Holy Women Icons Bearing the Light of Advent by Angela Yarber

There’s nothing like the holiday season to bring out everyone’s least feminist self. In one of the courses that I teach—Gender, Food, and the Body in Popular Culture—students are assigned to examine gender roles throughout the holiday season through the lens intersectional ecofeminism. Inevitably, almost every student returns from holiday break with the same assessment: mom, grandma, and a kitchen full of women prepare, cook, and clean every family meal; women do the holiday shopping; men in the family watch sports. Of course, this isn’t true of everyone. There are plenty of families who subvert and dismantle stereotypical gender roles, but the holidays seem to heighten these roles, undergirding them with some kind of nostalgic and theological weight that claims that if mama doesn’t arduously prepare her famed casserole, the season will be ruined. Otherwise committed feminists find themselves singing carols filled with sexist language and participating in holiday rituals that they would critique any other time of the year. Subversion be damned because we want our traditional family holiday!

I’ve long struggled with creative ways to subversively approach the holidays as a queer clergywoman, parent, artist, and author. People like their nostalgic and heart-warming traditions, even when they sometimes smack of patriarchy, racism, and heteronormativity. I’ve confronted this as a preacher and worship planner, often to raised eyebrows or angry phone calls from congregants who just want to sing the carols without the preacher changing the words, or dismissing the notion of a virgin birth, or hanging enormous paintings of pregnant women all over the sanctuary.

Continue reading “Holy Women Icons Bearing the Light of Advent by Angela Yarber”

High Stakes for Women in Leadership: A Reflection and a Prayer by Elise M. Edwards

elise-edwardsA few weeks ago, I was asked to give the invocation for a luncheon at my university.  Baylor University was celebrating our presidential inauguration and there were several events leading up to the installation of the university’s 15th president. The inauguration was historic because it ceremonially marks the beginning of a term for our first female president, Dr. Linda A. Livingstone.

As I write, it is a year after Hillary Rodham Clinton lost the election for President of the United States of America. Like many of us, I’m still coming to terms with the choice my nation made, and how we came to it.  I’m thinking about women in leadership, especially occasions such leadership marks a first, a departure for an institution or system marked by male privilege.

What does it mean when an institution is willing to deviate from its long-established patterns of leadership and entrust its governance to women?

Continue reading “High Stakes for Women in Leadership: A Reflection and a Prayer by Elise M. Edwards”

Please Keep It in Your Pants by Carol P. Christ

Trigger warning: this post describes sexual abuse

Last week while responding to a comment on my blog, I suddenly remembered a series of incidents in which men I did not know exposed themselves to me in public places. The first time occurred at a park around dusk during an outing with a group of girls. I was about 11, I may have wandered away from the group, or I may have been with others. What I remember is seeing a man with his pants down sitting on a park bench, possibly the first time I ever saw an adult man’s penis. I told or we told, but the man was not reported by the adults. Fast forward to the beautiful gardens of the Palace Schoenbrunn in Vienna where I was confronted by a penis while lost in thought when I was 19. I ran, but said nothing. In my 20s at the early showing of movies in New York City men would sit next to me and jerk off into paper bags. Continue reading “Please Keep It in Your Pants by Carol P. Christ”

Forgiveness and Faith by Chris Ash

Christy CroftSome of the most brutal weapons ever used against me were crafted and wielded by my own hands, forged in grief and self-loathing out of the words of others. In my better moments, I recognize that while another’s frustration with me frequently may be justified, any cruel words towards me never are, and are more a reflection of their speakers’ relationship with themselves than of any facts about me.

The parent who criticized me for being a “crybaby” saw in me a freedom of emotion that challenged the stoic denial of their own pain. The friend who criticized my optimism as “naïveté” and ignorance resented their own lack of hope about their future. The loved one who lashed out against my precious family deeply wished to experience that profound sense of belonging and acceptance that they’d not yet allowed themselves to feel.

In my heavier moments, when I’m questioning my choices and feeling the weight of responsibility that comes with adulthood, parenthood, and awareness, those words slither back into my brain, taking hold of my memory and trying to convince me of my own inadequacy and brokenness. Hopeful Me looks at my traits – my sensitivity, optimism, and devotion to loved ones – as strengths to be honed into tools I can use for my good and that of the world. Overwhelmed Me looks as these same traits as evidence of my damage – artifacts left behind by childhood trauma and occasional adulthood bouts of depression and anxiety. Continue reading “Forgiveness and Faith by Chris Ash”

The Impact of Marija Gimbutas on My Life and Work by Carol P. Christ

Last winter FAR contributor Glenys Livingstone lovingly and professionally edited all of the interviews for the film on Marija Gimbutas’ life and work, Signs Out of Time, by Donna Read and Starhawk, and posted them on youtube. Though I received a link to my interview from Glenys, I was too busy (or too depressed?) to watch it at the time.

