Category: Film

Second Class Rape Victims: Rape Hierarchy and Gender Conflict

Deconstructing masculinity isn’t the key to solving social, sexual, and domestic violence across the world but it is a step worth taking when attempting to engage men in affecting change to stop these violent actions since men, statistically are the perpetrators of such crimes that both cause such outcry as well as perpetual silence.

johnThe most disturbing part of the 2006 documentary Deliver Us from Evil isn’t the fact that Father Oliver O’Grady is rewarded by the Catholic Church with a new congregation in Ireland after his short stint in prison for the rape of dozens of children in the 1970s, but rather the hierarchy of gendered victimization which is often created throughout the various rape cases that are both reported and unreported throughout history.

I am often troubled by the ways in which rape cases are discussed and deconstructed via mediums such as blogs, online communities, social media networks, the news, and popular culture.  No series of events troubled me more than the Jerry Sandusky trial, but more importantly, the ways in which the young boys and adult men who were subjected to Sandusky’s abuse quickly overshadowed the other rape cases that are reported on a daily basis, specifically those involving young girls and women. Continue reading “Second Class Rape Victims: Rape Hierarchy and Gender Conflict”

Mary Magdalen’s Feast Day: Celebrating Goddess Incarnate by Elizabeth Cunningham

I believe the current resurgence of interest in Mary Magdalen does reflect a collective desire for the divine incarnate in a woman’s body. 

July 22nd. In the Village of St Maximin in the South of France, a (real) blackened skull with topped with  gold hair (that looks a bit like a battle helmet) is being lovingly paraded through the streets in celebration of Mary Magdalen’s feast day. Except for this annual airing, the skull resides atop a gold bust of the saint in a glass case in the crypt of the basilica. Just under where her heart would be is a small glass cylinder reputed to contain a shred of tissue from Mary Magdalen’s breast bone, the place where Jesus touched her on Resurrection morning warning her: Noli me tangere. Don’t touch me.  Not yet.

Incarnation is all about touch. Though most of us no longer venerate—or battle over—the relics of saints, there is something touching about our longing for the divine made tangible, vulnerable, human. Continue reading “Mary Magdalen’s Feast Day: Celebrating Goddess Incarnate by Elizabeth Cunningham”

Why Men (and Women) Can’t Have It All by John Erickson

Can women have it all? Possibly. Can men ever have it all? Maybe. Regardless of however we put it, the are ills to every good deed in the world and we need to get back to understanding how and why we use each other in order to fully understand that behind every good man might be a good woman but also behind every good women there might also be a good man.

Growing up, my favorite movie was The Associate staring Whoopi Goldberg as a woman at a Wall Street firm attempting to climb her way up the corporate ladder through hard work and dedication.  Her character Laurel Ayres does all the work and comes up with the ideas that clients eventually invest in, her partner Frank takes all the credit and eventually surpasses her at work by getting the promotion she had been vying for.  In a prodigious scene that I still vividly remember from my childhood, Laurel quits her job and starts an investment firm on her own; betting every cent and piece of property she has on the eventual success of her new business adventure.

In an attempt to break through the proverbial glass ceiling and play with the big boys of Wall Street, Laurel eventually discovers that although she can be (and is) the genius behind many of the great ideas that would save companies millions, she still needs to have her ideas expelled by a man she creates in order to win over clients, which eventually leads her to become successful.  However, while Laurel is reaping in the benefits of having Mr. Cutty, her made up business partner, by her side, she eventually learns that no matter what she does she will always be secondary to her male business partner. Continue reading “Why Men (and Women) Can’t Have It All by John Erickson”

A Tale of Power and Beauty, Part II: Snow White by Amanda Kieffer

This is a moment we all face—the moment when we slay the enemy, only to realize we have slain ourselves and the enemy is still at large.   

