Category: Bible

The Harlot Shall Be Burned with Fire: Biblical Literalism in The Girl with the Dragon Tattoo by Sarah Sentilles

(spoiler alert)

Against my better judgment, this past weekend I went to see The Girl with the Dragon Tattoo, directed by David Fincher who’s best known for Fight Club and The Social Network. I didn’t like the book; it unsettled me that a novel filled with sexual violence against women—a novel that seems to take pleasure in the violence, to offer it up for readers to consume—became such a sensation. But I’m a sucker for a trailer and a good soundtrack, and I was curious, so I bought a ticket.

The plot revolves around a missing girl and the serial killer believed to have murdered her who uses the Bible like a handbook. He takes passages from Leviticus—21:9 for example: The daughter of any priest, if she profanes herself by playing the harlot, she profanes her father. She shall be burned with fire—and enacts them on women’s bodies. On Jewish women’s bodies.

Please click here to continue reading this article at Religion Dispatches.

Sarah Sentilles is a scholar of religion, an award-winning speaker, and the author of three books including A Church of Her Own: What Happens When a Woman Takes the Pulpit (Harcourt, 2008) and Breaking Up with God (HarperOne, 2011). She earned a bachelor’s degree from Yale and a master’s of divinity and a doctorate in theology from Harvard, where she was awarded the Billings Preaching Prize and was the managing editor of the Journal of Feminist Studies in Religion. At the core of her scholarship, writing, and activism is a commitment to investigating the roles religious language, images, and practices play in oppression, violence, social transformation, and justice movements. She is currently at work on a novel and an edited volume that investigates the intersections of torture and Christianity.

 

Son of Man: An Updated Gospel Story of Jesus Set in South Africa by Michele Stopera Freyhauf

January 12, 2012

Son of Man is an updated story of the life of Jesus set in the fictional State of Judea that is modern day South Africa – complete with warlords and child soldiers.    It could easily be mistaken for modern day Rwanda or Darfur with its modern issues and political overtones.  Roger Ebert stated, “The secret of the movie is that it doesn’t strain to draw parallels with current world events – because it doesn’t have to.”  The director draws parallels between the gospels and 21st century Africa.  According to Dartford-May, “we wanted to look at the Gospels as if they were written by spin doctors and to strip that away and look at the truth.”  The director “captures the rhythms of African life in both rural settings and sprawling townships.”  “Feather-clad young angels offer an eerie echo and reminder of Africa’s lost generations.”

The movie also sticks with what Eric Snider calls “Traditional African trial music, dance, and costumes” as a type of worship or or allusion to Jesus’ godhood.  Judea is in flux; warlords and corruption take center stage.  Poverty, violence, and oppression affect the all of the people.  The key idea is that Jesus is a freedom fighter – one that fights injustice and oppression.  The director does not emphasize “Jesus’ divinity so much as his leadership, good sense and compassion.”  Jesus is not violent and his followers, most of whom were former child soldiers, are encouraged to respond non-violently, which goes against their upbringing and training. Continue reading “Son of Man: An Updated Gospel Story of Jesus Set in South Africa by Michele Stopera Freyhauf”

A Horrific Bible Story – and Why I Read It By Dirk von der Horst

There are smart, and there are polemical, ways to think about religiously-motivated violence.  As someone who spent his seminary years thinking about Christian anti-Semitism, I was taken aback by the simplistic account of religious violence offered by Sam Harris some years back:

“Religion is the one area of our discourse in which people are systematically protected from the demand to give good evidence and valid arguments in defense of their strongly held beliefs. And yet these beliefs regularly determine what they live for, what they will die for and—all too often—what they will kill for. Consequently, we are living in a world in which millions of grown men and women can rationalize the violent sacrifice of their own children by recourse to fairy tales” (The Case Against Faith).  In response, I’d like to explore some reasons I continue to engage with violent biblical stories, taking Judges 11:29-40, the story of Jephthah, who sacrifices his daughter in fulfillment of a vow, as an example. Continue reading “A Horrific Bible Story – and Why I Read It By Dirk von der Horst”

The Barren Woman Bible By Monica A. Coleman

As I mourn the loss of my miscarried babies, it’s easy to see that the Bible’s stories of barren women were written by men.

I know that men wrote the Bible. That’s no surprise to anyone who has had a brush with feminism or biblical scholarship. But there are times when one is more aware of this than at other times. As I mourn the loss of my miscarried babies, I think of how the Bible tells the stories of barren women.

When I read about Sarai, Leah, Rachel, Hannah and Elizabeth, the story is always the same. The woman cannot have children.

Like a choose-your-own-adventure novel, the story goes like this:

Option A: You give your husband your maidservant, who then gives him a male child or two or three, and then, later, God opens your womb so you can bear a male child yourself.

Option B: You pray to God about how much you want children, and then, later, God opens you womb so you can bear a male child yourself. Continue reading “The Barren Woman Bible By Monica A. Coleman”