ritual – Page 3 – Feminism and Religion

The Importance of Ritual for a Goddess Woman by Deanne Quarrie

Deanne Quarrie The reason and the importance of ritual in all world religions and spiritual paths, is the achievement of a more awakened consciousness, to touch on all of the physical senses in such a way as to awaken one to a higher level of spiritual awareness. Think, for example, of the movements of the ministers on TV. Everything moves in a certain order, and if this order is not followed, people are unsettled.

It also helps to do things in a certain order, over and over, so that they become automatic, and the procedure does not interfere with the ideals in mind. For instance, when doing a healing within the circle, we can concentrate on the healing and not look at each other wondering what we are going to do now. Continue reading “The Importance of Ritual for a Goddess Woman by Deanne Quarrie”

The Healing Aspects of Ritual by Sara Wright

I have been writing and celebrating ritual for half of my life. The equinoxes and solstices and the cross quarter days (May 1, August 1, All Hallows, and February 2) comprise the eight spokes of the year. What I have learned from my research is that virtually every Indigenous culture follows this calendar in a general way – What I have gleaned from personal experience is that during these ritual periods my body is opened to the Powers of Nature in very specific ways that can be positive or/and negative.

Often I experience uncomfortable physical symptoms – feel an intense buzz, am struck by severe headaches, the feeling that I am walking on air without solid ground; I have unusual experiences with animals or plants; I am blind sided by radical insights in waking life or through dreaming. I have come to expect that usually there will be some kind of sign and if there isn’t one my body/mind isn’t in tune ritually and something is amiss – either my intentions, or the letting go (death) of some aspect of myself. The older I become the more I attempt to move through these periods with increased awareness that I am a receiver and need to be paying even closer attention… Continue reading “The Healing Aspects of Ritual by Sara Wright”

The Cuisine Cards by Laurie Goodhart

With every wonderful, heart-wrenching, deeply researched, and inspiring post I read on F.A.R., I feel less inclined to share my own somewhat out-of-step contributions to this world. Nevertheless, I keep reminding myself that they are the things that I do, and I do them because I feel compelled, and have consistently been compelled in those two specific directions — art and agriculture/wildcrafting — since childhood. Also, the paintings and prints are a product of my always thinking about and feeling into both feminism and spirituality, and the fruits of the intersection of the two. So here is another offering.

I’ve always had a fondness for the visual aspect of playing cards, and collect books on them. One image of an uncut sheet of cards printed in 1585 in Frankfurt, where the black and white cards were jammed in every which way on large sheets of paper, inspired the look of these four prints, The Cuisine Cards.

They are conceived as celebrating food and cultures from various parts of the world. The face cards are non-hierarchical in terms of rank and gender. The 10 is a Table of the suit’s food, then there are the Shaper, Mover, and Taster, who, although usually carrying on in a certain sequential order, each contribute equal value to the whole experience of eating food. Two suits have all female face cards and two all male.

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The Feast of Santo Tomas by Sara Wright

This morning I went up to the village plaza in Abiquiu to watch the dancers parade around the church with their saint who is also honored at this village festival held every year at the end of November.

This is one of the two Native American festivals that is honored each year by the genizaros who are mixed Spanish and American Indian people who embrace and practice the Catholicism that was once forced upon them.

This eclectic community is made up of descendants of Native American slaves. Those captured in warfare were brought here, converted to Catholicism, taught Spanish and held in servitude by New Mexican families. The young women and female children endured the usual atrocities perpetuated on captive females including rape at the hands of their captors. Some New Mexican male genizaros gained their freedom by serving as soldiers to defend frontier villages like Abiquiu from Indian raids. By the late 1700s, genizaros comprised one-third of the population of New Mexico. Ultimately these non – tribal peoples were assimilated into New Mexican culture.

The dances are beautiful to witness with the smallest female children dressed in predominantly white regalia some wearing a rainbow of ribbons, the young girls were dressed in red and white and had red circles of war paint inscribed on their cheeks, some of the older women also wore red, many carried turkey or eagle feathers in their hands. Most wore face paint.

Continue reading “The Feast of Santo Tomas by Sara Wright”

The Holy of Holies and the Umbilical Cord: The Evolution of a Ritual Object by Jill Hammer

In the Jewish calendar, we’re just past the holiday season—the High Holidays, the harvest festival of Sukkot, and the concluding festival of Simchat Torah when the last verses of the Torah are read and the first verses are started again. The Torah readings for these holidays speak often of the offerings once made on the altar in the Tabernacle in celebration of these festivals. Particularly on Yom Kippur, the readings mention the kodesh kodashim: the holy of holies. This enclosed sacred space contained, according to legend: the tablets of the Commandments inside an ark, topped by two cherubim that held up an empty space between them—an empty space understood to be the amplified presence of an invisible God. As I think back over my powerful summer, which was largely spent with Jewish priestesses on various retreats and adventures (in Connecticut, Mississippi, California, Costa Rica, England and Scotland), I am thinking about a unique ritual object we use, and realizing that in its own way, it is a kind of Holy of Holies.

Continue reading “The Holy of Holies and the Umbilical Cord: The Evolution of a Ritual Object by Jill Hammer”

Let’s Talk About Shame by Janet Maika’i Rudolph

Disclaimer/Trigger Warning: This post includes content about rape, sexual assault, domestic abuse, violence.

