Art – Page 16 – Feminism and Religion

What I Believe (Post-2016) by John Erickson

Ever since the election of You-Know-Who, I have been doing a lot of creative writing.

Ever since the election of You-Know-Who, I have been doing a lot of creative writing. Unlike academic publications, policy reports, or my dissertation, creative writing, much like my mentor Dr. Marie Cartier has written about, provided me with a needed escape from a world that seems to grow darker with each passing day. In college, I served as Poetry Editor for the Wisconsin Review, the oldest literary journal in Wisconsin. Continue reading “What I Believe (Post-2016) by John Erickson”

Bridging Beyond Binaries: Painting Gloria Anzaldúa by Angela Yarber

One of the great joys of being an artist and writer is working on commissions, enlivening in paint, canvas, and word the stories of revolutionary holy women who have emboldened and inspired the one commissioning the Holy Woman Icon. Gloria Anzaldúa was on my list of holy women for a while when Dr. Robyn Henderson-Espinoza finally gave me the nudge to paint her by commissioning an icon. Anzaldúa gave Robyn—and so many others—the framework, the bridgework, for dismantling the binaries of difference, for finding the beauty that resides at the borderlands of race, gender, and sexuality. As a scholar-activist, Robyn speaks of Anzaldúa as a patron saint, saying:

“Anzaldúa has always been for me the bridge between theory and action, and her work, both in writing and teaching, compels me to live into my vocation as a public theologian, which at root is bridging across lines of radical difference. Without Anzaldúa and without her bridging frame, I am unable to do the work that I now do. This icon offers me a visual reminder of the ways in which I’m called to be a bridge in curating communities of radical difference.”

Queer borderlands. Chicana borderlands. Feminist borderlands. Gloria Anzaldúa (September 26, 1942 – May 15, 2004) was an American scholar who focused on the intersections among queer theory, feminist theory, and Chicana cultural theory. Born in the Rio Grande Valley of south Texas, Anzaldúa also bridged the borders of personal and academic writing, weaving together theory with lived experience, English with Spanish, and inviting readers into a new world—Mundo Zurdo—that transcended these seeming binaries. Continue reading “Bridging Beyond Binaries: Painting Gloria Anzaldúa by Angela Yarber”

Gaining Perspective by Natalie Weaver

I don’t know if I could be a deep-sea welder. I don’t know what the risks of lethal electrocution, broken limbs, or the bends would be. I suspect it can be a dangerous occupation, like operating heavy equipment on good old dry land or fishing for crab or even collecting garbage from the neighbors’ driveways. So too is this the case with window washing, paving, disposing of medical waste, brick making, driving a giant tanker truck, and more. There are aspects of the world I know I take for granted, but the moment I stop to consider what those aspects might be, I am humbled and reminded of the privilege it is to philosophize and ponder the functions of religion in the shaping and making of society.

I have a newfound, barely there insight, both on my privilege and my need to be wiser, derived from the use of (hold your breath) a yardstick. In what is either a desperate gambit for meaning or the fulfillment of a dream long deferred, I returned to school to take some art classes this fall. I have my own homework, assignments, a syllabus, and, gasp, grades to worry about for the first time since 2003. As I drove in the dark and rain for almost an hour this morning at 6:00 am, to a parking lot that sits a solid half hour away from the bus I need to take, which deposits me a fifteen minute walk from the building where I study, in order to make a 7:45 am start time, I wondered briefly what I was doing and why. But, as soon as I took out my yardstick to measure and represent objects in perspective, I remembered why I undertook such an errand. Continue reading “Gaining Perspective by Natalie Weaver”

Embodying Gaia by Christy Sim

Rosemary Radford Ruether wrote a classic text: “Gaia and God: An Ecofeminist Theology of Earth Healing.” Ever since I laid eyes on this amazing book and was convinced of the genius Ruether offered within these pages, I adored images of Gaia.

The great goddess is usually pictured holding the world as her womb, a loving representation of compassionately pulling all the hurt and agony to her abdomen for healing.

