“From Teshuvah to Justice: Jonah’s Call to Change” by Ivy Helman

(I offer here an abridged version of the sermon I gave on Yom Kippur (5773) at Temple Emanuel in Lowell, MA.  The full version will be available on their website soon.  The book of Jonah is always read on Yom Kippur in the afternoon service as the Haftorah.  It is rather traditional that someone (usually the Rabbi) offer an interpretation of it.  Temple Emanuel asked me this year.  I thank the congregation for the honor and I hope my words offered them, and now you, food for thought.)

Scholars believe the Greek philosopher Plato lived between 428 BCE and 348 BCE.  The Allegory of the Cave is one of Plato’s most famous stories.  It illustrates the effects of a change in knowledge, education and experiences on the human being.  Some of you may know it or have read it at some point but for those of you who don’t, let me offer a very brief summary.

There are human beings shackled to a cave in a way that they can only see the wall directly in front of them.  Continue reading ““From Teshuvah to Justice: Jonah’s Call to Change” by Ivy Helman”

Visions of My Grandmother by John Erickson

“I never told my grandmother I was gay. I’ve often wanted to visit her grave, clench my hands together, and pray that she forgive me for betraying the trust she instilled upon me long ago. However, even today, I cannot bring myself to make that trek, up the hill into the countryside where her ashes lay below the ground.”

I haven’t dreamt of my grandmother since her passing one hot summer July evening.

The night, and the days that followed, continue to be a blur.  However, as my family members continue to see her in their nightly visions, I, go on unabatedly longing to see and hear the voice of a woman who made me feel the presence of the divine with each passing story.

My sister saw her in a dream when she was buying shoes, my mother has seen her multiple times when she would be undergoing a particularly stressful situation, and I, left alone and oftentimes wondering through an abyss of loneliness and disarray, wake up each morning wondering why, I am left all alone. Continue reading “Visions of My Grandmother by John Erickson”

Why a Goddess Pilgrimage? by Carol P. Christ

What is a Goddess Pilgrimage and why are so many US, Canadian, and Australian women making pilgrimages to ancient holy places in Europe and Asia?  The simple answer is that women are seeking to connect themselves to sources of female spiritual power that they do not find at home.

Traditionally pilgrims leave home in order to journey to a place associated with spiritual power.  “Leaving home” means leaving familiar physical spaces, interrupting the routines of work and daily life, and leaving friends and family behind.  For the pilgrim, “home” is a place that has provided both comfort and a degree of discomfort that provokes the desire to embark on a journey.  The space of pilgrimage is a “liminal” or threshold space in which the supports systems of ordinary life are suspended, as Victor Turner said.  A pilgrim chooses to leave the familiar behind in order to open herself to the unfamiliar—in hopes that she will return with new insight into the meaning of her life.  Continue reading “Why a Goddess Pilgrimage? by Carol P. Christ”

8 Simple Rules for Being a Queer Godfather by John Erickson

Becoming a Godfather was more than just a reentry into the Catholic traditions I had long given up but rather a journey back in time that would grant me the ability to rewrite the wrongs I felt as a kid growing up in a tradition I not only didn’t understand but also didn’t feel like I belonged in.

I often wondered why I wasn’t asked to be the Godfather of my niece and nephew.  It made perfect sense to me that I would be the best person to guide and provide spiritual care for either of them as I was the only member, in both my family and my brother-in-law’s, getting a PhD in Religion.  I didn’t think there would be much to it.  I would go, hold my nephew, and watch a priest pour water over his head, and then go and enjoy some very sugary cake in my sister’s backyard.

On August 18th, 2012 my wish came true and I became the Godfather to my sister’s second child, Drew.   I had always believed that there was nothing to being a Godfather.  That it was a title in name only and a tradition that many individuals bestowed upon members of their family as ritualistic habit rather than a sacred institution of spiritual care and upbringing.  Boy, was I wrong. Continue reading “8 Simple Rules for Being a Queer Godfather by John Erickson”

Painting Virginia Woolf by Angela Yarber

As I painted her icon, I knew that “the room of one’s own” must engulf more space on the canvas than she did, her heart beating in the room and outside of it, and her arms outstretched as though she is inviting other women into the room.

