When Every Day Will Be Tu B’Shevat by Ivy Helman.

ivy tree huggingTomorrow is Tu B’Shevat, the New Year of the Trees, or their birthday.  It is the day of the year when all trees, regardless of when they have been planted, turn another year older.  The rabbis standardized this day in an effort to minimize complexities, since in the land of Israel, fruit can only be eaten from trees that are four or older (Leviticus 23-25).  Tu B’Shevat, then, on a practical level, marks how old fruit bearing trees are.   

The holiday has evolved since then.  In the 16th century, Kabbalistic mystics developed a seder to celebrate the holiday, which involved eating certain fruits, drinking both red and white wine, saying blessings, and reading certain mystical texts.  Each type of fruit one eats has a specific mystical meaning whether the fruit is completely edible (i.e. apple), has an inedible pit (i.e. olive), has an inedible shell (i.e. pistachio) or has a covering one generally wouldn’t eat, but could (i.e. orange). To this day, many congregations observe the holiday by hosting their own Tu B’Shevat seders often ripe with such kabbalistic overtones.  Continue reading “When Every Day Will Be Tu B’Shevat by Ivy Helman.”

Wolf – The Call of the Wild by Judith Shaw

judith shaw photoHowling wolves on a winter’s night sets the human heart aflame with fear – their legends are terrifying. Yet there is another side to Wolf. Deeply relational by nature, wolves are highly intelligent animals, excellent hunters and devoted to family. Human connection to wolves dates back to at least 20,000 BC in Southern Europe, where cave paintings of wolves have been found.

Continue reading “Wolf – The Call of the Wild by Judith Shaw”

Forgive Me My Ancestor(s) by Elizabeth Cunningham

Elizabeth Cunningham

When I was a child in the 1950s we often played cowboys and Indians. There is a photograph of my brother and me in no doubt inauthentic costume complete with feathered headdress. In kindergarten I named myself Morning Star. (I just googled and see that I must have gotten the name from the 50s television series Brave Eagle, the first with an indigenous main character. Morning Star is the female lead.)

When I was a teenager, my aunt came across a privately printed book The Gentleman on the Plains about second sons of English aristocracy hunting buffalo in western Iowa. My great grandfather accompanied them as their clergyman. I wish I could find that book now to see how this enterprise was presented. In my adolescent mind these “gentlemen” looked like the local foxhunters in full regalia. On opening morning of foxhunt season an Episcopal clergyman (like my father) was on hand in ecclesiastical dress to bless the hunt and then invited to a boozy breakfast. Continue reading “Forgive Me My Ancestor(s) by Elizabeth Cunningham”

The Storyteller by Sara Wright

When I walked into the space a bolt of light shot across the room and struck me so forcibly that it felt like it shattered the cells beneath my skin. Did this occur before I glimpsed her bronzed moon shaped face? I will never know. I sat down almost in front of her, sizzling with the uncomfortable buzz that seizes my nervous system when what I call, the Powers of Nature, have taken over my body/mind. I gazed at her in a dazed sort of way. She wore silver and white, and the two sharply contrasting hues shone so brilliantly my eyes ached…

As she began to speak about the Navajo Blessingway, I drifted effortlessly into a light trance in spite of the static. Honeyed words poured out of her mouth as she slipped from her Native Dine’ language into English and back again; creating a profound musical intonation that made it difficult for me to concentrate on the stories. Initially. All that music. Layers upon layers. I had entered the Forest of Enchantment.  Continue reading “The Storyteller by Sara Wright”

Flicker’s New Year Gift – Part 2 of 2 by Sara Wright

[Continued from yesterday…]

All sentient creatures are negatively affected by the deaths of one species.

And still people refuse to see.

