Exploring the F-word in religion at the intersection of scholarship, activism, and community.
She is dancing her Dance
and everything changes.
This is what is meant by Impermanence,
buddhist for God.
She is dancing her Dance
and nothing remains.
This is what is meant by Nothingness,
atheist for God.
She is dancing her Dance
and everything is beautiful.
This is what is meant by Changing Woman,
navajo for God. Continue reading “Her Name by Janine Canan”
Pachamama prevails. Her body is one with the Andes and she births the caverns, canyons, and rivers that sustain the earth.
This month, the indigenous people of the Andes celebrate a high holy season in Incan mythology, honoring their beloved Pachamama. Pachamama is venerated as the earth goddess and during August, her followers give her payment (pago) with their central ritual of Challa. So, I’d like for my monthly article about Holy Women Icons to celebrate this earthy goddess of Peru, along with a similar manifestation of mother earth, Gaia. Thus far, the biblical dancer, the Shulamite, feminist scholar, Mary Daly, and literary figure, Baby Suggs, have been the icons with a folk feminist twist that I have discussed on Feminism and Religion. Now, I’d like us to join with our Andean sisters in toasting the holy women icons of mythology: Pachamama and Gaia. Continue reading “Painting Pachamama and Gaia by Angela Yarber”
Once what happened was after people started believing someone around also started believing in this temple and one person kept a statue on their steps. Her Aunty she believed and she is very much interested in small things. So she started decorating it up. And what happened was the statue starting getting bleeding, like monthly monthly. And the dress which the statue wore during those periods was stained with red bleeding. So they asked Guruji about what is this and he said that the shakti has come into the statue. So if you keep this in the home it will turn into a temple so go and leave it outside. This was followed by entry of snakes, king cobras, so what they did was they went and left it in the sea, after which her grandmother had a dream that you have left me in the water but still I am with you. I am the temple opposite here, put a lamp everyday at that place. So they started putting it out there, and now there is an earthen Kali which as come up in that place by nature. –Interview with Premila, March 18, 2008 Continue reading “Through Body and Space: A Glimpse into Women Worshippers of Aadhi Parashakthi by Amy Levin”
Once, when my life collapsed around me, as life is wont to do at times, I began creating clay images, placing them near the headwaters of watersheds around the United States. I called this project 100 Clay Buddha’s and it seemed at the time an incantation and a prayer for water, for the planet. Later, I came to understand that I was also re-figuring my life, image by image, waterway by waterway.
I was also working at the time with particular koans, myths, and fairy tales because they speak not only to the personal, but to the collective –to the ways things have been over time. The hero’s journey monomyth, although genderless in its most distilled terms, seemed, though its imagery, to speak mostly to the theme of the outer quest (slaying dragons, returning from battle, and whatnot). I felt as a woman, however, my journey had to do with a descent into the Great Below and with that a dying into something new. Continue reading “Soror Mystica: New Myth for a Changing Earth by Gael Belden”
I believe the current resurgence of interest in Mary Magdalen does reflect a collective desire for the divine incarnate in a woman’s body.
July 22nd. In the Village of St Maximin in the South of France, a (real) blackened skull with topped with gold hair (that looks a bit like a battle helmet) is being lovingly paraded through the streets in celebration of Mary Magdalen’s feast day. Except for this annual airing, the skull resides atop a gold bust of the saint in a glass case in the crypt of the basilica. Just under where her heart would be is a small glass cylinder reputed to contain a shred of tissue from Mary Magdalen’s breast bone, the place where Jesus touched her on Resurrection morning warning her: Noli me tangere. Don’t touch me. Not yet.
Incarnation is all about touch. Though most of us no longer venerate—or battle over—the relics of saints, there is something touching about our longing for the divine made tangible, vulnerable, human. Continue reading “Mary Magdalen’s Feast Day: Celebrating Goddess Incarnate by Elizabeth Cunningham”
In the first scene of the Deepa Mehta’s 2005 Indian film Water, a father tells his eight year old daughter, Chuyia, “Child. Do you remember getting married? Your husband is dead. You’re a widow now.” These are some of the last words Chuyia hears from anyone familiar to her, as her condition abandons her in an ashram for Hindu widows to spend the rest of her life in renunciation. Chuyia, failing to realize her condition upon arrival, enters the ashram innocent and naive, as the elderly widows surround her and one proceeds shave her soft head. Watching Chuyia begin to understand her circumstance as she terrifyingly runs for escape screaming for her family, one can only feel a tragic catharsis watching an eight year old being sentenced to life in prison for a “crime” she did not commit. The ideas and criticisms that come to one’s mind are undoubtedly what writer and director, Deepa Mehta, aimed to evoke – injustice, patriarchy, and oppression by way of religion. Continue reading “Deepa Mehta’s “Water” and Homegrown Indian Feminism by Amy Levin”
We are going through a huge cultural shift toward restoring the female to her full radiance. However you want to define that, it is rising now, through us.
That which is Sacred, what should we call it? We’ve been told to name it he, him, his. That it was blasphemy to do otherwise, to say she, even as they desecrated the Divine with comparisons to mortal overlords, those cruel masters, despoliators, persecutors. No. Reconsider. That fearful address to an authoritarian punisher takes us far from true reverence. Rather revere the roots of Being, manifesting in all Nature around us, within us. The profound silence, and the Deep calling to the Deep.
Deeply I go down into myself. My god is Dark and like a webbing
made of a hundred roots that drink in silence. ― Rainer Maria Rilke
There are myriad emanations of the indescribable Source, but Goddess women call it she, as medicine to what they have forbidden in us, to us. That Shakti, the effulgence that pours through all living beings, including the rocks. The Shekhinah, the ever-flowing waters of Nummo, of Anahid. The Tao that is “the mother of whatever exists under the sky, upon whom myriads of beings depend for their birth and existence,” as the Dao De Jing says.
“The Universe is the Goddess. She is not separate from it, She did not create it and then let it be. She is what is, what was, and what will be.”1 So the Kemetic people praised Neith, Mother of the Neteru, on her great temple at Sa in the Nile Delta. Inscribed magnificats exalt her in some of the greatest spiritual literature of the world:
Greater is her name than of all gods and goddesses
The primordial One, eldest of the primeval gods
She who made that which is
She who created that which exists…
Who gave birth to Ra,
Who brought forth in primeval time herself,
Never having been created.
But not all wisdom is written. Continue reading “That Which Is Sacred by Max Dashu”
Feminist theology was self-transcending to me. I was unafraid of going beyond the boundary of Christianity and its God.
Mago is the Great Goddess of East Asia and in particular Korea. Reconstructing Magoism, the cultural and historical context of East Asia that venerated Mago as the supreme divine, is both the means and the end. Magoism demonstrates the derivative nature of East Asian religions such as Daoism, Buddhism, and Confucianism while redefining East Asian Shamanism to be the religious expression of Magoism.
I encountered the topic of Mago during my doctoral studies. The topic of Mago fell out of nowhere at the time I was preparing for qualifying examinations. I had never heard the name, Mago. Only when I was able to collect a large amount of primary sources from Korea, China, and Japan, was I awakened to the cultural memory of Mago. I grew up craving the stories of Halmi (Grandmother/Great Mother), a common referral to Mago among Koreans. I had a childhood experience of being in the fairy land unfolded by my grandmother’s old stories. While “Mago” was unfamiliar to most Koreans, she was taken for granted in her many other names such as Samsin (the Triad Deity) and Nogo (Old Goddess) and place-names such as Nogo-san (Old Goddess Mountain) and Nogo-dang (Old Goddess Shrine). Continue reading “A Cross-Cultural Feminist Alchemy: Studying Mago, Pan-East Asian Great Goddess, Using Mary Daly’s Radical Feminism as Springboard by Helen Hye-Sook Hwang”
A socio-political examination of Genesis 16 explores how ancient myth can influence the story of Hagar and Sarai. Socio-political events could have occurred between the Egyptians and King Solomon that influenced the writing of this text. According to John Currid in Ancient Egypt and the Old Testament, the Egyptians and Hebrews borrowed many things from each other and because of that, an inter-relatedness exists between the languages as well as cultural and religious practices of both kingdoms (26). It is this inter-relatedness that I wish to explore and ask the question -was Hagar an Egyptian Princess demoted to a lower position of servitude in order to make a political statement of superiority of the Israelites over the Egyptians? Or is this a story of conflict between two of Solomon’s wives? Finally, could this story tell us about events that occurred after Solomon’s death since the Biblical texts from the pre-exilic period began to take shape during the reign of David and Solomon? This is a very brief exploration of these theories.
In Genesis 16, Hagar and Sarai connect Egypt and Israel in a familial relationship, one rooted in strife. These two women, an Israelite and an Egyptian, are brought together because of Sarai’s barrenness and need to fulfill the covenantal promise. Because of this, Hagar becomes Abram’s secondary wife. This is not the only time that marriage between an Israelite and Egyptian occurs in the Old Testament. Joseph marries and an Egyptian, the daughter of a priest of On (Genesis 41:45). Solomon also has an Egyptian wife who seems to have some importance because she is mentioned six times in the Old Testament (1 Kings 3:1; 7:8, 9:24; 11:1-2; 2 Chronicles 8:11).
Important is the fact that this passage could be rooted in the writings that emerged in that period that portray family strife. Savina J. Teubal in Ancient Sisterhood: The Lost Traditions of Hagar and Sarah, states these “andocentric writing and editing” of the biblical narratives portray conflicts between women who “vie for the attention of their husbands or sons” (19). In this case the story really could be a tale of family strife inspired by two of the wives of Solomon, one of which was Egyptian.
Continue reading “Hagar – Demoted Servant or Egyptian Princess? By Michele Stopera Freyhauf”
A man in the group leaned forward and asked, “But how did the Goddess get overcome?” So I told him. Young “warrior heroes” came galloping out of the Russian steppes and the Caucasus Mountains, including Afghanistan, which no one (not even Alexander the so-called Great) has ever conquered. The boys were carrying their thunder-solar-sky gods with them.
I attended a book club at a beautiful metaphysical bookstore a few weeks ago where we discussed the conquest of matrilineal civilizations by the patriarchy. A man in the group leaned forward and asked, “But how did the Goddess get overcome?” So I told him. As my friend Miriam Robbins Dexter writes in her essay in The Rule of Mars, young “warrior heroes” came galloping out of the Russian steppes and the Caucasus Mountains, including Afghanistan, which no one (not even Alexander the so-called Great) has ever conquered. The boys were carrying their thunder-solar-sky gods with them. Those gods included Jehovah, Zeus, Jupiter, and Ares. (Allah arrived later.) Some of these young “heroes” were outlaws “who live[d] at the edge of society and are connected in legend and myth to wolves, dogs, or other animals.”[1] Dexter does not use the term “biker gangs,” but that’s what they were. Testosterone-crazed invaders out to have a good time. They ran over every goddess and temple in their path, and to make themselves seem more legitimate, they “married” former Great Goddesses (like Hera) to their thunder gods (Zeus). Their gods are famous for hurling lightning bolts, enticing their generals to invade peaceful, Goddess-worshipping lands (like Canaan), and populating their new turf via rape, which is how the innumerable sons of Zeus were conceived. More recently, during the last two or three millennia, one of those gods has inspired his prophets and preachers to roar about sin and hell and idol-worship and punishment. The new gods and their carriers thus planted the seeds of warfare in society and its literature. I describe one such invasion in the prologue of Secret Lives, where after a horrific vision that causes her the blind herself, the shaman sends her people out into the world to escape the coming hooligans on their horses and become the secretive, dark “little people” of Europe. Continue reading “Where Did the Gods Come From? by Barbara Ardinger”
Feminism and Religion 