In Praise of Darkness by Adam F. Braun

Adam Braun Twitter4f6abe6_jpgThis reflection was initially a part of an attempt to create radical liturgies that might connect the frequent theological bias towards ‘light’ and the implicit White Supremacy that such theologies perpetuate.  In addition, this particular reflection was inspired by a friend’s resistance to societal gender norms.

 

 

 

In Praise of Darkness

Bless the Darkness, o my soul,
that part of me that is hidden from the light
The darkness holds me before I am born.
And the moment the light hits, I want to return,
to the darkness.
In the light, I am ever analyzed
every part of me is laid bare
to identify
to categorize
to be understood
Under the light, I am but a mere object to be synthesized
into someone else’s meaning,
into a supporting role in someone else’s story.

There is no light of truth.
The light only manufactures facts and knowledge.
Damn you, light,
I do not want to be understood.

Only in darkness is there truth,
There we are forced to pay attention to that which we cannot see
And there’s nothing like SEEING  to distract from truth.

In the light, I am individual.  Separate and compartmentalized.
But in the darkness, I am and we are more.
In the darkness, we rest.
In the darkness, we transgress the gaze of the Big Other.
In the darkness, we celebrate life.

The darkness is a messianic web,
for in It I do not know where you end and I begin.


Adam F. Braun
is a PhD candidate in New Testament at the Lutheran School of Theology in Chicago.  Previously, he has worked in Emergent communities: a small congregation in NC, a Campus Ministry in Chicago, and most recently as co-facilitator of Boston Pub Church.  His interests are in the Narrativity of Religions, Materialist readings of the Gospels and Paul, and the Deconstruction of Theism within the Christian tradition.  He is completing his dissertation on a deconstruction of “Kingdom” in Luke’s Parable of the Minas.

Grainne – Sun Goddess/Winter Queen by Judith Shaw

judith Shaw photoIn the ancient Celtic world the Goddess was the One who expressed Herself through the many.  Grainne is such a one. She is both Winter Queen/Dark Goddess, nurturing seeds through winter, and Solar Sun Goddess, welcoming the rebirth of spring.  She is Aine’s sister or another aspect of Aine. She, like Aine, was honored at the summer solstice and the first grain harvest of early August with bonfires and torchlit processions on top of her sacred hill at Leinster, Ireland.  Remnants of these festivals are still found in folk ritual today.

Continue reading “Grainne – Sun Goddess/Winter Queen by Judith Shaw”

Caitlyn Jenner is a Friend of Mine

To speak ones truth is oftentimes a difficult and nearly impossible act. However, to live one’s truth, on a day-to-day basis, is an aspect of life that has become so foreign to individuals who have become so comfortable in their own skin that I fear the activist and social justice roots that we all claim to hail from have fallen at the wayside and been replaced by complacency and reductionism.

caitlyn-jenner-transformation-high-cost-surgery-clothes-house-5I’m deeply troubled by some of the anti-trans and anti-queer commentary that has been taking place on some of the comments on this blog in recent months. I’ll never forget when this project first began—talking with the founders about its original purpose: to bring the “F” word back into the mainstream religious discourse and more importantly, to be a place where scholars, young and old, senior or junior, could write, collaborate and eventually converse with across cyberspace.

However, in recent months, I’ve found myself being more of a watchdog rather than a frequent commentator on issues pertaining to feminist religious discourse. I’ve found myself reading comments about issues I may not frankly identify or agree with just to make sure that the cisgendering or anti-trans narratives do not become symbolic of what this blog is now rather than what was supposed to be at the beginning.

When I sat down to write my very first post I was scared. I was terrified that feminists from all communities would see me only as I appeared and not for whom I actually was. I was afraid that all I had worked for throughout my life would be moot with the first bad comment on one of my posts. While all of those fears were real and valid they quickly faded away as I was embraced by this community and many others for my passion rather than my gender; my life’s work rather than my privilege; and more importantly, the personal mission to make the world a safer and better place for women and girls everywhere.

To speak ones truth is oftentimes a difficult and nearly impossible act. However, to live one’s truth, on a day-to-day basis, is an aspect of life that has become so foreign to individuals who have become so comfortable in their own skin that I fear the activist and social justice roots that we all claim to hail from have fallen at the wayside and been replaced by complacency and reductionism.

Caitlyn Jenner’s story is one that many individuals, often not highlighted on this blog, know all too well. Caitlyn Jenner’s story and personal experiences are valid and for members of the feminist community to refer to her as not “feminist” or merely as a man “masquerading” as a woman while still utilizing his privilege from being biologically born as a man is troubling and the root of the problem facing many trans individuals today when they’re negotiating coming out as their true selves.

Trans individuals face a cadre of other horrible social, physical and mental statistics that oftentimes lead them to be more likely to self-harm.   However, as feminists, isn’t it our job to make sure that all groups have access to the same freedoms rather than working towards denying it for certain groups while trolling the comments sections of posts?

Shakespeare said: “To thine own self be true” and for those of us who identify with the Golden Rule, if we no longer treat others as we would like to treat ourselves, then we really have failed as feminists; and if the comments on recent blogs are any indication, we still have a long way to go before all voices can feel welcomed not only on FAR but also in the world at-large.

John Erickson is a Ph.D. Candidate in American Religious History at Claremont Graduate University. He holds a MA in Women’s Studies in Religion; an MA in Applied Women’s Studies; and a BA in Women’s Literature and Women’s Studies. He is a Permanent Contributor to the blog Feminism and Religion, a Non-Fiction Reviewer for Lambda Literary, the leader in LGBT reviews, author interviews, opinions and news since 1989 and the Co-Chair of the Queer Studies in Religion section of the American Academy of Religion’s Western Region, the only regional section of the American Academy of Religion that is dedicated to the exploration of queer studies in religion and other relevant fields in the nation and the President of the University of Wisconsin Oshkosh’s LGBTQA+ Alumni Association. When he is not working on his dissertation, he can be found at West Hollywood City Hall where he is the Community Events Technician and works on policies and special events relating to women, gender, sexuality, and human rights issues that are sponsored or co-sponsored by the City of West Hollywood. He is the author of the blog From Wisconsin, with Love and can be followed on Twitter @JErickson85

THE REFUGEE CRISIS IN GREECE: A TEST OF OUR COMMON HUMANITY by Michael Bakas, translated by Carol P. Christ

Note from Carol Christ: I returned home from the Goddess Pilgrimage to Crete a week ago to find my island, Lesbos, and my village, Molivos, overwhelmed with a refugee crisis of enormous proportions. We are a town of about 1000 permanent residents, and I would estimate that 10,000 or more refugees from the wars in Syria and Afghanistan have passed through our village in recent months. Local authorities and volunteers are exhausted, and there is an urgent need for help from the European Union. This week instead of my own blog, I am offering my translation of a moving plea for help from my dear friend and colleague in the Green Party, Michael Bakas, who by the way is himself a feminist.

Refugees in Mytiline 1914-1918There is nothing new about refugees fleeing from war. At the beginning of World War I, more than 50,000 people arrived in Lesbos from the nearby shores of what is now Turkey. At the end of the war many of these refugees returned to Asia Minor, but after the Greek army invaded and was driven back, the Asia Minor Catastrophe of 1922 sent nearly a million refugees to Greece.

Faced with an ocean of refugees flooding the island, the local population was dumbfounded, fearful, and tied up in knots. They shut their doors and averted their eyes: “it was as if a dark cloud of death had descended on their minds, and so they felt nothing. They did not want to see anything or to hear anything that was happening on the other side of their doors.” The end of this story is well-known: with courage and a great will to live, the refugees put down roots and found their way.

