Feminism and Religion

Kali Ma by Jassy Watson

The creative ‘Wisdom of the Goddess’ Journey Within Program I am facilitating has moved into its’ second trimester, ‘Transformation’. It is winter here in the South; a time to release what no longer serves us and look at the shadow aspects of ourselves. I decided that the goddess Kali Ma, often referred to as the “Dark Mother” was most suitable to explore at this stage. Kali Ma is the Hindu goddess of creation, preservation, and destruction and is better known for her destroyer aspect. She serves as the archetypal image of the birth-and-death Mother, simultaneously the womb and tomb, the giver of life as well as the taker. She is the primordial female principle of manifestation and embodies shakti – feminine energy, creativity and fertility.

Kali is a warrior and is usually depicted with her tongue protruding, brandishing a sword in one hand a decapitated head of a demon in the other. She wears a necklace and belt of skulls, and she drips with blood. The demons she slays however, are the demons of the ego and the attributes of ignorance. Kali is the enlightening force that dismantles preconceived notions, frees you from conditioned beliefs, false personal identities, and anything else that keeps you from recognizing your true identity. In other words, part of what Kali represents is the power to release that which is true in you. Even in destruction, She reminds us that good really can come of bad situations. If you find your hopes and dreams have been crushed, Kali can change the cycle and produce life out of nothingness. Where there is sorrow, She dances to bring joy. Where there is fear, She dances in courage. Continue reading “Kali Ma by Jassy Watson”

Sappho, Frankincense, and Female Spirituality by Stuart Dean

White Howjary Frankincense (photo: Trygve Harris (www.enfleurage.com))

Sappho is the first Greek author to attest to the usage of frankincense. The word she uses to refer to it (libanos) is what comparative linguists call a ‘loan word,’ in this case from ancient South Arabic (the root meaning of which is ‘white’), the language spoken in the only region in the world still now, as then, where the trees grow that produce the resin that is frankincense (the finest being White Howjary from near Salalah Oman).

This was long before Amazon Same-Day Prime: that frankincense even made it to where Sappho was is astonishing given the thousands of miles of desert terrain that had to be covered. That fact plus the fact that Sappho chose to use the Arabic word for frankincense suggests it must have been of special importance to her. How important can be seen in the power she attributes to it. In one prayer poem (S.2, composite translation and very brief notes here) she completes a stanza by referring to frankincense burning from Aphrodite’s altars; she completes the very next stanza with a reference to ‘sleep falling.’ The parallelism implies a reciprocity: the smoke goes up, the sleep comes down and a stanza later, there is Aphrodite. Continue reading “Sappho, Frankincense, and Female Spirituality by Stuart Dean”

Gretchen Before and After by Natalie Weaver

Natalie Weaver edited In May, I attended the Cleveland Symphony Orchestra’s presentation of Berlioz’ Damnation of Faust. This work, featuring four soloists, a full choir and orchestra, and a children’s choir, was first performed in Hungary in 1846. Its composition was inspired by a French translation of Goethe’s Faust, following the basic storyline of Faust in four acts: Faust’s disillusionment; Faust’s encounter with Mephistopheles and the allure of happiness; Faust’s seduction of Marguerite; and Faust’s damnation/ Marguerite’s redemption. With such limited space, the opera/cantata plays more as a précis of Faust than a full telling of the story, which is perhaps why the dramatis personae seem rather more like caricatures of themselves than richly developed characters. There were beautiful moments in the music, and the performances were brilliant, but the whole left me feeling apathetic… that is, until I went to the bathroom.

While waiting beneath the gorgeous mosaics of Cleveland’s Severence Hall for use of one of three (or four?) petite little stalls in the ladies’ room on the atrium level, I chatted with one of the regular elders I have come to know in line over the years. She complained to me, “I don’t know why Marguerite gets saved and Faust is damned. After all, Marguerite is the one who poisons her mother. Marguerite is really at fault here, don’t you think?” Ah, I thought, here it is. The woman is blamed, but for what? For murder (occasioned by Marguerite’s carrying out Faust’s directive); or for her beauty (Faust cedes to Mephisto’s power to seduce because he is, in his own way, seduced first by Marguerite’s appearance); or for having sex with someone outside of marriage (Marguerite carries the burden of responsibility for shaming her family and for her own destruction). My bathroom friend would have been happy to see Marguerite pay for these crimes and found it dissatisfying that she was delivered from them. Continue reading “Gretchen Before and After by Natalie Weaver”

The Greek Crisis: Grandparents on the Table? by Laura Shannon

Laura Shannon In a previous article, I have described the devastating consequences of five years of austerity in Greece: soaring poverty, hunger, unemployment, infant mortality, pensioner deaths, malnourishment, sickness, and suicide.

Unemployment has exploded to over 25%, nearly 60% for young people. In contrast to other European nations, Greece provides virtually no unemployment benefits , and national healthcare is only available to those with a job.