I first encountered her in the lyrics of a song.  The Indigo Girls shaped my adolescence, molding me into a young feminist as I sang in harmony with other teenage girls:

 They published your diary

And that’s how I got to know you

The key to the room of your own

And a mind without end
And here’s a young girl

On a kind of a telephone line through time

And the voice at the other end

Comes like a long lost friend
So I know I’m alright

Life will come and life will go

Still I feel it’s alright

‘Cause I just got a letter to my soul

Emily Saliers and Amy Ray (the Indigo Girls) were singing about Virginia Woolf, naming the song after her.  As I belted out the lyrics with my soon-to-become-feminist friends, I had yet to learn who Virginia Woolf was and how her life and work had shaped my own.  All I knew as I harmonized those many years ago was that this woman must be special if the Indigo Girls dedicated a song to her.  I felt a longing to know her, to learn more about her, for her to call me on that telephone line through time and tell me I’m alright.  Accordingly, Virginia Woolf is our Holy Woman Icon for September. Continue reading “Painting Virginia Woolf by Angela Yarber”

Living Liminality: Of Thresholds and Dwelling Places by Marcia W. Mount Shoop

Sometimes I think it happened gradually.  Other times it feels like sudden change.  Either way I find myself in an in-between space that is my life.

With apologies to Victor Turner and his cultural anthropological appropriation of liminality as a threshold space, I have come to view my liminal living as a more permanent dwelling place these days.  Turner’s category of liminality locates subjects in the betwixt and between as they move from one manifestation of identity in community to a new kind of integration or role in community.   I am starting to wonder, however, if the thresholds are actually dwelling places for some of us in this world.

I don’t know if that means I am actually more marginal than I am liminal.  The margins are margins because they remain on the outskirts and they help define the boundaries.  Margins are permanent.  Am I marginalized if I live at the edges of the communities and identities I use to occupy, perhaps never to return to the bosom of the center? I hesitate to make such a claim mostly because I still occupy privileged spaces not the least of which are those constructed from how whiteness grants access and authority in this world. Continue reading “Living Liminality: Of Thresholds and Dwelling Places by Marcia W. Mount Shoop”

The Original Art by Elise M. Edwards

Storytelling is the original art as the desire to communicate is a common thread of all the other arts. I started reflecting on the stories – through various mediums–that have shaped me, and I wanted to use my post today to honor the herstories, the narratives of the women that have been meaningful to me.

On Tuesday night, I attended a gathering of storytellers.  I sat with two of my friends and listened to professionals and amateurs alike share stories.  The stories they told presented a range of narratives from Danish folktales to improvised children’s stories.  I was both horrified and enchanted by the content of their works.  While one story was a particularly violent tale of retribution and “justice,” another seemed to offer lessons about cooperation.

I thought about sharing a story of my own, but I didn’t feel prepared.  By the end of the evening, I was aware of the irony of my reluctance to share.  I was afraid I was not a good enough storyteller, yet I’d spent a good part of the previous two weeks traveling and catching up with old and new friends, which certainly involved animated retellings of the events going on in my life. Continue reading “The Original Art by Elise M. Edwards”

The Solace of Another Woman’s Story by Yvonne Augustine

This week, I read an excellent, gripping, poignant blog post by Feminist Philosopher Leanne Dedrick entitled “Things That Make Me Cry: The Practice of Unbelief.” The purpose of the piece was Leanne’s desire to address a misperception by some non-atheists that atheists are devoid of emotion, violently hostile to anything associated with faith, and unable to deal honestly with the Divine. She also corrects the erroneous assumption that atheists seek to “hide from, or purposefully turn […] away from, the ‘saving grace’ of religion.” In the post, she wrote specifically about her own journey from ultra-conservative Christianity to atheism. Continue reading “The Solace of Another Woman’s Story by Yvonne Augustine”