Last week I wrote about the grief I feel for the state of my nation (the United States) and of the world. A few days later one of my favorite writers, Katha Pollitt, asked why we are not all in the streets all the time, keeping alive the enormous energy that came together in the first of the women’s marches against Trump and that continued for several months thereafter in protests women’s rights, for immigrants, for the planet.
After reading Pollitt’s essay, I thought: we should be weeping and wailing in the streets. Instead of pink hats we should be wearing black, the color of mourning. But then I pulled myself up short. In the symbolism of our Old Europe, black is the color of rebirth and regeneration: the dark place where seeds must be placed if they are to germinate, the color of rich and fertile earth. If we are going to protest the racism of the Donald and his followers, we must be careful not to repeat the Indo-European binary in which light is associated with truth and goodness, while the devil and all that is evil is dark.
Nonetheless, I like the idea of acknowledging our grief for all that is being lost publicly and with others. Continue reading “And We Are Singing, Singing for Our Lives! by Carol P. Christ”

I have never had so much trouble trying to find a topic for blog and to begin writing it as I have this time. It is 6:58 am in Greece, three hours and two minutes before my blog is due to be posted, and I still do not have a topic. It is not that topics have not occurred to me. There is the 
It wasn’t really fire. I came home to Lesbos from a soulful
Originally published on July 8, 2013 on FAR under the title “What Is Patriotism?,” this blog asks questions that seem even more important today, when tanks have been paraded in front of the Lincoln Memorial and children are held in appalling conditions at our borders because their parents dared to seek asylum in the United States.
It’s about every three years when we at Feminism and Religions put out a solicitation for a new intern to join our team. Back in 2013 we had the great privilege of having
It is the first of July—half way through 2019. I remember that I and many of my friends were very glad for the end of 2018; it was a hard year of many heavy events and we looked forward to a fresh start, a new year. It’s hard to accept that half of that “new year” is over. What is different? What is new?
The other night I was invited out by a new friend to meet a group of his friends. It was a lovely gathering, and I felt welcomed. As we hugged good night outside the restaurant, one of the women commented, “Wow you really are tall.” Without missing a beat, I responded, “Yes it has been the bane of my life.” As the words tumbled out of my mouth I was aware that I spoke them dispassionately, not as is usual with a catch in my throat.
Today I am reposting the song and story of Kassiani, the Byzantine composer, poet, and hymnographer, who is not well-known to western feminists or in western history in general. In Christian Orthodox tradition, Kassiani’s most famous song will be sung this week on Easter Tuesday night or very early Easter Wednesday morning, placing a woman’s love for Jesus at the heart of the Easter drama.