Ruether says in “Classical Western cultural traditions” of which “Christianity is a major expression,” we “have justified and sacralized” notions of God and domination (3). Such ideas teach us that domination is “the ‘natural order'” and “the will of God” for the “male monotheistic God” and his followers (3).

But Gaia is so much more and challenges these patriarchical messages in today’s culture. To imagine the divine with this motherly image helps with “ecological healing” (as Ruether says), and, being able to picture a “personified being” in the feminine (4). Gaia is truly special.

Continue reading “Embodying Gaia by Christy Sim”

Corra, Celtic Serpent Goddess by Judith Shaw

judith shaw photo Even though snakes never inhabited Ireland, as in the rest of the ancient world both the serpent and the dragon were ancient symbols of life, fertility, wisdom and immortality for the Celts. Ancient Celtic ornamental work is entwined with serpents and dragons. The Celtic Knot can be seen as a never-ending serpent. A large stone with a carved serpent is found at the sacred cairn sites of Knowth. The megalithic structure of Brug na Bóinne (Newgrange) has multiple serpent-like spirals on the entrance stone.

In Scotland there is the earthen serpent at Glen Feochan, Loch Nell. The Pictish Aberlemno Serpent Stone is engraved with a serpent and other symbols. The torque collar, a symbol of kingship and status was created in the form of a hybrid horned dragon/snake. The serpent was connected to healing pools and springs and the Druids believed the serpent had healing powers together with a certain type of egg shaped stone called a “serpent’s egg.” Continue reading “Corra, Celtic Serpent Goddess by Judith Shaw”

In the Words of the First Poet and Historian: “I am” by Michele Stopera Freyhauf

These days I find it hard to write – I feel plagued with negativity, and the news and violence and overall hateful actions of others have weighed deeply on my soul. While I personally am ready to celebrate a milestone birthday, am another year closer to completing my Ph.D., witnessed the graduation of one daughter, experienced the independence of another, a milestone for my twins, as well as my father’s successful completing of another orbit around the sun after a year plagued with health issues – rather than joy, my heart is filled with pain – pain of the election, pain of the failure of our political system’s supposed checks and balances, pain of violence and bigotry like that enacted in Charlottesville, pain of terror attacks in England, Spain, Finland, France, etc. Where we ought to be united, we are divided. Thus, I write from a place of remembering – a place of strength – a place to say I count (as you count) – and I begin this blog in the voice of Enheduanna, where she becomes the first voice in history to reveal herself – her name, by simply stating – – “I AM.” Continue reading “In the Words of the First Poet and Historian: “I am” by Michele Stopera Freyhauf”

Self-Care is a Feminist Issue: Holy Women Icons Project’s 7-Day Online Self-Care Retreat by Rev. Dr. Angela Yarber

Several years ago, I was pastor of a welcoming and affirming church. As a queer clergywoman, I thought that such a place would be the perfect place to flourish and thrive as a pastor. And yet, because of heterosexist and sexist microaggressions, I found myself anxious, depressed, and in need of physical, emotional, psychological, and spiritual care.

After a three-day retreat filled with self-care and soul-nourishment at a non-profit retreat center that catered to activists and artists , I felt as though a tremendous weight was lifted off my shoulders, that I could focus and find clarity in my vocation. Pausing to care for myself gave me the courage to leave my toxic job and live more fully into my calling. This experience taught me the vital importance of self-care.

Womanist Audre Lorde once proclaimed, “Caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare.” Because caring for the self violates the patriarchal norms that traditionally dictate that you should be the one caring for everyone else. Yes, everyone needs to pause to care for the self. But oppressed minorities have a particular need for self-care, not simply as a way of refreshing oneself in order to do the work of justice, but as a vital part of the work of social justice. Because caring for yourself in a society—and a church—that wishes for you to do otherwise is an act of political warfare. When feminists care for themselves, it is a radical act of soul redemption, spirit rejuvenation, and a political and spiritual act of acknowledging your holy and innate self-worth. In case anyone has told you that you are not worthy, let me reassure you. You are worthy. And you deserve to care for yourself.

