Let’s Keep Dancing by Esther Nelson

My children remember when they were in elementary school, I played Simon and Garfunkel’s popular song, “I am a Rock” (written by Paul Simon), several times daily.  I loved it.  Stark and sad, yet brutally honest, the song reflected an aspect of myself I did not realize anybody else knew about.

The narrator, early on, sings “I’ve built walls.” We soon learn that the “deep and mighty” walled fortress’ job is to keep pain—understood to be a direct result of friendship—at bay.  Even more poignant is the narrator’s assertion that love is the culprit of shed tears so they refuse to “disturb the slumber of feelings that have died.”

The fourth stanza follows:

I have my books
And my poetry to protect me
I am shielded in my armor
Hiding in my room, safe within my womb
I touch no one and no one touches me

I am a rock
I am an island

And a rock feels no pain
And an island never cries

Day in and day out, playing this song over and over again, I felt comforted knowing that at least one other person in the world understood me.  It took years to gather enough courage and strength to venture out from my “deep and mighty” fortress, peel away my insulating armor and allow myself to take part in Lord Shiva’s invitation to partake in the dance of the universe, risking (and receiving) pain, but also feeling the wide gamut of emotions—including joy—that one experiences when engaged with the living.

Why was I so fearful?  Why did I feel the need to “close off?”  I attribute one of the reasons I led such a frozen existence for so long to the impossible standard of behavior—especially for girls and women—set by the faith community I was born into and remained in for decades.  Of course, some of my peers didn’t feel the constriction and heaviness of the institution in the same way I did.  But for me, I believed that achieving holiness (as defined by the group who insisted that they based their standard on God’s Word) would ultimately give me a sense of belonging and love I so craved.  That never happened—not within this group.

My role model was Mary, the mother of Jesus.  Obedient, compliant, passive, but most of all, a virgin.  When told by the angel in Luke 1 that she (Mary) would conceive and bear a son (Jesus), she was perplexed, “How can this be, since I am a virgin?”  The angel’s explanation seemed to satisfy her so she replied, “Here I am, the servant of the Lord: let it be with me according to your word.”

And there it was—in a nutshell.  Be the actor in somebody else’s agenda—an object for male purposes.  Attempting to live, think, and feel “outside of God’s plan” (as defined by those in charge) won’t bring contentment.  No need to learn from experience because God’s instructions enable us to bypass that step.  Experience sullies us.  Wait on God’s timing.  Keep yourself untainted from the world.  Use restraint.  Perform needed tasks perfunctorily.  Your feelings don’t matter. Holiness does.

I recently saw the movie, “Call Me By Your Name.”  It’s a coming-of-age love story between 17-year-old Elio and 24-year-old Oliver.  Oliver is an American PhD student studying for six weeks in Italy with Elio’s father, Mr. Perlman, an archaeology professor.  When Oliver returns to the United States, Elio is devastated.  Elio’s father speaks gently and lovingly with his hurting and confused son, telling him he noticed the intense connection he had with Oliver.  “You had a beautiful friendship, maybe more than a friendship. And I envy you.”

Mr. Perlman, very much the antithesis to Paul Simon’s song, continues: “In my place, most parents would hope the whole thing goes away, or pray that their sons land on their feet soon enough, but I am not such a parent. In your place, if there is pain, nurse it, and if there is a flame, don’t snuff it out, don’t be brutal with it. Withdrawal can be a terrible thing when it keeps us awake at night, and watching others forget us sooner than we’d want to be forgotten is no better. We rip out so much of ourselves to be cured of things faster than we should that we go bankrupt by the age of 30 and have less to offer each time we start with someone new. But to feel nothing so as not to feel anything—what a waste!”

It’s a beautiful monologue conveying Mr. Perlman’s acceptance of his son’s sexuality, but it’s so much more than that.  Hadn’t I withdrawn from feeling in my life in an attempt to stay pure?  Hadn’t I tried to keep pain at bay, protected by my books and poetry?  Hadn’t I been brutal with myself for wanting to experience something, anything and then feeling guilty about breaking the rules?  Hadn’t I endeavored to feel nothing in order to not feel anything?

We all suffer pain and loss during our sojourn in this earthly realm.  Death of loved ones.  Children and parents become estranged from one other.  Unemployment.  Sickness takes a toll on our dignity and financial resources.  Right now, I’m facing the loss of the “daily-ness” of a long friendship as my friend plans to move several hundred miles away.  It’s tempting to deny the pain, stoically move on, and cocoon myself within those impenetrable, “deep and mighty” fortress walls.  But, what a waste that would be.

