When I was in my late teens, I discovered midrash: the Jewish exegetical process by which commentators weave creative and additive interpretations into the sacred text. Midrash comes from the word “to ask,” “to seek,” or “to divine.” For example, the tale in which a well follows the prophetess Miriam through the wilderness is an ancient midrash. The story in which God stops the angels from singing as the Egyptians drown in the Sea of Reeds is a midrash. Each of these stories derives from a particular close reading of text, whether a Torah text or a verse elsewhere in the Bible. Each of them allows a new generation to add its own perspectives to the tradition.
Contemporary feminists, and many other contemporary artists, writers, and exegetes, have used a modern form of midrash to add liberatory perspectives to Jewish tradition and to biblical lore. From Miriam to Vashti, female biblical characters shine in the creative interpretations of feminist midrashists. Judith Plaskow’s “The Coming of Lilith” made a huge impact on the reading of the story of Eve and the legend of Lilith. Anita Diamant’s The Red Tent changed the conversation on Dinah forever. Alicia Ostriker, Norma Rosen, Veronica Golos, and many others have joined in this creative play which highlights marginalized voices within the text. Wilda Gafney has made contributions to a Christian and womanist form of midrash. Voices like Andrew Ramer and Joy Ladin have invited us to see queer and trans themes in the text. And of course many others, from poet Yehuda Amichai to bibliodramatist Peter Pitzele, have added to this rich tapestry.
I’ll be honest. For me, 2017 royally sucked. Though “feminism” was dubbed the “word of the year” by 
This past summer, my friend and I were perusing the exhibits at the 
Over the past year I have travelled to Bali on a number of occasions for both pleasure and work, and with each visit a little more of my heart and soul stays behind on this green tropical island paradise waiting for my next return. I was never really that keen to travel to Bali in the past; my pre-conceived ideas had been largely influenced by the negative media attention this “hot destination” often receives in Australia. Whether it be a volcano erupting, scooter accident, terrorist attack. or young Australian party-goers getting up to mischief while on holiday, the shadow side of Bali tourism remains the focus for hype-hungry media – with consequences often detrimental to the tourism industry that the island has become so reliant on.