As I watched and listened to my twenty years younger self yesterday, chills went up and down my spine. How, I wondered, did she know so much way back then? Maybe (I thought) she really was drawing on the underground spring described by Marija Gimbutas as bursting forth from time to timε to bring us wisdom from the ancestors of Old Europe.

Thank you Glenys for the fantastic editing job.

* * *

a-serpentine-path-amazon-coverGoddess and God in the World final cover designCarol’s new book written with Judith Plaskow, is  Goddess and God in the World: Conversations in Embodied Theology.

FAR Press recently released A Serpentine Path: Mysteries of the Goddess.

Join Carol  on the life-transforming and mind-blowing Goddess Pilgrimage to Crete. Sign up now for 2018! It could change your life!

Carol’s photo by Michael Honegger

 

 

Sisterhood, Service, Sovereignty: The Living Spirit of Avalon by Elizabeth Cunningham

Like so many women, I read Marion Zimmer Bradley’s The Mists of Avalon and got caught up in her vision of the Holy Isle and the priestesses who knew how to navigate those mists and travel between the worlds. Like so many women, I wished Avalon existed still.

In fact, Avalon does exist, because Jhenah Telyndru did more than wish. In 1995 she founded The Sisterhood of Avalon. Twenty-two years later, the Sisterhood is going strong and growing, attracting members from all over the world. I urge you to explore their website where the Sisters speak eloquently about their vision, structure, and purpose.

Continue reading “Sisterhood, Service, Sovereignty: The Living Spirit of Avalon by Elizabeth Cunningham”

“Queen Sugar:” Must-See Ecowomanist TV by Elise M. Edwards

elise-edwardsHave you been watching “Queen Sugar”?  It is a thoughtful, compelling, and gorgeous TV show that evokes ecowomanist sensibilities.

“Queen Sugar” is a television drama in its second season on OWN, Oprah Winfrey’s network. It was created by celebrated filmmaker Ava DuVernay, who is also the show’s executive producer.  The show has an all-female directing team and an inclusive crew.  Like many of the original series on OWN, “Queen Sugar” features a predominately African-American cast, and like many other programs on the network, it delivers content intended to stir the viewer’s soul.  But notably, “Queen Sugar”’s soulful messages are not mediated by the cadre of life coaches and inspirational leaders often seen on Oprah’s network.  Instead, it is the fictional Bordelon family who invites us to reflect on their world and ours. The series’ three main characters, Nova, Charley, and Ralph Angel, are siblings who take over their father’s sugar cane farm in Louisiana after his death. Their narrative and the lush cinematography that captures it offers viewers the opportunity to consider the complexity, joy, and hardship of African-American characters who are rarely depicted on screen.  The show’s themes and aesthetics are expressive of ecowomanist spirituality.

Continue reading ““Queen Sugar:” Must-See Ecowomanist TV by Elise M. Edwards”

Feminism and the Gender Revolution by Esther Nelson

The word “feminist” is familiar to most people today. It appears in news publications, television programming, popular literature, and even comes up in conversation occasionally.  Yet the term, “feminist,” writes Nigerian author Chimamanda Adichie in her little book, We Should All Be Feminists, is heavy with stereotypes and negative baggage.  “[Y]ou hate men, you hate bras, you hate African culture, you think women should always be in charge, you don’t wear make-up, you don’t shave, you’re always angry, you don’t have a sense of humour, you don’t use deodorant.”

Here is the YouTube video featuring Chimamanda Adichie’s Ted Talk, We Should All Be Feminists:

Many people, including some of my students, recoil from the term “feminist.”  At times, a student may use the word apologetically, quite aware of the scorn and derision the word elicits—often palpably present in the classroom, but rarely articulated.  It’s easier to speak of women’s humanity with its inherent rights under the broad phrase, human rights.  Chimamanda Adichie speaks and writes eloquently about that compromise in the following paragraph:

“Why the word feminist?  Why not just say you are a believer in human rights, or something like that?  Because that would be dishonest.  Feminism is, of course, part of human rights in general—but to choose to use the vague expression human rights is to deny the specific and particular problem of gender.  It would be a way of pretending that it was not women who have, for centuries, been excluded.  It would be a way of denying that the problem of gender targets women.  That the problem…[is]…specifically about being a female human.” Continue reading “Feminism and the Gender Revolution by Esther Nelson”

What I Believe (Post-2016) by John Erickson

Ever since the election of You-Know-Who, I have been doing a lot of creative writing.

