Miriam MacGillis Discusses Thomas Berry’s View of the Universe, Transcribed by Janet Rudolph

Introduction: Miriam MacGillis is a modern-day prophet who not only holds a broad understanding of cosmology but brilliantly expresses it. She was an early colleague of Thomas Berry, introducing many people to the Story of the Universe. I have had the great honor of transcribing the tapes of her lecture series called Education for a Small Planet from 1986. Below is an excerpt from Tape 1B. It is edited for clarity. Excerpts from tape 1A can be read here and here.

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Thomas Berry speaks about three principles which have been at the heart of the unfolding of the universe from the beginning. They are very simple and can’t be separated. I’m just separating them now [to discuss them]. In reality they’re three in one. They are extremely simple. Very often, the simplest things are the hardest things to grasp. But once we really begin to reflect on them and their implications, it’s so logical, so clear, so simple.

The first is the principle of differentiation. When we talk about the universe and its guidance system, this principle becomes even more highly articulated when we get to the Earth. It’s a very simple dynamic. Literally, all it means is that from the very beginning everything that is, is differentiated. You couldn’t have a universe unless there was differentiation of its elements. Because hydrogen and helium and carbon or whatever, grow into more complex structures . .  it’s because they are different that they interact with each other and in that interaction cause each other to change. They cause each other to break down from being what they are in their simple state. In the dying of what they were in their simple state, they change and become transformed into something more complex.

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Soul-Fully Scripting Flesh: Poetic Justice & Joy by Margot Van Sluytman

Ours is a city of abundant tattoo shops. Places, I was to learn, where art and heart are rife. Places in which rich conversations occur. Conversations that linger long after the ink has begun to settle.

Wending my way to find the place to begin the process of scripting my skin, I spoke with a young man. His back was bent as he focussed on his animal friend and for a short while, before approaching him with my questions, I read the ink that covered his arms and legs. So many designs, descriptors, expressive strokes of thought and meaning known only to him. Hieroglyphs wherein his voice, his many selves, were revealed, yet hidden unless conversation were struck and desire to speak forthcoming. Wherefrom grew his choices?

I decided to cross the street and to ask him the meaning of some of his tattoos, the ones that spoke most vocally to me. As I moved closer, I spotted the script on his wrist. Script among an array of the colours and images. That script struck me. A fragment from The Tempest. Caliban’s words.

Be not afeard; the isle is full of
noises,
Sounds and sweet airs that give
delight and hurt not.
 

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