Feminism and Religion – Page 41 – Feminism and Religion

Gift-Economy in a Time of Lack by Elisabeth Schilling

Carol Christ wrote about gift economy on this blog in 2013, and I am taken by her story of the woman who brought raisins or cracked nuts to the group even though she had very little. In beginning to encounter the literature on gift economy myself, I am wondering how it all works, especially wondering, perhaps outside of such a conversation if it doesn’t relate or misses the point, what someone who feels they have nothing to give can give.

When Genevieve Vaughan wrote about gift economy in Ms. Magazine in 1991, she wrote, “where there is enough, we can abundantly nurture others. The problem is that scarcity is usually the case, artificially created in order to maintain control, so that other-orientation becomes difficult and self-depleting.”

I think we start to look for other ways of existing when we experience the brokenness of a current existence. The exchange economy under mindless capitalism does not honor equal, fair exchanges. If we could keep from manipulating and being deceptive about what a product is worth, if we could more generously assess the contribution of workers, then some of us might not be bothered. Of course, for that work which is never compensated by money, mostly women’s work, that is the other issue that might not be solved by more equal exchange, and probably more the point of Vaughn’s.

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The Legend of Arawello, the Somali Goddess by MaryAnn Shank

Image of Arawello. Since there is no known portrait of Arawello, this is an artist’s interpretation.

I did not intend to find her. In fact I wasn’t even looking. But there she was, soaring before me, on my last night in Baidoa. This majestic Somali woman reached high into the heavens, engulfed in a glorious wraparound garment that reflected the hues of the world around her: the azure of the Indian Ocean, white sparks of the splendiferous Milky Way, the orange of the clay soil beneath her feet.

The golden snake wrapped around her arm identified her immediately. This was Arawello, the Somali Goddess.

I had only heard hints of this treasured goddess. She was born of her people in the first century. She took the beatings, the whips that scarred her as a child, and escaped to the aromatic fields of myrrh in the northern Somali mountains. Female torture was rampant at that time, an outgrowth of the centuries-old clan wars.

In the fields of myrrh Arawello found many women like herself, women who ran to save their own lives, women who wanted to help their sisters, mothers, aunts and friends left behind.

And so she formed her plan.

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The Sound of Silence: a mother’s day reflection 2019 by Sara Wright

Here in the high desert it has been raining off and on for the last few days. A giant puddle sits in the driveway and all the trees range in color from subtle shades of sage to emerald. Fringed Chamisa, spun gold and salmon wildflowers are bent low but stems are luminescent. Seedlings are sprouting in unlikely places.

I can’t think of a better mother’s day present for the desert than these ongoing cloud-bursts that are nourishing the earth with water and minerals from the sky. I am profoundly grateful for this year’s spring greening.

The earth is experiencing a sense of renewal. I wish I could say the same for me with respect to mothering and mother’s day. I cross this cyclic threshold with the same feelings of dread and grief that overpower me each year. Neither of my children acknowledge me as the mother who once loved them so fiercely, but oh so imperfectly in her own confusion and despair.

I was such a young wife, barely twenty when I became pregnant with my first child. Two years later I was a mother of two sons. Within five years I was divorced and on my own.

Although I tried to repair the damage as soon as I was able, neither child was willing to join me. I desperately suggested counseling – many times. As adolescents and young adults both Chris and later David, responded with chilling silence and apparent indifference to every frantic attempt I made to bridge the gap.

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Ruminations on Emor by Ivy Helman

29662350_10155723099993089_8391051315166448776_o This week’s Torah portion is Emor, or Leviticus 21:1 – 24:23. It details purity and the priesthood including whose funeral a priest can attend, who can marry a priest, bodily blemishes and temple services, and under what circumstances daughters of priests can still eat temple food. Emor also discusses the treatment of animals. A baby animal must be 7 days old before it can be sacrificed and cannot be killed the same day as its mother. In addition, the parshah describes the holiday calendar, including the counting of the Omer, how to harvest fields, and what type of oil should be used in the Temple’s Menorah. Finally, it outlines punishments for various crimes including blasphemy and murder.

