The Tension of Opposites: Love, Chaos, & the Wild Vortex by Chris Ash

“Perhaps it shouldn’t be surprising that a high tolerance for ambiguity, ambivalence, and a tendency to think in opposites are characteristics researchers have found common among creative people in many different fields. But professional creators… come to understand that in order to be creative, they need to give themselves to sensations of ‘knowing but not knowing,’ inadequacy, uncertainty, awkwardness, awe, joy, horror, being out of control, and appreciating the nonlinear, metamorphosing features of reality and their own thought processes — the many faces of creative chaos.”

– John Briggs and F. David Peat, Seven Life Lessons of Chaos

Christy CroftAs someone whose interfaith, nature-based spirituality regularly draws inspiration from science, I experienced my recent read of the book Seven Life Lessons of Chaos as both an affirmation and a challenge. Throughout the book, one theme emerged over and over, each time in a different context: the creative impulse – that which generates nature and space, planets and stars, love and rage – emerges from within the tension of opposites.

Creation doesn’t burst forth from one opposite overtaking another, but rather as the direct outcome of the unending push-pull swirl of outward and inward, boldness and fear, light and dark. Living in creative authenticity regularly leaves me stewing in a mix of often-contradictory feelings, and while it’s easy for me to revel in my confidence when I’m feeling bold or in my wordy wit when I’m feeling brilliant, it’s far more difficult for me to sit with wonder in times when I feel rejected, unlovable, unaccomplished, insecure, or ugly. My inner dialogue frequently finds me alternating between the opposites that pull at my heart, mind, and way of being in the world.

Really, this is where many of us often find ourselves – be smart but not too intelligent, be beautiful but not vain, be sexy but not sexual. Madonna-whore, virgin-slut – choose a side, but know that once you do you will be judged. We are asked to choose between equally restrictive and caricatured forms that have been pre-fabricated for us by years of cultural control and legal oppression – forms that emphasize who we are in relationship to others, to men, and to our religious laws, rather than honoring who we are to ourselves, to our gods, and in our chaotic brilliance. Continue reading “The Tension of Opposites: Love, Chaos, & the Wild Vortex by Chris Ash”

Garden of Eden Retold by Trelawney Grenfell-Muir

Trelawney bio picture

Today, I came up with a less patriarchal Garden of Eden story:

Endelyn (age 7): “When I think of my soul, in my name “fire-soul,” I think of a powerful wind.”

Me: “That makes sense, since one of the names in the Bible for God/ess is Ruach, which means “breath” or “wind”, but we call it the Holy Spirit. God/ess is also symbolized by the other elements: fire, air, and earth – like when she shaped Eve and Adam out of clay.”

Endelyn, “What? I don’t remember that story.”

Me: “Oh, ok, I’ll tell you.” ……

Here’s the part where I froze momentarily, thinking “how can I tell my children that misogynist failed mentor story? how? how?” <deep breath>
Continue reading “Garden of Eden Retold by Trelawney Grenfell-Muir”

What Traci West Taught Me about Dominant and Excluded Voices by Elise M. Edwards

Elise EdwardsIn my previous post, I mentioned a book I am writing about how theological and ethical considerations in architectural design can define good architecture.  In that post and in ones to follow, I am acknowledging the feminists and womanists and mujeristas who have influenced me while also opening up the dialogue to the feminists in this community who continue to inspire and guide me to do my best work.

But today, instead of talking about creativity or architecture, I want to discuss how I arrived at the conviction that community decisions about how we ought to live—whether those are decisions about laws, institutional policies, religious practices or architectural buildings—need to include the voices of the diverse people they directly and indirectly influence. Continue reading “What Traci West Taught Me about Dominant and Excluded Voices by Elise M. Edwards”

Who’s to Blame for Patriarchy? by Vanessa Rivera de la Fuente

Vanessa Rivera de la FuenteA 16 year old girl was drugged and then gang raped by 33 men in Brazil. The police arrested the boyfriend as a suspect. A 30-second video recording the suffering of the girl was uploaded to social networks, as a display of the “omnipotent” power of patriarchy on women’s bodies; a power that not only destroys wombs or bladders but also unbearably wounds the soul.

A woman was attacked in Chile by her ex-husband. Her name is Nabila. He raped her and then ripped out her eyes, in a jealous rage, because she attended a party. Months after they broke up, she dared to have fun without him.

Each day the body of a murdered woman appears somewhere in Latin America. They appear in the middle of the road, in garbage dumps, wrapped in plastic bags, among the woods or on the shore, cut into pieces, impaled with brooms, burned with acid. And as outrage grows, so violence rages with women.

Who’s to blame for Patriarchy? Continue reading “Who’s to Blame for Patriarchy? by Vanessa Rivera de la Fuente”

On Being Halfway To …Not Seeing You In August (or the Loss of Michfest) by Marie Cartier

michfest2Normally—and I mean normally as in the past thirty-seven years of my life, this is the time of year when I start thinking about the upcoming Michigan Womyn’s Music Festival and the fact that I will be seeing friends of mine from around the world for our one ten-day excursion deep into “womyn’s land.” Where I will howl at the moon with thousands of women. Where I will stay up late around my favorite campfire –the DART fire pit—where the physically challenged folks camp and where I am unofficial DART support. One of my best friends at Fest is a fabulous moonshine maker from Appalachia. Every year we have a date in the back of night stage—where literally this past year 7,000 women were dancing and singing and listening to a world class concert/rock n’ roll show under the moonlight. Way in the back my friend H. and I toasted on our annual “date” with her latest brew…that she trucked in by wagon next to her chair and her service dog. “So raise a glass,” we toasted with red cups high in the air, singing along with the woman way down front on the stage, performing in synchronicity with our toast.

This post “raises a glass” to Michigan. I have no idea whether or not this post can bring to life what it is, unfortunately now was, like there for the legions of women who trucked themselves “to the land” for forty years—but here goes. Continue reading “On Being Halfway To …Not Seeing You In August (or the Loss of Michfest) by Marie Cartier”

Sisterhood is . . . (Well) Complicated by Carol P. Christ

When I wasCarol Molivos by Andrea Sarris 2 a girl, the women in the neighborhood looked out for each other, and my mother had a wide circle of women friends. My grandmother lived nearby, and she and my mother spoke on the telephone nearly every day. My mother and I had a close relationship cemented by caring together for my baby brother.

In graduate school when I was one of a few women in a male-dominated field in a hostile environment, I discovered that “sisterhood is powerful” when I joined a group of women who came together to share experiences and change our lives. Having grown up in a community in which women supported each other, I found it relatively easy to support and seek support from women in a feminist environment.

At the same time, my newfound feminist identity deepened a rift that had opened in my relationship with my mother when I decided to go to graduate school. Continue reading “Sisterhood is . . . (Well) Complicated by Carol P. Christ”

Feministing Sarah and Hagar by Vanessa Rivera de la Fuente

sarah_hagarOne story that has marked my life as a feminist is that of Sarah and Hagar. This is a story of pain and enmity among women under patriarchy that despite its age, is still relevant to illustrate the negative effects of the androcentric socialization. But it can also hold an inspirational feminist reading that leads us towards a reflection on the amazing possibilities of a shift in the way we women look at each other.

Feminism is a political practice, an ethics for living based in an option for women. It is not or should not be a Diploma, a chair where to work from 9:00am to 5:00pm, or an excuse to act from our own privileges against other women. In private and in public, in academia or in the street, in sexual, cultural, intellectual and religious affairs, a feminist is a feminist, without excuses or regrets.

This year I was part of the anthology “Jesus, Muhammad and The Goddess” with an essay called “The Wounded Goddess: The History of Sarah and Hagar From a Feminist Outlook” from which I want to share some excerpts with you, as follows: Continue reading “Feministing Sarah and Hagar by Vanessa Rivera de la Fuente”

What Dorothee Soelle Taught Me about Creativity by Elise M. Edwards

Elise EdwardsI’m currently developing a book that considers how theological and ethical considerations in architectural design can define good architecture.  My book discusses five virtues related to the architectural design process that promote human participation in bringing out God’s intention of flourishing for humanity and creation.  Those five virtues (or values) are: empathy, creativity, discernment, beauty, and sustainability.  In the book, I’ll explain how these virtues orient design tasks to the social and ethical aims of architecture.

In this virtual space, I want to have a discussion about what these virtues mean from a feminist standpoint.  In my writing, I draw from theological ethics, architectural theory, and feminist theory to emphasize community discernment and participation.  It’s fitting, then, to claim opportunities in my work to acknowledge the feminists who have influenced me while also opening up the dialogue to the feminists in this community who continue to inspire and guide me to do my best work. Continue reading “What Dorothee Soelle Taught Me about Creativity by Elise M. Edwards”

Interpretations, Interpretations, Interpretation by Carol P. Christ

Carol Molivos by Andrea Sarris 1The Pope’s call for a new study of the possibility of ordaining women as deacons in the Roman Catholic Church and the impasse in the United Methodist Church over homosexuality and abortion, once again ask us to recognize that theories about interpretation and interpretations underlie each of these hotly contested issues. It is not only that individual texts and traditions are subject to conflicting interpretations about their meaning in their own times or in ours. The decision to cite a particular text or tradition, is itself based on an interpretation about which texts and traditions are important or reliable enough to be cited.

The Pope may be convinced that Jesus chose only twelve male disciples, and he may cite certain texts in the Bible, centuries of tradition, and recent church decisions. But others would counter that there is evidence that Jesus had many more than twelve disciples, and that Mary Magdalene was among them. Those arguing that United Methodists should not ordain homosexuals as clergy or permit the sanctifying of homosexual marriage may feel they are on firm ground when they cite Leviticus 18:22 in support of their view that the practice of homosexuality is contrary to Christian teaching. But those on the other side ask why this particular passage is held to be binding on today’s Christian communities, while (for example) the many others affirming a man’s right to have more than one wife are not.

