Prehistoric Feminine Icons

In this blog post I’d like to take you with me on a recent visit to the special exhibition “Arts and Prehistory”* in the Museum of Mankind (Musée de l’Homme) in Paris.**

Like the Feminine Power in London exhibition I wrote about last year, this is another ode to human imagination and creativity in connection to the mystery of life.

The exhibition features women figurines and cave paintings from dating between 26.000-34.000 years old, and I wonder how these prehistoric icons can inspire us to look at female bodies today…

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Women’s March in CA 1/22/23 by Marie Cartier

WOMENS MARCH, Long Beach, California on the 50th anniversary of the passing of Roe v Wade,
January 22, 2023

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Finding that Feeling and Standing to Heal the Earth by Caryn MacGrandle

Something happened to me while listening to a song yesterday Mycelia by Yaima Music about the Mycelium Network: the largest living organism in the world underneath our feet, connected by synapses, communicating and assisting life. I found that feeling. 

The one where you know you are on Path.

Laney Goodman who just passed, I remembered her singing and drumming.  I remembered being at ALisa Starkweather’s Daughter of the Earth events, meeting the hundreds of Priestesses that ALisa has brought together and trained over the years. Being in awe. Wishing I was a person who could do that.

I remembered that I Am.

“Starting to Hear the Earth
Standing to Heal the Earth”

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From the Archives: Storytelling as a Spiritual Practice by Nurete Brenner

This was originally posted on April 10, 2019

“The master’s tools will never dismantle the master’s house.” Audre Lorde

Question: What tools do we have that are powerful enough to dismantle the Master’s house?

Answer: Storytelling.

Storytelling does not belong to the “master.” Storytelling is subversive because it belongs to the collective and not to the individual; it gives agency to the powerless; it is not dependent on time or money, and it makes visible those who are overlooked and ignored in our globalized industrialized system.

We are not seeking to overthrow the patriarchy or “master,” and replace him with a queen. We are seeking something which Riane Eisler (2002) would call a partnership society or a society in which polarities are well balanced, in which the masculine and feminine values which we all hold are given equal weight.  We have become so indoctrinated in the patriarchal master’s way of thinking that we think we need some show of force, some violence, some upheaval to create the more beautiful world. But – truthfully – it won’t look like that. It might actually look like a group of women and men gathering together in a circle, in community, to tell stories. Storytelling is subversive because it belongs to the community; it is a medicine to transmute the toxins of industrialized society; it is a spiritual practice. Storytelling is the antidote to empire.

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Hawaiian Adventure Shamanism by Janet Maika’i Rudolph

Plumeria, one of the fragrant flowers often used in leis.

While my experience of Hawaiian spirituality isn’t explicitly feminist, I am attracted to it because of its loving and gentle nature. It doesn’t feed the patriarchy. It is a philosophy that doesn’t use dogma but rather principles. It doesn’t work as a top-down power system but rather as an internal power extending to the external world. This is reflected in one of our principles: “all power comes from within.”

I was ordained as an alaka’i (spiritual guide) in October 2016 by Serge Kahili King the founder of Aloha International. He teaches Hawaiian Adventure Shamanism or Huna for short. Huna means secret. It isn’t a secret in the sense of something that can’t be shared but rather something that is esoteric or hard to see. You can think of it like the mists of the sea, hard to distinguish and even harder to hold on to. But all real nevertheless.

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Is Sin An Antiquated Concept? by Rev. Dr. Karen Tate

I believe many could and would characterize abuse and exploitation as varying degrees of sin, from gossip and verbal intimidation on one end of the spectrum to murder, rape or thievery on the other. Yet, while we’ve normalized some acts that we recognize fall into the categories of abuse and exploitation, if you asked someone if society has normalized sin, I suspect most people would say “of course not.” I believe that cognitive disconnect is proof we’ve become numb and acculturated to many forms of abuse. The concept of sin, and what constitutes sin along with redemption, purification and penance are not on the minds of people today as they once were, despite the rampant abuse and exploitation, aka sin. We accept it like we’ve come to believe greed is good when it once was one of the Seven Deadly Sins. I think prosperity gospels too need to be evaluated for the anti-Jesus message these teachings perpetuate that does little to advance an evolved and compassionate humanity. 

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Crawl Across the Sacred Circle and Take My Hand by Caryn MacGrandle

On Winter Solstice, I hosted a Return of the Sun event at the local healing arts center where I do my Circles. We had offerings and presentations all night long. It was the first time I have ever done anything that large or public, so it was a stretch for me.

At the end of the night, a friend said, ‘Oh my, I needed this. Let’s do it once a month.’

And I thought, ‘yea, right.’

And then I thought, ‘Yea. Right.’

I’ve already started thinking about ways we could do it better and things we could change.

I feel a bit like when I first started hosting Circles nine years ago. I’m tired and judging whether or not it was worth the stress and effort.

But this time around I know it’s worth the stress and effort.

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Return to the Grandmothers and 2 Other Poems by Annelinde Metzner

 This past summer, my family and I lovingly carried my brother’s ashes to a favorite spot of his, in the woods at our grandparents’ Catskill farm.  My mind was on the simple, beautiful ritual, each of us stating memories and scattering some of the ashes around the tree, and singing a few songs. It had slipped my mind that this tree grew at the entrance of the very meadow where, at age 11, I felt urgently compelled to create a ritual for myself, just at puberty, where I connected with the Grandmothers of the four directions. No one had taught me this, and I am still in wonder at what we carry with us, undoubtedly from prior lives. I feel that this poem was my self initiating myself into the world of the Goddess, and preparing for my own future.

In this poem, the Grandmothers are speaking to me, with a bit of disdain and fond teasing.

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“Our Lady of the Shards”: Icons for the Buried and Rising by Lauren Raine MFA

Our Lady of the Midwives (2019)

When I became a feminist, I realized that somebody had to write all about this women’s art that was out there being totally ignored, and it was going to be me. And of course the ideas and the discoveries about what women’s art was……. I look at it for the information it gives me about women’s imagery, women’s psyches, women’s lives, and women’s experience.” 

 Lucy Lippard in Talking about Art Since 1976

I have been making art, masks, and theatre about “surfacing” for a very long time. As a child I was always digging at the roots of trees, fascinated by their interwoven strength, wondering how far down they went. That fascination never really left me. Sometimes it occurs to me that I and most of my colleagues are “spiritual archeologists”, sorting through artifacts and the mythic overlay of the past to re-discover and re-vitalize the present. I joined many of those colleagues for over 20 years:  un-earthing, re-inventing, and animating stories of the Great Goddess throughout world culture with the Masks of the Goddess Project (1999-2019), among other collaborations.  I am not religious, so much as I am a mythologist, following archetypal trails of myth back and back, seeking the sacred source they often reveal.

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Deconstructing and Reconstructing Love by Chasity Jones

Note: This is based on a podcast which can be heard here.

“Black love exists and Black women deserve love that does not require pain.”

What is love? What’s love got to do with pain and suffering? Are they related? Pain and love? Must one always be present with the other? In this blogpost I explore pain and suffering through a womanist perspective (centering the perspectives and lived experiences of Black women) and discuss how to live into wholeness and wellness. This is especially important because the Black community/women in particular’s experience in the US (and globally) has been and continues to be defined by pain and suffering. What are the theological implications?

How have Christian frameworks at associating love with sacrifice and pain justified the pain and suffering of Black women? How can we decolonize love so that liberated Black women are empowered to embrace a love that does not hurt first with false promises of rewards later in life or afterlife? Black women, pain does not equal love.

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