Feminism and Religion

“Ritual that is alive encourages each person to touch what is sacred in their own way, in their own time, through their own unique experience. So there evolves a dynamic dance between guiding and shaping the group’s experience and encouraging and supporting the individual’s experience, so there is a smooth and cohesive flow to the ritual.” –Suzanne Reitz and Sandy Hoyt (Celebrating, Honoring, Healing)

As a practicing priestess, one of the dynamic dances that I engage in is with the power of story. I both find that women’s stories are the vital lifeblood of conscious engagement and power-building with one another and that they can be one of the elements that bogs down a ritual and makes it lose power and magic. This is partially because the dominant culture may teach us to bond using stories in a way that actually drain our energy through “venting,” swapping complaints, trading to-do lists, and through describing behavior, motives, and character of other people. In women’s ritual space, I encourage people to dig deep, but also to share a here-and-now connection of shared experience rather than a ­there-and-then­ rendition of past experiences.

Chameli Ardagh in her Create Your Own Women’s Temple manual from Awakening Women explains:

To hold the group and space as sacred is one of the most important guidelines, and the guideline that may bring up the most questions or protests. It goes against our habits as women and against our identification with the small self; we are quite used to creating intimacy through sharing our wounds and problems. The Temple Group is not a place for processing wounds, analyzing ourselves, solving problems, complaining about our lovers, healing our addictions or sharing the stories of the personality. Many women’s circles (and support groups or sharing circles) are focused mostly on the personality. The Temple Group is, in a way, impersonal because it focuses on the larger vast nature of our true self. In the Temple Group we focus not so much on our identity as separate women, but on the whole group as one feminine divine body and expression. The impersonal guideline may sound uncaring at first, but as you explore new ways of being intimate and nourish each other as women, beyond the words, you discover that those are infinitely more fulfilling and caring than the personality talking and processing (p. 61).

I believe that we live in a storied reality and that we are constantly in the process of storying and re-storying our lives and that seeing our lives, and the lives of others, through a mythopoetic lens, can have a radically transformative impact on our experiences and our relationships. I have written about this for FAR in the past and noted that my personal lived experience is that stories have had more power in my own life as a woman than most other single influences. The sharing of story in an appropriate way is, indeed, intimately intertwined with good listening and warm connection. As the authors of the book Sacred Circles remind us “…in listening you become an opening for that other person…Indeed, nothing comes close to an evening spent spellbound by the stories of women’s inner lives.”

So, what is special about story as a medium and what can it offer to women that traditional forms of education cannot?

Stories are validating. They can communicate that you are not alone, not crazy, and not weird. Stories are instructive without being directive or prescriptive. It is very easy to take what works from stories and leave the rest because stories communicate personal experiences and lessons learned, rather than expert direction, recommendations, or advice. Stories can also provide a point of identification and clarification as a way of sharing information that is open to possibility, rather than advice-giving.

Cautions in sharing stories while also listening to another’s experience include:

• Are you so busy in your own story that you can’t see the person in front of you?
• Does the story contain bad, inaccurate, or misleading information?
• Is the story so long and involved that it is distracting from the other person’s point?
• Does the story communicate that you are the only right person and that everyone else should do things exactly like you?
• Is the story really advice or a “to do” disguised as a story?
• Does the story redirect attention to you and away from the person in need of help/listening?
• Does the story keep the focus in the past rather than the here and now present moment?
• Is there a subtext of “you should…”?

Several of these self-awareness questions are much bigger concerns during a person-to-person direct dialogue such as at a women’s retreat rather than in written form such as blog. In reading stories, the reader has the power to engage or disengage with the story, while in person there is a possibility of becoming stuck in an unwelcome story. Some things to keep in mind while sharing stories in person are:

• Sensitivity to whether your story is welcome, helpful, or contributing to the other person’s process.
• Being mindful of personal motives—are you telling a story to bolster your own self-image, as a means of pointing out others’ flaws and failings, or to secretly give advice?
• Asking yourself whether the story is one that will move us forward (returning to the here and now question above).

This work is beautiful. It is complex. It is multilayered. It is simple. It is hard. It is easy. It is rich and rewarding. It is dynamic and evolving and flowing. It is never the same.

May you be blessed with many stories together.

Note: there is a detailed audio exploration of the themes of this post available here.

Molly has been “gathering the women” to circle, sing, celebrate, and share since 2008. She plans and facilitates women’s circles, seasonal retreats and rituals, mother-daughter circles, family ceremonies, and red tent circles in rural Missouri and teaches online courses in Red Tent facilitation and Practical Priestessing. She is a priestess who holds MSW, M.Div, and D.Min degrees and wrote her dissertation about contemporary priestessing in the U.S. Molly and her husband Mark co-create Story Goddesses, original goddess sculptures, ceremony kits, and jewelry at Brigid’s Grove. Molly is the author of Womanrunes, Earthprayer, and The Red Tent Resource Kit and she writes about thealogy, nature, practical priestessing, and the goddess at Patreon and at Brigid’s Grove.