To say that there is a lot there would be an understatement. In fact, a good question about this parshah is where does one begin? An obvious place would be the mention of the named woman, Shelomit bat Dibri of the tribe of Dan, almost at the end of the parshah. First, it is remarkable that a woman has been named and more so that her name has been remembered as significant. It begs the question of who was she? Why remember her name? Why mention her at all? The discussion about her son’s crimes could easily not have needed any mention of her name! So why is it there? Continue reading “Ruminations on Emor by Ivy Helman”

Talking about Privilege with Nuance by Elise M. Edwards

Yesterday evening, I led a seminar at a local church as part of their series on “Unpacking Privilege.” Once before, I’d been invited to this church, Lake Shore Baptist Church, to speak about intersectional feminism with one of my colleagues, so I expected them to be open-minded and welcoming. They were. Although the attendees were overwhelmingly white and older than me, they were attentive and engaged. We had an enriching time together diving into topics like male privilege, white privilege, and class privilege with Peggy McIntosh’s 1989 essay “White Privilege: Unpacking the Invisible Knapsack” as a resource. (If you are unfamiliar with it, I recommend taking a few minutes to read it and reflect.)

In the essay, McIntosh writes about becoming critical of male privilege and men’s obliviousness to it through her work in Women’s Studies, which then led her to see her own race privilege (as a white woman) and her obliviousness to it. The essay does not offer a precise definition of white privilege, but the entire piece is a reflection about it. She explains:

“I have come to see white privilege as an invisible package of unearned assets which I can count on cashing in each day, but about which I was ‘meant’ to remain oblivious. White privilege is like an invisible weightless knapsack of special provisions, maps, passports, codebooks, visas, clothes, tools and blank checks.”

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“Closer to Fine:” Trans Femme Reflections on the Sacred Found in Lesbian Music Culture by Nathan Bakken

“I’m trying to tell you something about my life.” I joke with my friends that if the 1990’s weren’t so transphobic, I would have thrived as a trans lesbian. Citing my knowledge of the L Word, Pacific Northwest flannel sensibilities, and Spotify playlists as my reasoning; I embody a millennial genderqueer take on lesbian stereotypes. The only thing missing is an exclusive attraction to women which― I would argue―is the main factor holding me back from waving the lesbian pride flag high. Though I write with a particular levity, I cannot deny the role that lesbian singer songwriters and folk/rock singers have played in cultivating my sense of self and my sense of the Divine. The Holy, for me, is wrapped up in the the harmonies of the Indigo Girls, the raspy blues of Melissa Etheridge, the heart-breaking riffs of Tracy Chapman, and the tear-jerking truths of Brandi Carlile. These women have gifted me Divine Imaginaries of what justice is, who God is, and how I fit in.

In full trans-parency (pun intended), I hold a small level of fear in writing this piece. As the rhetorics of Transgender Exclusive Radical Feminists (TERF) appear to be touching the mainstream, I am reminded that these rhetorics are deeply tied to lesbian music culture. The Michigan Womyn’s Music Festival holds itself as a historic cultural object created by the amazing and radical work of lesbians and feminists and lasted from 1976 – 2015. MichFest, as it was later known, also uplifted and validated the concept of “womyn-born-womyn” only spaces. A concept with the intention to center the experiences of cis women, and the impact of discriminating against trans people. I reference this not to tear at the scabs of these two communities as we continue healing. Rather, I am naming the irony that my anthems for my survival are also the songs that have historical ties to mindsets and movements that prohibited my community from experiencing them first hand.

But this piece isn’t about trans exclusive feminists. This piece is about the soundtrack of my survival, and the powerful women who’s wise words guide that experience. The following four songs are invitations into my survival.

Closer to Fine – Indigo Girls

“The less I seek my source for some definitive, the closer I am to fine.” Since I was 17, this lyric has echoed in my mind. I would drive around Seattle listening to this song on a mix CD, wondering if I would ever get close to fine. Masked in their flawless harmonies, Amy Ray and Emily Saliers words gave me comfort and language to articulate my experiences. They mixed joy and laughter with the harsh truth of growing older. They gave room for a multiplicity of perspective and called out institutions and dominant epistemologies as inefficient modes of knowledge gaining. I was gifted a queer critical lens, a slightly Gnostic view of God, and an acknowledgement that “[t]here’s more than one answer to these questions/ Pointing me in a crooked line.”

