Showing Up, by Molly M. Remer

When we return home, I see a meme on social media that says: “Ten minutes online will show you everything that is wrong with the world. Ten minutes outside will show you everything that is right.” I think about the students and professors, each one alight with enthusiasm, with passion, for their work, their projects, their art, the contributions they are making. This is what we need. We need to see, spend time with, and BE people who are involved, connected, committed, and passionate. People who are creating instead of destroying. People who are connecting instead of controlling. People who are reaching out to offer what they can, who create and care, and who show up.

We may let connections thin
and interests slide,
forgetting that it takes work
to nurture and tend
to what we love,
that following what is easy
can be the wrong direction,
one that eventually leads
to the withering of what we value
and to the shrinking of our worlds.
We must evaluate the balance
between effort and ease,
yes,
but let us remember
that both are essential to thriving.
Let us lean into effort sometimes,
when there is meaning on the line,
put our backs into it,
feel sweat on our brows
and the satisfaction that comes
from choosing to immerse ourselves
in wholehearted living,
in presence,
in the work of reaching out
and holding on.

This past weekend, I went to my oldest son’s next college campus. The green spaces were filled with students working on art. The halls of the buildings were lined with art by high school students there for a visiting show. The art gallery was filled with diverse works of many mediums. The speakers for the day were filled with enthusiasm for their subjects, talking about study abroad trips to Paris and being part of the chorus or the band. We pass the student theater, abuzz with activity, and listen to a young man playing rippling tunes on the piano in the atrium of the library. This school is in a rural Missouri farming community, where we passed tractors laden with hay on the potholed road. Their mascot is a mule (“the only college with live mascot in Missouri!” they proudly report. The mule’s name is Molly, so I like her right away). Missouri is a “red state” and yet the students handed me the school paper with a front page story about protests at the capitol and a large color photo of someone holding an “Impeach Elon” sign. I happily picked up a library button proclaiming “libraries are for everyone” and another saying “what’s more punk than a library?” as well as snagging a “plant queer” sticker from the LGTBQ+ alliance table for my sister. The History table gives me a bookmark reading: “Don’t make me repeat myself.” –History

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Legacy of Carol P. Christ: “The Divine Mystery”?

carol-christ

This post was originally published on Nov. 11th, 2013

“The mystery of God in feminist theological discourse” is the subtitle of Elizabeth Johnson’s widely read She Who Is. The notion that God is “a mystery” is rarely questioned in feminist theologies. But maybe it should be.

Although it is true that the finite cannot encompass the infinite, and that all knowledge is rooted in particular standpoints, I do not agree that the first and last thing to be said about the divine power is that it is “a mystery.” Indeed as I will argue here, speaking about God as “a mystery” obscures more than it “reveals.”

christina's loveThe notion that Goddess or God is “a mystery” is rooted in notions of “a God out there” that most spiritual feminists reject. Goddess or God “in” the world is, I suggest, not unknown, but known, not hidden, but revealed–in the beauty of the world and in ordinary acts of love and generosity.

The notion that God is “a mystery” is a well-worn trope in Roman Catholic theology. Protestants make similar claims when they speak of  the hiddenness of God Continue reading “Legacy of Carol P. Christ: “The Divine Mystery”?”

From the Archives: I Sing Asherah Exalted! by Janet Maika’i Rudolph

This was originally posted Dec. 16th, 2021

With this season of the festivals of light upon us (Hanukkah, Christmas, Solstice, Kwanzaa), I wanted to focus on the more joyful aspects of our lives. For that, I have been diving into passages about joy and singing in the bible.

Sometimes when I write these posts, they take me in directions I never thought to go. This post is one of them. The surprise direction I found is in the Psalm below:

Sing unto him, sing psalms unto him: talk ye of all his wondrous works.
Glory ye in his holy name: let the heart of them rejoice that seek the LORD.
Psalm 105:2-3 KJV

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The Practices of Our Hope by Xochitl Alvizo

Years ago while I was a student at Boston University, a student group organized a spoken-word event. There were already some among the student body who were spoken word poets, but they also brought in Edyka Chilome, a poet, and as she refers to herself, a “cultural worker, futurist, and community weaver” (who’s also written with FAR as Erica Granados de la Rosa). She was not the first to speak, but before she did, she first took a minute to light some sage, lay it in a bowl in the middle of the circle space she had opened up in front of her, she called the four directions, and then said a prayer. 

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CrossFit, Spirituality, and Trauma: An Introduction by Stephanie Arel with Ashleigh Gibb

We met online. Saram College hosted a theology and trauma workshop that Stephanie taught. Ashleigh asked a question. An immediate connection emerged.

The connection consists of mutual interest and passion around bodies, their strength, their vulnerability; around the spirit, its expressions and its intrinsic materiality; and trauma, what violations to our bodies cause to disrupt and annihilate us. Our interests intersect. Stephanie teaches Scripture and the Human Response to Trauma at Fordham; Ashleigh is a Crossfit Coach and Personal Trainer currently pursuing her PhD. She has nine years of experience working with survivors of trafficking and sexual violence. Together, we recorded a few YouTubes on CrossFit and Spirituality, on Crossfit and Community, and one forthcoming with a topic in the works.

