This is a great day for me as I announce the publication of A Serpentine Path: Mysteries of the Goddess. It is the first —but certainly not the last—book from the new FAR Press, directed by Gina Messina and Xochitl Alvizo, two of the founders of www.feminismandreligion.com. The release of my book is the fruit of friendship and collaboration that has been nourished in the blog community. I hope you will join with us in celebrating our joint venture by ordering the book, telling your friends about it, sharing it Facebook and Twitter (links below), reviewing it on Amazon, and letting Gina and Xochitl know if you can review in a magazine, journal, or blog.
Here is an excerpt from the preface to whet your appetite.
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A Serpentine Path is a story that begins in despair and ends in rebirth and regeneration. It depicts a turning point in my life, a psychological and spiritual breakthrough that opened me to living the rest of my life in grace and joy. Though I am tempted to say it was a journey from darkness to light, that would be inaccurate, for mine was a journey into the darkness and out again. The path of life is never straight or narrow, and the circle of light and darkness is never-ending.
When I began the journey described in A Serpentine Path, I did not feel loved, I did not want to live, I could not write, and I believed the Goddess had betrayed my faith. As I completed the book, I knew I was loved, I wanted to live, I was writing, and I understood that the Goddess had never abandoned me. Though my life has had its ups and downs since then—as all lives do—I have never forgotten that I am loved, I have wanted to live, I have not stopped writing, and I feel the Goddess ever-present in my body, in my breath, and in my connections with the living and the dead. Though my story is deeply personal, my struggles with love and death, trust and control, are widely shared.
A story of finding the Goddess, A Serpentine Path is part of a growing genre that is developing as women explain to themselves and others why they left the patriarchal religions of their origins for a more nourishing spiritual vision that affirms both women and the earth. A Serpentine Path documents the first of the Goddess Pilgrimages to Crete I have been leading twice a year since then. For the women who have traveled with me, it will evoke many memories. For those who have dreamed of a pilgrimage to the Goddess, it offers an opportunity to imagine the journey. I now know a great deal more about ancient Crete, the folklore and customs of traditional Crete, and the rocks, trees and plants of Crete, than I did when I began. But I learned the mystery on my first pilgrimage. Because we are all deeply connected to each other, I know that the path to the mystery I discovered is not mine alone.
Be among the first to order A Serpentine Path, Carol P. Christ’s moving memoir of transformation. Carol’s other new book written with Judith Plaskow is Goddess and God in the World: Conversations in Embodied Theology. Carol also wrote the first Goddess feminist theology, Rebirth of the Goddess.
Join Carol on a Goddess Pilgrimage to Crete in 2017. Save $200.
Read two of the chapters in the book: Mysteries and Dionysian Rites.
Thanks to Judith Shaw for the cover art “Downward Serpent”

There is a Greek myth that tells there were fourteen “halcyon days” in every year, seven of which fell before the winter solstice, seven after; peaceful days when the sea was smooth as a pond and the hen-halcyon built a floating nest and hatched out for her young.
It seems like every few weeks another young, female celebrity proudly and publicly declares she is not a feminist: Shailene Woodley. Katy Perry. Kelly Clarkson. Kendall Jenner. These women often justify their refusal to claim feminism by explaining they do not hate men—speaking to the most intractable and yawn-worthy of the mischaracterizations of feminism—or by insisting they do not personally face inequality.
This piece was co-authored by Jennifer Zobair,
Driving around my town in North Carolina, I have come across a handful of houses that had decorated their yards with an empty manger staged in front of an empty cross. This juxtaposition of Christian symbols struck me as peculiar, so I began asking some of my friends if they had ever come across a display like this.
In early December 2016 I visited central Williamsburg in Brooklyn, New York, where my 2x great-grandparents
Winter Solstice in the Northern Hemisphere is the day of the least daylight and the longest night. Long before Christmas our Northern European ancestors celebrated the Winter Solstice, the moment that heralds the return of the sun and with it the promise of new life in spring. Without the comforts offered by modern technology, this time of year must have raised fears in the hearts of our ancestors; fear that the sun would not return to its summer glory, fear that there would not be enough food for the winter, fears that surface most easily in the dark. A celebration of light would have been most welcome and needed.
takes place over a few days in the life of the Church of the Regeneration as the women prepare for their annual rummage sale. Charlotte Crowley, an over bearing kleptomaniac who wraps men around her little finger while antagonizing most of the women, has always led the effort. But with only a few days to go before the sale begins, Charlotte is found dead in the basement, smothered by a plastic dry cleaning bag full of coats.
Like many others, I too have been thinking of this election the past month or so. A lot has been said about the repercussions a Trump presidency will have on immigrants, women, the LGBTQ community, non-Whites…the list is endless. But in this post, I would like to talk about personal matters, and what it meant for a first-time voter like me to vote in the US elections. I have been living in the United States for over seventeen years, but only recently – in April this year – did I apply for citizenship.
The Refugee Crisis: Through the Eyes of the Children by Robert and Robin Jones. Santa Barbara, CA: Blue Point Books, 2016. $19.95. Website: