Earth’s Mystery School by Molly Remer

“Earth is a mystery school complete with initiations and discoveries that you only experience by september-2015-123living with your feelings, touching the earth, and embracing the fullness of your humanity.”

–Queen Guenivere

(awakewoman)

On Samhain morning, I wake early and mist is rising out of the forest and dancing through the field and out of the trees. I have a moment of sheer awe to see it…the veil was literally thin.

Over the weekend, I visit the nearby river to connect in personal ceremony in appreciation before the park closes for the year and also symbolically to those at Standing Rock. This river eventually meets the Missouri River. I run my hands through the water. I anoint my brow, neck, and hands. I whisper my prayers into the ripples. I sing: “I am water. I am water…I am flowing like the water, like the water I am flowing, like the water.”october-2016-065

I am hurrying outside to get some work done. I feel tight and hurried with the length of my to-do list and my superhuman plans for the day. The bright red flame of a bloom on my pineapple sage plant catches my eye and then…the perfection of a bright yellow butterfly alighting on one slender stamen. My breath catches and I stop in wonder. I smell the flower and it smells of pineapple, just as the leaves do. I can hardly believe this treasure and the tightness melts into nothing. The rest of the day is full of joy.

I am once again healed by flowers.

About twenty feet outside my house, there is a small building with a little porch and a peaked roof. Inside, there is red carpet and a purple wall, goddess tapestries draped from floor to ceiling, and goddess sculptures in abundance. march-2016-002In this building I write, work, create, and hold small rituals with a circle of friends. I call it my Tiny Temple and it is the proverbial, “room of one’s own” described by Virginia Woolf in 1929. Having a dedicated work and ceremony space in the midst of a home-based life, which includes a home business shared with my husband, and four homeschooled children, has changed my life profoundly. In the tiny temple, I feel most wholly myself: connected, powerful, free, authentic, and completely alive.

One morning, as I walk to the temple, this beautiful rose makes me drop to my knees with delight. Yes. This right here. This is a beautiful moment. As I kneel beside the rose, the Body Prayer song* wells out of me until I have tears in my eyes.

september-2016-077  “We may need to be cured by flowers. 

We may need to strip naked and let the petals fall on our shoulders, down our bellies, against our thighs. We may need to lie naked in fields of wildflowers. We may need to walk naked through beauty. We may need to walk naked through color. We may need to walk naked through scent. We may need to walk naked through sex and death. We may need to feel beauty on our skin. We may need to walk the pollen path, among the flowers that are everywhere. 

We can still smell our grandmother’s garden. Our grandmother is still alive.”

–Sharman Apt Russell, in Sisters of the Earth

I create personal ritual almost every day in my tiny temple, sometimes simple, sometimes elaborate, sometimes tearful, sometimes joyful, sometimes hurried, sometimes leisurely, sometimes distracted, sometimes astonished at the wonder of it all. The week of my rose worship experience, I smudge the temple with sage I grew in the flowerboxes by my front porch. I ring my bell 13 times. I sing “I Am Fire.” I lay out cards and tiny goddesses and create a mandala out of fallen leaves. I leave an offering of flowers from the herbs and let rose petals drop from my fingers. Ritual captivates all the senses…in this sacred space, I invoke my own senses of smell, touch, sight, sound, and wonder and the result is magic.

“Through ceremony we learn how to give back. When we sing, we give energy through our voice; when we drum, we allow the earth’s heartbeat to join with our own; when we dance, we bring the energy of earth and sky together in our bodies and give it out; when we pray, we give energy through our hearts; when we look upon our relations, we give blessings through our eyes. When we put all these activities together, we have a ceremony, one of the most powerful forms of gift-giving we humans possess.”

–Sun Bear and Wabun Wind

May we each be healed by flowers, time to ourselves to sit on the earth and sing, and the simple, every day beauties and miracles that surround us each day.

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Notes:

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Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and finished her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Brigid’s Grove

Tailtiu, Celtic Earth Goddess of Endurance by Judith Shaw

Judith Shaw photoThe Celts were fascinated by the number three – triple designs, images and triadic ideas. The Goddesses and Gods who related to the mysterious rather than the mundane nature of life were always worshiped in threes. Unlike the Greek triple goddesses who represent the maiden, mother and crone, the Celtic triadic deities reveal the mysterious, unexplainable aspect of nature and human existence. These triple Goddesses are doorways into the unknown and unknowable.

