Audre Lorde – Page 2 – Feminism and Religion

POET WARRIOR BY JOY HARJO: HEALING HEARTS AND NATIONS by Maria Dintino

Moderator’s Note: This post is presented as part of FAR’s co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women. The site was founded by sisters Theresa and Maria Dintino. This was posted on their site in 2021 and then again on March 21, 2023. You can see more of their posts here.

**“MY INNATE IMPULSE IS HEALING, WHICH IS ALSO STANDING UP FOR JUSTICE, WHICH CAN HEAL HEARTS AND NATIONS.” – JOY HARJO**

Healing hearts and nations is what Joy Harjo does. Standing up for justice is what Joy Harjo does. Joy Harjo is a teacher and leader for our times, for all times.

When she asks this question in her book, Poet Warrior:

“What do I do with this overwhelming need for justice in my family, for my tribal nation, for those of us in this country who have been written out of the story or those who appear to be destroyed or perverted by false story?” (46),

Invisible Connections: The Hidden Web of Women Writers, part 1 by Theresa C. Dintino

Moderator’s Note: We are pleased to announce that we are forming a co-operation with The Nasty Women Writers Project, a site dedicated to highlighting and amplifying the voices and visions of powerful women.The site was founded by sisters Theresa and Maria Dintino. To quote Theresa, “by doing this work we are expanding our own writer’s web for nourishment and support.” This was originally posted on their site on Nov. 16, 2021. You can see more of their posts here.

created by Data Visualization Specialist Mia S.Szarvas as part of a larger project of Nasty Women Writers about the Web of Women Writers

In the years that my sister Maria and I have been writing for Nasty Women Writers, one of the things that has become increasingly clear is how connected women writers are to one another. Every time I explore the life of a woman writer for Nasty Women Writers, I learn of other women writers she is connected to, inspired and supported by. Some of these connections are through time, meaning one woman writer reads and interacts with the body of work of a woman writer whose lifetime preceded hers chronologically, others are alive at the same time and they interact in person or through letter writing.

The Pleasure of Education and New Beginnings

BUT GOD/DESS—it is also enjoyable, passionate, and fun. Learning and teaching is fun; and I love having fun with my students. Even when the topics are hard and when the lessons hurt, it is the pleasure of relatedness to them, to text, to new understanding that facilitates the process. And without that pleasure, the work is unsustainable.

In graduate school, I fell in love with the book Teaching to Transgress by bell hooks. My memory of what I specifically loved about that book has blurred over time, particularly as I read more and more of her work. But what remains is a sense of how challenging and how real the writing was—how inclusive of whole experiences and truths, comfortable and uncomfortable.

hooks doesn’t shy away from the pain or pleasure of education, indicating how learning and those we learn from can induce passion: Audre Lorde’s erotic, which is so hard to distinguish from the sexual because, as Lorde explains, we are taught to limit our sense of the erotic to the sexual or pornographic.

Legacy of Carol P. Christ: Remembering Audre Lorde and “The Uses Of The Erotic”

This was originally posted on March 18, 2013

Moderator’s Note: Carol’s original essay had links to the essay which are no longer active. The essay can be found in Sister Outsider.

I was given a copy of Audre Lorde’s essay “The Uses of the Erotic” in my first year of teaching at San Jose State by a young white lesbian M.A. student named Terry. It was 1978. I was in my early 30s. This essay came into my life and the lives of my students, friends, and colleagues at “the right time.” It became a kind of “sacred text” that authorized us to continue to explore the feelings of our bodies and to take them seriously.

The second wave of the women’s movement was about to enter its second decade. We had already been through years of consciousness raising groups. There we learned to “hear each other to speech” about feelings we had learned to suppress because we had been told they were not acceptable for us as women to have or to express. Those early days of the women’s movement were one big “coming out” movement. We were bringing our feelings and ourselves out of the closet.

A GOOD HEART by Esther Nelson

In spite of organizations such as “Black Lives Matter” and the three or four waves of feminism over the past century, both racism and misogyny remain stubbornly alive. We’ve made positive strides on both fronts, yet much remains to be done. Curiously enough, I’ve noticed more sensitivity in our current society regarding racism than misogyny. People claiming to be “woke” seem more inclined to be woke to the manifestations of racism—not so much to misogyny.

