Passionflower Autumn by Sara Wright

I am gazing out the window; an almost bare leafed apple tree’s sap has begun its descent for the winter months. Trees participate in a great round; breathing slows as the tree becomes drowsy. Soon the merciful cold will put her and others of her kind to sleep, not to awaken until life each tree’s life – blood thickens to rise and soar into the highest branches with a warming sun. Only tree roots stay awake throughout the winter searching for nutrients, exchanging carbon and carbohydrates, water, meeting new friends and avoiding foes, their root tips  branching, fusing, glowing – solving problems far more complex than those of humans…

Last night a full white ‘falling leaf moon’ slid unobstructed through apple branches casting shadowy silver arms around our bed. My dogs were restless. I could see the rounded luminous pearl embedded in an ebony sky shining through all the deciduous trees that were dressed in scarlet splendor just a week ago. Last night those trees were bare. Continue reading “Passionflower Autumn by Sara Wright”

Subversive Sister Saints by Angela Yarber


As the American Embassy was bombed in 1999, I was hunkered in a Russian Orthodox Church, gazing at the brooding, whitewashed faces of icons, hands raised in endlessly frightening benediction. Hundreds of men met my eye, as I found myself asking, “Where are all the women?” In 2005, the sun peaked over the horizon on Mount Sanai as I entered the chapel at Saint Catherine’s Monastery, which houses the oldest collection of Christian orthodox icons in the world. As a sensory overload accosted my eyes, ears, and nose, I scanned the scene to find only two women crammed among all the icons; one was a nameless daughter sacrificed by her own father. Where were all the women? A few years later, I knelt at the Temple of 1,000 Buddhas in Thailand. Not a woman could be found. Where are all the women?

For over a decade, I’ve painted folk-feminist icons of revolutionary women from history and mythology, a subversively artistic attempt to answer my own question by painting the women who have been ignored, excluded, or strategically erased. From Pauli Murray to Sarasvati, Gloria Anzaldua to Papahanoumoku, this work continues to be a gift, joy, and a tremendous part of the mission of my non-profit, the Tehom Center, which empowers marginalized women by teaching about revolutionary women through art, writing, retreats, and academic courses. Continue reading “Subversive Sister Saints by Angela Yarber”

Yes There are Goddesses in the Bible, Part 3

This blog post is the 3rd in a series of looking for female deities in the bible who have been translated out of easy reach or otherwise hidden within its words. In my last blog post I discussed bird imagery and the bible. It is available here

 You can’t complete a discussion about birds without also bringing up Lilith. She appears by name only in one place in the bible; Isaiah 34:14. Isaiah uses the word liyliyth as a feature in a hellish landscape. Although it is also a name, liyliyth is treated as a common noun. The most prevalent translation is “screech owl” although others have included such names as night creature, night monster, night hag, and she-vampire. Continue reading “Yes There are Goddesses in the Bible, Part 3”

Re-Visioning Medusa: Part I by Sara Wright


All through my childhood a self-portrait, painted by my mother hung above my parents’ bed. I was fascinated by this image of the stern face of my very beautiful mother with her long wavy chestnut hair. In the painting my mother’s body was buried in the sand up to her neck. Behind her, churning waves cascaded onto the shore. A blue sky was visible. A few seashells were scattered around and a large shiny green beetle was crawling over the sand. On the surface this image of my mother with her long curly hair seemed quite serene but as a child the painting disturbed me. It was as if this painting held a key – but to what? My father loved the painting and often commented on it…

I can remember playing at the seashore. My father would dig holes and bury both his children up to their necks in the warm sand that also held us fast…

I had one reoccurring childhood nightmare of waking up and not being able to breathe. Continue reading “Re-Visioning Medusa: Part I by Sara Wright”

Sacrificial Gathering in the Long Covid Desert by Tallessyn Zawn Grenfell-Lee

I am a fairly private person; but I do like nice hugs. I grew up in a home that involved so much intentional love and affection that I came to see it as a normal part of any loving relationship. I’m pretty sure I startle my friends sometimes by saying such affectionate things; but they endure, and many of them claim to appreciate a nice hug, too.

I know there are plenty of people who have experienced unhealthy or abusive touch; in fact, I’m one of them. I also know that the way to heal those wounds is usually through healthy touch, in relationships of trust.

Continue reading “Sacrificial Gathering in the Long Covid Desert by Tallessyn Zawn Grenfell-Lee”

Herb Talk: Bee Balm by Sara Wright

For Carol.

Women’s relationship with plants stretches back to the beginning of humankind.  Most of us know that women invented agriculture and became the first healers.