In the first decade of the 21st century Lesbos again experienced a wave of refugees who came via Asia Minor. This group, mainly from Afghanistan, came to the island with the hope of putting war behind them. Most of them were held for a year or more in cramped conditions near the capital of Lesbos. This center was closed in 2009 due to the efforts of local volunteers who had alerted European groups to the problem.

But the Greek debt crisis soon followed. For several years, the flow of refugees lessened. When it began to increase at the end of 2012, volunteers from all over the island came together without any government support to provide help. Thousands of refugees were housed in a former campground for children’s holidays, where they were offered clean clothing, blankets, and food, as well as love and compassion.

Lesbos became known as an all-European model for solidarity. Resisting the xenophobia that was growing in Greece and in Europe as a whole, the citizens of Lesbos reached out to the refugees, refusing to listen to those who were promoting hate. The neo-fascist anti-immigrant party known as Golden Dawn gained less support in recent elections in Lesbos than in most of the rest of Greece.

refugee children in LesbosThe good will of the people of Lesbos is currently being tested by the wave of migrants now arriving on our shores. Estimates are that more than 20,000 refugees have arrived in our island alone in the first five months of 2015. There are no systems in place to deal with them. Yes, the European Community has dedicated resources to the “refugee problem,” but most of that has gone into patrolling the borders in hopes of stemming the flood of refugees—not to helping those who arrive on European shores.

Those who arrive in northern Lesbos are being welcomed and fed by volunteers, but the Coast Guard does not have the resources to transport them to the capital city for processing. Thus they are being told—mothers and babies among them—that they must walk 60 kilometers on mountainous roads in summer heat to reach their next destination.

Once they arrive in the capital city, the Coast Guard is not able to accept and process all of them, because the reception center cannot cope with the numbers. Thus, thousands of refugees sit in the harbor, hoping the authorities will arrest them and thus be forced to process them.

The residents of Lesbos are once again beginning to become afraid of the influx of refugees. In the touristic village of Molivos, at the same time that both locals and foreigners are helping the new arrivals, others are saying that “it spoils the vacations of tourists to be faced with seeing so many refugees.”

The situation seems to be more than government officials can cope with. The mayor of the island has been trying to find a place where the refugees can stay while they are being processed. The regional government has not yet lifted its hand. The Minister of Immigration visited the island, but no interventions followed. The European Community has yet to act. The UN and international aid groups have not arrived.

This state of affairs plays right into the hands of the racists and xenophobes. Rumors are spreading about the refugees—lies about diseases they are carrying and threats they pose to local and tourist women. People who in the past have been sympathetic to the refugees and the volunteers are getting fed up. Their pent up anger could lead to violence within our own communities or against the migrants.

At the same time more and more refugees are arriving, sleeping in the streets, relieving themselves without toilets–among them pregnant women, babies and old people, and even disabled individuals—all trying to save themselves from violence in their own countries.

Instead of fighting each other, it is time to get serious about finding a solution to a humanitarian crisis of vast proportions. Lesbos—along with other islands of the Aegean—must be declared an “Emergency Zone.” The Greek government, the European Community, and international organizations must provide resources.
We need arrival centers in northern Lesbos, where the immediate needs of the migrants can be met—including shelter from the sun, food, toilets, blankets, and a place to sleep if necessary. Processing centers adequate to the numbers of refugees need to be opened in the island’s capital. Transport to these centers must be provided. Trained Greek or EU officials must be sent to staff them.* We also need a plan for August when the ferryboats being used to transport the refugees to Athens will be full, and if no alternate plans are made, large numbers of migrants will be forced to stay on the streets or in already crowded centers in the worst of summer’s heat.

It is time for us to move forward–Greeks, Europeans, and migrants together–in the name of our common humanity and in concern for the lives of all human beings on our planet. We also need to work to end the wars and the violence that drives people from their homes and homelands.

*We have just learned that the EU is planning to send a team of officials to assist with processing the refugees.

 

michael bakas2Michael Bakas is a leader of the Green Party in Lesbos, Greece and has been working for many years with its committee on Human Rights. This call to action was originally published in longer form in Greek on June 16, 2015 on Apolotaria.gr., and was published in English in Green European Journal on June 19, 2015, the International Day of the Refugee.

 

timothy jay smithTimothy Jay Smith  has been working closely with volunteers in Molyvos and Mytilini to provide for the refugees. If you wish to contribute to these efforts, you can donate through Tim’s account at PayPal: kosmosfilms@gmail.com or send a personal check to Timothy Jay Smith in U.S. dollars or Euros (French banks only). Also see his “Mister, They’re Coming Anyway.”

 

Carol P. Christ leads the life-transforming Goddess Pilgrimage to Crete (facebook and twitter).  Carol’s books include She Who Changes and and Rebirth of the Goddess; with Judith Plaskow, the widely-used anthologies Womanspirit Rising and Weaving the Visions and forthcoming next year, Goddess and God in the World: Conversations in Embodied Theology. Explore Carol’s writing.

 

Gender Identity, Religious Identity and Performance.

10953174_10152933322533089_8073456879508513260_oWhen I cover my head in respect for the Holy One, it feels right. This act touches on a religious truth of who I am. To me, it not only matches who I am, it also expresses something about who I strive to be and the relationship I want to have with G-d.

Seeing Caitlyn Jenner on the cover of Vanity Fair, I think she’d say something similar about herself. Her outward appearance touches to the very core of who she is and who she has had the strength and courage to become.   Not only that, it feels right.

Sure, there is a wide gulf between the public nature of Jenner’s cover photo and my public head covering, yet, in these two examples, I see a number of connections. First, there is the real possibility of harm and danger. Second, there is a link between outside actions that express something true about the person on the inside. Third, value is placed on the agency and autonomy of the individual carrying out those actions. Finally, there is a performativity connection between religiosity and gender. It is the last point that I find particularly compelling.

I don’t cover my head anymore on a daily basis although I used to before I moved to Europe. Even though it doesn’t feel right, with the rise of anti-Semitism, it seems like the safe and unfortunately prudent thing to do. I also don’t wear any signifying my religion except for a small star of David earring. In 2014, by the Jewish community’s own account, anti-Semitism grew 200% in the Czech Republic alone.  Statistics seems to support my actions.

Jenner too, like so many members of the trans community, now has the real threat of violence against her person. While her public persona may make her somewhat safer, too many trans men and women have been harmed and even murdered just for being themselves. In fact, many trans people live closeted lives because of this danger and the fear of rejection from family, friends and the larger society.

While not minimizing the fear and danger, I want to return to the more theoretical link between gender expression, gender identity and religious identity. In 1990, Judith Butler wrote Gender Trouble: Feminism and the Subversion of Identity. For Butler, what we think of sex and its connections to gender as masculinity and femininity often come down to a person performing gender in a way that is socially recognizable. People wear clothing, do actions, speak words and use body language that marks them as woman or man and therefore individual agents adhere to societal constructions of gender at the same time they reinforce societal expectations for men and women. Butler’s suggestion is that gender performances, that subvert “normal” discourses on gender expression, show the ways in which gender is culturally constructed. They also disrupt what has been seen as somehow inherently natural. In other words, biologically-sexed females acting, dressing, speaking and behaving in ways typically associated with masculinity disrupts what it means to be both a woman and to be masculine. This would be impossible if things were as natural as society thinks they are.

One of Butler’s goal, in my opinion, is not only to expose the culturally constructed nature of sex/gender, but also to open up individual agency to perform gender in ways that would disrupt the power these “natural notions” have over peoples’ lives. Subversive gender performances, for Butler, creates more freedom in society and would hopefully undermine blanket misogyny and disrupt patriarchal power.