As I wrote about the loss of trees and woodpeckers old tree memories surfaced without warning. Resolutely, I faced my past…

Thirty five years ago I left the coast of Maine because trees were being slaughtered and their insides ground up so million dollar homes could be built. Initially, I believed that I escaped tree carnage by moving to the edge of the wilderness in the western hills only to discover that whole mountains were being strip logged around me. The stench of pitch nauseated me. I wept, helpless in the face of such violence. Continue reading “Flicker’s New Year Gift – Part 2 of 2 by Sara Wright”

Flicker’s New Year Gift – Part 1 of 2 by Sara Wright

January 1st dawned clear and cold as I meandered through the frosted scrub and under the graceful Cottonwoods that line the Bosque by the river. I hadn’t planned on a walk because it was so frigid but the ethereal light that precedes the dawn often becomes a “calling” I cannot resist, pulling me towards the river regardless of practical intentions.

With the snow crunching under my feet I entered my usual meditative state without effort as I circled the bog, celebrating this time of deep inner stillness. Suddenly, an intention popped into the open space in my mind, one that I had not made as part of my ritual during this fluid turning of the seasons. The words flowed directly from the trees into my body without sound. Continue reading “Flicker’s New Year Gift – Part 1 of 2 by Sara Wright”

My Feline Familiars by Joyce Zonana

When I made my breakfast, Ginger watched and waited for his own; when I worked at my desk, he slept beside me or walked across my keyboard; when I relaxed in front of the TV in the evening, he immediately jumped onto the couch and curled up in my lap. I prided myself on living alone, on my solitude—but in fact I was never alone. The cat was a constant presence in my life, a silent witness to all my actions, my deeply intimate, silent companion.

jz-headshotSixteen years ago, I was living alone in New Orleans in a lovely Craftsman’s Cottage I’d purchased the year before. In late December—just around now—a friend called to tell me about a kitten she’d seen at her Uptown veterinary office: “It’s time you got a familiar,” she declared. “I think this one’s perfect for you.” Grudgingly, I agreed to visit the vet’s office and take a look at the little black-and-white female tabby she’d seen. I wasn’t at all sure I was ready, but Mary was my priestess, the leader of our small coven, and I trusted her implicitly.

I’d lost two beloved cats—Charlie and Lisa—a few years earlier, cats who’d made the journey with me from Philadelphia—where I earned my Ph.D.— to Oklahoma—where I had my first teaching job— to New Orleans—where I’d been teaching since 1990. Charlie and Lisa had been a sort of ballast, accompanying me through huge changes of circumstance and locale, loving me and letting me love them no matter what. I’d nursed Charlie through several years of diabetes, giving him daily insulin injections, and my partner had regularly administered subcutaneous fluids to Lisa after she’d been diagnosed with kidney disease. Charlie died in our arms, and we buried him in the backyard behind my little cottage near Bayou St. John; Lisa died less gently, but she too was buried with great ceremony behind the house we later shared. Continue reading “My Feline Familiars by Joyce Zonana”

Mess and Magic, by Molly Remer

Maybe beautiful things 77381912_2495811250631082_8017831208572420096_o
don’t only grow from peace,
maybe they grow from the
soil of living,
which holds both
blood and tears
muck and magic.

Last week I tried to work on my book while the household debris whirled around me. We are supposed to be leaving for homeschool co-op in just a few minutes, I still need to take a shower, there are orders to fulfill and I really, really want to format this title page, add two attributions, and re-upload the digital file.

The toilet has a ring of water around it, or is it pee, the children come to report.

There’s a weird smell in the kitchen.

I can’t create like this, I yell.

I want to be inspiring, not so messy, not like this.

I gesture frantically, almost crying, my hair wild, my eyes frenzied.

I only have nine minutes before it is time to leave and I still need to take a shower and I haven’t finished my formatting. I stare at the screen and shout:

I only want to make things
from a place of beauty and peace.

But, then I say:

maybe beautiful things don’t only grow from peace,
maybe they need this too, this mess, in order to flourish.

I abandon my book file, left open on my screen, photo half placed and words askew and I take my shower with my heart beating too fast, my mind spinning with to-dos, and agitation thrumming through my veins.

I hastily dry my hair and we pack the car. We will be late, I know. As fly down the road there is a big buck in the road.  It is hunting season and I stop the car on the hill to watch him. Our eyes meet for a moment, he is still, his antlers are wide and beautiful, some of the nicest I’ve ever seen. His shoulders are broad and brown in the early morning sun.

Run free, big guy, I say, run free. If you go up the hill, you will be at our house and it is always a safe place.

This feels both true and beautiful.

A week passes and it is still hunting season, rifle now instead of bow, so my husband and I put on our orange vests before we go out for our morning walks, so that no one will shoot us. I have lived in a state where hunting is an established part of the culture for my entire life, so deer season is “normal” to me and I understand the purposes of it, though I cringe every November to hear the gunshots in the early morning, the wild eyes and swiveling ears of the deer whose home has been invaded with fear and risk after a summer of grazing on wild grasses and berries.

Today, as we walk, we reach the crossroads and something tugs at my attention. I turn back and look into the woods where my eyes catch on the body of the beautiful buck, lying motionless at the base of an oak tree. He has been murdered and then left behind, his large body still and silent, his beautiful antlers against the leaves, the sun glinting on a stripe of white along his belly. His legs are folded against his body, relaxed, this is not a very old kill.

My thoughts of my work and my doing and all the everything that needs my attention fall away and I am struck with grief at this senseless death. I think about his antlers and how I’ve always wanted to find some and I know that someone will come back and cut off his head to remove them. I think for a moment that it could be me who does this, but I don’t have the heart or stomach for it. I imagine taking rosemary and lavender petals to scatter over his body, I imagine laying my hands across his fur and thanking him for being here. I think perhaps that after the vultures and coyotes have done their work I will creep back through the woods and look for him, for his bones, and perhaps I will collect the antlers then, if they have not been chewed by rats or carried off by dogs. I hate that this has happened. It tortures me to walk back by and leave him there, disrespected and alone.

I leave a message for our closest neighbor asking if perhaps he shot a deer that got away and later died in our woods. I message another neighbor and ask if he thinks there is anyway the meat could still be used. The first neighbor calls me back a half hour later, I am surprised to hear his voice on the phone, as we don’t talk often. He is agitated and yelling, not at me, but about the men he found in the road yesterday who killed this animal. He heard the gunshot while cleaning his own deer from the morning and flew down the road to confront them, where he found them standing in the road, truck parked at the crossroads, the deer dead beneath the tree. This is illegal and it disgusts him, his voice shakes as he recounts the story. He tells them that he will always know what they did and they are the ones who have to live with themselves and their actions. They deny it, claim someone else must have done it and drive away, leaving the body behind. He expects they will sneak back in the night to take it, but they have not, and there he lies in the dappled morning sun.

Our employees have arrived to work and the house is full of voices and questions and people waiting for me to do things. I take a shower anyway. Showers are one of those things I occasionally withhold from myself as I desperately try to keep up with everything people need and want from me in a given day, but I take the shower and try to let the adrenaline, the anger, the sense of waste and loss wash away from me. I keep thinking about the deer, his life, my mind turning it over and over, my body filled with sorrow.

As I am putting on my lotion and simultaneously also answering calls from our bank 73292554_2486141391598068_5135782722731507712_oabout a new account, feeling rushed and out of breath, there is a knock on the front door. I quickly dress and go out to the living room, my hair still wet and ragged, and find our other neighbor standing there. He is holding two white skulls in his hands, long antlers curving between his fingers. We talk about the buck, about the waste of his life, about the disrespect and senselessness of this action. He is a hunter too and he says he has been watching this deer for more than a year and that you get to know them when you live here, that you see the same ones, sometimes every day, that there are only so many in a given range, and you get to be a part of their lives. We ask him if he knows Limpy, the doe with the broken leg that healed crookedly, but that we see almost every day, sometimes twice a day, in the field across the road.