I come from a family of women who all had gardens,  but no one grew herbs. It interests me in retrospect how I turned to these healing plants. I first used them for culinary purposes as a young mother; but as I approached midlife (mid –thirties) I began to gather herbs for medicinal purposes. I realize now that I made this shift just as I began to embrace the goddess and the Earth body as my mother and turned inward to healing myself. The two were definitely connected. It is the Body of the Earth that is capable of healing our broken souls and bodies; and some wise unconscious part of me knew that. Continue reading “Herb Talk: Bee Balm by Sara Wright”

Morning Meditation by Sara Wright

I have just returned from the brook where I offered up my Toad Moon prayers to the song of the Hermit thrush and to the rippling waters  – first honoring my body with a poem written just for her, and then by repeating my hope/belief/intention that the search has ended and my house will get the structural help she needs without invasive machines scarring my beloved trees and land… I release my doubt – a plague that has incarcerated me for months.

I felt my body rooting into forested soil… I belong here; I am loved here.

Peace filtered through the green – trees, seedlings, lichens, mosses, grasses and the clear mountain waters. Silence, except for thrush’s morning benediction. Continue reading “Morning Meditation by Sara Wright”

La Llorona Musings by Sara Wright

In Abiquiu New Mexico I walked down to the river and Bosque (wetland) communing with trees, leaving in the dark and returning before dawn every morning. Red Willow River is a tributary of the Rio Grande. I didn’t need to see; my feet knew the path by heart, so I was free to let my other senses take precedence. Listening to the sound of my feet, the first bird song, I moved into a still place, while first light gathered itself around me like a luminous cloak under the cottonwood trees. On my return the curves of the river and the dazzling painted sky held my rapt attention  … I didn’t realize for a long time that this daily meander was actually a walking meditation that helped stabilize me in a place that I loved but could not call home.

In the mystical magical twilight, if the conditions were right, I witnessed the mist rise over the river and whenever this happened it seemed to me that I ‘sensed’ a figure emerging from that cloud… this apparent apparition never ceased to pull me into her ‘field’. The woman was always weeping and I called her La Llorona, believing that she wept for the Earth, my precious Earth, because her animals and trees and plants were dying. Extinction was concrete reality, a daily occurrence. Cultural denial made it impossible for me to share my grief, but here, with La Llorona, I was witnessed and free to mourn… Continue reading “La Llorona Musings by Sara Wright”

In Sight (Part 2) by Sara Wright


This post follows In Sight (Part 1)

Yet, I was content enough here wasn’t I [living part of the year in Abiquiu, New Mexico]? The desert was starkly beautiful, and I loved the place I lived, doing my best to create a home, planting trees and creating small gardens. I had escaped the too long winters, the heavy physical work associated with them. Yet questions gnawed at me. What did it mean to feel at home? Why the profound feelings of emptiness and lack of clarity? And what about the light?

I couldn’t escape the problem of light. One of the reasons I set out for the river in the dark was because I wanted these walks to end before sunrise. There was a quality of intense light present during the day in the too thin air that I found disturbing. Too much light, air, wind, and on the other extreme, too much stone. The crust of the earth held little in the way of new life in the desert. Survival of any plant species was precarious and dependent on the rains that rarely came. Almost everything I planted ended up dead. The desert had little to offer in terms of containment for people or plants. The sky gods ruled the desert, and did so with an iron will. Stone doesn’t surrender; it is incapable of receiving. This was not a forgiving place. Continue reading “In Sight (Part 2) by Sara Wright”

In Sight (Part 1) by Sara Wright

Four years ago I made a radical decision to spend a winter in New Mexico. Maine winters were long and I was 71 years old. An unfinished experience 25 years ago had left me with a longing to spend more time in the desert. Although I had formed a deep and abiding relationship with my land in Maine over a period of almost 40 years and had constructed a small log cabin on this beautiful piece of property that has a brook on three sides, woods and fields, I wondered if at this stage of my life I should consider moving….

I was very fortunate to find a place to live In Abiquiu, NM, and eventually I was able to move into a friend’s newly built casita that bordered a tributary of the Rio Grande, which also abutted another friend’s property. This abutting property included a Bosque (river wetland). I was blessed to have a beautiful place to walk through without having to get into a car. Most hikes required driving somewhere, a practice I disliked.

I discovered over time that New Mexico was a land of extremes – and not the paradise I had expected. The one torturous summer I spent there under 100 plus degree heat made it clear that I could not live in this stifling sauna with its bloody burning sun year round. Wildfires burned continuously. The west winds roared churning up clouds of dust that choked the air, sometimes for days on end; and the winds were relentless, especially during the spring. I remembered fairy tales that spoke to the malevolence of the west wind; I imagined I could feel that power here. Continue reading “In Sight (Part 1) by Sara Wright”