Silent Legacy- Melissa Etheridge

To say that Melissa Etheridge’s 1993 album “Yes I Am” is not one of the best albums―let alone queer albums―ever created is homophobic. I wish I could tell you I’m being facetious. I am not. While her singles “I’m the Only One” and “Come to My Window” remain as her most popular hits; the song “Silent Legacy” is a testimony to queer feminist survival. I encourage you to set aside some time to listen to this song as if it were a prayer. In five minutes, Etheridge manages to describe and enflesh the impact of spiritual trauma on the queered body. Each verse unpacking the silent internalization of misogyny, homophobia, and transphobia. Each chorus echoing a prayer to heaven. Only to finish with Etheridge repeating the phrase “Oh my child,” building her emotions from tenderness to rage as if she, herself, embodies God calling us home to protect us.

Talkin’ Bout a Revolution – Tracy Chapman

I confess, my conversion to the Gospel of Tracy Chapman occurred later than I would prefer. Knowing her for her iconic lesbian anthem “Fast Car,” it wasn’t until I discovered her full discography about two years ago that I felt held in her words. With “Talkin’ Bout a Revolution” as the first track on her first album, “Tracy Chapman.” Chapman sets a specific tone for the album. The album is a protest. She reveals a portrait of her experiences of the United States in 1988, one that does not shy away from harsh realities of racial injustice and domestic violence. And at the same time gives tender insights into how to love someone. Chapman’s wisdom grounds my survival in the hardest truths of our world. That if I am to survive, I must ensure others’ survival as well.

The Joke- Brandi Carlile

Brandi Carlile feels like home. As an out lesbian musician of my home state of Washington, Carlile’s music reaches the depths where few dare to dive. I recognize the majority of this soundtrack dates to the late ‘80’s and early ‘90s, Brandi Carlile’s “The Joke” is from her Grammy Award winning 2018 Album “By the Way I Forgive You.” Carlile is contemporary, current, and continuing the legacy paved before her. Her song―“The Joke”―echos like a ghost of queer future. Carlile’s voice is moving forwards while reaching back. She gives assurance, not that it gets better, rather that it gets different. Carlile invites the listener into the act of survival.

As a queer theologian, I tend to search for scripture in the most secular of places. These women have formed a gospel where the Divine Imaginary provided is an invitation to all people to the radical act of survival. As a trans femme person, I know, and these women testify, that one can survive and thrive simultaneously. Because “there’s more than one answer to these questions/ Pointing me in a crooked line/ And the less I seek my source for some definitive / The closer I am to fine.”

P.S. I believe that my fair, sincere, and soft mention of the “TERF/trans exclusion” conversation can spark strong push back from some of the readership of this blog. I am aware that we (cis and trans) who are in Feminist theological spaces need to continue engaging seriously in conversation around this topic and start working together to construct something from it. I would like for my post to be a part of starting that conversation. The heart of my post is that there is something profound in the liberative music created by these amazing and powerful women. Part of that profundity, is that I, a trans feminine queer person, heard an invitation into a legacy of liberation and justice. So I invite you, whoever you are, reading this to reread my piece. Reread it, knowing this is a small part of a larger conversation, and the heart of the conversation is a painful history of exclusion and transphobia and simultaneously a history of liberation and justice.

Nathan Bakken (they/them), originally from Seattle, WA, has found home in Boston, MA. Raised Roman Catholic, Nathan stands firm in the intersection of Christianity and Esoteric Spirituality. They earned their Master of Divinity, and Master Certificate in Religious Conflict Transformation, from Boston University School of Theology with particular focus in trans and queer theologies, queer spiritual practice, and the intersection of pop culture and theology.

Seared by Vietnam by Carol P. Christ

Warning: This post discusses and includes images of the violence of war.

Recently I have been binge-watching the American comedy-drama series This Is Us. I am of the same generation as Jack and Rebecca, the parents of the triplets, but I didn’t think much about that connection during the first two seasons. The middle class father works-mother stays home family and the “father knows best” story line seemed like a throwback to the generation of my parents. Though everyone was supposed to have loved him, I didn’t like Jack, and I didn’t identify with Rebecca. The children’s lives seemed much more interesting to me, and I resented it when the flashbacks to the parents’ lives began to take over the script.

When the plot turned to Jack’s experiences in Vietnam, I fast-forwarded. “Been there, done that,” I said to myself, “I don’t need to see it again.” But eventually I realized I had to watch some of the scenes of the Vietnam War or I would not be able to follow the plot. Continue reading “Seared by Vietnam by Carol P. Christ”

My Body, My Self by Carol P. Christ

The other night I was invited out by a new friend to meet a group of his friends. It was a lovely gathering, and I felt welcomed. As we hugged good night outside the restaurant, one of the women commented, “Wow you really are tall.” Without missing a beat, I responded, “Yes it has been the bane of my life.” As the words tumbled out of my mouth I was aware that I spoke them dispassionately, not as is usual with a catch in my throat.

Don’t get me wrong about this. I don’t go around hating myself or my body. I know I am striking. I know I stand out in a crowd. I believe I am beautiful even as I age. Still, it is difficult to be singled out as different—especially when you are just going about your business. Moreover, comments about a woman’s height are never neutral: women who are taller than men challenge gender norms by our sheer physical being. Part of what is being said is almost always: you shouldn’t be so tall.

One of these things is not like the others, one of these things just isn’t the same. Continue reading “My Body, My Self by Carol P. Christ”

Where the Dance Is . . . On Cultivating a Daily Practice by Joyce Zonana

Although Goddess traditions invite us to embrace a world of immanence and change, rather than to seek to escape into transcendence—which some yoga teachings seem to point toward—I have come to believe that the “still point,” is, as Eliot writes, where “the dance is.” In other words, daily practice might grant us the capacity to always move through the world with grace and joy. The mind will be steady as it encounters and embraces the turning world. We will be whole.

jz-headshot When I was growing up, I was fascinated to see my father each day recite the morning blessings mandated for Jewish men. While the rest of the household bustled sleepily—my mother in the kitchen, my brother and I taking turns in the bathroom, my grandmother slowly getting dressed—my father, still in his pajamas, would stand in the center of our small living room, yarmulke on his head, tefillin wrapped around his arm and forehead, tallit draped over his shoulders. Using a tattered old siddur he had brought with him from Cairo, he would face the east and begin the ancient Hebrew prayers: “Blessed art thou, Lord our God, King of the Universe . . .”

I never knew then the content of what my father intoned, but I knew how committed he was to his practice: he prayed every morning without fail, from the day of his bar mitvah at the age of eleven (the rabbi in Cairo had decided to initiate him early because he had lost his father as a young child) until he a few years before his death at 84, when he became debilitated by Parkinson’s Disease. Ours was not a traditionally Orthodox Jewish family—we did not observe the Sabbath or keep kosher—but my father’s faithful performance grounded him and all the rest of us, bringing us us to what T.S. Eliot called “the still point of the turning world.”

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Stopping to Smell the Flowers by Marie Cartier

There is a saying, “Take time to smell the flowers.” Attributed to many different sources, it means among other things– take time and be grateful. Take time and relax. Take time.

In that spirit I am sending along pictures from the amazing “super bloom” California is experiencing this spring. It is the most magnificent we have ever had, I think. It happens once a decade, but we are lucky to have had a super bloom in 2017 and now this year as well. California had an extreme drought last year and then extreme rain this past winter. And now we have flowers…and flowers. Poppies are the state flower of California and they are being celebrated—all over. And people dropping in by helicopter and influencers ruining some of the poppy beds by laying in them for Instagram pics. Yes, it’s been crazy. But, when we were there (my wife and I) on a past Sunday, it felt so magical that so much of Los Angeles it seemed was out to smell the flowers. You can see a picture of folks lined up (my wife at the end in the picture below) photographing the flowers. Flowers suddenly are the new super star!

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