Festival of the Goddess by Deanne Quarrie

Deanne Quarrie, D.Min.
In late August, I wrote an article about the Tjet or the Knot of Isis, also called the Blood of Isis. I thought it a good idea to come back and write about the festival, now ended. We gathered in the live oaks and ashe-juniper trees, just outside of Dripping Springs, Texas. It is private land where we could be free in our choices of clothing, or not. The Festival of the Goddess is in its 24th year and going strong. We had close to 100 women and 28 little girls. Our Goddess this year was Isis, Goddess of 10,000 names.  We came with the intent to reclaim Her name from the hatred and violence perpetrated by those the media calls by Her name.
tyet2hhFriday night, I served as co-priestess in the opening rite which amazingly elevated every woman there. We called the Quarters, invoked the Elements and tied the Knot of Isis, with nine-foot-long, red sashes, on to bamboo poles cut with a cross bar, made to resemble ankhs. Each woman invoked her Element and the Power and Magic of Isis to guard and protect the space where we were gathered. We then called to Isis to join us. With doumbeks playing, Isis – yes, a real live Isis – walked into our Circle. She had two escorts who assisted Her up onto a platform where She spoke to everyone present.

isisShe was dressed, as you can imagine, in Egyptian robes with Her regal crown of horns and sun. On Her arms were Her beautiful wings. They were made by sewing men’s ties together with the small ends flapping in the breeze at the back. They stretched from Her shoulders to Her finger tips. Every woman and maiden there was able to come forward to receive a blessing from Isis. Many were enfolded in Her wings. Our Isis was a beautiful African American woman with long black hair, braided in knots. She completely embodied the spirit of Isis. This was her first time to ever come to a Goddess festival and I am sure when she agreed to her role in the ritual she thought it was going to be like a theatrical performance but she truly aspected Isis. It was amazing. I talked to her later and she told me that she never anticipated the intense emotional experience she had.

Once the blessings were completed, the women at the Quarters brought their Tjet-tied, bamboo poles to the center where a large piece of fabric was tied at the corner of each pole and then lifted to be carried over Isis as they processed up the hill to the Temple where She then moved to sit on Her throne.

We placed a basin of water at Her feet in which were the Waters of the World and asked for the blessings of Isis to purify and bless all of our waters, so polluted by mankind and to help all become more mindful of how important it is for our waters to be clean. From there we installed the four poles, knotted with the Blood of Isis, to stand guard at the Temple.

Everyone went from there to the large fire circle for drumming and merriment. (I went to bed.) Later, in the dark of night when no one was in the Temple, a life sized Isis was placed on the Throne. She was made with a wire frame, stuffed and dressed. Her Styrofoam head was painted to have dark skin and her hair and headdress were identical to those of our “live” Isis. She was amazing!

The next day I offered a Croning Rite, to mark that Passage for eight women, ready to be known as Crones. I was assisted in the ritual by the women who were serving as Crone Guardians for the weekend. I took them on a spiral of their lives from Girlhood, to Maiden, to Mother and to Crone. We all cried together with all the memories shared! That afternoon I did two workshops, back-to-back. The first was Yoni Printing and the other, to share what the Tjet means, as well as to teach women how to tie it. There were many other workshops – Intuitive Tarot – Breast Casting – Sacred Dance – Tara Dancing, to name just a few.

Once my part of the day was completed, I sat with good friends in the Crone Camp to enjoy the beautiful land, the shade and cool breeze – and to rest.  My old bones were tired!

Saturday night was the big talent show. This festival started out 24 years ago for women to come together and share their talents – artistic (as vendors) singers, dancers and musicians – to perform for their Sisters in a safe and beautiful environment. When we first started this it was held on a piece of property owned by Genevieve Vaughn who gifted the use of the land to us. It was an incredible space that even had indoor accommodation for women who needed beds. All of the performances Saturday night were wonderful. I will have to say that I enjoyed what the maidens offered the best of all. Such amazing talent – and those little girls up on the stage – fearless!

Sunday, I once more served as co-priestess to offer a closing ritual in which we honored all Women’s Blood Mysteries by asking Maidens who started their moon cycles this past year to come forward for a blessing. Then all who had carried a child in the past year and finally all who had stopped bleeding.
We offered our gratitude to all who had organized and made this festival such a success. It certainly does take a village! One of the women on the Planning Circle made a small ceramic Knot of Isis made into a necklace with cording, for every woman who came to the festival.

20161007_140333My own part, in addition to what I did on-site, was to take all incoming email messages with questions and respond with answers. I organized the first Crone Camp ever. We offered a tent already in place as well as cots to sleep on. It was the first time since we moved from Stonehaven that beds were offered. Our Crone Guardians helped by erecting and taking down our large tent. They were also there to help when needed. I also got to be the one who took care of all the women seeking scholarships. I told everyone that I definitely had the best job in the Planning Circle as I got to speak to so many marvelous women! I came home with new friends and a happy glow from being surrounded by so much love.

Deanne Quarrie. D. Min. is a Priestess of the Goddess. She is the author of five books. She is the founder of the Apple Branch where she teaches courses in Feminist Dianic Witchcraft, Northern European Witchcraft and Druidism. She mentors those who wish to serve others in their communities. She is also an Adjunct Professor at Ocean Seminary College and is the founder of Global Goddess, a worldwide organization open to all women who honor some form of the divine feminine.

Seasons in Church and Life in the Company of Women by Elise M. Edwards

TElise Edwardshis week, the Christian season of Lent began. Ugh. Lent can be so somber and serious and gloomy. Last year, I didn’t want to place myself in that frame of mind. I was experiencing grief and self-doubt and loneliness, and felt that an extended period of reflection about self-denial, Christ’s suffering, and the sinful condition of humanity might pull me into an unhealthy depression. Also, I questioned why I should seek silence and solitude when I was already experiencing too much of it. I felt isolated.

This year is different for me. Once again, I’m entering the season with a grieving heart. I’m mourning the death of my cousin. But I do not feel isolated. I am not self-doubting. This January, I spent four continuous days with mentors and peers in academia who poured love and wisdom and inspiration into me. The women in our group sought each other out and had honest and authentic conversations about the successes and struggles in our lives. We affirmed self-care. We affirmed milestone birthdays. We affirmed our bodies, despite the physical limitations we sometimes feel. We affirmed the tough decisions some had made, the transformations some were pursuing, and the exciting opportunities that had developed for others since we last met over the summer.

It was a powerful experience, but there was pain, too. We confronted fear, rejection, anxiety, exhaustion, and frustration. I felt blessed—divinely gifted—to have an opportunity to speak honestly with my sisters in the spirit about the people and issues on our hearts: challenges with students, systemic racism and sexism, menopause, children, research questions, financial decisions, romance, and health.

I was on an emotional high from the power that comes from being truly known and loved and I was reveling in the power of that love. Continue reading “Seasons in Church and Life in the Company of Women by Elise M. Edwards”

Wisdom Fiction (Part 1) by Elise M. Edwards

Elise Edwards“I was born in a strange little country town that may be like all other country towns, but I do not know. It was the world I was born to. The world is such a place that you need special things to understand it. I do not think I am a fool, but I do not understand life. It is like I am always standing in the dark somewhere. It could be on the edge of a cliff by a deep ravine… Or on a flat piece of all the land in the world… and I would not know. I would not know whether to step stand still. Either one could be a danger… When I am alone. Some lives are like that. Depending on the kindness of everybody.”

-from “Feeling for Life “ in Some Soul to Keep by J. California Cooper

In my previous post, I wrote about the truths we learn from black women’s literary tradition and from listening to the stories of those we too often ignore. Continuing that reflection over the next few months, I’d like to share some of the lessons from J. California Cooper’s short stories. The quote above is taken from the opening paragraph of one of her works.

Continue reading “Wisdom Fiction (Part 1) by Elise M. Edwards”

Story Woman by Molly

mollyatpark“Human connections are deeply nurtured in the field of shared story.” –Jean Houston

 “The universe of made of stories, not of atoms.”  –Muriel Rukeyser

This month I went searching for a quote for one of my Red Tent Initiation students. She had shared some powerful reflections about the vulnerability required to reveal our personal stories—there can be a lot of risk, sometimes shame, and more, bound up in our ability to uncover ourselves and speak our truth. What I wanted to communicate with her was the idea that in sharing our stories, including the painful pieces, we free other women to do the same. Our courage to be vulnerable, to be naked, to be flawed, to experiment with ideas, concepts, or ways of being gives permission for other people to do the same.

In 2012, I went to a dancing workshop at Gaea Goddess Gathering. The facilitator mentioned that when facilitating ritual, you have to be willing to look a little ridiculous yourself, have to be willing to risk going a little “over the top” yourself, because in so doing you liberate the other participants—“if she can take that risk and look a little goofy doing so, maybe it is okay for me to do it too.”

After a lot of digging around, I found the quote! I should have known it was from one of my favorite authors and sister FAR blogger, Carol Christ, who said:

“When one woman puts her experiences into words, another woman who has kept silent, afraid of what others will think, can find validation. And when the second woman says aloud, ‘yes, that was my experience too,’ the first woman loses some of her fear.”

This is part of what makes Red Tent Circles so powerful. When women are willing to dig into the questions, activities, and processes, to turn them over, to explore how they work in their own lives…they lose some of the fear and they encourage others to lose their fear too. Continue reading “Story Woman by Molly”

A Women’s Mosque: An Interfaith Space for Feminist Spirituality by Vanessa Rivera de la Fuente

Vanessa Rivera de la Fuente. A Women MosqueIf you thought that all I could do in regards to feminism and religion is challenge Patriarchy and tease around ladies and gentlemen of good temper and better reputation with my corrosive comments, this post may change your mind.

As I said in a previous article, this year I started, with a small group of people, a social project called Imaan, whose goal is centered on inter-faith dialogue and better visibility of the actions and contributions of women in Islam (and religion in general,) plus critical thinking on religion from a feminist and progressive perspective.

As part of the activities of Imaan, we are developing “A Women’s Mosque” project; an initiative that aims to create a meeting place for women and our spirituality. The idea came after a reunion to talk on Islam and inter-faith dialogue with women from different denominations. At one point in the discussion, they asked me about sex segregation in mosques, which led us to a broader reflection on the position of women in the religious space, both material and symbolic, and how uncomfortable we were with that.

We realized that, in a variety of ways, places of worship displace women. Whether they relegate us to separate rooms, or refuse to allow us to speak, limiting our participation to “strictly female” issues such as maternity, caregiving, the role of wife and – of course- clothing, these prohibitions are always from a patriarchal “canonical” perspective.

So we decided to join together to create our own space. Continue reading “A Women’s Mosque: An Interfaith Space for Feminist Spirituality by Vanessa Rivera de la Fuente”

Reclaiming the Feminist Beginnings of America’s Thanksgiving by Michele Stopera Freyhauf

Freyhauf, Feminism, Religion, Durham, Old Testament, Blogger, Bible, Gender, Violence, Ursuline, John CarrollFor those who are unaware of my research focus and methodology, I try to use history to reconstruct or reclaim the feminine voice through more of an exegetical lens rather than an eisegetical or ideological lens. When it comes to Thanksgiving, I have yet another opportunity to restore credit to or at least bring visibility back to a woman who fought for Thanksgiving to be recognized as a national holiday on the last Thursday of November. Her works, though plentiful and sometimes known only by title, are largely forgotten to history; Sarah Josepha Buell Hale (1788-1879) is responsible for Thanksgiving becoming a national holiday in the United States.

Certainly, I do not have to go into the disparity that befell women during the 1800’s when it came to education and overall fundamental rights – that is a history with which we are all well familiar. Hale was educated through her brother, Horatio Gates Buell, who shared his education while attending Dartmouth College and “seemed very unwilling that [Hale] should be deprived of all his collegiate advantages,” and through her husband, David Hale, a lawyer who helped her cultivate her writing skills in the evenings. They even established a small literary club with their friends that allowed her to write. Hale was left a widow at a very young age with five children, the oldest age 7. Hale, like so many women during that time period, had to find a way to support herself and her family.

Sarah Josepha Buell Hale
Sarah Josepha Buell Hale

After authoring a book of poems with her sister-in-law, The Genius of Oblivion and Other Original Poems, Hale, in 1827, published her first novel called Northwood – a book published the same year as Uncle Tom’s Cabin that also challenged slavery. From fame gained through this novel, Hale obtained a job as an editor of a women’s magazine, Ladies Book (later Godey’s Ladies Book then American Ladies Magazine), where she worked for about 40 years. She wrote about half of the material contained in the magazines, as a means of helping to educated women. Hale helped to discover and promote such authors as Edger Allen Poe, Nathaniel Hawthorne, Harriet Beecher Stowe, Lydia Maria Child, Catherine Sedgwick, Lucretia Mott, Emma Willard, Susan B. Anthony, Henry David Longfellow, Ralph Waldo Emerson, and Oliver Wendell Holmes.

She is credited for helping to establish Vassar College for women and wrote the familiar child’s poem “Mary had a Little Lamb” in 1830 (Poems for Our Children, republished in Juvenile Miscellany), Traits of American Life, which contained the story of “The Thanksgiving of the Heart:”

Continue reading “Reclaiming the Feminist Beginnings of America’s Thanksgiving by Michele Stopera Freyhauf”

Casa Coatlicue by Erica Granados De La Rosa

Erica GDLR 2On a corner adjacent to a cantina, across the street from a home full of barefoot children running through open doorways, and a few houses down from a paleteria y fruteria in San Antonio, Texas, sits a bright white house dressed up in orange trimmings – Casa Coatlicue[1]. Before you walk through the gate you notice a raised bed of herbs, a garden, a large collection of potted succulents, and a metate[2] on the ground. Walking inside you can’t help but smell the sage, copal, and other herbs and incense that have left their smoky traces on the walls of the living room, the kitchen, and then the bedroom. As the house begins to introduce itself, you notice altars in corners and crevices of each room. Your curiosity begins to churn as you notice pictures and canvasses on the walls of ancient and present day cultural symbols, including one poster that reads “This land was Mexican once, and indigenous always,” and a large picture of Selena Quintanilla that captures her warm smile and beautiful black hair. As soon as you begin to take in the colors and ancient smells, the house is introduced to you by name, Casa Coatlicue, the home of four queer young healers, dreamers, lovers, artists, scholars, and spiritual activists who are reclaiming the life-giving traditions of their ancestors.

Community altar from  workshop
Community altar from workshop

Earlier this year, I was invited to a curanderismo workshop hosted at Casa Coatlicue. The word curanderismo had an air of secrecy, power, and nostalgia of home for me. I understood curanderismo as the medicine and magic of our grandmothers, and increasingly the forgotten inheritance of our communities. As I spoke with the residents of Casa Coatlicue, we began to identify the chronic erasure and appropriation of brown folks’ spiritual traditions, food, art, and customs by predominantly white, new age culture. Saddened by the loss and the historical disconnect of our people, we collectively affirmed the urgency and importance of relearning and reclaiming our own spiritual traditions not only to tap back into our cultural identity as native and mestizo people but also to tap into a powerful tool for the transformation of our current realities. In the midst of historic and present day manifestations of systemic violence against us – young brown bodies being gunned down in our streets, whole communities being persecuted, incarcerated, and displaced, as well as forced sterilization and assimilation- there is a critical need to tap into radical and sustainable ways to not only resist but to heal. Continue reading “Casa Coatlicue by Erica Granados De La Rosa”

Mother Blessings and the Power of Ritual by Molly

Mollyblessingway 116You are the
most powerful
intelligent
inspirational

Woman

Close to my heart.

You continue to
become
exponentially more amazing.

Always giving
others the step UP.

Force of the cosmos
connecting the Web

You are.

Thank you.

–Phanie

 

Last week, my friend sat on the floor during my mother blessing ceremony and wrote the above poem for me. When she gave it to me she said, “I’m not like you, I don’t write things and share them on the internet.” It was very powerful to receive the gift of written word from someone who does not often write, but who knows how deeply writing speaks to me.  Continue reading “Mother Blessings and the Power of Ritual by Molly”

We are Worth the Time it Takes to Create a Practice by Xochitl Alvizo

Incarnation, Goddess spirituality, Xochitl Alvizo, god became fleshRecently, in response to the excellent conversation following Nancy Vedder-Shults’ post on the goddess Kali, Carol Christ commented to Nancy, “I too love our conversations, wish there was more in depth talk on our blog [FAR], maybe there will be.” Carol’s comment* struck a deep chord within me. One of the main objectives that the FAR co-founders had in creating Feminism and Religion was that it be a place where we could and would engage with one another across a diversity of feminist issues and the broad range of feminist passions and work – where we could discuss, critique, and build upon on each other’s efforts.

So two things came to mind as I reflected on Carol’s comment. The first was my personal lament that I have not been as actively participating in the discussions that follow the FAR blog posts as I did when we first started Feminism and Religion. FAR has such rich and valuable material – it really does provide a great opportunity for conversation and dialogue – and sadly I have been a passive participant as of late. I read and learn from the discussions, but I have not been joining in. I lament that. FAR is definitely a place where I could engage with others in deep conversations, but how actively am I actually doing this? Continue reading “We are Worth the Time it Takes to Create a Practice by Xochitl Alvizo”

Lessons Learned from the Atheist Alliance of America Convention by Andreea Nica

Andreea Nica, pentecostalismThe Atheist Alliance of America National Convention 2014 held earlier this month in Seattle, Washington granted me the opportunity to interview, converse with, and listen to renowned speakers, comedians, and influential figures in the atheist movement including the likes of David Fitzgerald, Dr. Steven Pinker, Dr. Rebecca Goldstein, Richard Haynes, and Dr. Richard Carrier.

This year’s convention drew in approximately 100 attendees throughout the weekend, according to Amy Monsky, Executive Director of Atheist Alliance of America (AAA). Monsky states that the AAA National Convention has several primary goals including: to bring atheists together; to hear great speakers; to network and socialize; and to raise awareness through education.

The family-friendly event was comprised of educational and activist-oriented sessions, debate, a comedy show, VIP non-prayer breakfast, film by Jeremiah Camara, “2014 Richard Dawkins Award” banquet, and a Sunday outing to Snoqualmie Falls and Chateau Ste. Michelle Winery.

Below is an overview of the sessions I attended, the conversations I had with presenters and experts, and the interviews I conducted. Continue reading “Lessons Learned from the Atheist Alliance of America Convention by Andreea Nica”