Continue reading “Self-Care is a Feminist Issue: Holy Women Icons Project’s 7-Day Online Self-Care Retreat by Rev. Dr. Angela Yarber”

Lektrima by 2 Worlds

Lek Trima is a portfolio of photographs expressing reverence for feminine energy.

I had doubts as to whether I should create around this topic, I’m not a scholar, subject expert, or woman, but during flailing phases of the project I counted on sincerity and passion to keep me focused and hopeful.

In fact, after an exuberant start with some reading and research, I became dismayed in that any attempt on my part would seem to contribute to the problem that the majority of world literature on female archetypes, religious figures and myth traits has been written from a male viewpoint and projection. With a tempered demeanor, I continued. My intentions were earnest and as the work began to mature, I regained confidence and felt I could make something interesting and purposeful.

The title, Lek Trima, is taken from a mystical song composed by the first Dali Lama (1391-1475) in celebration of the Tibetan Buddhist deity, Tara. Tara is known as the “mother of liberation,” and recognized as a female Buddha. Ultimately, she represents a set of Buddhas and traits that are called on as focus points in developing inner qualities by practitioners of tantric mediation. Continue reading “Lektrima by 2 Worlds”

Who is She? an excerpt (edited for brevity) from the 25th anniversary edition of The Return of the Goddess, A Divine Comedy by Elizabeth Cunningham

Introduction by Maeve: Elizabeth’s July post usually features an excerpt from my Chronicles in honor of my feast day, July 22. This year the excerpt comes from the novel that opened the way for my story. Ever since a playdough figure took shape spontaneously in her hands, Esther, a minister’s wife, has been on a quest to find out Who She Is! Here she encounters the Lady as the Virgin Mary. (For my take on the BVM, aka Ma, the scene stealer, see The Passion of Mary Magdalen and Bright Dark Madonna.)

A kitchen, yes. That’s what a sacristy was: a sacred kitchen, Esther mused as she stood in St. Paul’s sacristy, the light strong but thickened by the plain, stained-glass, lead-fitted windows over the sink—the piscina, if you were high church. The walls, an ancient, graying yellow, did what they could to reflect the filtered light in a gallant effort to create an atmosphere intended to be cheery. Continue reading “Who is She? an excerpt (edited for brevity) from the 25th anniversary edition of The Return of the Goddess, A Divine Comedy by Elizabeth Cunningham”

Mulling over Movies: Moana, Pt. 2 by Elise M. Edwards

Every summer in the US, movie theatres show their newest big budget films, hoping to draw in large audiences. While I appreciate an air-conditioned theatre on a hot day, I love the opportunity to go to an outdoor movie screening. These screenings are usually community-oriented opportunities for social gathering. In my previous post, I talked about Moana, a Disney film I saw at an outdoor screening earlier this summer. I enjoyed watching this movie with my friends and their families and I was delighted by the story itself. It has several religious and spiritual themes and strong female characters. Previously, I spoke of the significance of myths in this movie. Today, I’m focused on depictions of nature in Moana and their remarkable beauty.

Many feminist and womanist theologians and religion scholars have raised concerns about the interrelated dominations of women and nature, as well as the disproportionate hardships women and children are exposed to with increasing climate change and environmental degradation. Our changing environment affects all life on the planet, but it is the people who are most vulnerable (physically, economically, politically) who at most at risk. Obviously, animals and plants are endangered, too. Ethicists like me are interested in finding ways to address these concerns because we are committed the preservation of life. As feminists, there’s more to it, though. We recognize the way nature itself is often feminized (“Mother Nature”), which makes it even more troubling when it is cultivated without respect for the wellbeing of existing ecosystems and the life forces dependent upon them.

Continue reading “Mulling over Movies: Moana, Pt. 2 by Elise M. Edwards”