I was at a dinner party for twelve lovingly prepared by two ex-pat friends, when the subject of Woody Allen’s most recent film came up. I don’t remember which one of them it was, because, as I said at the time, “I vowed never to see a Woody Allen film again as my response to the way he treats women in his films and in his personal life.” I was immediately challenged by–it seemed to me at the time–everyone else at the table.
“But this is not just about keeping an artist’s personal life separate from his work,” I responded, “Don’t you remember the film where Woody Allen was over 40 and having an affair with Mariel Hemingway when she was a teenager? Or the one about the doctor who had his wife murdered got away with it?” At this point a white male academic film critic interrupted to point out that I (who by the way also had a Ph.D.) simply did not understand what makes a film or a filmmaker great. And that was the end of the conversation. Continue reading ““There She Goes Again”: Speaking about Art and Sexual Violence by Carol P. Christ”


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The Handmaid’s Tale on Hulu has become my latest guilty pleasure. I rarely watch television and when I do my channel is set to MSNBC. But the news has been almost too much to handle. I still find myself living in disbelief that we are a nation under the Trump Administration. And it seems that if you miss one day of the news cycle, you’ve missed a year with all the Trumptastic failures that continue to arise.
Recently at a discussion of Goddess and God in the World, Judith Plaskow and I were asked if the dialogue across religious difference we embody and advocate in our book is a “liberal thing.” Can it, the questioner wondered, occur with those who do not have a liberal view of religion and religious meaning?