Yes, Butler has often been criticized in many ways, including the attempt to erase any notion of substance behind personhood and its gendered expression especially as it relates to transgendered individuals. Butler has spoken to this specific criticism saying on transadvocate.com that, “…others have a strong sense of self bound up with their genders, so to get rid of gender would be to shatter their self-hood. I think we have to accept a wide variety of positions on gender. Some want to be gender-free, but others want to be free really to be a gender that is crucial to who they are.”20150128_132833

In the end, what is essential for Butler is individual autonomy and freedom to be. Performing sex/gender is one possible way to get there. Let me suggest another that builds off Butler’s ideas of performativity. Religiosity is a type of culturally-laden performance. After all, what are kippot, hijabi, nuns’ habits, ministers’ robes, etc.? They are religious markers tied up in gender identity.

Just as masculine women subvert and disrupt social constructions, couldn’t a Jewish lesbian perform gender in a way that she passes for an orthodox man (or woman)? Doesn’t this disrupt what it means to be both lesbian and orthodox? I think so. This passing person also destabilizes the power of orthodox men to define womanhood and women’s sexuality. She defines for herself who she is. She may very well consider herself to be orthodox and masculine, just as masculine women consider their masculinity as part of who they are.  She may connect deeply with Jewish orthodox feminine styles of dress.  Nonetheless, her outward performance expresses something about her commitment to G-d and who she is as a Jew at the same time it subverts received religious notions of gender and sexuality.  Another example is a woman minister who wears priestly attire including the black shirt and white collar.   She too disrupts power relations, gender assumptions and, for some people, the very notion of women and ordination.  Religious performance is powerful stuff.

To go back to the point I made at the beginning. I think expressions of religiosity are similar to expressions of gender. In addition, claiming for one’s self a religious identity subverts patriarchal notions of gender. Yet, most importantly, performing a religious identity often expresses an inner truth. In both of these ways, religious identity performances could create freedom, disrupt power-over and destabilize patriarchy just as Butler hopes gender performativity does.  I would modify Butler’s approach somewhat to say, “I think we have to accept a wide variety of positions on gender [and/or religious identity]. Some want to be gender-free [and/or religion-free], but others want to be free really to be a gender [and/or religious indentity] that is crucial to who they are.”

Holy Women Icons on Tour: A Motley Crew of Unlikely Saints Hits the Road by Angela Yarber

angelaSeveral months ago I introduced one of my newest Holy Women Icons with a folk feminist twist, the intrepid traveler and passionate nomad, Freya Stark. In writing about her fearless journeys to far-flung places women only dreamed of visiting in the early 1900s, I also shared that my wife, toddler, and I have decided to follow her fierce lead into the seemingly unknown. In less than one month, our journey will begin as we spend an entire year volunteer traveling throughout the United States. We have sold our home. We finish teaching summer courses at the end of the month. And in Freya’s courageous words, we have decided that “it is the beckoning that counts, not the clicking latch behind you.” The beckoning is calling us to live more gently with the earth, do more justice, and to create a more peace-filled world. And we have the privilege of radically altering our lives to follow this beckoning.

This time next month, we’ll be settled into our little pop-up camper in the Green Mountain National Forest of Vermont where we’re volunteering for three months. In the fall, we’ll do the same in the southernmost part of the Shenandoah Valley. December will find our trusty camper—aptly named “Freya Stark”—chugging east to west across the southern parts of the United States, parking in the San Francisco Bay Area so that we can fly to Hawaii to volunteer on an organic farm and lead yoga retreats for the first three months of 2016. Continue reading “Holy Women Icons on Tour: A Motley Crew of Unlikely Saints Hits the Road by Angela Yarber”

What’s Wrong with this Picture? by Elise M. Edwards

Elise EdwardsOn Monday, the picture was on my Facebook feed again: The picture of a girl lying face down in the grass under a police officer pressing his knee in her back. It was from the video of an African-American teenager being pinned to the ground by Eric Casebolt, the police officer in McKinney, Texas who was responding to calls about a pool party. When I saw the picture this time, it was in a screenshot with these words below it:

“Funny how a 14 year old bikini-clad black girl being publicly assaulted by an adult male does not accrue mainstream feminist outrage.” – Yohanna

The screenshot was taken of a post to Yohanna’s Twitter account (@maarnayeri). I don’t know her, but she troubled me.