The resulting humanitarian catastrophe, ruthlessly and knowingly imposed by Greece’s creditors, the IMF, EU and ECB, is unequaled by anything in European history in peacetime. People have only managed to survive thanks to the intrinsic values of Greek culture and civilisation: generosity, hospitality, connection, positivity, sustainability and mutual support.

These are the values which brought me to live in Greece; they are also the values of the traditional circle dances I have spent my life researching. And they are directly descended from the values of Old European culture as articulated by Marija Gimbutas, Carol P. Christ, and Riane Eisler.

When the economic crisis first struck in 2008, worsening every year since, I saw firsthand how deeply these values are embedded in Greek society.

Here, networks of families, neighbours and friends help one another, even when everyone is desperately struggling; this is how Greeks have managed to survive the terrible effects of the man-made ‘crisis’ until now. As family members have lost jobs, homes, businesses and prospects, often crucial support for the whole family is provided solely by one grandparent’s meager pension.

Laura and Magdalina, in northern Greece. In the course of my research, I have been welcomed in countless homes by Greek rural women. Many families may be materially poor by contemporary standards, but are rich in values of community, hospitality and sustainability. Here Magdalina is showing me samples of her peerless embroidery (featuring ancient Goddess motifs, for those who have eyes to see).

This picture of grandparents helping support their children and grandchildren throughout their lives is quite alien to western and northern Europeans, and yet it is firmly at the heart of Greek society. Elders are almost universally cared for within the family; old-age homes are extremely few. Like the sacred hospitality offered to guests and strangers since ancient times, elder care is considered a sacred responsibility, and elders themselves are universally treated with great respect.

This respect for elders is at the heart of the Greek resistance to further cuts to pensions. For the same reason, Greece does not wish to consider raising VAT (sales tax) on medicines and electricity bills, two further measures on which the lenders continue to insist, which will of course hit these vulnerable elderly the hardest. Continue reading “The Greek Crisis: Grandparents on the Table? by Laura Shannon”

Texts of Terror in the Humanities Curriculum by Carol P. Christ

When I began to study Latin in my freshman year in high school, one of the first texts we were asked to translate concerned the “rape” of the Sabine women. Even though the Latin text used a word that looked and sounded like it should be translated as “rape,” we were told that the Romans “abducted” the Sabine women and that the word should be translated as “seized.” Not long afterward, we read a story from Ovid in which a nymph named Daphne was turned into a tree in order to escape being raped by a God. I found both of these stories puzzling.

I had not heard the term “rape culture” which was coined much later, but the fact that I can still visualize the words “virgines” and “raptae sunt,” as well as the pictures that accompanied both stories, suggests that I was aware that something was wrong in these texts and in the way they were being taught.

When, as part of my first full-time teaching job, I was asked to teach the Iliad as the foundational text in the required Humanities course at Columbia University, I was able to find words to criticize it. I understood that even if Homer mourned the “tragedy” of war, he also celebrated it, and seemed to view war as an inevitable part of “heroic” culture.

I was also able to see that the central human drama of the epic, Achilles’s “metaphysical dilemma “ of whether to choose to stay and fight in a war in which he would be killed yet immortalized in memory, or to choose to return home and live a long, yet uneventful life, was set in the context of his quarrel with Agamemnon over a woman my colleagues referred to as a “spear captive.” In fact, Briseis, like the Sabine women, was a “spoil” of war, a captured and captive woman, who might more accurately have been called a “raped captive.”

When I tried to discuss the moral failings of a work that celebrated rape and war in the seminar for teachers of the course, I was told that I had missed the point of a beautiful and complex text that was at the heart of “civilization.”

This spring at Columbia University, student members of the Multicultural Affairs Advisory Board posted an op-ed titled “Our Identities Matter in Core Classrooms” in the campus newspaper Columbia Spectator stating that: Continue reading “Texts of Terror in the Humanities Curriculum by Carol P. Christ”

Learning from the Nation by Jameelah X. Medina

Jameelah Medina One thing about the Nation of Islam (NOI) mosques that I have always enjoyed in comparison to mainstream Islamic mosques is that the gender separation is side-by-side rather than front-to-back with the women always in the back on the same level or in the back on a balcony or in a completely separate room in the back.

A few Sundays ago I went to the local NOI Mosque #97 and enjoyed the khutba (sermon) all in English and culturally relevant. I enjoyed it from the same room as the men, with complete access and in reach of the imam. Men were not given the prime seating in the front with women relegated to the back of the room. The front rows and all rows consisted of men and women equally. This is a complete departure from what I am used to in mainstream Islamic mosques I used to frequent. Continue reading “Learning from the Nation by Jameelah X. Medina”

Aine and the Giant Leap by Deanne Quarrie

For our full moon rites coming up on the first of July we will be honoring Aine, Goddess of Love, Light, and Fertility who is also Queen of the Faeries. Aine’s name means “Bright” and She is typically honored at the Summer Solstice when the sun is at its peak of power. The next full moon falls just after the Summer Solstice. The Solstice is associated with abundance, beauty and bounty. It is not necessarily about the harvest season, as that is yet to come. However, everywhere we look we can see the abundance of the Mother and so it is when we first acknowledge, with joy, what is before us.