Ever since the election of You-Know-Who, I have been doing a lot of creative writing. Unlike academic publications, policy reports, or my dissertation, creative writing, much like my mentor Dr. Marie Cartier has written about, provided me with a needed escape from a world that seems to grow darker with each passing day.  In college, I served as Poetry Editor for the Wisconsin Review, the oldest literary journal in Wisconsin. Continue reading “What I Believe (Post-2016) by John Erickson”

Call for Contributions: She Rises Volume 3 Goddess Feminism, Activism, and Spirituality

She Rises Goddess Feminist Activism Collective Writing Project: Call for Contributions

She Rises: What … Goddess Feminism, Activism, and Spirituality? Volume 3 Two books: The main book and a sectional booklet including poetry, prose, art, the like.

Coeditors include Deanne Quarrie, D.Min., Helen Hye-Sook Hwang, Ph.D.

I am the source, I dream the dreams, I am the spark, Creation lives in me. Jana Runnalls, The Source, Speaking in Tongues

Using She Rises Volume 1 and Volume 2 as a springboard, the collective writing project of She Rises Volume 3 aspires to interweave new patterns in the tapestry of Goddess feminist activism. She Rises Volume 3 invites possible contributors by asking the questions: What do you envision for Goddess Feminism, Activism, and Spirituality? What is Goddess Feminism, Activism, and Spirituality for you? What do you seek from Goddess Feminism, Activism, and Spirituality? What are our practices that will bring more Goddess Feminism, Activism, and Spirituality into the world?

You may like to engineer the question on your behalf or answer it for us all. Here are some examples of the question: “What keeps me continuing in Goddess Feminism, Activism, and Spirituality?” or “What does Goddess Feminism, Activism, and Spirituality mean to me?”

The first volume evolved around stating/proclaiming the rational or cause of our Goddessian/Magoist commitment by answering the question, “Why Goddess Feminism, Activism, and Spirituality?” and the second volume took a step further to ask the “How?” question, “How… Goddess Feminism, Activism, and Spirituality?”

It is our hope that the question “What?” potentially produces a record number of ways we engage in Goddess Feminism, Activism and Spirituality. We foresee the possibility that She Rises Volume 3 may become a guidebook of the common cause for Goddess feminists and activists.

She Rises, Volume One, asked WHY? and 93 contributors answered the question with depth, honesty, insight, creativity, imagination, and inspiration. She Rises, Volume Two, asked How? and 96 contributors answered the question with depth, honesty, insight, creativity, imagination, and inspiration.

Now we are asking What?  Your answers will offer:

  • a guidebook for those beginning their journey with Goddess feminism, activism, and spirituality,
  • a confirmation for those already engaged with Goddess feminism, activism, and spirituality,
  • another thread in the tapestry of Goddess feminism, activism, and spirituality that is being woven by women and men all over the World.

Let’s weave a tapestry of answers! Are you interested?

To be part of this weaving, please send your contribution to both emails (please indicate “She Rises Volume 3” in the subject line) See submission form and guidelines below:

Deanne Quarrie – deanne.quarrie@outlook.com

Helen Hwang – magoism@gmail.com

Primary Deadline: January 31, 2018

Submission details: 

Short writing – up to 200 words

Longer essays – up to 4,000 words

Research papers – 4,000-12,000 words,

Poetry – any length (please indicate formatting)

Art, photography, illustrations – any form, which may be accompanied by a descriptive paragraph attached as a separate Word file

Please include a brief bio of no more than 100 words at the end of your Word document.

Text: As attachment of Word files (.doc or.docx)

Font: Garamond or Times New Roman (12 font size, 1 spaced)

Style: Chicago Style, footnotes

Art, photography, and illustrations: As attachment of jpg files (must be 300 dpi)

For sample short writings, see below:
http://magoism.net/…/special-post-1-why-goddess…/

For ongoing submissions, see below:
https://www.facebook.com/groups/magoism/

Multiple proposals are allowed. The submission form is included below.

Submission Form

Please fill out the following form and pasted it in the body of your email submission.

Your name and email address:

“I agree that my proposals may be published in the main book AND the secondary sectional book (poetry, prose, and art).”

Number of proposals and their genres:
List the titles/contents of attachments including your short bio: