The Perfection of Our Imperfection by Margot Van Sluytman/Raven Speaks. Heyoka

Prufrock Again

In this our divine
Comedy of delight
Of destruction
Troubled waters
Calm. Quenching
Us yet again
For in
Our penchant
For beauty
We remake
Over and over again
The tale that tries to
Tame us. Gathering
In circles of hope
Once more we remember
How we remember

© Margot Van Sluytman

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Winter Lessons, by Molly M. Remer

Yes, it is December
already and again.
Let yourself notice the milkweed pods,
how they have split their sides
and are sending silky white seed fluffs
into the waiting air.
Witness the trees,
bare and gray and patient.

Yes, it is December
already and again.
Let yourself notice the milkweed pods,
how they have split their sides
and are sending silky white seed fluffs
into the waiting air.
Witness the trees,
bare and gray and patient.
Watch the squirrels,
tails puffed against the chill,
stored nuts in their cheeks.
Listen to the wind
how it whispers and rattles
through the empty branches.
Watch the clouds,
slow-moving white billows
in a pale blue sky.
Be patient with yourself.
Grant yourself grace.
Remember the three invitations
of the solstice season:
to listen,
to wonder,
to be content.
Remember your promise
to keep company with joy.
Remember your vow
to be in devotion
to your own life.
Think about everything
there is to do.
Open your hands.
Feel that thin, whispering
winter wind
skim over your palms.
Take a deep breath.
Allow yourself to marvel
at all this year
has held.
Bless it.
Thank it.
Cup your hands
around your own face.
Say: thank you.
Here you are in the center
of your own life’s unfolding.
There is nowhere else to be.
Be gentle with yourself.
Invite the winter crone to tea.
Look into her eyes.
See yourself reflected there,
your own winter eyes open
to the possibility
of both clarity and delight.

I have been writing for Feminism and Religion for 13 years. In the summer, I compiled a post with 13 summer lessons from 13 years of posts here at FAR. I decided to bookend that post with a Winter Lessons post as well. Here are thirteen lessons to share from past winter posts:

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Water Dance by Janet Maika’i Rudolph

A woman’s water breaks before she gives birth. Holy water confers blessings. Water is the purifying agent of baptism. When we’re “in the flow,” we’re being creative. Water is often depicted with qualities that signify life and healing. But water is also violent and destructive.

Think of what Hurricane Katrina did to New Orleans in 2005, and Superstorm Sandy to the Northeast in 2012. The movement of the Earth shapes these violent tempests. Earth is in perpetual orbit and rotation thereby continuously invigorating the air and waters.

There is a mythological vision of a defined space where the mixing of elements occurs. It is a cauldron. Magical cauldrons contain the raw materials that are necessary for the creation and sustenance of life. Our precious Earth can be considered The Grand Cauldron of Creation, a vessel encircling all these elements. Add in motion, or agitation, or rotation and you not only get storms, but the recipe for genesis.

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Threshold Time, by Molly M. Remer

Step by step,
we make our way.
Breath by breath,
we choose.
Day by day,
we see where we are.
Let us remember
that we do not really finish anything,
we tumble with the turning
which is right where we belong.

It is now
in this liminal space
between the cauldron
and the cave,
as obligation struggles
to come roaring back
into center,
that we sense what we truly need
whispering beneath the surface
of all that clamors to co-opt our time
and all that howls
to claim our attention.
Stand steady.
Inhabit your own wholeness.
Cast a one word
spell of power: return.
Step into the sacred
right where you are.
Re-collect yourself.
Reclaim your right
to your own life.
Defend your edges.
Give clarity space
to crystallize
and your own knowing
space to emerge.
It is vital,
this work of reclamation.
Hold it holy.
Let the knots unravel.
Set yourself free.

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Divining Goddess: Tattooed Sawbonna & Serpent by Margot Van Sluytman/Raven Speaks/Heyoka

Tattooed upon my body. Residing in my soul. Sawbonna. Serpent. Snake. SHE who is. Was. Always will be. Like waking from a solemn sleep. I walked with the intention of heading to my home where I have been building houses. Papier-mâché mansions and tiny, tiny shacks. Sheds too, that speak of shelter. Of warmth. Of community.

After time with Jess and Benn in Emma’s office, heading in the direction of my cozy cave of light. My sanctuary. Where silence rarely slumbers. I looked up.  Above me there, right there, blue, blue, sky. Fat potent clouds. One errant, silent-speaking breeze redolent with hope. Reeking of Sawbonna. I knew that the time had come.

I knew what I had do.
I did not return home.
I turned left on to Hunter Street.
Wended my way to Simcoe Street.

After conversation with Nelson at Henry’s Barber Shop, Riverside Tattoo and I became acquainted. It was mid-afternoon.

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This is the time for good trouble by Marie Cartier

Marie Cartier performing this rant poem at the John Lewis Good Trouble Lives On Rally in Lakewood, CA July 17th. Photo by Mel Saywell

This I can guarantee you: there will come a day when it seems you cannot stop crying.

When will that day come? Today it came for me reading The Atlantic while I drank my morning coffee:

This is what they are reporting: the Trump administration has given the order to incinerate food instead of sending it to people abroad who need it. Nearly 500 metric tons of emergency food—enough to feed about 1.5 million children for a week—are set to expire tomorrow…the food, meant for children in Afghanistan and Pakistan, will be ash.

There will come a day.

And here we are in these United States with people in hiding, speaking of food. Why are they hiding? They are hiding from immigration officials and some of us are sending those people in hiding – food. Toiletries. Macaroni and cheese boxes line my grocery cart,

In these United States, we are building more prisons. And I read the detention center known as Alligator Alcatraz puts thirty-two people in a cage. Each person/prisoner costs the United States taxpayer approximately $275 a day. I guess I mean not prisoner, immigration detainee.

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Reflection on the Fourth of July by Sara Wright

Early Summer Days 2025

Hermit thrush’s trill and the bittern’s kerplunk are only two of the birds that mark this dawning with squawks or song. Red eyed vireo sings from the highest pine. My little Lucy (Lucia means Light in Italian, one of my mother tongues) and I bring in the day listening to bird symphonies as the sun star rises over the trees splashing verdant leaf tips in gold.  First the ferns and then sparks of light sweep through the forest lighting patches of brook waters, lemony splotches appear here and there on deep humus, the rich soil that is conversing with the roots below the forest floor. Listen and you will hear that hum.

The phoebe family is fledging, and I feel privileged to be part of their story. Especially because they lost their first nest to a giant squirrel. Flicking their tails just like their parents the fledglings land on the little cherry growing just beyond my window before diving towards ground covers for tasty insect morsels.

The Mark of the Bear is upon us.

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Time Dilates. Directs. Divines by Margot Van Sluytman/Raven Speaks

I am a pupil of this thing we call life. Swelling and swollen with the capacity to transform and to be transformed by language: Logos Incarnate=Word Made Flesh. Fleshy is this thing. And I am fully aware that Word sculpts me. Oft-times seeks an answer to the query: to what is my life tied? My response is bound with choice. I must forever remember choice. Choice that comes ever clearer the more mis-takes I have made, the sharper the dynamic degrees of un-learning weld my heart to my intellect in a new way. Age-ing and Sage-ing too, sturdy accomplices in this rollicking and rocky gavotte HERe on the body of Godde: Earth. Earth HERself ever evolving and unfolding. Mysteriously. Meticulously. With slow and un-seen purpose. Tied we are the HER and our choices. Each expressions of this vitally significant relationship.

     On my way to the Keynote I was invited to share with the John Howard Society, I watched the summer heat and haze emboldened by the relentless forest fires in Western Canada, finger its way in Central Canada, brush strokes of clotted air painting the sky a raw grey, causing lungs to feel the squeeze, noting that the beauty of the vastness of the un-burning forests through which I was being driven, was in no way diminished, curtailed, or truncated. Trees. Roots down deep. Sipping moisture. Sharing, far below the Earth, millennia of silent stories. Of as yet un-tapped Wisdom. Breathing us. Beckoning us, who journey upon and with HER to listen. And listen closely. Ask. Listen. Do that.

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Circle of Fire by Sara Wright

Moderator’s Note: This is the final part of Sara’s poem that was posted last week. You can read it here.

Part 1

She burned
 in raging fires
swamped by
merciless floods
crossed mountains
 of grief
so wide so deep
crushed Silence
in her sleep
unknowingly
accompanied
by Owls
and Winter Wren
Marked by Bear’s
sharp Protective
 Claws
 Circles of Fire

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Building Houses: Welcomed Here by Margot Van Sluytman

I have been building houses. Reducing. Reusing. Recycling. Recreating. Birthing homes from giant cardboard boxes, old newspapers, twigs, twine, flour paste, and joy. Joy for it is vital for me to nourish my days with meaning that strengthens my commitment to being. To belonging. heART that is offered to and for community because community and housing are siblings. With the sale of each finished piece, both funds and awareness are raised for the New Canadians Center Peterborough. Here in my city. A city which offers the heart of welcome. Newcomers to this city, to any city, to any country, yearn for home. To find, to create, and to be: welcomed home.

Home and welcome are an intricately and finely woven fabric.

The heART of home, the heARTh itself, is welcome and warmth.

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