I’m choosing to nurse (embrace) the pain, to not snuff out the flame, and be grateful that I did not sit on the sidelines, but actively partook in this particular dance of friendship.  As Garth Brooks sings, “I could have missed the pain/But I’d have had to miss the dance.”  The dance is where it all happens, and I plan to keep at it.


Esther Nelson is an adjunct professor at Virginia Commonwealth University, Richmond, Va. She has taught courses on Human Spirituality, Global Ethics, Christian-Muslim Relations, and Religions of the World, but focuses on her favorite course, Women in Islam. She is the co-author (with Nasr Abu Zaid) of Voice of an Exile: Reflections on Islam and the co-author (with Kristen Swenson) of What is Religious Studies? : A Journey of Inquiry.

Author: Esther Nelson

Esther Nelson teaches courses in Religious Studies (Human Spirituality, Global Ethics, Religions of the World, and Women in Islam) at Virginia Commonwealth University, Richmond, Virginia. She has published two books. VOICE OF AN EXILE REFLECTIONS ON ISLAM was written in close collaboration with Nasr Abu Zaid, an Egyptian, Islamic Studies scholar who fled Egypt (1995) when he was labeled an apostate by the Cairo court of appeals. She co-authored WHAT IS RELIGIOUS STUDIES? A JOURNEY OF INQUIRY with Kristin Swenson, a former colleague. When not teaching, Esther travels to various places throughout the world.

15 thoughts on “Let’s Keep Dancing by Esther Nelson”

  1. Beautiful writing! I am sorry your friend is moving so far away.I wish I had choosen to dance more often in my younger days,but I am thankful for what I’ve learned along the way.Keep dancing!


    1. Thanks, Teresa, for your comment. I have that same thought–wish I had chosen to dance more often. But, we do have “now” and we can both choose to dance up a storm these days! ;-)


  2. I sent this to my son, who has ADD and is extremely sensitive, withdrawn, depressed, and anxious, in a desperate attempt to protect himself from the ever-present possibility of rejection. Unfortunately, his isolation just makes him lonelier and creates more pain.


    1. Thank you for commenting, Katharine. Can empathize with the sadness and pain you no doubt feel regarding your son’s situation. You both carry a heavy burden. My hope is that some day in the not too distant future our society will prioritize the needs of those who live on the margins. Right now that seems like a long way off.


  3. I was an expert at protection, Esther! Certainly know what you are talking about. How it feels as a place of safety. And being an island did help me survive. But there is so much more to life than survival. Now that song from “the King and I” is in my head! “Shall we dance….”

    Liked by 1 person

  4. My favorite Simon and Garfunkle song is “Bridge Over Troubled Water.” I think the first time I paid attention to it–really paid attention–was in graduate school……and we all know what life is like at the bottom of the food chain in graduate school. The building I live in was recently tented for fumigation, so everybody had to move out for three days. I boarded my cats and went to stay in Santa Ana with friends I’ve known for 25 or 30 years. After I came home and phoned to thank them again, I told my friend she was my “bridge over troubled water.” (I’ve also seen the new touring production of The King and I.” It’s excellent.)

    Thanks for writing this blog and reminding us all of Paul Simon’s great music and how songs help us through our lives.

    Liked by 1 person

  5. Love your title Esther —
    reminds me of Emily Dickinson —
    like Shiva — her dance of nature
    so tender, she says:

    “His Labor is a Chant —
    His Idleness — a Tune —
    Oh, for a Bee’s experience
    Of Clovers, and of Noon!”


  6. What a beautiful post! You make me think that perhaps we all need to go through each day as if it was a dance, dancing with whatever comes along, grateful for even the pain because it means we are still alive, still engaged, still connected enough to feel loss. This post has so much to think about!


  7. Learning how necessary it is to embrace our pain and stay with it opens us to the experience of joy like nothing else does. Every time I find myself pulling away from what I am feeling whether it be sorrow or anger I remind myself of this hard earned truth.


    1. Yes, exactly, Sara. When Mr. Perlman tells his son, Elio, “We rip out so much of ourselves to be cured of things faster than we should…,” the viewer can tell Mr. Perlman understands the truth of what he’s saying as a result of his own life experience. Thank you for your comment.


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