Exploring the F-word in religion at the intersection of scholarship, activism, and community.
Author: Judith Shaw
Judith Shaw, a graduate of the San Francisco Art Institute, has been interested in myth, culture and mystical studies all her life. Not long after graduating from SFAI, while living in Greece, Judith began exploring the Goddess in her art. She continues to be inspired by the Goddess in all of her manifestations, which of course includes the flora and fauna of our beautiful Earth.
Judith has exhibited her paintings in New York, San Francisco, Mytilene Greece, Athens Greece, New Orleans, Santa Fe NM, Taos NM, Albuquerque NM, Houston TX and Providence RI. She has published two oracle decks - Celtic Goddess Oracle and Animal Wisdom Oracle and is hard at work on an illustrated fairytale - Elena and the Reindeer Goddess.
In the origin stories of the Greek deities the overarching importance of water, which surrounds their domain, is undeniable. Water held the power of life, death and renewal.
In each successive pantheon of Greek goddesses and gods — the Primordials, the Titans, and the Olympians — a goddess and a god ruled the seas together. During the time of the Primordial deities, it was Thalassa and Pontus, followed by the Titans, Thetys and Oceanus, and Doris and Nereu, and finally by the Olympians, Amphitrite and Poseidon.
“Amphitrite, Greek Sea Goddess,” gouache on paper, 11″ x 17″ by Judith Shaw
The exact day of the Winter Solstice ushers in what I think of as the Winter Solstice Season — a ten day period when, in the northern hemisphere, the sun barely moves from it’s most southerly position in the sky. The days are very short and the nights are long, long, long.
At this time of year I embrace the worldview of my Celtic ancestors who relished the darkness in a way that is foreign to us today. Every day began at dusk not dawn. The new year began on October 31, as the cold set in and the world turned toward the dark. The harvest was in, thanks were given, and nature was moving into its period of death. I find an inherent wisdom in this counting of time.
In this moment, my connection to trees feels especially profound. I find such beauty in the winter trees, naked of their green and golden finery, etching stark lines in the sky. As we drew near to the solstice, I felt compelled to create a new painting that expresses my love for winter trees and the Winter Solstice.
During these transitional times, as the patriarchy struggles to maintain control, I turn to the wisdom of Medb, Celtic Sovereignty Goddess, who speaks to me in this difficult moment shaped by the MAGA movement.
Medb (pronounced maythv) ruled over war, fertility, and the earth. In ancient Ireland, a man could only become king of Connacht by undergoing a ritual of intoxication and entering into a sacred union with Medb at Connacht’s mystical center.
Halloween, with its Celtic pagan roots in the sacred day of Samhain, which later morphed into a Christian holiday, is now mainly a nonreligious celebration in Europe and North America. It’s enjoyed by both young and old with scary outdoor decorations, parties, spooky costumes, haunted houses, carved pumpkins, and candy-giving.
I was captivated by a bunch of wispy, weedy zinnia flowers on my dining-room table, with its bright blossoms sprinkled on the curling stems. The zinnias pulled me from my current obsession with sea goddesses into a different zone, into the Kingdom of Plants (Kingdom Plantae). The Plant Kingdom is an important part of Goddess manifest, having come into being long before the appearance of our human family. It’s no wonder that flowers and other members of the Plant Kingdom play an important part in the mythology of our ancestors worldwide.
Modern science has proven what ancient myth has long told us about our Earth — billions of years ago our world was a water world. It’s not surprising then to find water-based creation stories and goddess mermaids in the myths of our ancient ancestors.
Artists tend to develop their own visual language over the course of a career, returning again and again to certain motifs. That’s certainly the case for me with trees, women and goddesses, doorways and passages, ancient symbols, flowers, and animals — in particular birds — emerging again and again.
Many neopagans and modern Goddess worshipers mistakenly equate the triadic nature of some Celtic Goddesses with the Triple Goddess concept first popularized by Robert Graves in his book, The White Goddess. Graves stated that Goddesses were frequently found in triplets as Maiden, Mother and Crone. But there is nothing found in the ancient stories of Celtic Goddesses to indicate that the Triple Goddesses were known as Maiden, Mother and Crone.
From the Great Unknown, oil on canvas, 34″x36″ by Judith Shaw
On May 12th families will gather together in the United States to celebrate another Mother’s Day. This is a good time to reflect on mothers, motherhood and why we take a day to celebrate our mothers.
“Yemayá, Mother Goddess,” oil on canvas by Judith Shaw
If the saying “Children are the future” is true, then it must also hold true that exposing children to a worldview which supports a loving world is important. Authors, illustrators, animators, musicians, and film and tv producers are hard at work creating stories that nurture children’s capacity to follow their dreams, to share, to resolve conflict peacefully, and to love and accept themselves and others.
Feminism and Religion 