According to Merriam-Webster, the term woke is about being “aware of and actively attentive to important societal facts and issues (especially issues of racial and social justice).” Merriam-Webster’s second definition of the term is “politically liberal (as in matters of racial and social justice) especially in a way that is considered unreasonable or extreme.”

Hope Is Giving Birth in the Face of the Dragon by Beth Bartlett

The image of the baby born under the rubble of the earthquake in Syria has been haunting me. So has the image in my mind of her mother, giving birth to her baby while trapped after the building, where she, her husband, and their children were sleeping, collapsed. The baby’s uncle, when digging through the debris hoping to reach his brother and family, found the baby alive, her umbilical cord still attached to her mother. When he cut the cord, the baby let out a cry. Tragically, her mother had died after giving birth, as had her father and siblings.

“A new heart I will give you . . . “: Part Two by Beth Bartlett

You can read part 1 here.

Hope: What is a heart transplant if not hope? In granting the possibility of new life out of death, it is the essence of hope. Yet, hopefulness is also knowing death is imminent and finding a way to live well into that knowledge. The impulse of hope encourages us to go on despite the odds. Hope indeed seems to spring eternal. In my darkest days, something would come along and lift me up. Hope is a testimony of the human spirit, lifting us up, refusing to refuse us. This new heart brought hope to me, and I believe that in our going on together, we carry the hopes of my donor’s loved ones as well.

From the Archives: Storytelling as a Spiritual Practice by Nurete Brenner

This was originally posted on April 10, 2019

“The master’s tools will never dismantle the master’s house.” Audre Lorde

Question: What tools do we have that are powerful enough to dismantle the Master’s house?

Answer: Storytelling.

Storytelling does not belong to the “master.” Storytelling is subversive because it belongs to the collective and not to the individual; it gives agency to the powerless; it is not dependent on time or money, and it makes visible those who are overlooked and ignored in our globalized industrialized system.

We are not seeking to overthrow the patriarchy or “master,” and replace him with a queen. We are seeking something which Riane Eisler (2002) would call a partnership society or a society in which polarities are well balanced, in which the masculine and feminine values which we all hold are given equal weight. We have become so indoctrinated in the patriarchal master’s way of thinking that we think we need some show of force, some violence, some upheaval to create the more beautiful world. But – truthfully – it won’t look like that. It might actually look like a group of women and men gathering together in a circle, in community, to tell stories. Storytelling is subversive because it belongs to the community; it is a medicine to transmute the toxins of industrialized society; it is a spiritual practice. Storytelling is the antidote to empire.

Radical Joy by Beth Bartlett

On Christmas mornings my brother, sister, and I had to wait patiently upstairs until we heard the music playing. Then, at last, the trumpets and voices singing “Joy to the world!” beckoned us down to the living room, with presents piled high under the brightly lit Christmas tree and stockings filled to the brim hung by the roaring fire. As a child, I experienced Christmas as a most magical and wonderful time of year, but it wasn’t just about getting presents. Strangers greeted each other with good cheer, wishing each other a “Merry Christmas.” Children visited the homes of the elderly and housebound, brought them cookies and sang carols. People were different – kinder, friendlier, more open-hearted, more forgiving. These are the true gifts invoked by the Christmas season, and I often wondered why we couldn’t continue these all year. I still do.

FREE OUR CHILDREN by Esther Nelson

I remember a poignant conversation with my sister when our children were young. Our biggest fear at the time? How would we ever manage if one (or several) of our children refused to speak to us as they grew into young adulthood? Stories swirled around our social circles about a son or daughter who wanted nothing to do with their family of origin. These estranged children frequently put physical distance between themselves and their parents.

That fear eventually became my reality. I despaired.

Like many parents, I lacked experience and maturity while raising my children. I didn’t have the wisdom to understand, trust, and apply the message of the Lebanese-American writer/poet, Kahlil Gibran (1883-1931). Had I done so, not only would I have avoided a lot of grief, but my children would probably have had an easier transition from childhood towards independent adulthood.