In my Tradition, the Summer Solstice falls within the Oak Moon, the Moon in which we “court the lightning bolt.” What that means to us is that with our roots planted firmly in the ground, as does the Oak tree, now is the time to take all of our plans and put them into action. “Go for it” is what we are saying to ourselves and to the world. Continue reading “Aine and the Giant Leap by Deanne Quarrie”

All Hail a New Priestess! by Marie Cartier

ordination photo
“All hail- the new priestess!” they all shouted at the end. I was recently ordained near Midsummer Eve (June 20, 2015) as a priestess with the Temple of Isis, Los Angeles and Fellowship of Isis. As befits feminism and religion — I felt it important to share the document read by my scribe – the person who did a lengthy interview and wrote up a summary of why I should be accepted into ordination. I am sharing this with her permission with the Feminism and Religion community. Why do we choose the paths we choose? Why did I choose this Goddess path? The document that explores those reasons follows:

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June 20^th 2015 – 4:00 p.m.
Ordination of Dr. Marie Cartier into the Fellowship of Isis,
Temple of Isis Los Angeles and the Temple of Isis Long Beach.

Our dear sister has reached a point in her life that our ancient mothers of old have been preparing for her and she is ready to be dedicated to and be an emissary of the Goddesses. She is ready to take on the responsibilities of Priestess and is very honored and proud to be accepted by her Priestess Sisters who she dearly loves and admires.

Dr. Marie Cartier is a scholar, visual/performance artist, queer activist, writer and theologian. She has been active in many movements for social change. Marie teaches at UC Irvine in the Film & Media Studies Department and CSU Northridge in Gender and Women’s Studies and Queer Studies. She received her Ph.D. in Religion from Claremont Graduate University, 2010, in Women Studies in Religion, with an emphasis on theology, ethics, and culture. She published in 2013 through Routledge the book Baby, You Are My Religion: Women, Gay Bars and Theology Before Stonewall and created the concept of “theelogy” a religion of friendship for people in exile, particularly lesbians prior to 1975. Continue reading “All Hail a New Priestess! by Marie Cartier”

In Praise of Darkness by Adam F. Braun

Adam Braun Twitter4f6abe6_jpg This reflection was initially a part of an attempt to create radical liturgies that might connect the frequent theological bias towards ‘light’ and the implicit White Supremacy that such theologies perpetuate. In addition, this particular reflection was inspired by a friend’s resistance to societal gender norms.

In Praise of Darkness

Bless the Darkness, o my soul,
that part of me that is hidden from the light
The darkness holds me before I am born.
And the moment the light hits, I want to return,
to the darkness.
In the light, I am ever analyzed
every part of me is laid bare
to identify
to categorize
to be understood
Under the light, I am but a mere object to be synthesized
into someone else’s meaning,
into a supporting role in someone else’s story.

There is no light of truth.
The light only manufactures facts and knowledge.
Damn you, light,
I do not want to be understood.

Only in darkness is there truth,
There we are forced to pay attention to that which we cannot see
And there’s nothing like SEEING to distract from truth.

In the light, I am individual. Separate and compartmentalized.
But in the darkness, I am and we are more.
In the darkness, we rest.
In the darkness, we transgress the gaze of the Big Other.
In the darkness, we celebrate life.

The darkness is a messianic web,
for in It I do not know where you end and I begin.

Adam F. Braun is a PhD candidate in New Testament at the Lutheran School of Theology in Chicago. Previously, he has worked in Emergent communities: a small congregation in NC, a Campus Ministry in Chicago, and most recently as co-facilitator of Boston Pub Church. His interests are in the Narrativity of Religions, Materialist readings of the Gospels and Paul, and the Deconstruction of Theism within the Christian tradition. He is completing his dissertation on a deconstruction of “Kingdom” in Luke’s Parable of the Minas.

Grainne – Sun Goddess/Winter Queen by Judith Shaw

In the ancient Celtic world the Goddess was the One who expressed Herself through the many. Grainne is such a one. She is both Winter Queen/Dark Goddess, nurturing seeds through winter, and Solar Sun Goddess, welcoming the rebirth of spring. She is Aine’s sister or another aspect of Aine. She, like Aine, was honored at the summer solstice and the first grain harvest of early August with bonfires and torchlit processions on top of her sacred hill at Leinster, Ireland. Remnants of these festivals are still found in folk ritual today.