic that continually perplexes me, both personally and professionally, concerns the connection, or harmonization if you will, between our cognitive capacities and our physical expression and comfort, between thinking and feeling. Yoga, dance, working out, meditating, and other modalities which explicitly bring body and mind together often achieve their goal at the point of practice, and while these disciplines have residual effects, how do they have staying power?
Christmas morning. I don’t usually have Sundays free and our family holiday celebrations lean nontraditional, so I’d come to a special ecstatic dance celebration and brought my 9-year-old daughter with me. As the music started and people all around us began to flow and move, I reached out to touch her hand. As if she’d been doing it for years, she shifted into a beautiful 
Embodiment is a feminist principle which has, as its basis, two fundamental criteria. First, humans require their bodies to live. We must acknowledge that our existence is tied to our bodies. This fact grounds us in this world. Here, and not in some other-worldly place, we live out our lives. We are dependent on our bodies and what the world provides for our survival. In other words, humans are inseparable and interconnected to this world. Humans are not above nature as the Western hierarchical dualist mindset would suggest.
Feminism and Religion 