If you haven’t seen the images we’re talking about, you can view the video here with a description of what is concurring or below from YouTube. I was reluctant to watch the video. It seems voyeuristic to view this young woman’s suffering and screaming. And, if I am honest with myself, it also seems useless. Viewing this from my computer screen, I’m in no position to help her. I hear her cries and it make me cry too. But I can’t push him off of her. When other teens tried to come to her defense, Casebolt pulled a gun on them and chased them. I don’t even have the power to get him fired from his position of authority immediately. No, we must have the investigations and inquiries and due process that seems so indiscriminately afforded to the privileged. Casebolt was put on administrative leave on Friday, and on Tuesday June 9, he resigned.

So how should I respond?

I had a conversation with one of my closest friends a couple days ago that provoked me to reflect on what to do when I’m conflicted about how to respond. Her background is in acting and theatre, and now she is a pastor and artistic director of a Christian church and arts initiative who believes in supporting arts, imagination and creativity. In our conversation about discerning the next steps in our lives, she was reminded of a book by Samuel Wells that proposes “theatrical improvisation as a model for Christian ethics.” That reminded me of books I’ve read that talk about musical improvisation or call-and-response as model for living, and some pieces I’ve written about that. Inspired by ethicists and theologians including Emilie M. Townes and H. Richard Niebuhr, I believe that to answer the question of how I should respond, I must first answer ‘What’s going on?” An improvised response or a fitting response is the response to what is already occurring. We must look at the situation critically to respond appropriately.

What’s going on in this video and the controversy surrounding it? I am certainly not an impartial or all-knowing observer, but here’s what I see:

  • A white man forcibly throws an unarmed, African-American teenager to the ground yelling “On your face!” We can see that she is unarmed because she is wearing a bikini.
  • The man is a police officer. He is upset that his authority is being challenged. Other officers are present and seem to be asking questions, but the violent one seems out of control and frantic, running around and yelling. He escalates the situation when he throws the girl to the sidewalk, which causes an outcry in the crowd.
  • As the video went viral, there were many protests and online statements against this violent event, but also statements of support for the officer. And sadly, I agree with Yohanna’s assessment. I may have missed it (and I hope I did), but I didn’t see a broad, mainstream feminist response against this violence.

I’m a feminist. I’m a black feminist. I’m a Christian feminist. I may not be a mainstream feminist (depending on your definition), but I’ll express my outrage anyway. It is sickening to watch his treatment of this teenage girl. This man’s mistreatment of a young black girl’s body is chilling. It is wrong and he should be held accountable for it.

I don’t think outrage is enough. But outrage does express that our moral sensibilities have been awakened and that we recognize that something profoundly wrong has occurred. In the face of comments that say she deserved this treatment, we as feminists must insist on the officer’s wrongdoing. “She had it coming.” “She incited him.” As feminists, we know that these kinds of statements are used in cases of rape and intimate partner violence to explain away violent actions and to shift the guilt from perpetrator to victim. The backlash against feminists and others who oppose these explanations argues that we ignore the victim’s responsibility or agency.

Bloggers and social media users know all too well the horrific statements that often appear in the comments section of online posts, videos, and articles. One comment I saw about the McKinney video says that the girl was “sassing back” at the police and that “if she wants to talk like adult then she’s going to be treated like an adult.” This kind of justification makes my blood boil! Sassing back is speaking up and saying something to an authority figure when you are expected to be silent.  While the term sassing back doesn’t exclusively apply to women and girls, it is nonetheless a phrase with gendered connotations. How many boys are called “sassy”? Is it that no one had the right to say anything to this officer running around yelling at black teen boys to sit on the ground, or is it that this black female should have kept quiet? Regardless, throwing an unarmed person to the sidewalk for supposedly saying something disrespectful is not justifiable behavior to adults or children.