A Celtic Triad, painting by Judith ShawGuardians of the Triad, painting by Judith Shaw

Tailtiu is part of one of the Celtic primary triads. This triad of Anu, Danu, and Tailtiu is one of sovereignty reminding us of the cyclical nature of reality and the mysteries of the deep heart which transforms the ordinary into bright gold. They represent three different aspects of theTialtiu, Celtic Earth Goddess painting by Judith Shaw cycle of birth, death and rebirth. Anu is the source, Danu is the movement and Tailtiu is the endurance inherent in this cycle. Continue reading “Tailtiu, Celtic Earth Goddess of Endurance by Judith Shaw”

Festival of the Goddess by Deanne Quarrie

Deanne Quarrie, D.Min.
In late August, I wrote an article about the Tjet or the Knot of Isis, also called the Blood of Isis. I thought it a good idea to come back and write about the festival, now ended. We gathered in the live oaks and ashe-juniper trees, just outside of Dripping Springs, Texas. It is private land where we could be free in our choices of clothing, or not. The Festival of the Goddess is in its 24th year and going strong. We had close to 100 women and 28 little girls. Our Goddess this year was Isis, Goddess of 10,000 names.  We came with the intent to reclaim Her name from the hatred and violence perpetrated by those the media calls by Her name.
tyet2hhFriday night, I served as co-priestess in the opening rite which amazingly elevated every woman there. We called the Quarters, invoked the Elements and tied the Knot of Isis, with nine-foot-long, red sashes, on to bamboo poles cut with a cross bar, made to resemble ankhs. Each woman invoked her Element and the Power and Magic of Isis to guard and protect the space where we were gathered. We then called to Isis to join us. With doumbeks playing, Isis – yes, a real live Isis – walked into our Circle. She had two escorts who assisted Her up onto a platform where She spoke to everyone present.

isisShe was dressed, as you can imagine, in Egyptian robes with Her regal crown of horns and sun. On Her arms were Her beautiful wings. They were made by sewing men’s ties together with the small ends flapping in the breeze at the back. They stretched from Her shoulders to Her finger tips. Every woman and maiden there was able to come forward to receive a blessing from Isis. Many were enfolded in Her wings. Our Isis was a beautiful African American woman with long black hair, braided in knots. She completely embodied the spirit of Isis. This was her first time to ever come to a Goddess festival and I am sure when she agreed to her role in the ritual she thought it was going to be like a theatrical performance but she truly aspected Isis. It was amazing. I talked to her later and she told me that she never anticipated the intense emotional experience she had.

Once the blessings were completed, the women at the Quarters brought their Tjet-tied, bamboo poles to the center where a large piece of fabric was tied at the corner of each pole and then lifted to be carried over Isis as they processed up the hill to the Temple where She then moved to sit on Her throne.

We placed a basin of water at Her feet in which were the Waters of the World and asked for the blessings of Isis to purify and bless all of our waters, so polluted by mankind and to help all become more mindful of how important it is for our waters to be clean. From there we installed the four poles, knotted with the Blood of Isis, to stand guard at the Temple.

Everyone went from there to the large fire circle for drumming and merriment. (I went to bed.) Later, in the dark of night when no one was in the Temple, a life sized Isis was placed on the Throne. She was made with a wire frame, stuffed and dressed. Her Styrofoam head was painted to have dark skin and her hair and headdress were identical to those of our “live” Isis. She was amazing!

The next day I offered a Croning Rite, to mark that Passage for eight women, ready to be known as Crones. I was assisted in the ritual by the women who were serving as Crone Guardians for the weekend. I took them on a spiral of their lives from Girlhood, to Maiden, to Mother and to Crone. We all cried together with all the memories shared! That afternoon I did two workshops, back-to-back. The first was Yoni Printing and the other, to share what the Tjet means, as well as to teach women how to tie it. There were many other workshops – Intuitive Tarot – Breast Casting – Sacred Dance – Tara Dancing, to name just a few.

Once my part of the day was completed, I sat with good friends in the Crone Camp to enjoy the beautiful land, the shade and cool breeze – and to rest.  My old bones were tired!

Saturday night was the big talent show. This festival started out 24 years ago for women to come together and share their talents – artistic (as vendors) singers, dancers and musicians – to perform for their Sisters in a safe and beautiful environment. When we first started this it was held on a piece of property owned by Genevieve Vaughn who gifted the use of the land to us. It was an incredible space that even had indoor accommodation for women who needed beds. All of the performances Saturday night were wonderful. I will have to say that I enjoyed what the maidens offered the best of all. Such amazing talent – and those little girls up on the stage – fearless!

Sunday, I once more served as co-priestess to offer a closing ritual in which we honored all Women’s Blood Mysteries by asking Maidens who started their moon cycles this past year to come forward for a blessing. Then all who had carried a child in the past year and finally all who had stopped bleeding.
We offered our gratitude to all who had organized and made this festival such a success. It certainly does take a village! One of the women on the Planning Circle made a small ceramic Knot of Isis made into a necklace with cording, for every woman who came to the festival.

20161007_140333My own part, in addition to what I did on-site, was to take all incoming email messages with questions and respond with answers. I organized the first Crone Camp ever. We offered a tent already in place as well as cots to sleep on. It was the first time since we moved from Stonehaven that beds were offered. Our Crone Guardians helped by erecting and taking down our large tent. They were also there to help when needed. I also got to be the one who took care of all the women seeking scholarships. I told everyone that I definitely had the best job in the Planning Circle as I got to speak to so many marvelous women! I came home with new friends and a happy glow from being surrounded by so much love.

Deanne Quarrie. D. Min. is a Priestess of the Goddess. She is the author of five books. She is the founder of the Apple Branch where she teaches courses in Feminist Dianic Witchcraft, Northern European Witchcraft and Druidism. She mentors those who wish to serve others in their communities. She is also an Adjunct Professor at Ocean Seminary College and is the founder of Global Goddess, a worldwide organization open to all women who honor some form of the divine feminine.

Prayers to Black Madonna and Kali Rising by Natalie Weaver

Natalie Weaver editedThis past Saturday, I had an opportunity to sweat in a traditional Lakota sweat lodge for the first time.  It was, above all, an interesting cognitive experience for me.  I found myself sort of shaking hands with the ritual, the heat, the stones, the songs, and so on, saying, “Hi, I’m Natalie.  I have an open mind.  I am excited to know about you.  Thanks for letting me see what you are all about.”  I didn’t know whether I would pass out, have visions, or learn something new and wonderful about myself or the others.  I was curious, still, and grateful for the opportunity. I was gifted by generous people, good fellowship, and new ideas.  I will go back, even though I didn’t exactly find some thing… or maybe I did.  Maybe, I found someone, or, better, maybe someone found me.

Two days before the sweat, I received an email from one of my companions on the journey, saying something I still do not understand about the Constellation Sagittarius, the Galactic Center, and the Rising of the Black Madonna.  Although I did not understand the astronomy, I was intrigued by the call to recognize and confirm the Black Madonna.  For, without particular reason or impetus that I could identify in myself, I had been dreaming of a Black Madonna statue for some time.  After trying to find out what it was, I was able to identify it as the Black Madonna of Prague.  I have never been to Prague and was basically unaware of the rich tradition of Black Madonnas in Europe, despite four semesters of art history in college.  So, I made note of my dreams, with a promise to myself to seek them out whenever and wherever I travel.  I also purchased little trinket at a Canadian gift shop, which sits on my desk as a guide and companion.
Continue reading “Prayers to Black Madonna and Kali Rising by Natalie Weaver”

The Emperor’s New Clothes by Barbara Ardinger

On the day the Big Boss decided he wanted to be the Emperor of Everywhere, the first thing he did was pull on his red cap embroidered with the words Make Me Greater Again. He tied the strings under some of his chins and adjusted the earflaps so he could more plainly hear the Spirit of the Cap. The first thing the Spirit of the Cap told him was that an Emperor needed appropriate clothing. The Big Boss pulled out the mail-order catalogue from which he ordered his custom-tailored suits and paged through until he came to the perfect photograph of the perfect Emperor’s New Clothes, which was a royal robe of pure silk the color of peacocks’ tails. “Yesss,” said the Spirit of the Cap. “Order this one.” The Big Boss picked up one of his phones and placed the order. “I want it right now,” he told the operator. “I am very, very important. I always demand very, very immediate service.”

red capWhen the Spirit of the Cap upon which were embroidered the words I Am Always Very, Very Great told the Big Boss he needed consultants, the Boss called his posse together and ordered referrals. “I always get what I want very, very quickly,” he told the posse, which consisted of several of his wives and the goodfellas that ran the real estate where Ladies of the Night and their Good Friends gambled the nights away. “I make very, very good deals,” said the Big Boss. “Find me some very, very good advisors. If you don’t, you’re fired.” Continue reading “The Emperor’s New Clothes by Barbara Ardinger”

Elen of the Ways by Judith Shaw

Judith Shaw photo

Dawn follows darkness; shining day gives way to starry night – cycles of change and flow.