In Part I of this blog, I analyzed the themes of power and beauty in the film Snow White and the Huntsman in relation to the character of the Queen.  In Part II, I would like to continue exploring these themes in light of Snow White’s character and her relationship with the Queen. That Snow White’s power is her beauty is clear.  True, it is stated right up front that Snow White is admired throughout her father’s kingdom “as much for defiant spirit as for her beauty.” However, it is her beauty that grants her agency and power, not her free and defiant spirit. The battle scene in the climax of the film illustrates this connection between power and beauty well—as Snow White drives her dagger into Ravenna’s heart she repeats the mantra: “By fairest blood it is done; by fairest blood it is undone.”  After Ravenna breathes her last, we see Snow White looking into the mirror on the wall, the victor, the fairest. Her beauty has allowed her to ascend to power. Her beauty has allowed her to defeat Ravenna. We are left wondering—who has won exactly?
Continue reading “A Tale of Power and Beauty, Part II: Snow White by Amanda Kieffer”

Deepa Mehta’s “​Water” and Homegrown Indian Feminism by Amy Levin

In the first scene of the Deepa Mehta’s 2005 Indian film Water, a father tells his eight year old daughter, Chuyia, “Child. Do you remember getting married? Your husband is dead. You’re a widow now.”  These are some of the last words Chuyia hears from anyone familiar to her, as her condition abandons her in an ashram for Hindu widows to spend the rest of her life in renunciation. Chuyia, failing to realize her condition upon arrival, enters the ashram innocent and naive, as the elderly widows surround her and one proceeds shave her soft head.  Watching Chuyia begin to understand her circumstance as she terrifyingly runs for escape screaming for her family, one can only feel a tragic catharsis watching an eight year old being sentenced to life in prison for a “crime” she did not commit. The ideas and criticisms that come to one’s mind are undoubtedly what writer and director, Deepa Mehta, aimed to evoke – injustice, patriarchy, and oppression by way of religion.  Continue reading “Deepa Mehta’s “​Water” and Homegrown Indian Feminism by Amy Levin”

A Tale of Power and Beauty, Part I: The Queen by Amanda Kieffer

A closer look at Snow White and the queen reveals that these women have a common enemy that neither is either willing or able to perceive—the patriarchal lie that a woman’s power is synonymous with youth and beauty. 

A couple of weeks ago, to bide some time, I went to see Snow White and the Huntsman, the latest expression of the classic Grimm Brothers tale, “Little Snow White.” Expecting a mediocre experience, I was unprepared for the complex emotions that followed me out of the theater. Don’t misunderstand me: the film was mediocre.  But it also provided some poignant opportunities for me to reflect on my own feminist journey and to ponder some essential feminist themes.  While, Snow White and the Huntsman does offer some acute depictions of the reality of women’s lives, the film as a whole misunderstands these interpersonal dynamics, fails to acknowledge the true source of oppression and, in the end, offers up two lead female characters neither of which is liberating.  One is real but vanquished, the other unreal but victorious.

There are a number of elements in this film, which, in the barest terms, might hint at a genuinely appealing picture of female empowerment.  There is a powerful queen, who even above the male characters is the most complex and sympathetic.  She enjoys vast amounts of power and independence.  In this film we also encounter a Snow White who traipses around in pants and a torn up dress, which is delightfully ambiguous.  Continue reading “A Tale of Power and Beauty, Part I: The Queen by Amanda Kieffer”

Ways of Being in the World by Barbara Ardinger

I was in college in the sixties before The Sixties really set in. We talked a lot about existentialism in those innocent days, especially in my theater classes. Those were the days when the theater of the absurd was the big thing. We theater majors walked around asking each other, “How do I be in the world? What is the meaning of my existence?”

When I’m in One Of Those Moods, I have fun telling people I was in college while Shakespeare was still writing his plays. Then I watch their lips move as they try to figure out if I’m really 400 years old, and if I’m not that old, then what am I on?  Continue reading “Ways of Being in the World by Barbara Ardinger”

Re-Imagining Resurrection in Light of The Hunger Games by Tiffany L. Steinwert

Love is defiant. In a cruel world of violence and vengeance, love is the ultimate rebellion: the only thing that can beat back the forces of death and destruction.