I wish I knew more about what’s going on and how to respond to the violence I see in the world. I know these perennial questions subvert easy answers. I only have a partial response. I am responding with outrage and questioning and take this to my feminist community and into my spiritual practice. “What’s going on?” and “How should I respond?” are questions I ask God. I pray for justice. I pray for God’s presence in the outrage and in the investigations, and in the lives of those children who were violated.

Elise M. Edwards, PhD is a Lecturer in Christian Ethics at Baylor University and a graduate of Claremont Graduate University. She is also a registered architect in the State of Florida. Her interdisciplinary work examines issues of civic engagement and how beliefs and commitments are expressed publicly. As a black feminist, she primarily focuses on cultural expressions by, for, and about women and marginalized communities. Follow her on twitter, google+ or academia.edu.

Book review: Merlin Stone Remembered: Her Life and Works by Barbara Ardinger

Barbara ArdingerWhen Merlin Stone’s book, When God Was a Woman, was published in 1976, it was a lightning bolt of feminist scholarship that told the world that before there was a Judeo-Christian god there were goddesses, and before there were goddesses, there was the Goddess. If you’re reading this review and you have not read When God Was a Woman, buy the book. Right now. As you sink into Stone’s book, try to imagine what it was like before we knew about Isis or Inanna or Astarte, before we knew that the tree in the Garden of Eden was probably a sacred fig and that the serpent was a symbol or aspect of the Goddess and that people (mostly women) who ate figs or worked with serpents were honored priestesses and prophets. Just imagine! The work of the second wave feminists added to the work of scholars like Merlin Stone and Marija Gimbutas, but it didn’t begin until the second half of the 20th century. Before that? All there was, was God the Father, maker of heaven and earth. Yes, Merlin Stone hurled lightning bolts into our hearts and minds and bookshelves.

Merline StoneMerlin Stone Remembered is a new book edited by Dr. Carol F. Thomas, Dr. David B. Axelrod, and Stone’s life partner Leonard Schneir, with an introduction by Gloria Orenstein, professor emerita, USC. Orenstein opens the book by putting Stone’s work in context. Before the 60s and 70s, she writes, no one was ever taught anything about the matristic cultures. Yes, a few books had been written. She cites G. Rachel Levy’s The Gate of Horn (published in England in 1948, republished in the U.S. in 1963), Helen Diner’s Mothers and Amazons (1973), and Elizabeth Gould Davis’ The First Sex (1971). These books gave us some of our foundational myths, but, Orenstein writes, “we can see that although there was some writing that had already attempted to reconstruct a history of women …, much more expertise and authority were needed” (p. 8). “Once Merlin Stone provided us with her careful scholarship and a truly feminist (not biased, patriarchal) accounting of ancient Goddess cultures, I and all who found Merlin’s work were finally able to understand our herstory…” (p. 9).

Continue reading “Book review: Merlin Stone Remembered: Her Life and Works by Barbara Ardinger”

Daphne’s Salvation? by Natalie Weaver

Natalie Weaver edited

The Cleveland Symphony Orchestra last week put on a two-night production of Richard Strauss’s Daphne: A Bucolic Tragedy in One Act.  It was an outstanding collaboration between conductor, singers, instruments, and the stage and costume production and design team.  Included in the show was a lone Dancer who represented the emotional content of the music (as opposed to representing a single voice or persona in opera).  She nimbly wove about the stage painting a sort of visual poem of tones and feelings rather than articulated concepts.

I went to the show, expecting something really beautiful as I always find Strauss somehow soft on the ears.  And, it was a masterpiece to be sure.  Franz Wesler-Most, the symphony’s Music Director and the opera’s conductor, commented on the production in the program notes, observing that this opera is rarely performed because it is so difficult to sing, especially the role of Apollo.  This team made it look effortless, and it was as a result a tremendously satisfying, rich, and edifying night out. Continue reading “Daphne’s Salvation? by Natalie Weaver”