She raised twin fawns this year, he says.

We look at each other quietly for a moment. I feel a wave of gratitude that I live somewhere where the neighbors, too, know Limpy and her babies.

I hurt my ankle in June of this year and when I could finally walk on the road again, taking my first real walk in six weeks, I saw Limpy and her twins at the end of our driveway. She looked at me for a long time and I felt a sense of kinship with her, two mothers with injured legs, trying our best to keep going.

My neighbor holds the antlered skulls out to me and says he will call the buck in to the conservation department as you are supposed to do. He says this deer has sentimental value to him and he will make a mount with his head and he is offering me these skulls in trade. I take them with gratitude, though it isn’t the same as finding my own. The antlers are whitened and smooth. One has small chew marks along two of its spikes, the others has knobby ridges along the base. They are beautiful. I hold one skull in each hand, antlers curving along my arms. They feel like precious treasures to me, something given, something received, a moment of genuine respect for a needlessly slain creature of these woods we all love.

When Mark and I walk the next morning, the buck’s body has been moved deeper into the woods, out of sight, and there is only a heavy flattened place stained dark red in the carpet of oak leaves across the forest floor and the thick smell of blood in the air to indicate that he was ever there. We know though, we shared this home ground, and I leave rosemary, lavender, and thyme scattered across the blood-soaked leaves.

Molly Remer has been gathering the women to circle, sing, celebrate, 65317956_10219451397545616_5062860057855655936_nand share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri. She is a priestess who holds MSW, M.Div, and D.Min degrees and wrote her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, mini goddesses, and jewelry at Brigid’s Grove. Molly is the author of WomanrunesEarthprayer, the Goddess Devotional, She Lives Her Poems, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Patreon, Brigid’s Grove, and Sage Woman Magazine.

 

Archy and Mehitabel by Barbara Ardinger

Archy the Cockroach and Mehitabel the Cat were introduced to the world in 1916 by Don Marquis, a columnist for the New York Evening Sun. Marquis was more than a mere columnist; he was a social commentator and satirist admired by nearly every famous writer of the first quarter of the 20th century. Franklin P. Adams, for example, said Marquis was “far closer to Mark Twain than anybody I know” (see note).

As the story goes, Marquis said he came into his office one morning to find a big cockroach jumping about on his typewriter keys. The cockroach kept climbing up the metal frame and hurling itself headfirst onto a key, one slow letter after another. He couldn’t use the shift lock (except one time when he hit it accidentally and produced an entire uppercase column), so his writing is lowercase. After about an hour, Marquis reported, the cockroach fell to the floor, exhausted after typing just one page. He never could manage punctuation, and he also had trouble with the carriage return—how many of us remember how those old typewriters worked?—but he somehow hit it every time. (My grandfather had an old typewriter like this. The keys were very stiff. I felt like my little fingers were gonna break when I tried to type.)

 

 

In his previous life, Archy was a free verse poet. As he explains to Marquis,

expression is the need of my soul

i was once a vers libre bard

but i died and my soul went into the body of a cockroach

it has given me a new outlook upon life

i see things from the under side now

Continue reading “Archy and Mehitabel by Barbara Ardinger”

Firebird’s Song by Sara Wright

In response to Carol Christ’s latest post

She came on the wings of the Owl
flew out of the crack of our imagining,
swooped low over the underground forest
hooing, hooing, hooing
screeching and clacking –
Haunting the night with her song.

I almost didn’t recognize her
inside the feathery brown cape with bars.

On Starry nights while the white moon sleeps
the cloak falls away and behold!
She steps out
in all her Firebird splendor.
Burning, crimson, gold, she crackles — turns blue
white light torching
the fire turned star.
Beaming second sight
she rises out of Earthen ashes Continue reading “Firebird’s Song by Sara Wright”