Last fall, my family took a vacation to Myrtle Beach, South Carolina, where I grew up. As a child, one of my favorite places to visit was Brookgreen Gardens, a wildlife preserve that was once the winter home of Archer and Anna Hyatt Huntington. Anna was a prominent sculptor of the early twentieth century, and decided that part of the property should be sculpture gardens open to the public.
When they purchased the property, many of the trails were lined with live oak trees; Spanish moss still drips like thick honey off twisted and gnarled branches that drape over bricked pathways. As a child in the Low Country, live oaks always symbolized timelessness. They felt eternal and otherworldly, and my memories of visiting the Angel Oak near Charleston on school field trips – of throwing my legs over her lower branches, bark scratching up my scrawny legs – these are memories I still carry with me when I look to what was beautiful about my childhood. Continue reading “Knowing the Live Oaks: Finding the Balance Between Historicity and Inspiration in Neopaganism and Goddess Spirituality by Chris Ash”



In the first blog in this series
Outside my childhood home grows a yellow rose bush descended from one planted by my great-grandmother, Jennie, a century ago. That bush has given her descendants many gifts of spirit over the years— her love of beauty despite a life of tragedy and constant toil, her deep connection to nature persisting through four generations, her hope for the future inherent in planting anything that will take years to fully develop. When I contemplate my own fall garden and its plants sowing seeds for next year, I ponder the special responsibility we, as spiritual feminists, have for leaving to those who will come after us a legacy of inner resources that they will need to meet the challenges of the planet they will inherit and hopefully make into their own sustainable world of equality, peace and happiness.
My spirituality is inherently creative. Deep in the creative process, I open more fully to awareness of what is flowing around and in and through me. When I can get there – to that place of fully giving myself over to Spirit as a channel, vessel, and embodiment – creation itself becomes an act of prayer, of devotion, of intense ecstatic ritual to honor, grieve with, or celebrate the Ground of Being behind all expression. I craft, dig, carve, build, dance, drum, and sing. Mostly, my art involves words – spoken and written – to create moments, spark feelings, paint pictures, or shape ideas. Words carry tremendous meaning, unconsciously as well as when we use them consciously, with intention.


This week I bought a pendant that caught my attention. It is Celtic knot work of horses, meant to represent Epona. This triggered my interest in Epona and off I went to learn more.
Thus through an enormous network of mythological narrative, every aspect of culture is cloaked in the relationship of ruler and ruled, creator and created. . . . [Sumerian] legend endows the Sumerian ruler-gods with creative power; their subjects are recreated as servants. . . . [This new narrative was] deployed with the purpose of conditioning the mind anew.(20, italics added)
Olwen (p