It is an interesting coincidence that when both Jewish and Christian communities were rehearsing our respective salvation narratives, the world outside of synagogues and congregations was consumed with the story of The Hunger Games, a young adult novel turned Hollywood hit. This trilogy chronicles the coming of age and struggle for freedom of Katniss Everdeen, a 16 year old citizen of the post-apocalyptic nation of Panem.

As we in the Christian tradition journey through the Easter season, the dystopic world of the Hunger Games invites us to re-imagine resurrection in light of a crucified world.

We first meet Katniss as she sets off for the annual Hunger Games, a state sponsored television show, a cross between the pseudo-reality shows of Survivor and Fear Factor and the very real, ancient Roman gladiator battles. Invented by the Capitol as a form of perpetual discipline and punish for a past rebellion of the 12 (once 13) districts, the Games require each district to send two children, or tributes, to star in a live broadcast battle in which the adolescent scapegoats kill one another until only one remains.

There is a reason why our nation has been captivated by this tale and it is not because it is so fantastical that we cannot imagine it. Continue reading “Re-Imagining Resurrection in Light of The Hunger Games by Tiffany L. Steinwert”

Buffy Vs. Bella by Anjeanette LeBoeuf

In the past four years I have become overwhelmed by society’s thirst for vampires. The introduction of True Blood, Twilight, and The Vampire Diaries has marked a downright fervor for anything and everything “vampire.” Now don’t get me wrong, I like a good vampire story now and again. One of the first books I remember reading solely on my own was Bram Stoker’s Dracula. I grew up watching the WB show Buffy the Vampire Slayer. It was a coup d’état that I got to watch a show that had very visible scenes of violence, evil, and death, but I’m pretty sure that my parents thought that if watching this show was my only act of rebellion, they were in good shape. What I remember most about watching Buffy wasn’t really that it was a show about vampires, but that it was a show about a strong high school girl that had to save the world — which is exactly what I wanted to do.

I have always gravitated towards the mythical and supernatural, which is one of the reasons I study religion in the first place. Society uses vampire stories as a way to transmit social critiques. Vampire stories began to expand on the common idea that women were easily seduced by the “dark side” and that a strong male would need to swing in to save the day. Continue reading “Buffy Vs. Bella by Anjeanette LeBoeuf”

Power and Wealth in The Hunger Games by Lisa Galek

Unless you have been living in grim, dystopian world for the past few months, you’ve no doubt seen or heard something about The Hunger Games. The movie, which is based on the first in a best-selling trilogy of novels by Suzanne Collins, debuted several weeks ago to mass acclaim. It has already had the biggest opening weekend ever for a non-sequel and its advanced ticket sales eclipsed that of the most recent installment in the Twilight Saga.

Feminists can rejoice a little in the fact that this movie, which tells the story of strong, female protagonist, Katniss Everdeen, has surpassed the Twilight movies in ticket sales. Unlike the Twilight movies, the plot of The Hunger Games does not revolve entirely around a romantic love triangle. Though two suitors do vie for Katniss’s attentions, the heroine has much more pressing concerns – like whether or not she will be able to survive until morning.

But, aside from the good news that tough, well-drawn female characters can perform well at the box office, the movie has also spawned some interesting discussions about government and politics. In fact, both liberal and conservative commentators have claimed The Hunger Games supports their personal viewpoints (See “Liberal, conservatives embrace ‘Hunger Games’ for very different reasons”). For me, the books and movie fall more squarely onto the liberal side of the fence for one reason – they call into question wealth and power and those who are unwilling to change existing structures of oppression. Continue reading “Power and Wealth in The Hunger Games by Lisa Galek”