When traditionalists cite the Bible or traditional church teachings as definitive, others may counter that their alternative reading is the “true” interpretation of these same texts or traditions. What is often lost is the fact that all interpretations of texts and traditions are situated. Although it may not be easy to convince traditionalists that the widely accepted theory of situated interpretation is true, at minimum, we should not forget it as feminists.

Thus, if we hope to change inherited traditions, feminists have two tasks. One is to bring forward texts, traditions, and interpretations that have been ignored by those who support traditional (male dominant, anti-homosexual, anti-abortion) positions. But, in doing so, we should not succumb to the temptation to conclude that our new interpretations are unequivocally “true.”

To do so would be to ignore the feminist “first principle” that all interpretations of texts and traditions are situated. If we wish to argue that traditional teachings on the priesthood, abortion, and homosexuality are situated in standpoints we might call “patriarchal” or “anti-queer,” then we must also acknowledge the relativity of our own positions as well.

When this is recognized the ground beneath us shifts. We are no longer arguing about the “true” meaning of inherited traditions. We are no longer asking: “What does the Bible say?” or “What does God say?” Instead we are asking a more nuanced question that begins with the recognition that there is not only more than one interpretation of the meaning of a text, but also more than one interpretation of which texts should be considered central to the meaning of a particular tradition. It is in recognition of the principle that every interpretation is situated that Biblical scholar Elisabeth Schüssler Fiorenza always insists that the idea that Mary Magdalene was among the disciples of Jesus is true from the perspective of women (or wo/men) seeking liberation.

When we recognize the relativity of all standpoints including our own, we recognize that the right question is not “what God has revealed,” but rather, what kind of communities we wish to create and transmit to future generations.  It is our responsibility, individually, and as communities, to answer this question.  If we wish to create communities that are more inclusive than those we have inherited, then we can choose as “true from our perspective” and even as “divinely inspired in our experience and understanding” those interpretations of texts and traditions that support the kinds of inclusive communities we believe Goddess or God calls us to create.

As feminists, we must present new interpretations of texts and traditions. But this is the beginning not the end of the task before us. We must also insist loudly and clearly that all interpretations are situated. The interpretations we advocate are not any more “objectively true” than the interpretations of our adversaries. We cannot avoid naming and examining our standpoints and justifying our interpretations in relation to them.

Recognizing that all interpretations are situated does not mean that all interpretations are equal. We can and must justify our interpretations on linguistic and historical and other grounds. We can and must reflect upon our standpoints, asking what kind of communities and worlds are justified and envisioned from the perspectives of our own standpoints and those of others. And we can and must discuss contested questions about the meaning of traditions and the nature of divinity.

Though I have been speaking about interpretations of Christian tradition, the principles discussed here apply to every religion, including those newly discovered or created. Recently I have been noticing a tendency among some contemporary Neo-pagans to assume that mythic traditions are “true” and to make definitive statements that begin with the phrase “our tradition teaches.”  But there is no reason to believe that pagan traditions are inevitably true–especially since many of them reflect patriarchal points of view–or that they are not subject to a variety of interpretations. While we can learn from traditions, we inevitably interpret them from our own standpoints. We can and must take responsibility for our standpoints and for our interpretations of every tradition.

Carol P. Christ is author or editor of eight books in Women and Religion and is one of the Foremothers of the Women’s Spirituality Movement. She leads the Goddess Pilgrimage to Crete in Spring and Fall: Sign up now for spring tour and save $100. Follow Carol on Twitter @CarolP.Christ, Facebook Goddess Pilgrimage, and Facebook Carol P. Christ.  Carol speaks in depth about the Goddess Pilgrimage to Crete in an illustrated interview with Kaalii Cargill. Photo of Carol by Andrea Sarris.

A Serpentine Path Cover with snakeskin backgroundA Serpentine Path: Mysteries of the GoddessGoddess and God in the World final cover design will be published by Far Press in 2016. A journey from despair to the joy of life.

Goddess and God in the World: Conversations in Embodied Theology with Judith Plaskow will be published by Fortress Press in August 2016. Exploring the connections of theology and autobiography and alternatives to the transcendent, omnipotent male God.

The Denied Trans-Childhood of Medusczka by Vanessa Rivera de la Fuente

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One of my articles in April featured one of the “Niñas Santas Trans”(1). I have been asked often where I came across her and if there are more liken her. Well, she is part of a colorful and provocative project of mexican trans-feminist artivist and illustrator Medusczka Gorgona, who developed a series of images that mix religion Mexican popular culture and trans identities to make visible the non-conforming childhood subjugated by heterosexual discipline.

I have known Meduscka for a while. I am personally fascinated with each one of those beautiful and cheeky “Niñas Santas Trans.” Now is your chance to meet her and her “Niñitas”(2), through this short interview she agreed to have for this site. Continue reading “The Denied Trans-Childhood of Medusczka by Vanessa Rivera de la Fuente”