The recent, meaningful discussions on this forum about how so many of us feel broken due to our own personal histories have fortified and inspired me. I’ve marveled as women have spoken up so honestly and even brutally about the effects of trauma, rape, cold and dismissive mothers, abusing fathers and so on.

Some of you know my own story. I am a survivor of my father’s childhood abuse and then a rape at knifepoint in my early twenties. I carry a deep and abiding sense of shame. This feeling has always flummoxed me. Why should I feel shame when I didn’t do anything to create my own abuse? Shouldn’t my father have felt the shame? The rapist? Why did I get saddled with it? I was the victim (and survivor), not the perpetrator. But shame is indeed the feeling I carry and I’m not alone. Why is this feeling so pervasive? I don’t have all the answers, but I do have some clues about where to look.

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A Place Below the Cattails by Sara Wright

As a woman with Passamaquoddy roots when I first came to Abiquiu I was invited to participate in the six pueblo celebrations along the Rio Grande which made me feel blessed, grateful, included, and at “home.”

My own people’s lives and traditions were destroyed by colonial peoples centuries ago.

Yesterday I was invited to attend a river blessing on what I call Red Willow River a tributary of the Rio Grande by folks of Spanish and Indigenous descent who live here in Abiquiu on the mesa. These people, although local, are of mixed descent and do not follow the seasons and cycles of the year as the surrounding pueblos do. There is a heavy overlay of Spanish colonialism along with a restrictive (to me) Catholicism that sets this village apart from the pueblos.

Still, I was looking forward to this celebration

That was supposed to be led by Tewa Women United from the neighboring pueblos. It was a beautiful day, and of course we were all on “Indian Time” which means practically that ceremonies start when the time was right.

However, this blessing of the river didn’t come together at all. People milled around aimlessly. Some left. The children some of whom were dressed in regalia played for a while and eventually got hungry. Some complained they had to get back to school for a game.

Continue reading “A Place Below the Cattails by Sara Wright”

Sappho’s Poems as an Ethos for Women’s Ritual by Jill Hammer

For by my side you put on

many wreaths of roses

and garlands of flowers

around your soft neck

and with precious and royal perfume

you anointed yourself.

On soft beds you satisfied your passion.

And there was no dance

no holy place

from which we were absent.

–Sappho (trans. Julia Dubnoff)

Sappho, the poet from Lesbos (630-570 BCE), was considered one of the greatest poets of her time—one of her epithets was “the tenth Muse.” I discovered the poems of Sappho in my thirties and was utterly captivated. I had newly embarked on a relationship with a woman and Sappho’s love poetry (though by no means exclusively lesbian) supported the expression of eros between women. Yet even more than that, Sappho’s poems supported an erotic relationship between self and world—a relationship that included ritual as a form of intimacy. I’m not a Greek scholar—I experience Sappho’s poems in translation. Yet the translations I read back then were a revelation: a world in which women lived in circle with one another.

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Honoring the Completion of the Year, by Molly Remer

“Beginnings and endings are so very sacred, to give honor to all that has transpired, every experience, every joy, every pain, is a doorway to the magical. Hold your entire year between your hands, every day, every thought, every breath. Now bless it with gratitude, love and humility. You have done more to transform this new year than a thousand resolutions.”

–K. Allen Kay

Two years ago, at the end of the year, I was supposed to hold a closing ceremony for a year-long Ariadne’s Thread study group I had been guiding throughout the year. Every member of the circle ended up backing out of the closing circle at the last minute, but I held the ceremony in full anyway, alone in my front yard, just for myself, and expanding it to include acknowledging and appreciating all the work I had completed in 2016, including my D.Min degree. People’s reasons for backing out of the ceremony were very valid and while on a cognitive level I understood why they couldn’t come, on an emotional level I still felt let down and disappointed at being “abandoned” by them. Holding the closing ceremony for myself anyway and acknowledging that I kept my own commitment to doing a full year of this work in circle, felt like a powerful declaration and affirmation of my own worth. In fact, it was such a validating and powerful experience that I continued the practice with a personal year-end closing ceremony for 2017 as well and I will do the same for myself this year too. Continue reading “Honoring the Completion of the Year, by Molly Remer”

Women’s Ritual Dances and the Nine Touchstones of Goddess Spirituality-Part Three by Laura Shannon

Women’s apron from Pentalofos, Greek Thrace

In Rebirth of the Goddess, Carol P Christ offered Nine Touchstones of Goddess Spirituality as an alternative to the Ten Commandments. The Nine Touchstones are intended to inform all our relationships, whether personal, communal, social, or political.^[1] In this series of blogs I am exploring ways in which these Nine Touchstones are embodied in the traditional women’s ritual dances of the Balkans, which I have studied as a spiritual practice for more than thirty years.

Carol P Christ’s Second Touchstone is: ‘Walk in love and beauty.’ As she says, ‘love and beauty are the great gifts of bounteous earth’.^[2] Dancing women of the Balkans walk in love and beauty each time they put on their festive dress to dance together in the courtyard or the village square. Their ceremonial costumes are created from the bounty of the earth – just a couple of generations ago, this was literally the case, as the women tended the sheep, prepared and spun the wool, wove, sewed, embroidered and ornamented their garments with the work of their own hands. Even now, the cloth they buy is purchased with money they have earned from working and harvesting the land.

Continue reading “Women’s Ritual Dances and the Nine Touchstones of Goddess Spirituality-Part Three by Laura Shannon”