“Ritual that is alive encourages each person to touch what is sacred in their own way, in their own time, through their own unique experience. So there evolves a dynamic dance between guiding and shaping the group’s experience and encouraging and supporting the individual’s experience, so there is a smooth and cohesive flow to the ritual.” –Suzanne Reitz and Sandy Hoyt (Celebrating, Honoring, Healing)
As a practicing priestess, one of the dynamic dances that I engage in is with the power of story. I both find that women’s stories are the vital lifeblood of conscious engagement and power-building with one another and that they can be one of the elements that bogs down a ritual and makes it lose power and magic. This is partially because the dominant culture may teach us to bond using stories in a way that actually drain our energy through “venting,” swapping complaints, trading to-do lists, and through describing behavior, motives, and character of other people. In women’s ritual space, I encourage people to dig deep, but also to share a here-and-now connection of shared experience rather than a there-and-then rendition of past experiences.
Chameli Ardagh in her Create Your Own Women’s Temple manual from Awakening Women explains:
To hold the group and space as sacred is one of the most important guidelines, and the guideline that may bring up the most questions or protests. It goes against our habits as women and against our identification with the small self; we are quite used to creating intimacy through sharing our wounds and problems. The Temple Group is not a place for processing wounds, analyzing ourselves, solving problems, complaining about our lovers, healing our addictions or sharing the stories of the personality. Many women’s circles (and support groups or sharing circles) are focused mostly on the personality. The Temple Group is, in a way, impersonal because it focuses on the larger vast nature of our true self. In the Temple Group we focus not so much on our identity as separate women, but on the whole group as one feminine divine body and expression. The impersonal guideline may sound uncaring at first, but as you explore new ways of being intimate and nourish each other as women, beyond the words, you discover that those are infinitely more fulfilling and caring than the personality talking and processing (p. 61).
I believe that we live in a storied reality and that we are constantly in the process of
storying and re-storying our lives and that seeing our lives, and the lives of others, through a mythopoetic lens, can have a radically transformative impact on our experiences and our relationships. I have written about this for FAR in the past and noted that my personal lived experience is that stories have had more power in my own life as a woman than most other single influences. The sharing of story in an appropriate way is, indeed, intimately intertwined with good listening and warm connection. As the authors of the book Sacred Circles remind us “…in listening you become an opening for that other person…Indeed, nothing comes close to an evening spent spellbound by the stories of women’s inner lives.”
So, what is special about story as a medium and what can it offer to women that traditional forms of education cannot?
Stories are validating. They can communicate that you are not alone, not crazy, and not
weird. Stories are instructive without being directive or prescriptive. It is very easy to take what works from stories and leave the rest because stories communicate personal experiences and lessons learned, rather than expert direction, recommendations, or advice. Stories can also provide a point of identification and clarification as a way of sharing information that is open to possibility, rather than advice-giving.
Cautions in sharing stories while also listening to another’s experience include:
- Are you so busy in your own story that you can’t see the person in front of you?
- Does the story contain bad, inaccurate, or misleading information?
- Is the story so long and involved that it is distracting from the other person’s point?
- Does the story communicate that you are the only right person and that everyone else should do things exactly like you?
- Is the story really advice or a “to do” disguised as a story?
- Does the story redirect attention to you and away from the person in need of help/listening?
- Does the story keep the focus in the past rather than the here and now present moment?
- Is there a subtext of “you should…”?
Several of these self-awareness questions are much bigger concerns during a person-to-person direct dialogue such as at a women’s retreat rather than in written form such as blog. In reading stories, the reader has the power to engage or disengage with the story, while in person there is a possibility of becoming stuck in an unwelcome story. Some things to keep in mind while sharing stories in person are:
- Sensitivity to whether your story is welcome, helpful, or contributing to the other person’s process.
- Being mindful of personal motives—are you telling a story to bolster your own self-image, as a means of pointing out others’ flaws and failings, or to secretly give advice?
- Asking yourself whether the story is one that will move us forward (returning to the here and now question above).
This work is beautiful. It is complex. It is multilayered. It is simple. It is hard. It is easy. It is rich and rewarding. It is dynamic and evolving and flowing. It is never the same.
May you be blessed with many stories together.
Note: there is a detailed audio exploration of the themes of this post available here.
Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and wrote her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Patreon and at Brigid’s Grove.

For millennia, humans have told stories of goddesses who have decreed that, because terrible crimes have been committed against their female loved ones or those under their protection, our world would become a desolate wasteland. They withdrew their spiritual power that made life possible so that no fruits or vegetables would grow to nourish us or no sunlight would warm our bodies. Only when justice was done did these goddesses heal the wasteland so human life could continue.
Note: Black Panther movie spoiler alert.
When I raise my eyes to a bird soaring over me in flight, I am no longer bound to the Earth by gravity. I stop my round of daily tasks and widen my vision to view myself and our world from above through birds’ eyes. For just a moment, as I observe beyond my usual narrow horizon, I perceive truths about myself and others that have been hidden and grasp wisdom that has previously eluded me.
…and Ella can’t remember the last real meal she had. After supper with the refugees in the witch’s house, she and the witch put their heads together to begin making significant plans. She’s also been meeting all the refugees who now live on the witch’s farm. She knows first-hand why these people fled the capital and the other cities. “Oh, lordy, yes,” she says. “I used to know all the important people. My dear sisters and I went to all the big events, ate the finest cuisine—” suddenly remembering where she is, she looks down at the table “—oh, dear, but I don’t mean to criticize your cuisine.”
and settle into the slow, quiet rhythm of island life, guided by the tides, the moon, and the rising and setting of the sun. Our sleep and waking schedules change. Our priorities shift. Our to-do lists become very short. While we enjoy a creative, home-based life and business at home in Missouri, there is something incredibly freeing, and clarifying, about laying everything aside and having the biggest item on the schedule be a long walk on the beach (we walk from two to five hours each day). We actually bring our business along with us in a travel trailer, so we aren’t truly “off work” during this month, but instead of making everything as we go, we only sell the inventory we’ve already completed and brought with us, which leaves us with many extra hours a day compared to our work at home.
clear. My intense self-motivation and drive softens, my itch to get more done and to make more lists fades away, and I am left with the core of myself and discover, anew, how very much I like her.
now explore and learn from different parts of the island than we are used to and that we can find new things to do and love while here, that we need to release our attachment to past visits and the ways things used to be and enjoy discovering what is right here, right now. But, then I say that I do not want to rush to “make it all better,” but instead I would like to just sit with and acknowledge the grief, and loss, and disappointment, rather than hurrying to turn everything into a lesson.
of a quarter or smaller. My holy grail (holy snail) is a palm-sized moon shell that will fill my hand. In the morning as we walk on the previously forbidden part of the beach, I stop to take a photo of one of my goddesses on a piece of faded green driftwood. I am in that state of total presence that I experience often in our island walks, the complete immersion in the moment, stripped of all other purpose or task, but simply myself, walking on the beach. It is a type of what I call: “stepping through,” like I have stepped out of myself, out of reality, and into a different plane of relationship with the natural world. We find several fighting conch shells fairly close together and I say to my husband: “what we really need to do is find where the moon snails come up.” I turn away from the driftwood to continue walking and just as his foot begins to come down on the sand I see it…right below where his foot is poised to step, the distinctive curve of a huge moon snail shell, half-buried in the sand. I grab his arm and pull him back, making an indistinct babbling sort of squeal in my throat. I dig it up and there it is, a sun-bleached moon snail shell that exactly fills the palm of my hand. I laugh with joy and exhilaration and nearly cry in my delight. I tell my husband I feel as excited and happy and full of wild euphoria as if I’ve just given birth to another child. This is one of the best moments of my life! I crow, laughing semi-hysterically, this ranks right up there with the time we saw the otters at the river!
facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in
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