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Listen to the wise women by Molly Remer

In 2012, shortly after I finished my priestess ordination process and I’d been facilitating women’s retreats for two years, I got a wild idea to go to a goddess festival of some kind. I did a google search and found one that sounded great—Gaea Goddess Gathering–and it was happening in just two weeks. Imagine my surprise to then look at the bottom of the screen and see that it was located only a five-hour drive from me, just over the border into Kansas. I decided it was “meant to be.” My mom and a friend signed up with me (and my then 18 month old daughter) and we packed up my van and went! The night before we left on our adventure, I sat down at the kitchen table and felt a knife-like stinging pain on the back of my leg. I’d accidentally sat on a European giant hornet (these are not regular hornets, they are literally giant hornets about two inches long).

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Summer Steeping, by Molly M. Remer

“It was one of those days so clear, so silent, so still, you almost feel the earth itself has stopped in astonishment at its own beauty.”

—Katherine Mansfield quoted in Meditations for People Who (may) Worry too Much

The editor of this anthology, Anne Wilson Schaef, goes on to say:

“When we do stop, many times we look around and realize that we are the only ones rushing around. We realize that the roses, the trees, even the clouds seems suspended in space, and it is as if the universe has paused for a breather. Life has time to experience itself.

Often, when we stop and let ourselves take in the beauty that is around us, we realize there is much more than we originally imagined. Our eyes begin to see beauty in the cracks in the sidewalk, the crookedness of tree limbs, the cragginess of faces, even the color of cars.

We don’t have to travel to see beauty. It is everywhere.

How much more alive we are when we can feel those times that the earth has ‘stopped in astonishment at its own beauty.’”

Do you have time for beauty? When was the last time you stopped in astonishment? What is astonishing you lately? Where are you discovering beauty?

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Women Fly Free by Judith Shaw

Artists tend to develop their own visual language over the course of a career, returning again and again to certain motifs. That’s certainly the case for me with trees, women and goddesses, doorways and passages, ancient symbols, flowers, and animals — in particular birds — emerging again and again.

Flying Free by Judith Shaw
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The Impresa of Great Mystery by Janet Maika’i Rudolph

The Fibonacci series has been called the fingerprint of god. That is because they are a sequence of numbers found ubiquitously in nature. I’ve been thinking up new names for it. It is a progression created by adding each number to its previous number after starting with the number one. It looks like this:

1, 1, 2, 3, 5, 8, 13, 21, 34, 55 and so on to infinity.

The Fibonacci Sequence was first described in the 12th century by Leonardo Pisano Bigollo, an Italian mathematician. His nickname was Fibonacci, which translates to “son of Bonacci.” He has been called the Leonardo of Pisa, the city of his birth. The series is unique. When you take the ratio of any two successive numbers in the series (after the three), the resultant numbers have a pattern. They fall into an increasingly narrow range with the sequence revolving around a ratio called the Golden Mean, the golden ratio, or the golden number. It is 1.618. Below is an example of how the number sequence works:

5 / 3 = 1.666
8 / 5 = 1.600
13 / 8 = 1.625
21 / 13 = 1.615
34 / 21 = 1.619
55 / 34 = 1.617

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Margins for Magic, by Molly Remer

My ritual today
is to forgive myself
and to begin again
with what I have….

A rite of renewal:
Step out under the sky
whether it holds thunder or sun.
Rest your hands against your heart.
Say: I am here.
I am grateful.
Open your arms to the sky.
Feel air soothe you
and wind bless you.
Say: I am radiant in my wholeness.
I am loved.
Sweep your arms down
to touch the Earth (or the floor.)
Say: I am connected.
I belong.
Settle your hands against your belly.
Say: I am centered.
I am powerful.
I am strong.
Return your hands to your heart.
Wait.
The sacred will meet you here.

We pause today in the middle of the road to listen to a mockingbird perched in a crabapple tree by an abandoned house. In clear and rapid succession, it runs through its impressive repertoire: Phoebe, cardinal, chickadee, titmouse, laser-gun, a few extra trills and beeps and back again. We stand, heads cocked and silent, to experience the performance before walking on with a smile, pausing again to inhale deeply as we pass the wild plum trees so sweet and fleeting. I have been preoccupied with projects, feeling bright, creative energy burgeon inside me as it does around me, so many things tug at the mind and ask for time, leaving my dreams restless, my eyes wild, and my mind awhirl with both pressure and possibility, a persistent urgency that calls me on and away and out of being where I am. On the way back home, we stop again because there are five red winged blackbirds, conversing by the neighbor’s pond and we circle through the grass to examine white flowers in the pear trees and to check for peach blossoms (none). I love spring in Missouri, it restores and nourishes me. It reminds me I am home. I sit with my tea listening to a distant chainsaw and the wild turkeys in their rites of spring, a light rustle of wind, and the clinking of my flattened spoon wind-chimes from years gone by. A lone crow glides in to alight on an oak tree beneath the sun. It tips back and forth briefly, wings a satin shimmer in the sunbeams and then drifts away like a black kite through the spring sunshine. I have joked that the description of my next book could be:  “I sat. I saw these things.” And, this is true, for I did, and this is my news for today.

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