Elen of the Ways is She who guides us on these paths of change.

Continue reading “Elen of the Ways by Judith Shaw”

Weaving and Spinning Women: Witches and Pagans by Max Dashu: Reviewed by Carol P. Christ

carol p. christ photo michael bakasMax Dashu’s  Witches and Pagans: Women in European Folk Religion 700-1000 challenges the assumption that Europe was fully Christianized within a few short centuries as traditional historians tell us. Most of us were taught not only that Europe became Christian very rapidly, but also that Europeans were more than willing to adopt a new religion that was “superior” to “paganism” in every way. Careful readers of Dashu’s important new work will be challenged to revise their views. When the full 15 volumes of the projected series are in print, historians may be forced to hang their heads in shame. This of course assumes that scholars will read Dashu’s work. More likely they will ignore or dismiss it, but sooner or later–I dare to hope–the truth will out. Continue reading “Weaving and Spinning Women: Witches and Pagans by Max Dashu: Reviewed by Carol P. Christ”

Hey, Diddle, Diddle by Barbara Ardinger

Hey, diddle, diddle
The cat and the fiddle.
The cow jumped over the moon.
The little dog laughed to see such sport
And the dish ran away with the spoon!

From her lips to our ears.

What is this? Maybe it’s an absurdist play. An operetta. An oracle. A carnival. Or all at once. I’m only a Seeing Woman, not a Priestess or a Thealogian, but I’ve permission to be present at great events and small. So I was there. I was watching. It was indeed a carnival, but one of our old-time carnivals where we celebrate all there is celebrate in life. Not one of those new-fangled carnivals of those new religions, where they grab everything good they can for one day before they have to give up all the pleasures in life while their god does…well, whatever he and his disciples and prophets do up there in the sky.

Dish and spoonWhat on earth, I hear you asking, got into that dish? Why did she run away? Well, let me tell you. It was at one of our last carnivals. It was an enchantment. That dish was our Princess, and she was under the enchantment. Actually, the whole Royal Family was enchanted. The warriors came galloping in from the steppes beyond the river, but first they sent a Prince. He told our Queen that they were coming to “protect” us, that they were bringing new gods to us. Bringing what they called new civilization and new ways, bringing us what they called “good news.” Well, our Queen and Her Consort were rightly skeptical about all these news, and they locked the Princess up in a safe tower. Kept her there for who knows how long while that handsome but rapacious Prince came and went and the warriors surrounded our lands. Back and forth, back and forth. It was them that declared the carnival and threw that enchantment on all our important people. The Prince lured her down out of the tower—he’d stolen the magic words that unlocked the door—and then he told her he was going to eat her up. She thought it was a joke. He dressed himself up as a big spoon and persuaded her to dress herself as a dish. And then, when the invasion got serious, she ran away with him. Maybe she thought she was saving herself. Continue reading “Hey, Diddle, Diddle by Barbara Ardinger”

Digging My Well by Joyce Zonana

James River
The James River

I write this from the heart of a ten-day silent yoga retreat deep in central Virginia.  The peace within and without fills me as I gaze over the James River, meandering through its wide valley, thickly carpeted in green.  The late summer thrum of cicadas rises and falls around me, and in the far distance I hear what sounds like a mower circling a field.  Earlier today, during meditation, I watched a pileated woodpecker pry its meal from the hollow of an ancient oak.  Rather than silently repeating my mantra with eyes closed, I had my eyes open, and I experienced the sacred vibration in the bird’s rhythmic taps.

440px-PileatedWoodpeckerFeedingonTree
Pileated Woodpecker

Now a soft breeze touches my face, bringing with it the sweet scent of wet grass.   “There is a blessing in this gentle breeze,” I remember the opening of William Wordsworth’s Prelude, and I am reminded as well  of Elizabeth Barrett Browning’s heroine Aurora Leigh, celebrating “the body of our body, the green earth.”  Yes.  This earth is my body, and I am blessed to be in it, here, at the ashram of my guru, Swami Satchidananda, silently  practicing hatha yoga, meditating, breathing, simply being.

Continue reading “Digging My Well by Joyce Zonana”

Killing Us Slowly by Judith Shaw

Judith Shaw photoKilling us slowly with your rules.
Killing us slowly with your technology.
Killing us slowly with your bureaucracy.
Killing us slowly…….

Continue reading “Killing Us Slowly by Judith Shaw”